By Norman Heim. For Clarinet. Duets. Bill's Music Shelf. Classic. Intermediate. Book. 56 pages. Published by Mel Bay Publications, Inc

Composed by Various. This edition: Paperbound. German title: Orgelmusik fur Kasualien. Collection. 144 pages. Published by Carus Verlag

Grade 2

SKU: CL.011-2395-01

Concert March. Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR130). Extra full score. Composed 1991. Duration 1 minute, 55 seconds. C.L. Barnhouse #011-2395-01. Published by C.L. Barnhouse (CL.011-2395-01).

Energetic and beautifully scored, this refreshing cut-time march has the bold harmonies and memorable melodies you’ve come to expect from David Shaffer. Easy and just plain fun to play, The Patriots is a wonderful addition to any young band program.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 1

SKU: CL.015-2880-00

March. Composed by Johann Melchior Molter. Young Concert Band. Elementary Series. March. Score and set of parts. Composed 1997. C.L. Barnhouse #015-2880-00. Published by C.L. Barnhouse (CL.015-2880-00).

A delightful march for the youngest players that sounds terrific even when performed with smaller groups. Perfect as the opening number for any concert or band festival.

Trio (clar,va,perc)

SKU: BR.EB-9414

Composed by Helmut Lachenmann. Chamber music; stapled. Edition Breitkopf. World premiere: Munich, March 5, 1968EB 9414 will be published in June 2021. Music post-1945; New music (post-2000). Performance score. Composed 1966. 24 pages. Duration 16'. Breitkopf and Haertel #EB 9414. Published by Breitkopf and Haertel (BR.EB-9414).

ISBN 9790004188880. 10.5 x 14 inches.

Das Stuck stellt fur mich einen von verschiedenen Versuchen dar, aus einem streng punktuellen Musikdenken herauszufinden, mit dem ich mich seit meinem Studium bei Luigi Nono identifiziert hatte und dem ich auf meine eigene Weise treu zu bleiben entschlossen war, besonders in jener Zeit, als sich die sogenannte Avantgarde mehr und mehr auf surrealistische Kompromisse mit der burgerlichen Bequemlichkeit einzulassen schien. Die Besetzung - Klarinette, Bratsche und Schlagzeug (Marimbaphon mit Almglocken, Becken, Pauke und Bongos) - gewahrleistete eine homogene Ausgangsbasis der instrumentalen Mittel, von wo aus einerseits eine Art Klang-Gestik - das heisst enger oder weiter verzweigte Tonfigurationen - sich entwickeln liess, wahrend andererseits die Klangdifferenzierung nach innen weiter getrieben werden konnte bis hinein in die bewusstgemachte Anatomie des entstehenden (geblasenen, geschlagenen, geriebenen, gestrichenen, gezupften, getupften usw.) Tones. Zwischen diesen beiden Gegensatzen - Verflussigung des punktuell Gedachten hier und seiner Versteinerung beziehungsweise inneren Aufbrechung, Offnung dort - bewegt sich diese Musik: Gegensatze, die ich in spateren Werken bis in radikale Extreme weitergetrieben habe, wahrend hier das Ganze noch einem eher abstrakt-spielerischen Gesamtcharakter verpflichtet bleibt. (Helmut Lachenmann, 1989) Trio fluido , noch vor dem Schlagzeugsolostuck Interieur I, meinem Opus 1, entstanden, gehort einer Schaffensphase an, die noch streng strukturalistisch gepragt war, in der also ausschliesslich am akustischen Material orientierte Beziehungen und Entwicklungen kompositorisch gesteuert wurden. Was immer in diesem Stuck an Spielerischem einerseits, an Verfremdung und Klangzersetzung andererseits zu finden ist, ergab sich aus der Anwendung von solchen immanent orientierten Gesetzmassigkeiten, war also nirgends Gegenstand von expressiver Spekulation. Formal hat man es mit einer vielfach gebrochenen, aber insgesamt zugleich steigenden und fallenden Kurve zu tun: Auf dem Hintergrund scheinbar lose aufgereihter Abschnitte kehren sich mehr und mehr extreme Materialeigenschaften hervor, schliessen sich zusammen, bewirken insgesamt eine Zuspitzung, die umschlagt in den Kontrast eines statischen, durch innere Fluktuationen belebten Feldes. Dieses zerfasert sich seinerseits bis zum Schluss, wobei hinter den Tonfiguren die Gerauschkomponenten, hinter diesen die Erfahrung von der korperlichen Beschaffenheit des klingenden Stoffes und dahinter die auf solche Weise entleerte Zeit freigelegt, bewusstgemacht und in den musikalischen Zusammenhang eingegliedert wird. Strukturelles Musizieren: Das ist eine paradoxe Vorstellung. In Trio fluido entdeckt und nutzt die Musik selbst diesen Widerspruch. Mit der zunehmenden Auflosung (und zugleich der instrumentaltechnischen Ausuferung im Schlagzeug) schalen sich jene andere Materialwahrnehmung und daran gebundene Expressivitat heraus, die in meinen spateren Werken, zuerst in temA, Air und Klangschatten Ausgangshaltung bedeuteten, um die Reflexion der Bedingungen des Horens und Musizierens ins Horen selbst mit einzubeziehen. (Helmut Lachenmann, 1993) CD: Uwe Mockel, Barbara Maurer, Christian Dierstein CD Montaigne Auvidis MO 782023 Bibliography: Brunner , Eduard: krawall im saal. Eduard Brunner uber seine Erfahrungen mit der Musik von Helmut Lachenmann und die Zusammenarbeit mit dem Komponisten, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, p. 32f.

World premiere: Munich, March 5, 1968.

Edited by Jane Magrath. For solo piano. Piano Collection. Alfred Masterwork Edition. Instructional. SMP Level 6 (Late Intermediate). Collection. Standard notation, fingerings and introductory text (does not include words to the songs). 48 pages. Published by Alfred Music Publishing

Grade 1

SKU: CL.015-2880-01

March. Composed by Johann Melchior Molter. Young Concert Band. Extra full score. Composed 1997. C.L. Barnhouse #015-2880-01. Published by C.L. Barnhouse (CL.015-2880-01).

A delightful march for the youngest players that sounds terrific even when performed with smaller groups. Perfect as the opening number for any concert or band festival.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS108

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+8+5+5+2+5+2+8 pages. Duration 3 minutes, 21 seconds. Carl Fischer Music #FAS108. Published by Carl Fischer Music (CF.FAS108).

ISBN 9781491151396. UPC: 680160908899. 9 x 12 inches. Key: D major.

Annie's Gone Home, composed in the style of a spiritual, was written as a tribute to composer Bud Woodruff's mother. The tune is built on phrases of easily understandable material, but the poignant nature of the piece is marked with profundity. From the subtle bass solo to the emotional high points, the piece is inspired by this strong woman in the life of the composer.

Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.
Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals. While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.
Annie� �s Gone Home is a tribute to my Mother, Annette Fenner Hains (1923–2017). Her siblings and cousins always called her “Annie.” She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

Grade 2.5

SKU: CL.011-2288-01

Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR130). Extra full score. Composed 1990. Duration 1 minute, 56 seconds. C.L. Barnhouse #011-2288-01. Published by C.L. Barnhouse (CL.011-2288-01).

Bright, bold and easy to prepare. This exceptional concert march from the composer of Noble Heritage and Maxium is a sure fire winner.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2288-00

Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR130). Score and set of parts. Composed 1990. Duration 1 minute, 56 seconds. C.L. Barnhouse #011-2288-00. Published by C.L. Barnhouse (CL.011-2288-00).

Bright, bold and easy to prepare. This exceptional concert march from the composer of Noble Heritage and Maxium is a sure fire winner.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 2

SKU: CL.011-2862-00

Composed by Shaffer. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR175). Score and set of parts. Composed 1997. Duration 1 minute, 58 seconds. C.L. Barnhouse #011-2862-00. Published by C.L. Barnhouse (CL.011-2862-00).

EXCITING! A concert march with a definite circus flavor for mid-level bands. Capturing all of the fun and excitement of the circus while remaining playable by mid-level bands. Really Moves!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Grade 1.5

SKU: CL.015-2703-01

March. Composed by J. Williams. Young Concert Band. Norman Lee Series. Extra full score. Composed 1995. C.L. Barnhouse #015-2703-01. Published by C.L. Barnhouse (CL.015-2703-01).

Regal in nature and quite easy to perform, this Jerry Williams classic has a distinctive English flavor. Perfect for second year students and playable with smaller groups, Nottingham March is a rewarding and educational piece that is sure to please. The band set also includes an optional keyboard part which may be used both as a rehearsal aid or as a performance enhancer with smaller groups. EXCEPTIONAL FOR THIS GRADE LEVEL!

Violoncello, piano

SKU: FG.55011-903-1

Composed by Victoria Yagling. Arranged by Yuriy Leonovich. Classical, contemporary. Score and part. Fennica Gehrman #55011-903-1. Published by Fennica Gehrman (FG.55011-903-1).

ISBN 9790550119031.

Vict oria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.

This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).

Vi ctoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.

Yagli ng won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.

Yagl ing left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich.

Band Concert band - Grade 1.5

SKU: CF.FPS113F

Composed by Kevin Mixon. First Plus Performance Band. Full score. 16 pages. Duration 1 minute, 39 seconds. Carl Fischer Music #FPS113F. Published by Carl Fischer Music (CF.FPS113F).

ISBN 9780825896194. UPC: 798408096199. 9 x 12 inches.

This piece will spice up your concert and get your students learning traditional march style as well as the groove and swagger made popular by show bands. Treat students and audiences to a march with two time-honored traditions.

Concert Band - Grade 1

SKU: AP.38313S

Composed by Edwin Franko Goldman. Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles. Pop Beginning Band. Form: March. 4th of July; Patriotic; Summer. Score. 16 pages. Alfred Music #00-38313S. Published by Alfred Music (AP.38313S).

UPC: 038081429977. English.

A true classic band march prepared for your beginners. Goldman is considered band music's other March King. This endearing melody will be a welcomed addition to any program. Your audience is certain to approve!

Tuba - Pre 1

SKU: CL.074-2351-39

Composed by A. Clark and J. Williams. Band Book/Folio. Audio recording available separately (item CL.074-2351-97). Tuba book. Composed 1991. C.L. Barnhouse #074-2351-39. Published by C.L. Barnhouse (CL.074-2351-39).

The Command Performance For Beginning Band book contains 14 complete band arrangements designed to be playable by students who have completed the first few lessons of their beginning band method book, and are written using the first 6 notes learned. Inside the conductor score book is a CD accompaniment for all 14 arrangements. Each of the background accompaniments has been created using MIDI technology. The use of synthesizer voices and programmed drum patterns allows the student the opportunity to perform along with sounds and rhythms they are familiar with, but which are not generally associated with young band music. Because many of the background parts necessary for more advanced music is handled by the accompaniment recording, all instruments have the chance to play melodic and interesting material. The recordings also provides a mature pitch to match which is extremely helpful in developing listening skills. We are sure you will discover many great advantages each time you have your students pull out their books. CONTENTS: * Big Beat Boogie * Starship Journey * Brave New World * Buena Suerte * Sir Lancelot * Rock Out * America * When the Saints Go Marchin' In * A Christmas Medley * Two Favorite Carols * Folk Song Rhapsody * Kum Ba Yah * Jingle Bells * Rock Star *.

F horn - Pre 1

SKU: CL.074-2351-28

Composed by A. Clark and J. Williams. Band Book/Folio. Audio recording available separately (item CL.074-2351-97). F Horn book. Composed 1991. C.L. Barnhouse #074-2351-28. Published by C.L. Barnhouse (CL.074-2351-28).

The Command Performance For Beginning Band book contains 14 complete band arrangements designed to be playable by students who have completed the first few lessons of their beginning band method book, and are written using the first 6 notes learned. Inside the conductor score book is a CD accompaniment for all 14 arrangements. Each of the background accompaniments has been created using MIDI technology. The use of synthesizer voices and programmed drum patterns allows the student the opportunity to perform along with sounds and rhythms they are familiar with, but which are not generally associated with young band music. Because many of the background parts necessary for more advanced music is handled by the accompaniment recording, all instruments have the chance to play melodic and interesting material. The recordings also provides a mature pitch to match which is extremely helpful in developing listening skills. We are sure you will discover many great advantages each time you have your students pull out their books. CONTENTS: * Big Beat Boogie * Starship Journey * Brave New World * Buena Suerte * Sir Lancelot * Rock Out * America * When the Saints Go Marchin' In * A Christmas Medley * Two Favorite Carols * Folk Song Rhapsody * Kum Ba Yah * Jingle Bells * Rock Star *.

Piano - Elementary

SKU: HL.645049

Level 1 Elementary Level. Composed by Paul Wachs. Arranged by Wesley Schaum. Sheet music. Educational Piano. Christmas. Softcover. Op. 4/2. 32 pages. Schaum Publications, Inc. #1105. Published by Schaum Publications, Inc. (HL.645049).

ISBN 9781495080999. UPC: 008148011056. 9.0x12.0 inches.

23 easy to play pieces with lyrics and illustrations: Angels We Have Heard on High * As With Gladness Men of Old * Auld Lang Syne * Away in a Manger * Beautiful Savior * Christmas Is Coming * Coventry Carol * First Noel * Friendly Beasts * God Rest Ye Merry Gentlemen * Go Tell It on the Mountain * Hark the Hearld Angels Sing * Here We Come A-Caroling (Wassail Song) * Holly and the Ivy * It Came Upon the Midnight Clear * Jingle Bells * Joy to the World * Little Town of Bethlehem * March of the Three Kings * Nazareth * O Come All ye Faithful * Silent Night * Twelve Days of Christmas.

Trumpet and Piano

SKU: HL.50510295

Trumpet. By Istvan Sztan. By Various. Arranged by István Sztán. EMB. 1. Pedagogical performance pieces. Book Only. 58 pages. Editio Musica Budapest #Z14277. Published by Editio Musica Budapest (HL.50510295).

ISBN 9790080142776. UPC: 073999164169. 9.0x12.0x0.233 inches. Hungarian, English, German, French. Peter Toth; Istvan Sztan.

The collection contains pieces transcribed for one or two trumpets with piano accompaniment in the order of difficulty. It comprises such popular works as Mozart's Turkish March, certain movements of Handel's Water Music and Fireworks Music, the famous solo from Don Pasquale, the Neapolitan Dance from Tchaikovsky's ballet Swan Lake (for two trumpets) or a set of Christmas carols such as Stille Nacht, O Tannenbaum and Jingle bells.

Orchestra (4D2.4D1.3D1(+2Eb).4D1/8. 4+flugel.4.1,2timp,perc,2 hp,str,female chorus,boys chorus,A solo)

SKU: TM.05476SC

Composed by Gustav Mahler. Score. Lucks Music Library #A2399. Published by Lucks Music Library (TM.05476SC).

2 of the bassoons = ad lib. Religious Meditation (SATTBB chs), The Death of Ophelia (SA chs), Funeral March for the last scene of Hamlet (SATB chs).