| Masterwork Classics, Level 6
Piano seul [Partition] - Intermédiaire Alfred Publishing
Edited by Jane Magrath. For solo piano. Piano Collection. Alfred Masterwork Edit...(+)
Edited by Jane Magrath.
For solo piano. Piano
Collection. Alfred
Masterwork Edition.
Instructional. SMP Level
6 (Late Intermediate).
Collection. Standard
notation, fingerings and
introductory text (does
not include words to the
songs). 48 pages.
Published by Alfred Music
Publishing
(2)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blazing Fury Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-2862-00 Composed by Shaffer. Young Concert Band. Comm...(+)
Grade 2 SKU:
CL.011-2862-00
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR175). Score and set
of parts. Composed 1997.
Duration 1 minute, 58
seconds. C.L. Barnhouse
#011-2862-00. Published
by C.L. Barnhouse
(CL.011-2862-00).
EXCITING! A
concert march with a
definite circus flavor
for mid-level bands.
Capturing all of the fun
and excitement of the
circus while remaining
playable by mid-level
bands. Really Moves!
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nottingham Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Grade 1.5 SKU: CL.015-2703-01 March. Composed by J. Williams. Youn...(+)
Grade 1.5 SKU:
CL.015-2703-01
March. Composed by
J. Williams. Young
Concert Band. Norman Lee
Series. Extra full score.
Composed 1995. C.L.
Barnhouse #015-2703-01.
Published by C.L.
Barnhouse
(CL.015-2703-01).
Regal in nature
and quite easy to
perform, this Jerry
Williams classic has a
distinctive English
flavor. Perfect for
second year students and
playable with smaller
groups, Nottingham March
is a rewarding and
educational piece that is
sure to please. The band
set also includes an
optional keyboard part
which may be used both as
a rehearsal aid or as a
performance enhancer with
smaller groups.
EXCEPTIONAL FOR THIS
GRADE LEVEL! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on "O Tannenbaum" Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-2968-01 Composed by Shaffer. Young Concert Band. Co...(+)
Grade 2.5 SKU:
CL.011-2968-01
Composed by Shaffer.
Young Concert Band.
Command Series. Audio
recording available
separately (items
CL.WFR324 & CL.WFR187).
Extra full score.
Composed 1998. C.L.
Barnhouse #011-2968-01.
Published by C.L.
Barnhouse
(CL.011-2968-01).
A novel
arrangement transforming
the famous carol through
a number of entertaining
variations. March,
beguine and swing
treatments are all
included to create an
interesting and audience
friendly composition.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Witness for the Fallen Chorale SATB SATB divisi, A Cappella Laurendale Associates
SATB choir divisi (a cappella) - Beginning SKU: MN.CH-1299 Composed by Ch...(+)
SATB choir divisi (a
cappella) - Beginning
SKU: MN.CH-1299
Composed by Charles
Kulis. Octavo. Laurendale
Associates #CH-1299.
Published by Laurendale
Associates (MN.CH-1299).
Witness For The
Fallen was written March
of 2002, shortly after
the tragedy of 9/11. Mr.
Kulis was in the process
of writing a piece for
The Gregg Smith Singers
for their annual
composers reading in
Saranac Lake, New York.
In November of 2001 Mr.
Kulis close friend, James
Whelan, gave him a text
in which Mr. Whelan wrote
down his reactions to the
incidents of 9/11. Mr.
Whelan had witnessed so
much of what happened
that day from an office
in a building near Grand
Central Station.
Initially, Mr. Kulis had
no intention of using the
text for the compositions
he was writing. However,
he found himself coming
back to the text time
after time while writing
and ultimately made the
decision to use the text.
The music he wrote is
tonal and
straightforward. The
opening section is
underlined by an F major
chord sung by sopranos
and altos with a simple
melodic line sung by the
tenors. The harmony is
full of fourths, major
sevenths and ninths. It
has a distinctly American
sound. Witness For The
Fallen was recorded and
released by the Gregg
Smith Singers in
2007. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| North-South College All Stars Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bassoon, C...(+)
Concert Band Alto
Saxophone I, Alto
Saxophone II, Baritone
Saxophone, Bassoon,
Clarinet I, Clarinet II,
Clarinet III, Flute, Horn
I, Horn II, Horn III,
Horn IV, Oboe, Piccolo,
Tenor I, Tenor II, Tenor
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Trumpet IV - Grade 4
SKU: CF.CB133
Full Score and
Parts. Composed by
Henry Fillmore. Edited by
Robert E. Foster. FS-SWS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #CB133.
Published by Carl Fischer
Music (CF.CB133). ISBN
9780825864995. UPC:
798408064990. 9 X 12
inches. Key: Eb
major. As a
composer, Henry Fillmore
(1881-1956), was one of
the greatest
practitioners of the
American style march.
Written for the 1952
Orange Bowl game between
the North and South
College Football All
Stars, this march has all
the elements of the
mature Fillmore style:
energy, brilliance and
abundant, memorable
tunes. Robert Foster's
concert edition will
liven up any program and
would also make a great
encore. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fingerstyle Ragtime Guitar Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire Mel Bay
Squareback saddle stitch. Grossman Audio. Ragtime. Book and online audio. 143 ...(+)
Squareback saddle stitch.
Grossman Audio. Ragtime.
Book
and online audio. 143
pages.
Mel Bay Publications, Inc
#30935M. Published by Mel
Bay
Publications, Inc
$24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Black Granite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Concert Band/Harmonie - Grade 5 SKU: BT.CMP-0091-96-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.CMP-0091-96-010
Composed by James Hosay.
Symphonic Band. Set
(Score & Parts). Composed
1996. Curnow Music #CMP
0091-96-010. Published by
Curnow Music
(BT.CMP-0091-96-010).
Black Granite
is dedicated to the men
and women who gave their
lives in Vietnam, and
whose names are forever
engraved on the solemn
black granite stone wall
at the Vietnam Memorial
in Washington DC. This
heroic march is a tribute
to the fallen. A lyrical
and inspiring woodwind
chorale follows a driving
and energetic horn line.
A tremendous concert or
contest opener!
Black
Granite widmete der
Amerikaner James L. Hosay
den Männern und
Frauen, die im
Vietnamkrieg ihr Leben
ließen und deren Namen
in eine große
Steinwand, der Black
Granite stone
wall“, am
Vietnam-Denkmal in
Washington, CD,
eingraviert sind. Dieser
heroische Marsch
zelebriert den Mut und
die Integrität dieser
Menschen - auch in jedem
anderen Zusammenhang
wichtige Werte. Eine
energiereiche Hornmelodie
wird in diesem Stück
von einem lyrischen,
bewegenden Choral in den
Holzbläsern
abgelöst. Wunderbar
geeignet zur Eröffnung
eines Konzerts oder eines
Wettbewerbs! $85.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Letters to the World [Set de Parties séparées] University Of York Music Press
Soprano, Soprano Descant Recorder, Cello, Harpsichord SKU: BT.MUSM570203024(+)
Soprano, Soprano Descant
Recorder, Cello,
Harpsichord SKU:
BT.MUSM570203024
Composed by George
Nicholson. Set of Parts.
University of York Music
Press #MUSM570203024.
Published by University
of York Music Press
(BT.MUSM570203024).
English. For
Soprano, Recorder, Cello
and Harpsichord.
Published in 1997-9.
First performed by Alison
Wells, John Turner, Keith
Elcombe and Jonathan
Price, Firth Hall,
Sheffield, 12th March
2000. Parts. $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| HMS Trinidad Orchestre d'harmonie [Conducteur et Parties séparées] C. Alan Publications
(March). By George Lloyd (1913-1998). Arranged by Geoffrey Brand. For concert ba...(+)
(March). By George Lloyd
(1913-1998). Arranged by
Geoffrey Brand. For
concert band (Piccolo,
Flute 1-2, Oboe 1-2, Bb
Clarinet 1-3, Eb Alto
Clarinet, Bb Bass
Clarinet, Bassoon 1-2,
Alto Saxophone 1-2, Bb
Tenor Saxophone, Eb
Baritone Saxophone,
Cornet 1-3, . Score and
Parts.
$55.00 $52.25 (- 5%) Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Annie’s Gone Home - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS108
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+5+5+2+5+2+8 pages.
Duration 3 minutes, 21
seconds. Carl Fischer
Music #FAS108. Published
by Carl Fischer Music
(CF.FAS108). ISBN
9781491151396. UPC:
680160908899. 9 x 12
inches. Key: D
major. Annie's Gone
Home, composed in the
style of a spiritual, was
written as a tribute to
composer Bud Woodruff's
mother. The tune is built
on phrases of easily
understandable material,
but the poignant nature
of the piece is marked
with profundity. From the
subtle bass solo to the
emotional high points,
the piece is inspired by
this strong woman in the
life of the
composer.
Annies Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (19232017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's
Gone Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is easy to
interpret grief in this
music, and its presence
is undeniable, it is
really intended more as a
song of the ultimate
triumph of goodness. In
her wisdom, she was able
to capture deep thoughts
within simple phrases,
which I have also tried
to capture. Her life was
one of frequent
struggles, yet she was
inspiring to many. She
emerged from every
difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. Annieâ€
s Gone Home is a
tribute to my Mother,
Annette Fenner Hains
(1923–2017). Her
siblings and cousins
always called her
“Annie.†She
loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and
spirituals.While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Silver Celebration Orchestre d'harmonie - Intermédiaire Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4004106 Composed by John Wasson. M...(+)
Concert Band (Score) -
Grade 4 SKU:
HL.4004106 Composed
by John Wasson.
MusicWorks Grade 4.
Festival. 32 pages.
Published by Hal Leonard
(HL.4004106). UPC:
888680034399. 9x12
inches. Commissione
d by the Richardson
(Texas) Community Band,
Silver Celebration
commemorates 25 years of
service by their
conductor, George Jones.
The work combines
elements of traditional
march style and also the
bravura of epic film
scores, resulting in a
piece that is both
festive and celebratory
in nature. The opening is
a rousing 6/8 march
featuring various
sections of the band and
exciting cross rhythms,
and then contrasted with
a beautifully flowing
lyric statement. A brief
percussion feature leads
to the final section,
recapping the opening
themes with a flourish
and dramatic appeal.
Duration: 5:00. $7.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Howard Shore Collection, Volume 2 Piano seul Alfred Publishing
Composed by Howard Shore. For Keyboard; Piano; Voice. This edition: Piano So...(+)
Composed by Howard Shore.
For Keyboard; Piano;
Voice.
This edition: Piano Solo
&
Piano/Vocal/Chords.
Artist/Personality; Book;
Piano - Personality Book;
Piano Supplemental;
Piano/Vocal/Chords.
Movie.
112 pages. Published by
Alfred Music
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Siebnen Orchestre d'harmonie - Facile Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4008669 March for Concert Band,...(+)
Concert Band (Score) -
Grade 3 SKU:
HL.4008669 March
for Concert Band, Grade
3, 3:15 Score.
Composed by Franco
Cesarini. Editions Franco
Cesarini. Classical,
Concert, March.
Softcover. Duration 195
seconds. Hal Leonard
#EFC017-SC. Published by
Hal Leonard (HL.4008669).
UPC:
196288189992. Franc
o Cesarini was
commissioned to write
Siebnen by Blaise
Héritier, conductor of
the band of the town by
the same name located in
the Swiss canton of
Schwyz. The premiere of
the piece was held at the
winter concert of the
“Blasorchesterâ€
Siebnen (BSO) in 2021.
Siebnen –
available in card size
format – is a
march with a traditional
structure, with joyful
and festive melodies,
suitable for opening a
concert or for a festive
occasion. $21.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Michael Nyman: Double Concerto (Score) Music Sales
Score, Saxophone, Cello - Intermediate-Advanced SKU: HL.14023604 Composed...(+)
Score, Saxophone, Cello -
Intermediate-Advanced
SKU: HL.14023604
Composed by Michael
Nyman. Music Sales
America. Post-1900. Sheet
Music, Score. With Text
language: English. 92
pages. Music Sales
#SOS05502. Published by
Music Sales
(HL.14023604). UPC:
884088840181.
10.5x14.0x0.226
inches. Michael
Nyman's Double Concerto
was commissioned by Mazda
Cars (UK) Limited. The
work was first performed
by John Harle
(Saxophone), Julian Lloyd
Webber (Cello) and the
Philharmonia Orchestra
conducted by James Judd
on 8 March 1997 at the
Royal Festival Hall,
London. Performance
duration: 28 minutes.
Available here is the
Full Score of Nyman's
Double Concerto. $10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Confluence Orgue - Avancé MorningStar Music Publishers
Organ - Advanced SKU: MN.12-121 Composed by Joseph Willcox Jenkins. Non H...(+)
Organ - Advanced SKU:
MN.12-121 Composed by
Joseph Willcox Jenkins.
Non Hymn-Based, Recital
Music. MorningStar Music
Publishers #12-121.
Published by MorningStar
Music Publishers
(MN.12-121). UPC:
688670121210. Confl
uence was commissioned by
the Organ Artist Series
of Pittsburgh in
celebration of its
twentieth anniversary in
1999. Christa Rakich gave
the premier at the
closing concert of the
season at Calvary
Episcopal Church by in
April of 1999. It has
been performed frequently
since that time. The
title was given to honor
the joining together or
confluence of the three
rivers of Pittsburgh: the
Allegheny, the
Monongalela, and the
Ohio. Confluence is a
curious hybrid related to
both the sonata and rondo
forms. It is of the ABABA
design with the final A
quite extended by
polyphonic games and a
very noisy and triumphant
epilogue. The first idea
is driving, rhythmic,
nervous and agitated. The
second is quiet, gentle
and pastoral, that slowly
moves in its mysterious
ways, closing with a
plaintive row of a dozen
different pitches. The
composer delights in the
challenge of making tone
rows as approachable and
sing-able as possible.
Both ideas make slightly
varied restatements. At
the end, fugal
exploitation of the first
idea is followed by that
row, entering with
stentorian grandeur in
full pedal, heralding the
triumphant close. This
row, like the month of
March is referred to
frequently as coming in
like a Iamb, going out
like a lion. $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sundance Sequence [Conducteur] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570208104 Composed by Luís Tinoco. Score On...(+)
Chamber Ensemble SKU:
BT.MUSM570208104
Composed by Luís Tinoco.
Score Only. 25 pages.
University of York Music
Press #MUSM570208104.
Published by University
of York Music Press
(BT.MUSM570208104).
English. For
eleven players. Published
1999. 1(+afl).0.1(=bcl).1
/ 1.0.1.0 / pf.perc /
1.0.1.1.1 Commissioned by
the CCB/Fundacao das
Descobertas. First
performance: Lisbon
Metropolitan Orchestra
Soloists conducted by
Jean-Marc Burfin, Centro
Cultural de Belem, 17th
March 1999. Score. $29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pini Di Roma Score And Parts Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: HL.44002726 Composed by Ottorino Res...(+)
Concert Band/Harmonie -
Grade 6 SKU:
HL.44002726 Composed
by Ottorino Respighi. De
Haske Concert Band.
Concert Piece. Score
Only. Composed 1997. 70
pages. De Haske
Publications #971051.
Published by De Haske
Publications
(HL.44002726).
9.5x13.5x1.76
inches. Ottorino
Respighi (1879-1936) est
considere comme l'un des
plus grands compositeurs
italiens du debut du XXe
siecle. Respighi a
compose plusieurs operas,
des ballets, quelques
cantates, des œuvres
de musique de chambre et
des melodies pour orgue
et piano. Son style
unique a ete profondement
influence par les
impressionnistes
francais, par
Rimski-Korsakov et
Richard Strauss.
Toutefois, il est surtout
connu pour son triptyque
symphonique Fontane di
Roma (Les Fontaines de
Rome), Pini di Roma (Les
Pins de Rome) et
Feste Romane (Fetes
romaines). Dans le
poeme symphonique Les
Pins de Rome, il se
montre un maitre de
l'orchestration par son
utilisation de
timbrestres varies et
captivants. La
composition comprend
quatre mouvements et
s'ouvre par les Pins
de la Villa Borghese,
ou des enfants jouent
pres des arbres. Apres
cette introduction,
Respighi passe
brusquement aux Pins
pres d'une catacombe
: les pins projettent
leur ombre sur l'entree
d'une catacombe d'ou
s'eleve un hymne
gregorien melancolique.
Les Pins du
Janicule, est un
nocturne ou les pins se
profilent au clair d'une
lune sereine. Dans les
Pins de la Via
Appia (Voie Apienne),
le jour se leve : La
campagne tragique est
veillee par des pins
solitaires. La musique
ressuscite la vision
glorieuse d'une armee
consulaire en marche vers
le Capitole. $368.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rikudim Ensemble d'Accordéons [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Accordion Orchestra - Grade 5 SKU: BT.DHP-0981307-060 Composed by Jan Van...(+)
Accordion Orchestra -
Grade 5 SKU:
BT.DHP-0981307-060
Composed by Jan Van der
Roost. Arranged by Myriam
Mees. Accordion. March.
Set (Score & Parts).
Composed 1998. De Haske
Publications #DHP
0981307-060. Published by
De Haske Publications
(BT.DHP-0981307-060).
Rikudim (Hebrew
for “Dancesâ€)
is a four-part dance
suite based on Jewish
music. By using eastern
intervals and irregular
time changes, the
composer succeeds in
creating a slightly
melancholy but
specifically Jewish
flavoured piece.
Rikudim
(Hebreeuws voor
‘dansen’) is
een vierdelige suite van
op joodse muziek
gebaseerde dansen. Door
het gebruik van oosters
aandoende toonafstanden
en onregelmatige
maatsoorten is de
componist erin geslaagd
om enerzijdseen vleugje
melancholie en anderzijds
een specifiek joods
tintje in deze muziek te
verweven. De duidelijk
omlijnde thema’s
en de soms verrassende,
maar soms ook weer
natuurlijk overkomende
harmonisaties geven deze
‘gestileerde
volksdansen’een
directe
zeggingskracht.
Di
e vierteilige Suite
Rikudim
(hebräisch für
’Tanzen‘)
besteht aus von der
jüdischen Musik
inspirierten Tänzen.
Durch den Gebrauch von
orientalisch anmutenden
Tonintervallen und
unregelmäßigen
Taktarten ist es dem
Komponisten gelungen, in
dieser Musik einerseits
einen Hauch Melancholie,
andererseits spezifisch
jüdische Elemente
miteinander zu
verschmelzen. Die
deutlich bestimmten
Themen und die bisweilen
sehr überraschenden
und natürlichen
Harmonien bewirken, dass
diese stilisierten
Volkstänze ihre
Botschaft sehr direkt
vermitteln.
Rik
udim (de
l’hébreu
rikud,
“danseâ€) est
une suite de quatre
danses originales
inspirées de la
musique traditionnelle
juive.
L’utilisation
d’une structure
tonale orientale,
l’introduction de
mesures
irrégulières et la
richesse sonore de
l’orchestration
apportent cette
œuvre une teinte
mélancolique mais
surtout une grande
authenticité. Les
thèmes très
inspirés sont
clairement
différenciés.
L’harmonisation
quelquefois surprenante
sans jamais être
dénaturée
confère ces quatre
danses originales juives
une grande richesse
d’expression. $72.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonority Ensemble d'Accordéons [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Accordion Orchestra - Grade 3.5 SKU: BT.DHP-0960712-060 Composed by Peter...(+)
Accordion Orchestra -
Grade 3.5 SKU:
BT.DHP-0960712-060
Composed by Peter
Riedemann. Arranged by
Gerd Huber. Accordion.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1996. De Haske
Publications #DHP
0960712-060. Published by
De Haske Publications
(BT.DHP-0960712-060).
Sonority
is een stralende
concertmars in 6/8 maat
met een zeer melodieus
trio. Zoals de titel
belooft, is de klank van
het werk sonoor en warm.
Een glanzend hoogtepunt
in een volgend
concert!
Sonori
ty - zu deutsch
‘Klangfülleâ€
™ - hält, was sein
Titel verspricht: Peter
Riedemanns Komposition
ist ein prachtvoller
Konzertmarsch im 6/8-Takt
mit einem besonders
melodischen Trio. Ein
absoluter Glanzpunkt in
Ihrem nächsten
Konzertprogramm!
Cette marche
fluide et joyeuse,
écrite en 6/8,
s’interprète
avec légèreté et
souplesse. Structurée
selon la forme
traditionnelle de la
marche, Sonority
développe un thème
mélodieux qui chemine
travers le tissu
thématique du trio.
Après un passage
contrastant joué avec
panache, le thème du
trio est repris une
dernière
fois.Sonority est
une marche simple qui se
prête parfaitement une
interprétation en
salle de concert ou en
plein air. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spirit Lake Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-2324-01 Overture. Composed by Sheldon. Young C...(+)
Grade 2 SKU:
CL.011-2324-01
Overture. Composed
by Sheldon. Young Concert
Band. Extra full score.
Composed 1991. C.L.
Barnhouse #011-2324-01.
Published by C.L.
Barnhouse
(CL.011-2324-01).
The opening of
this work is boldly
announced with a fanfare
and stately march. The
drive of the exposition
gradually yields to a
reflective Andante
characterized by long
flowing melodic lines. A
marvelous young band
piece that provides
outstanding opportunities
for phrasing and
expression. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Baby Elephant Walk Quatuor de Flûtes à bec [Conducteur et Parties séparées] - Intermédiaire Music Sales
Recorder Quartet - intermediate SKU: BT.1599-08-070-MS Composed by Hal Da...(+)
Recorder Quartet -
intermediate SKU:
BT.1599-08-070-MS
Composed by Hal David and
Henry Mancini. Arranged
by Mia Schmidt. De Haske
Recorder Series. Set
(Score & Parts). Composed
2008. 8 pages. Music
Sales #1599-08-070 MS.
Published by Music Sales
(BT.1599-08-070-MS).
ISBN 9789043131117.
9x12 inches.
English-German-French-Dut
ch. Here, for
Recorder Quartet, is a
new version of
Mancini’s classic
montage of symphonic and
jazz writing, Baby
Elephant Walk.
Written for the
soundtrack of the film
Hatari (1961) this
is a sure-fire hit.
De
filmmuziekcomponist Henry
Mancini schreef het werk
Baby Elephant Walk voor
de film Hatari!
uit het jaar 1961. Ook is
het nummer gebruikt in de
Disney-tekenfilm Jungle
Book. In dit werk is het
gelukt om een optocht van
eengroep olifanten
muzikaal uit te beelden.
Mia Schmidt zette dit
werk op unieke wijze om
zonder het origineel
onrecht aan te doen. Een
zeer geslaagd arrangement
voor
blokfluitkwartet!
Den Baby Elephant
Walk schrieb der
Filmmusikkomponist Henry
Mancini zum Film
Hatari! aus dem
Jahr 1961. Durch die
geschickte Kombination
von Blech- und
Holzbläsern gelang es
ihm, den Gang eines
kleinen Elefanten
musikalisch sehr
plastisch darzustellen.
Mia Schmidt setzte dieses
Konzept in ihrer
Bearbeitung des jazzigen
Evergreens für
Blockflötenquartett
um.
Voici une
nouvelle version de la
marche dynamique
d’Henry Mancini
que l’on trouve
dans la bande originale
du film Hatari (1961).
L’arrangement de
Mia Schmidt pour Quatuor
de Fl tes Bec parvient
capturer le son
particulier de Mancini
qui combine
l’écriture
symphonique et celle du
jazz.
Una nuova
versione della marcia di
Henry Mancini che
troviamo nella colonna
sonora originale del film
Hatari (1961).
L'arrangiamento di Mia
Schmidt per quartetto di
flauto dolce riesce a
catturare il suono
particolare di Mancini
che combina la scrittura
sinfonica a quella del
jazz. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Radetzky Marsch Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
By Johann Strauss, Sr. (1804-1849). Arranged by Jos van de Braak. For Concert Ba...(+)
By Johann Strauss, Sr.
(1804-1849). Arranged by
Jos van de Braak. For
Concert Band. Grade 3.
Full score and set of
parts. Duration 3:30
$119.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Le Carnaval des Animaux G. Henle
Chamber Ensemble (Study Score) SKU: HL.51489939 (Carnival of the Anima...(+)
Chamber Ensemble (Study
Score) SKU:
HL.51489939
(Carnival of the
Animals) Study Score.
Composed by Camille
Saint-Saens. Edited by
Ernst-Gü and nter
Heinemann. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9939. Published by G.
Henle (HL.51489939).
UPC: 840126989403.
6.75x9.5x0.261
inches. For flute
(piccolo), clarinet (B
flat/C), glass harmonica,
xylophone, piano I, piano
II, violin I, violin II,
viola, violoncello,
double bass Written in
March 1886 as a humorous
occasional work for the
traditional carnival
concert organized by his
cellist friend
Charles-Joseph Lebouc,
the Carnival of the
Animals was so successful
that Saint-Saëns
banned performances and
publication soon
afterwards. He was
worried that this
“grand zoological
fantasy†–
consisting of 14 short
individual pieces for
eleven instruments
– might overshadow
his serious works. Yet
only five months after
the composer's death, it
appeared in print after
all, beginning its
worldwide victory march
– in its original
setting as well as in
numerous arrangements.
Thus, the Carnival did in
fact arguably become the
most popular work by this
French composer and,
owing to its musical
originality, it is also a
favourite in music
lessons or for school
orchestra performances.
With this combination of
a study edition and an
edition in parts (for
which additional parts
for larger numbers of
strings may be ordered),
G. Henle Publishers now
presents the perfect
resource for such
occasions.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Under The Table And Dreaming - DVD Batterie [DVD] - Intermédiaire/avancé Alfred Publishing
Performed by Carter Beauford. By Carter Beauford. Edited by Tim Landers. Arrange...(+)
Performed by Carter
Beauford. By Carter
Beauford. Edited by Tim
Landers. Arranged by
Carter Beauford. DVD
video. Level:
intermediate/advanced.
Published by Alfred
Publishing.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Baritone ABC EMB (Editio Musica Budapest)
Baritone (Baritone/Bass) SKU: HL.50606642 Student Book. Composed b...(+)
Baritone (Baritone/Bass)
SKU: HL.50606642
Student Book.
Composed by Ferenc
Steiner. EMB. Classical,
Educational, Instruction.
Softcover. Editio Musica
Budapest #Z14284.
Published by Editio
Musica Budapest
(HL.50606642). ISBN
9781705198544. UPC:
196288151180. The
baritone (euphonium) is
an important basic
instrument in brass
ensembles. The blowing
technique is similar to
that for the trombone and
tuba, but the grip and
handling technique are
easier, thus it can be
learnt as a preparatory
instrument for them, from
the age of 8 or 10. From
the initial steps, first
with breathing exercises,
lip and mouthpiece
exercises, then in
ascending order
ofdifficulty and
gradually increasing the
range of notes used, this
volume provides daily
exercises, scales,
etudes, folk tunes and
performance pieces,
initiating the learner in
the art of playing the
baritone. The textual
instructions are supplied
in three languages:
German, English and
Hungarian. The trombonist
Ferenc Steiner was born
in 1931. From 1960 to
1991 he was a member of
the Hungarian State Opera
and the Philharmonic
Society as well as the
Hungarian Brass Ensemble.
Education played a major
role in the life of
Ferenc Steiner as an
author and editor of
numerous pedagogical
editions. He began
teaching at the School of
Music in Pécs, then
moved on to the College
for Officers of the
Hungarian Defense Forces
and later continued his
teaching activity at the
Liszt Academy in Budapest
until 2001. He has passed
away on the 25th of March
in 2011. The piano
accompaniment to this
volume is published
separately (14284P). $34.95 - Voir plus => Acheter | | |
| Superman Orchestre d'harmonie [Conducteur] - Intermédiaire Belwin
Concert Band - Grade 4 SKU: AP.CB9906C Suite for Concert Band. Com...(+)
Concert Band - Grade 4
SKU: AP.CB9906C
Suite for Concert
Band. Composed by
John Williams. Arranged
by Robert Lowden. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Symphonic Band. Form:
Medley; Suite. Movie.
Score. 32 pages. Belwin
Music #00-CB9906C.
Published by Belwin Music
(AP.CB9906C). UPC:
029156958478.
English. When great
movie music is the topic,
one name comes to the
minds of most of us: John
Williams. This towering
score, as arranged for
your concert band by Bob
Lowden, contains all of
the famous John Williams
musical trademarks --
drama, power, and massive
sound blocks. The medley
contains: Theme from
Superman * The Planet
Krypton * The March of
the Villians and Finale.
Here is John Williams at
his finest! (6:50)
Medium. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Album Col.Xxe Siecle Piano Piano seul [Conducteur] Salabert
Piano SKU: BT.SLB-00267600 Composed by Alexandre Tansman. Score Only. Com...(+)
Piano SKU:
BT.SLB-00267600
Composed by Alexandre
Tansman. Score Only.
Composed 1993. 42 pages.
Editions Salabert #SLB
00267600. Published by
Editions Salabert
(BT.SLB-00267600).
Contents:
Etude-Scherzo ·
Gavotte · Mazurka a la
Chopin · Menuet ·
Petite Marche ·
Sonatine · Trois
Etudes Transcendt ·
Vingt Pieces Faciles. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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