Oboe SKU: HF.FH-1074 Oboenschule fur das Grundschulalter. An Introduct...(+)
Oboe
SKU:
HF.FH-1074
Oboenschule fur das
Grundschulalter. An
Introduction to the Oboe
for Primary School
Children. Composed by
Birgit Heller-Meisenburg.
Sheet music. With Text
language: German /
English. Friedrich
Hofmeister Musikverlag
#FH 1074. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-1074).
Virtual
Vocalise Collection.
Pavane Publications.
Instruction. Softcover.
12 pages. Pavane
Publishing #P5031.
Published by Pavane
Publishing (HL.356774).
ISBN 9781705121146.
UPC: 840126941951.
6.75x10.5
inches.
The
Cantabile Series offers
varying levels of voice
training from primary
vocal pedagogy to
comprehensive course
texts. This collection
provides 59 vocal
training exercises in
written form,
accompanying sound files,
and online video scores,
each with introductions
explaining the purpose
and goal. Vocal students
and choral singers can
sing along with
established vocal
techniques at home or in
the classroom under the
direction of acclaimed
vocal pedagogue and
Vocologist, Dr. Katharin
Rundus.
Orchestra Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 3 Trb, Timp, Arpa ad lib., ...(+)
Orchestra Coro SATB, 2
Fl, 2 Ob, 2 Clt, 2 Fg, 2
Cor, 3 Trb, Timp, Arpa ad
lib., 2 Vl, Va, Vc, Cb -
Level 4
SKU:
CA.1039800
Composed
by Johannes Brahms.
Edited by Rainer Boss.
Carus digital: Extra
digital products. Full
Score. Composed 1880/81.
Op. 82. Duration 14
minutes. Published by
Carus Verlag
(CA.1039800).
ISBN
9790007251345. Key: D
major. German/English.
Text: J.P. Morgan;
Friedrich
Schiller.
Brahms'
elegy Nanie op. 82, based
on the poem by Friedrich
von Schiller, was
composed in 1880/81
following the death of
the painter Anselm
Feuerbach, whom Brahms
greatly admired. In
contrast with the poem,
Brahms' Nanie ends full
of hope: after earthly
decline, beauty can live
on in art. As in his
Deutsches Requiem op. 45,
in Nanie Brahms creates a
musical connection
between mourning and
consolation in an
incomparable way.
Inspired by the model of
classical Roman-Greek
laments, the work adopts
the classical verse form
chosen by Schiller -
surely alluding to
Feuerbach's
classically-inspired
art. Scored for mixed
chorus and orchestra, we
are publishing the work
in a modern Urtext
edition. One or more
harps can be used ad lib.
The primary source is the
first printed edition of
1881. The latest
scholarly discoveries as
well as practical
requirements have been
taken into consideration.
Performance material is
available on sale as well
as a vocal score, based
on Brahms's original
vocal score, but in a
revised performing
version.
The Complete Singing Resorce for Primary Schools. By Shirley Court, Val Whitlock...(+)
The Complete Singing
Resorce for Primary
Schools. By Shirley
Court, Val Whitlock.
(Book and CD pak). Boosey
and Hawkes Scores and
Books. BOOK W/CD. 88
pages. Published by
Boosey & Hawkes.
Baritone Bass Clef - 1 SKU: EB.1-930292-12-0 Premier Performance. Instruc...(+)
Baritone Bass Clef - 1
SKU:
EB.1-930292-12-0
Premier Performance.
Instructional Method
Book. Ed Sueta Music
Publications
#1-930292-12-0. Published
by Ed Sueta Music
Publications
(EB.1-930292-12-0).
ISBN
9781930292123.
Prem
ier Performance(r)is an
innovative and
comprehensive band method
written with one primary
goal:providing band
directors with the most
effective and logically
sequenced instructional
materials for young
instrumentalists.Premier
Performance(r) is
carefully structured to
develop the three
cornerstones of
outstanding musicianship:
superior tone quality,
accurate rhythm reading
skills and technical
facility.Strong emphasis
is placed on rhythmic
development since this
may be the greatest
challenge facing first
and second year
students.
Premier
Performance(r) Book One
and Book Two each offer
instrument specific
downloadable
accompaniments.
Th
e first accompaniment
track features a
professional musician
playing the melody line
so students can hear and
emulate the sound of
their own instrument. The
second track eliminates
the melody line and
provides the background
accompaniment so students
may play independently.
The accompaniments
include solo and solo
accompaniment for each
student method book.
Book/Online Audio Choral (Collection with Audio) SKU: HL.361710 For Si...(+)
Book/Online Audio Choral
(Collection with Audio)
SKU: HL.361710
For Singing, Playing,
and More!.
ExpressiveArts. Classroom
Resources, Collection,
Elementary, Kodaly.
Softcover Audio Online.
112 pages. Published by
Hal Leonard (HL.361710).
ISBN 9781705127506.
UPC: 840126951400.
8.5x11.0x0.27
inches.
101 Songs
and Games for Singing,
Playing and More! is a
companion volume to
Teaching Strategies:
Rhythmic and Melodic
Elements for Intermediate
Grades. A follow-up to
100 Little Songs and
Rhymes for Primary
Grades, this book
includes a variety of
more advanced songs and
games suggested for the
preparation, presentation
and practice of each
element, suitable for
reading and writing in
grades 3, 4 and 5. Songs
are written in staff
notation, and include
extensive background
notes on historical and
cultural context, game
instructions and
suggested activities for
classroom use. This
collection also includes
digital access to
recordings featuring a
â??teacher modelâ? as
a guide for performing
and teaching the songs.
Suggested for grades
3-5.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical. Full
score. 72 pages. Duration
30 '. Breitkopf and
Haertel #PB 15108.
Published by Breitkopf
and Haertel
(BR.PB-15108).
ISBN
9790004212004. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Guitar; Chamber Music for Strings SKU: UT.PEB-29A Composed by Luigi Bocch...(+)
Guitar; Chamber Music for
Strings
SKU:
UT.PEB-29A
Composed
by Luigi Boccherini.
Edited by Andrea
Schiavina and Fulvia
Morabito. Saddle
stitching. Luigi
Boccherini Opera Omnia.
Classical. Score. 52
pages. Ut Orpheus #PEB
29A. Published by Ut
Orpheus (UT.PEB-29A).
ISBN 9790215319554. 9
x 12 inches.
The
Quintets nos. 1-7, 9 and
the 12 Variazioni
sulla Ritirata di
Madrid, for guitar
and string quartet, are
not listed in
Boccherini’s
autograph catalogues, nor
in the Catalogo
Boccherini y Calonje, nor
in the Catalogue Baillot.
However they are
mentioned in the
Catalogue Picquot, and
they have come down to us
through three
non-autograph manuscripts
and three unauthorized
printed editions of the
early twentieth century.
The documentary evidence
establishes their
authorship, their dating
and the relevant musical
source, as the single
movements for the most
part are transcriptions
of compositions for other
instrumental
settings.
The
primary source of the
Quintets 1-6 is ms. Wc,
Washington (DC), Library
of Congress, Ms. M. 574.
B Case, olim M. 572. B65
Case [RISM A/II: deest].
Written in Madrid in 1811
by François de Fossa,
it derives from a copy
prepared by Boccherini
for the commissioner of
the pieces, Francisco
Borja de Riquer y de Ros,
marquis of Benavent, an
amateur guitarist and
patron of Boccherini from
1796.
Second String Quartet Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Subito Music
String Quartet SKU: SU.27040230 For String Quartet. Composed by Gr...(+)
String Quartet
SKU:
SU.27040230
For
String Quartet.
Composed by Gregory J.
Hutter. Chamber Music,
String
Trio/Quartet/Quintet.
Score & Parts. Subito
Music Corporation
#27040230. Published by
Subito Music Corporation
(SU.27040230).
Inspired by
minimalism, the primary
composition concern was
to create a large-scale
work employing a sparse
melodic and harmonic
content: most of the
harmonic and thematic
material is derived from
a diatonic five-note
chord. The four movements
of this quartet are
played without pause and
are partitioned by a
recurring chorale.String
Quartet Duration: 20'
Composed: 2000 Published
by: Hutter Music.
Guitar; Chamber Music for Strings SKU: UT.PEB-28A Composed by Luigi Bocch...(+)
Guitar; Chamber Music for
Strings
SKU:
UT.PEB-28A
Composed
by Luigi Boccherini.
Edited by Andrea
Schiavina and Fulvia
Morabito. Saddle
stitching. Luigi
Boccherini Opera Omnia.
Classical. Score. 48
pages. Ut Orpheus #PEB
28A. Published by Ut
Orpheus (UT.PEB-28A).
ISBN 9790215319530. 9
x 12 inches.
The
Quintets nos. 1-7, 9 and
the 12 Variazioni
sulla Ritirata di
Madrid, for guitar
and string quartet, are
not listed in
Boccherini’s
autograph catalogues, nor
in the Catalogo
Boccherini y Calonje, nor
in the Catalogue Baillot.
However they are
mentioned in the
Catalogue Picquot, and
they have come down to us
through three
non-autograph manuscripts
and three unauthorized
printed editions of the
early twentieth century.
The documentary evidence
establishes their
authorship, their dating
and the relevant musical
source, as the single
movements for the most
part are transcriptions
of compositions for other
instrumental
settings.
The
primary source of the
Quintets 1-6 is ms. Wc,
Washington (DC), Library
of Congress, Ms. M. 574.
B Case, olim M. 572. B65
Case [RISM A/II: deest].
Written in Madrid in 1811
by François de Fossa,
it derives from a copy
prepared by Boccherini
for the commissioner of
the pieces, Francisco
Borja de Riquer y de Ros,
marquis of Benavent, an
amateur guitarist and
patron of Boccherini from
1796.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
5231-23. Published by
Breitkopf and Haertel
(BR.OB-5231-23).
ISBN
9790004337080. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Bartók
probably first played
pieces by Domenico
Scarlatti in public in
1911. During the next two
decades he featured them
in his piano recitals
more than 60 times. His
dedication to Italian and
French Baroque music is
also illustrated by the
fact that, in 1920, he
signed a contract with
the Budapest publisher
Rozsnyai to edit seven
volumes of Baroque
keyboard music. His plan
was to select
compositions by Couperin
and Rameau in addition to
pieces by Scarlatti, but
during the 1920s it ended
up being only two volumes
of Couperin and another
two comprising ten
compositions by
Scarlatti. In editing
these masterpieces,
Bartók's aim was
primarily to
counterbalance or
evenovershadow the works
by the
Mendelssohn-Schumann
epigones used in primary
and secondary music
education. The present,
single-volume collection
comprises Bartók's two
Scarlatti volumes,
complete with an
editorial preface, his
detailed performing
instructions, and his
commentary. The editor
recommends these
compositions for pianists
with at least five years'
experience, and gives
practical recommendations
for the grouping of
individual items to form
charming sonatina-like
sets of pieces.
Bartók spielte
wahrscheinlich 1911
erstmals Werke von
Domenico Scarlatti
öffentlich und in den
folgenden zwei
Jahrzehnten ließ er
sie an seinen
Klavierabenden mehr als
sechzig Mal erklingen.
Seine Verbundenheit mit
der italienischen und
französischen
Barockmusik beweist sich
auch darin, dass er 1920
einen Vertrag mit dem
Budapester Verlag
Rozsnyai über die
Herausgabe von sieben
Heften mit Werken der
Klaviermusik schloss.
Geplant war, dass er das
Material der Bände
sowohl mit Werken
Scarlattis als auch mit
Kompositionen Couperins
und Rameaus
zusammenstellte. Im Laufe
der 1920er-Jahre kam es
schließlich zur
Herausgabe einer
Couperin-Auswahl in zwei
Heften sowie - ebenso in
zwei Heften - von zehn
Scarlatti-Kompositionen.
Mit der
Veröffentlichung
dieser Meisterwerke
beabsichtigte Bartók
in erster Linie, den
Mendelssohn-Schumann-Epig
onen bereits in der
Musikausbildung in der
Grund- und Mittelstufe
entgegenwirken und ihre
Werke in den Hintergrund
treten zu lassen.
Die
vorliegende Publikation
versammelt in einem Band
das Material der beiden
mit Bartóks Vorwort,
detaillierten
Vortragsanweisungen und
Anmerkungen erschienenen
Scarlatti-Hefte. Der
Herausgeber empfiehlt
PianistInnen diese
Kompositionen seit
mindestens fünf Jahren
zum Klavier spielen und
gibt auch praktische
Vorschläge dafür,
wie man die einzelnen
Stücke zu einem
attraktiven
Sonatina-artigen Ganzen
gruppieren kann.
2 pianos, 4 hands SKU: BO.B.3723 Composed by Marc Vidal. Published by Edi...(+)
2 pianos, 4 hands
SKU:
BO.B.3723
Composed by
Marc Vidal. Published by
Editorial de Musica
Boileau (BO.B.3723).
L'Ull de vent
[Wind's eye] is a four-
hand piano work for
students who want to
begin with that type of
piano playing. It was
composed and dedicated to
two of my students,
Andrea and Nuria, who
premiered the work at
Bisbal del Penedes School
of Music during their
elementary studies. The
name of the work refers
to public primary school
of the town; a modernist
singular building built
by the architect Antoni
Pons Dominguez. The
wind's eye is a place,
where possibly go all the
winds of the lower
Penedes
region.
The pieces
have a progressive
difficulty, where student
can work the basic
aspects of four-hand
piano playing, in
complement with
particular piano study.
Finally, what really I
looked for, besides that
students loved more music
and piano, is that
through its effort they
can be able to listen
what music dictates to
their imagination.
Symphony No. 8 Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
By Johann Stamitz. Arranged by Bob Phillips. Music by Johann Stamitz / arr. Bob ...(+)
By Johann Stamitz.
Arranged by Bob Phillips.
Music by Johann Stamitz /
arr. Bob Phillips. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 2
(grade 2). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Flexible Ensemble - late intermediate SKU: BT.EMBZ14861 Kammermusikser...(+)
Flexible Ensemble - late
intermediate
SKU:
BT.EMBZ14861
Kammermusikserie mit
variabler Besetzung.
EMB Ad Libitum.
Educational Tool. Set
(Score & Parts). Composed
2013. 60 pages. Editio
Musica Budapest
#EMBZ14861. Published by
Editio Musica Budapest
(BT.EMBZ14861).
Die
Bände der neuen Serie
beinhalten leichte,
mittelschwere oder
fortgeschrittene Duos,
Trios und Quartette.
Bei der
Zusammenstellung lag das
Hauptaugenmerk auf der
höchstmöglichen
Freiheit in der
Kombinierbarkeit der
Instrumente sowie darauf,
dass die Kompositionen
für Musikschuler und
Hobbymusiker musikalisch
interessant und wertvoll
sind. Aus diesemGrund
handelt es sich bei allen
Stücken um
Transkriptionen. Lage und
Tonumfang der Stimmen
sind so gesetzt, dass
sich die Werke allen
denkbaren Umständen
und Anspruchen anpassen
und entsprechend in jeder
Kombination der
angegebenen
Musikinstrumentevorgetrag
en werden
können.
I volumi della
serie Ad Libitum
propongono trascrizioni o
arangiamenti di opere per
trio e quartetto di
livello facile,
intermedio e avanzato.
L´estensione e il
registro delle parti
permettono a questi brani
di adattarsi a tutte le
esigenze edi essere
eseguiti da ogni
combinazione di
strumenti.
Orchestra Orchestra SKU: PR.416413710 For Chamber Orchestra. Compo...(+)
Orchestra Orchestra
SKU: PR.416413710
For Chamber
Orchestra. Composed
by Clint Needham.
Watkiss. Contemporary.
Full score. With Standard
notation. Composed 2008.
92 pages. Duration 21
minutes. Theodore Presser
Company #416-41371.
Published by Theodore
Presser Company
(PR.416413710).
ISBN
9781598068214. UPC:
680160587162. 9x12
inches.
Needham's
original intent with
Chamber Symphony was to
encapsulate the 2008
presidential election,
from the Democratic
primaries to the historic
general election campaign
and win of Barack Obama.
But, says Needham, In the
midst of the general
election circus, I
decided to broaden my
inspiration and have the
work's overall goal focus
on the larger ideas of
hope and transformation.
Chamber Symphony was
commissioned by the
American Composers
Orchestra with generous
support of Paul
Underwood. Additional
support was from the
National Endowment for
the Arts. I originally
envisioned a work
inspired by the political
landscape of the 2008
presidential election,
focusing primarily on the
hard-fought Democratic
Primary race. I was
fascinated by the
historic and hopeful
spirit that both the
Barack Obama and Hillary
Clinton campaigns
embodied. Sometime later,
in the midst of the
general election circus,
I decided to broaden my
inspiration and have the
work’s overall
goal focus on the larger
ideas of hope and
transformation. Chamber
Symphony is constructed
in three movements
(played without pause):
I. Hammering Out, II.
Open-ended Echoes, and
III. Radiant Nation. The
titles suggest a general
atmosphere that each
movement attempts to
express. The outer
movements, both quick in
tempo, act as the
antithesis of each other
in terms of mood.
“Hammering
Out†employs an
aggressive, relentless,
pounding beat that
frequently shifts, often
emphasized with metallic
sounds. “Radiant
Nation†is much
lighter and more
optimistic in tone, and
uses an up-beat groove
throughout the movement.
The middle movement,
“Open-ended
Echoes,†is the
proverbial calm after the
storm. Unlike the outer
movements,
“Open-ended
Echoes†is almost
void of any strong sense
of pulse. The movement
attempts to create a
peaceful, contemplative
mood that transforms the
volatile nature of the
first movement tothe
radiant spirit of the
last. Chamber Symphony
was commissioned by the
American Composers
Orchestra for its
Orchestra Underground
Series with the generous
support of Paul
Underwood. Additional
support for the
ACO’s Emerging
Composers Program comes
from the National
Endowment for the
Arts.— November 5,
2008.
Piano, Vocal and Guitar SKU: HL.14004875 Composed by Linda Lehun. Music S...(+)
Piano, Vocal and Guitar
SKU: HL.14004875
Composed by Linda Lehun.
Music Sales America.
Educational Tool. Book
[Softcover]. Edition
Wilhelm Hansen #WH30416.
Published by Edition
Wilhelm Hansen
(HL.14004875).
ISBN
9788759809433.
Danish.
The
favourites of children -
120 favourites in one
book! The music teacher's
indispensable handbook.
Linda Lehun has through
her years as a teacher of
music in the primary
school collected a large
number of songs that the
children have chosen
themselves. The songs
range from the simple
songs usually sung by the
younger pupils till the
older classes, where eg
Mona, Mona, Mona, hvornar
kommer den dag ... still
is a hit. With Bornenes
Favoritter the teacher is
well dressed for
teaching, singing etc.
All songs are written in
keys easy to sing and
with contemporary chords.
Anne Lassen has
illustrated
everything.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 1. Sacred vocal
music, Requiem. Single
Part, Viola 1. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/13. Published by
Carus Verlag
(CA.2731813).
ISBN
9790007201883. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Piano, Vocal and Guitar SKU: HL.14021541 By Alison Hedger. By Debbie Camp...(+)
Piano, Vocal and Guitar
SKU: HL.14021541
By Alison Hedger. By
Debbie Campbell. Music
Sales America. Musicals.
Cassette. Composed 2015.
Golden Apple Productions
#GA11092. Published by
Golden Apple Productions
(HL.14021541).
English.
Minibea
st Madness takes a
humorous and delightfully
appealing look at a bug's
life, as fiesta guests
gather in the garden on
midsummer's night. The
ten new songs from Debbie
Campbell will both amuse
and provide excellent new
repertoire for young
singers.Minibeast Madness
can be performed as a
musical or concert piece
and is ideal for use with
conservation projects.
Approximate duration as a
musical is 45mins. The
musical suits Key Stages
2 and 3, but also has
parts which can be taken
by younger children, and
is appropriate for whole
primary school
productions. If you need
to license a school/youth
theatre performance of
this product, please use
the online application
form.
Voice and piano SKU: M7.CP-13353900 Opera Completa per Canto e Pianofo...(+)
Voice and piano
SKU:
M7.CP-13353900
Opera Completa per
Canto e Pianoforte, In
Brochure. Composed by
Giuseppe Verdi. Edited by
Martin Chusid. This
edition:
Paperback/Softcover.
Sheet music. Vocal score,
Vocal Score based on the
Critical Edition. 357
pages. MDS (Music
Distribution Services)
#CP 13353900. Published
by MDS (Music
Distribution Services)
(M7.CP-13353900).
ISBN
9788875920135.
Cons
idered to be one of
Verdi's operatic
masterpieces,
Rigolettotells the story
of three primary
characters, the
Rigoletto, his daughter
Gilda and the Duke of
Mantua. A curse is laid
upon Rigoletto and the
Duke, and their enmity
deepens as Gilda falls
further in love with the
latter. This edition
contains the Vocal score
with an arrangement for
Vocals and Piano
accompaniment.
Christian, Children,
Children's Musicals,
Contemporary Christian,
Gospel, Inspirational.
Duration 3:30. Jackman
Music Corporation #02027.
Published by Jackman
Music Corporation
(JK.02027).
This
spirit-rich accompaniment
of I Am a Child of God
beautifully illuminates
the eternal truth that we
have a loving Heavenly
Father. Children will
have no trouble learning
the arrangement as they
sing the familiar melody
right out of the Primary
Songbook. The
accompaniment is medium
hard in difficulty yet
very intuitive to play.
The sheet music includes
the children's part and
accompaniment.
Words: Naomi Ward
Randall Music: Mildred
Tanner
Pettit Arrangement:
Grant
Gibbons Difficulty:
Easy for Children's
Chorus/Medium Hard
Accompaniment Duration
: approx.
3:30 Scripture
References: Romans 8:16,
Psalm 82:6, Mosiah 4:15,
Doctrine and Covenants
14:7 I Am a Child of
God Song Kit is also
available separately
HERE. It is a resource
designed to facilitate
spirit-filled learning of
this beloved children's
song using beautiful
graphics, reverent
activities, scriptures,
as well as the sheet
music.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 8 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-26.
Published by Breitkopf
and Haertel
(BR.OB-15108-26).
ISBN
9790004339626. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.