Double bass SKU: BA.BA09079-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass
SKU:
BA.BA09079-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_85. Published by
Baerenreiter Verlag
(BA.BA09079-85).
ISBN
9790006531431. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Piano SKU: HU.HN327 Piano Works Volume 3. Composed by Felix Bartholdy Mendelsso...(+)
Piano
SKU: HU.HN327
Piano Works Volume 3.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Rudolf Elvers.
Piano Solo, Piano and
Keyboard, Repertoire,
Collections. Songs
without words. Classical,
Romantic. Softcover Book.
193 pages. G. Henle
#HN327. Published by G.
Henle (HU.HN327).
12.2 x 9.3 x 0.5 inches.
Piano; Viola - easy to intermediate SKU: HL.49019370 Viola and Piano(+)
Piano; Viola - easy to
intermediate
SKU:
HL.49019370
Viola
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Arranged by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Op. 30/3. 6
pages. Schott Music
#ED21476. Published by
Schott Music
(HL.49019370).
ISBN
9790001189804. UPC:
884088992378.
9.0x12.0x0.052
inches.
'Songs
Without Words' - that's
what Felix Mendelssohn
Bartholdy (1809-1847)
called his lyrical piano
pieces, romantic
miniatures in which the
composer wanted to 'sing'
on the keyboard
instrument. With them, he
invented an entirely new
form of chamber music
playing in the 19th
century. These 'Songs'
are also perfectly
suitable for duet
playing: for a melodic
instrument with piano
accompaniment. The 'Song
Without Words' Op 30/3 is
a rewarding lyrical solo
piece.
Tenor Saxophone and Piano SKU: HL.49016045 Composed by Richard Wagner. Ar...(+)
Tenor Saxophone and Piano
SKU: HL.49016045
Composed by Richard
Wagner. Arranged by Larry
Teal. Edition Schott.
Classical. Book Only. 304
pages. Schott Music
#GS33057. Published by
Schott Music
(HL.49016045).
ISBN
9780793554072. UPC:
073999305708. 305 X 229
inches.
Selected and
edited by Larry Teal.
Fourteen numbers by J.S.
Bach, Beethoven, Brahms,
Dvorak, Granados,
Mendelssohn, Saint-Saens,
Schubert and Tchaikovsky.
With piano accompaniment.
For ABRSM examinations
grade 6 and 7 Tenor
Sax.
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediat...(+)
73 Selections from the
All-Time Greatest Music.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x12
inches. 272 pages.
Published by Hal Leonard.
SKU: CA.4012730 Composed by Felix Bartholdy Mendelssohn. Edited by Gunter...(+)
SKU: CA.4012730
Composed by Felix
Bartholdy Mendelssohn.
Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Mendelssohn.
German title: Passion +
Karfreitag (2). Sacred,
Motets, Psalms, German;
Stuttgart Urtext
editions; Use during
church year: Lent and
Passiontide, Ascension,
Holy Week. Full score. 4
pages. Carus Verlag #CV
40.127/30. Published by
Carus Verlag
(CA.4012730).
ISBN
9790007062576.
Scor
e available separately -
see item CA.4012700.
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5581
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Thomas Schmidt.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Full
score. 140 pages.
Duration 30'. Breitkopf
and Haertel #PB 5581.
Published by Breitkopf
and Haertel (BR.PB-5581).
ISBN 9790004213919. 10
x 12.5 inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Violin 2 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-16
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-16. Published by
Breitkopf and Haertel
(BR.OB-5581-16).
ISBN
9790004343210. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5598-07
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Study
Score. 132 pages.
Duration 30'. Breitkopf
and Haertel #PB 5598-07.
Published by Breitkopf
and Haertel
(BR.PB-5598-07).
ISBN
9790004214954. 6.5 x 9
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Double bass (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-27
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-27. Published by
Breitkopf and Haertel
(BR.OB-5581-27).
ISBN
9790004343241. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Viola (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-19
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-19. Published by
Breitkopf and Haertel
(BR.OB-5581-19).
ISBN
9790004343227. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Violin 1 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-15
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-15. Published by
Breitkopf and Haertel
(BR.OB-5581-15).
ISBN
9790004343203. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Organ SKU: BA.BA09076-67 Composed by Felix Bartholdy Mendelssohn. Edited ...(+)
Organ
SKU:
BA.BA09076-67
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. MWV A 23. 3
pages. Baerenreiter
Verlag #BA09076_67.
Published by Baerenreiter
Verlag (BA.BA09076-67).
ISBN 9790006531554.
32.5 x 25.5 cm inches.
Text: William
Bartholomew.
Mendel
ssohn's setting of Psalm
98 was written in a few
weeks to satisfy a
commission in his new
position as general music
director of Prussia and
was premiered by the
Berlin Cathedral Choir on
1 January 1844. As he
neither released the work
for publication nor
produced a vocal score,
his psalm setting did not
appear in print until
after his
death.
For this
edition the authoritative
Mendelssohn specialist
John Michael Cooper drew
primarily on the
autograph score with its
many subsequent
corrections and
amendments. In this way
it differs from many
other editions, which
tend to treat the
autograph as a
subordinate source.
Rounding off the edition
are an informative
Foreword and a detailed
Critical Commentary. The
piano reduction is based
on the first printed
edition, published by F.
Kistner and Evers & Co.
in 1851.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
19 Kompositionen, Fingersatze von Anette Topel. Ausfuhrliches Vorwort (deutsch, ...(+)
19 Kompositionen,
Fingersatze von Anette
Topel. Ausfuhrliches
Vorwort (deutsch,
englisch, franzosisch).
By Felix Mendelssohn
Bartholdy. Edited by
Michael Topel. For Piano.
Playing Score. Published
by Baerenreiter-Ausgaben
(German import).
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-16. Published by
Breitkopf and Haertel
(BR.OB-5624-16).
ISBN
9790004348673. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. Arranged by Felix
Bartholdy Mendelssohn.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Vocal
Score. Opus 31, MWV A 9.
Baerenreiter Verlag
#BA09079_90. Published by
Baerenreiter Verlag
(BA.BA09079-90).
ISBN
9790006531448. 27 x 19 cm
inches. Text Language:
Latin, German. Preface:
John Michael Cooper.
Text: Felix Mendelssohn
Bartholdy.
The
first great orchestral
psalm
Mendelssohn'
s first great orchestral
psalm took almost six
years to complete, from
the initial sketches and
the first version of 1830
to the final version of
1835. Its premiere which
took place at the Leipzig
Gewandhaus did not take
place until
1838. Unlike his other
orchestral psalms,
Mendelssohn took the
Latin words from the
Vulgate as his principal
text which stems from
Psalm 113. When he later
prepared his own German
translation, he made use
of Psalm 115 from the
Luther Bible.
This
edition by the leading
Mendelssohn authority
John Michael Cooper
incorporates all the
relevant sources. In
accordance with the
work's genesis, the vocal
parts are underlaid with
the Latin text, and the
German text appears
underneath. Rounding
off this Urtext edition
are an informative
Foreword and detailed
Critical
Commentary.
The
piano reduction stems
from Mendelssohn
himself.
*
Informative Foreword in
the score (Ger/Eng) *
Text underlay in two
languages (Lat/Ger) *
Piano reduction by the
composer
By Felix Mendelssohn. For Piano. This edition: 2 copies required. Piano Duo (Two...(+)
By Felix Mendelssohn. For
Piano. This edition: 2
copies required. Piano
Duo (Two Pianos, Four
Hands). Masterwork.
Level: Advanced. 44
pages. Published by
Alfred Publishing.
String quartet (V2) - intermediate to advanced SKU: HL.49006699 Origin...(+)
String quartet (V2) -
intermediate to advanced
SKU: HL.49006699
Original movement from
300 years ago. Edited
by Helmut W. May. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Individual
part. 24 pages. Schott
Music #ED 6838-12.
Published by Schott Music
(HL.49006699).
ISBN
9790001072441.
9.0x12.0x0.068
inches.
Den
wachsenden Trend zur
Kammermusik vor allem
junger Spieler kommt
diese Sammlung einzelner
leichter Quartettsatze
aus Vorklassik, Klassik,
Romantik und neuerer
Musik entgegen. Partitur
und Stimmen enthalten
Spielhilfen. Eine
nutzliche Ausgabe fur den
Kammermusikunterricht.
Piano - intermediate to advanced SKU: HL.49009087 No. 9 E Major and No...(+)
Piano - intermediate to
advanced
SKU:
HL.49009087
No. 9
E Major and No. 34 C
Major. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Emil von Sauer. This
edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical. Op.
30/3 and op. 67/4. 8
pages. Schott Music #ED0
8767. Published by Schott
Music (HL.49009087).
Cello (Violoncello) SKU: BA.BA09071-82 Composed by Felix Bartholdy Mendel...(+)
Cello (Violoncello)
SKU: BA.BA09071-82
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Oratorium (Oratorios).
Single part. Opus 36. 67
pages. Baerenreiter
Verlag #BA09071_82.
Published by Baerenreiter
Verlag (BA.BA09071-82).
ISBN 9790006527649.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
second violin. This
edition: Urtext edition.
Stapled. Part(s). Opus
42. 13 pages. Published
by Baerenreiter Verlag
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
viola. This edition:
Urtext edition. Stapled.
Part(s). Opus 42. 11
pages. Published by
Baerenreiter Verlag
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
orchestra (2 flutes/2
oboes/2 clarinets/2
bassoons/4 horns/2
trumpets/3
trombones/timpani). This
edition: Urtext edition.
Stapled. Set of winds.
Opus 42.
7/7/7/6/7/7/7/7/5/5/5/5/3
/3/3/3/3/3 pages.
Published by Baerenreiter
Verlag
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
first violin. This
edition: Urtext edition.
Stapled. Part(s). Opus
42. 13 pages. Published
by Baerenreiter Verlag
On July 30, 1838, Mendelssohn wrote to Ferdinand David, his concertmaster at Lei...(+)
On July 30, 1838,
Mendelssohn wrote to
Ferdinand David, his
concertmaster at Leipzig,
telling him that he would
like to write a Violin
Concerto for him: One
in E minor goes through
my head, and the
beginning will not leave
mein peace. This
Violin Concerto is now a
pillar of the Violin
repertoire and is
commonly known as the
Mendelssohn Concerto
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