Even Mozart had to learn how to play the piano. This collection of easy works includes pieces composed by both young Mozart and by his father, for his piano lessons. Including pieces from the volume Notebook for Wolfgang alongside popular pieces by Mozart such as Ah vous dirai-je Maman (variations) and themes from Sonata in A major KV 331 and Sonata in C major KV 545. All pieces can be played with or without pedal. / Piano

Piano Pieces • Piano Variations. Par HAYDN FRANZ JOSEF. Les oeuvres réunies dans ce volume fournissent un exemple de l’évolution des instruments à clavier: les premières pièces ont été écrites pour le clavecin, deux d’entre elles pour un instrument équipé de l’«octave basse viennoise», qui permettait de jouer d’une main des accords allant au-delà de l’écart de la main. Notre édition joint à ces passages, sous forme de notes, des propositions d’exécution. Pour les oeuvres ultérieures, c’est le «Hammerklavier», le piano à marteaux, qui entre en ligne de compte. Haydn arrangeait aussi volontiers ses propres compositions, par exemple le «Largo assai» extrait du quatuor «le Cavalier» pour le piano. Le doigté de cette édition Urtext amplifiée, entièrement revue et corrigée est de Christine Schornsheim, spécialiste de la pratique d’exécution historique. ? / Partition reliée / Répertoire / Piano

This collection of the most beautiful 100 easy original compositions for piano presented by Schott contains a selection of works that accompany every pupil in the first years of his or her piano lessons.



The volume contains compositions from the days of Johann Pachelbel (1653-1706) to the days of Alexander Grechaninov (1864-1956), providing playing material from the high baroque period to the early 20th century. Apart from numerous individual pieces, there are also easy sonatas and sonatinas by Haydn, Cimarosa, Clementi, Mozart and Beethoven. Complete with fingerings, tempo suggestions in the form of metronome numbers and notes on the execution of ornaments, the collection with its modern, readable typeface is ideal not only for lessons, but also for the private music-making of every music lover.



This album represents superb value for money! / Partition /

Volume contains standard works of the repertoire, and also works of composers rarely encountered within other collections. There are works from the baroque through the modern periods, and each piece is in its original form. / Piano Accompagnement

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

[Sämtliche Tänze - Band 2] / Classique / Editeur : Paul Mies / Doigtés : Hans-Martin Theopo / Partition / Broché / Edition Urtext

Amusez-vous avec le Double Bass est une nouvelle publication unique qui ajoute la joie et la diversité de l'apprentissage de l'instrument. Ce second volume développe les connaissances et l'apprentissage afin de développer la lecture et de l'expérience de l'élève. Les exercices courts peuvent être accompagnés par l'enseignant sur le piano. / Contrebasse

Etudes pour alto viola. Livre I :Edition : - Leipzig, Kühnel, s.d . (c. 1800-1805)Etudes pour alto viola. Livre II :Edition : - Leipzig, Bureau de Musique de Hoffmeister et Kühnel, s.d. (c. 1800-1805)Présentation par J.P. Vasseur : Biographie - bibliographie - différences entre l'édition originale et les éditions modernes - Lecture de la partition - Erreurs et négligences dans l'édition ancienne.Les éditions postérieures à l'original le trahissent totalement. Cette première édition, faite sous la direction du compositeur, est un témoignage de l'utilité du fac-similé. / Alto / 57 pages / niveau : 1 / Fac-Similés - Format: 24 X 33