CL Barhnouse Jazz Ensemble Recordings Series. Compact Disc. Composed 2004. Published by C.L. Barnhouse

Piano - Grade 4

SKU: BT.WMP2112

12 Grade 4. Arranged by Josephine Koh. Teachers' Choice. Exam Material. Book Only. 38 pages. Wells Music Publishers #WMP2112. Published by Wells Music Publishers (BT.WMP2112).

ISBN 9789810884802.

T eachers' Choice, Selected Piano Repertory & Studies for Grades 4 & 5 is compiled to provide teachers and students with good options for the 2011-2012 ABRSM Piano examinations.

• A variety of interesting andappealing Piano pieces with up-to-date editorial suggestions are presented to assist students achieve high standards of musical performance.
• Effective teaching points are suggested with recommended technical studies.Teachers will find this approach very helpful and effective, thus enriching their teaching process, leading to a very successful experience.
• Examination requirements aside, finer details in interpretation andstylisticperformance are strongly encouraged. Beyond the printed page, the editorial suggestions are directed to provide the impetus to strive towards greater musical creativity and perfection.
• Most important of all,enjoy the high standard of music typography; with clear, professionally laid scores that combine musical semiotics with modern publishing technology. Digital print on quality cream-coloured paper ensures comfort in reading andlearning for all students.

CL Barhnouse Jazz Ensemble Recordings Series. Compact Disc. Composed 2004. Published by C.L. Barnhouse

& String Quartet Version of the Piano Sonata, Op. 14, No. 1. By Ludwig van Beethoven. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 161. Study score-no details. Published by G. Henle.

By Frederic Chopin. Edited by E. Zimmermann. STUDY EDITION. Pages: 52. Study score-no details. Published by G. Henle.

Basso continuo (solo: org - 0.2.0.2. - 0.0.0.0. - str - bc)

SKU: BR.OB-5214-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 5214-12. Published by Breitkopf and Haertel (BR.OB-5214-12).

ISBN 9790004331057. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

By Felix Mendelssohn. Edited by E. Herttrich. STUDY EDITION. Pages: VI and 178. Study score-no details. Published by G. Henle.

Violin 1 (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5230-15

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-15. Published by Breitkopf and Haertel (BR.OB-5230-15).

ISBN 9790004331514. 10 x 12.5 inches.

The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester).

Violoncello 1 (solo: org - 0.2.0.2. - 0.0.0.0. - str - bc)

SKU: BR.OB-5214-23

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 4 pages. Duration 20'. Breitkopf and Haertel #OB 5214-23. Published by Breitkopf and Haertel (BR.OB-5214-23).

ISBN 9790004331101. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Organ (solo: org - str - bc)

SKU: BR.OB-5252-03

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Solo part. 16 pages. Duration 12'. Breitkopf and Haertel #OB 5252-03. Published by Breitkopf and Haertel (BR.OB-5252-03).

ISBN 9790004334003. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Oboe and Piano

SKU: HL.14043723

Composed by Francis Poulenc. Music Sales America. Softcover Audio Online. Composed 2016. Chester Music #CH83567. Published by Chester Music (HL.14043723).

ISBN 9781783059522.

This is an updated edition of Francis Poulenc 's 1962 work Sonata For Oboe And Piano , edited by Millan Sachania . Featuring the full score and a separate Oboe part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks. Originally completed in 1962, Poulenc 's Sonata For Oboe And Piano  had been brewing in his mind for at least five years. The last of Poulenc 's trio of sonatas for woodwind instruments, he tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, publishedposthumously. A number of revisions have taken place, but this, expertly edited by Millan Sachania , aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc 's intentions. This new edition revises many minor details, including Piano chords, tied notes, the correction of various bars throughout as well as his crescendos during the third movement. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended. This is a most exciting prospect considering the reputation that this work has garnered as a piece of profound poignancy. Dedicated to Sergey Prokofiev, it has been said that the mournful final movement, Deploration , is something of an obituary.  What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned oboist Christopher Cowie and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the Oboe in your very own performance. This is a unique opportunity for oboists to learn from an authoritative.

And other Works for Chorus and Orchestra. By Ludwig van Beethoven. Edited by A. Raab. STUDY EDITION. Pages: XVI and 192. Study score-no details. Published by G. Henle.

Basso continuo (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5381-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Arranged by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). 'I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. ' (Ton Koopman). Solo concerto; Baroque. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5381-12. Published by Breitkopf and Haertel (BR.OB-5381-12).

ISBN 9790004334911. 12.5 x 10 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

By Felix Mendelssohn. Edited by E. Herttrich. STUDY EDITION. Pages: VIII and 84. Study score-no details. Published by G. Henle.

Woodwinds (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5230-30

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Folder. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Set of parts. 46 pages. Breitkopf and Haertel #OB 5230-30. Published by Breitkopf and Haertel (BR.OB-5230-30).

ISBN 9790004331569. 10 x 12.5 inches.

The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester).

Violin 2 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5381-16

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Arranged by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). 'I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. ' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 15'. Breitkopf and Haertel #OB 5381-16. Published by Breitkopf and Haertel (BR.OB-5381-16).

ISBN 9790004334935. 10 x 12.5 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

By Ludwig van Beethoven. Edited by G. Raphael. STUDY EDITION. Pages: 153. Study score-no details. Published by G. Henle.

Woodwinds (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5383-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Set of parts. 12 pages. Duration 12'. Breitkopf and Haertel #OB 5383-30. Published by Breitkopf and Haertel (BR.OB-5383-30).

ISBN 9790004335406. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Basso continuo (solo: org - str - bc)

SKU: BR.OB-5252-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5252-12. Published by Breitkopf and Haertel (BR.OB-5252-12).

ISBN 9790004334010. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violin 1 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5381-15

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Arranged by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). 'I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. ' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 15'. Breitkopf and Haertel #OB 5381-15. Published by Breitkopf and Haertel (BR.OB-5381-15).

ISBN 9790004334928. 10 x 12.5 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Viola (solo: pno - choir: SATB - 2.2.2.2. - 2.2.0.0. - timp - str)

SKU: BR.OB-5230-19

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Stapled. Orchester-Bibliothek (Orchestral Library). Ludwig van Beethoven composed the Choral Fantasy op. 80 for the gigantic concert event that took place at the Theater an der Wien on 22 December 1808. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5230-19. Published by Breitkopf and Haertel (BR.OB-5230-19).

ISBN 9790004331538. 10 x 12.5 inches.

The history of the origins and sources of Beethovens Choral Phantasy is complex and poses considerable difficulties to todays researchers. A definitive final version is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.Fur Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stuck - und auch nicht besonders schwer. Verwiesen sei noch auf das vorzugliche Vorwort des Herausgebers. (Plischke, Das Liebhaberorchester).

Revised Edition - Piano Solo. Composed by Ludwig van Beethoven (1770-1827). Edited by Joanna Cobb Biermann, Rolf Koenen. Henle Music Folios. Classical. Softcover. 10 pages. G. Henle #HN1347. Published by G. Henle (HL.51481347).