By Judith Katz. For flute trio. Level 3. Duration 2 minutes. Published by Imagine Music

By Vicki Tucker Courtney. For TB choir (optional TTB), keyboard. Octavo. 8 pages. Duration 2 minutes, 2 seconds. Published by BriLee Music

Wind Band

SKU: IS.WE6236EM

Composed by Akira Toda. Ensembles - Wind Band. Metropolis Music Publishers #WE6236EM. Published by Metropolis Music Publishers (IS.WE6236EM).

ISBN 9790365062362.

Playera - Andaluza. Composed by Enrique Granados (1867-1916). Arranged by Douglas McLain. Baton Music Orchestral Series. Score only. Duration 5:00. Published by Baton Music (BF.BM637-SCORE).

By Camille Saint-SaÌÇns. For Cello and Piano. Masterworks; Part(s); Score; Solo; String - Cello and Piano. Faber Edition. Masterwork; Romantic. Published by Faber Music

2 guitars

SKU: BO.B.3649

Composed by A. Soler/L. Palomo. Published by Editorial de Musica Boileau (BO.B.3649).

Padre Antonio Soler is the most important Spanish composer of keyboard instruments of the XVIII century. Born in Olot he was baptized in 1729 and died in El Escorial in 1787. As a young boy he entered the Escolania of Montserrat, where he studied composition and organ, coinciding at the same monastery with the also Spanish composer of that time, Fernando Sor. Padre Soler spent great part of his life in El Escorial as chapel master and organist and met in Madrid Italian composer Domenico Scarlatti with whom he developped a deep friendship inspired on mutual admiration.

In spite of the similar styles of both composers the fluid inspiration of Padre Soler excels for his own personality, definitely influenced by Spanish roots. Furthermore, I ask myself if the fact of being at the same monastery of Montserrat with guitarist composer Fernando Sor didn't play an important role in the future development of Padre Soler's style.

I have transcribed for two guitars these three sonatas in the hope that also the guitarists can enjoy playing these little jewels, truly musical delights, that Padre Antonio Soler left for us.

Tuba-euphonium quartet

SKU: P2.80167

Composed by James Grant. Published by Potenza Music (P2.80167).

At the request of the dynamic Eufonix Quartet (Danny Helseth, Aaron Tindall, Kelly Thomas, Pat Stuckemeyer), I composed Homage for premiere at the 2015 Northeast Regional Tuba Euphonium Conference, held at Ithaca College in New York. Compositionally, my intention was to capitalize on the uncanny capacity of the four musicians of Eufonix to match tone color and nuance, always the mark of a gifted ensemble. Homage unfolds as a simple memory of respect, admiration, affection and thanks. Set in a timeless ebb and flow of gently swelling harmonies, an introspective calm emerges as performers and listeners meet in a welcome space of repose. The experience is one of shared ritual, imbued with hope and quiet optimism. Originally scored for quartet of two euphoniums and two tubas, Homage is effective for any combination of low brass instruments. The music takes on exceptional depth and meaning when presented by a large ensemble.

Fanfare Band - Grade 4

SKU: BT.DHP-0970921-120

Composed by Jan de Haan. Inspiration Series. Concert Piece. Score Only. Composed 1997. De Haske Publications #DHP 0970921-120. Published by De Haske Publications (BT.DHP-0970921-120).

Jan de Haan took as a starting point for Music for a Solemnity an old custom from the Dutch town of Hoogeveen, by which the faithful are called to church with drums. It was also inspired by the music of John Williams. This unusual combination has resulted in a solemn work in which old traditional methods are united with modern rhythms and melodic lines.

Voor Music for a Solemnity liet Jan de Haan zich enerzijds inspireren door de eeuwenoude traditie in de Drentse stad Hoogeveen om met trommels tot de kerkgang op te roepen en anderzijds door de muziek van de succesvolle Amerikaansecomponist John Williams. Deze bijzondere combinatie resulteerde in een feestelijk werk met ritmische patronen en melodische lijnen die getuigen van respect voor Williams’ oeuvre.

Zu Music for a Solemnity ließ sich der Komponist einerseits vom alten Brauch der niederländischen Stadt Hoogeveen, mit Trommeln zum Kirchgang zu rufen, und andererseits von der Musik von John Williams inspirieren. Diese ungewöhnliche Kombination mündete in ein festliches Werk, in welchem sich alte Tradition in schönster Weise mit modernen Rhythmen und melodischen Linien vereinen.

Il y a quatre siècles, l’église de la ville d’Hoogeveen aux Pays-Bas n’avait pas de carillon. Les fidèles décidèrent de se rassembler pour le culte dominical au son d’un tambour. Aujourd’hui, Hoogeveen possède plusieurs carillons mais continue d’honorer cette tradition ancienne. Music for a Solemnity (Musique pour une occasion solennelle) est une oeuvre festive en hommage au tambour d’Hoogeveen. Les lignes mélodiques et les motifs rythmiques sont inspirés de la musique du célèbre compositeur américain John Williams qui Jan de Haan voue une grande admiration.

Una composizione che riprende le vicende del villaggio olandese di Hoogeveen nel XVII secolo. Dato che la chiesa non aveva un campanile, fu deciso di utilizzare un tamburino per chiamare i cittadini a messa. Benché oggi la cittadina sia ricca di campane, Hoogeveen onora questa antica tradizione del tamburino. Music for a Solemnity è un brano festivo ispirato dal tamburino da un lato, ma anche dalla musica di John Williams, le cui linee melodiche e la scrittura ritmica influenzano da sempre Jan de Haan.

Oboe, clarinet and bassoon

SKU: P2.20010

Composed by Amir Zaheri. Chamber music, 20th century. Published by Potenza Music (P2.20010).

Scott Hannah writes, Amir Zaheri (b. 4 March 1979) composed Two Girls and a Boy for the Cavell Trio, and dedicates the score to the ensemble - 'for the Cavell Trio, with greatest admiration and appreciation.' Zaheri describes Two Girls and a Boy as a musical conversation, for which he first wrote a story, then created a musical setting. He likens the piece to the film work of Woody Allen, which frequently features overlapping conversations, with characters finishing one another's sentences..

(15 Jazz Variations in the Style of the Masters (incl. free mp3-download)). By Michael Publig. For piano. Level 3 to 4. 60 pages. Published by Doblinger Music Publishers

Composed by Leo Ornstein (1892-2002). Edited by Severo Ornstein, Michael Broyles, and Denise von Glahn. For Piano. Book; Masterworks; Piano Collection. Dover Edition. 20th Century; Masterwork. Advanced. Published by Alfred Music

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1475. Published by G. Henle

Psalm to the Savior by Pepper Choplin. For SATB choir and piano, with optional flute. Choral music. General, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

Chamber Ensemble

SKU: BT.MUSM570366545

Composed by Evis Sammoutis. Study Score. Composed 2015. 77 pages. University of York Music Press #MUSM570366545. Published by University of York Music Press (BT.MUSM570366545).

English.

Engr avings was composed for the Ensemble Modern as part of the 2013 International Ensemble Modern Academy and it is dedicated in admiration to this iconic group of soloists. Whilst many art forms largely depend on space, music has a thrilling relationship with time. Time serves as a canvas for composers, and compositions can in many ways also be described as sculpted time. Ancient Greeks had two words for time, - Chronos (time in the traditional sense) and - Kairos (the opportune moment). The former is quantitative and the latter, qualitative. This distinction is very important as we live our lives in chronos but experience most of the important events of our lives in kairos. For me, the art of music composition highlights this relationship; whereas music cannot exist without chronos, it is the kairos that makes it worthwhile—the pursuit of supreme moments. As an art form, engraving is very lengthy and painstakingly process-driven, not unlike composing, and techniques, instruments and types of engraving directly inspired this three-movement composition. At times, the inspiration lies in the engraved artefact itself. At others, I am interested in the technical process or the instruments utilized. Methods of production depend on the materials used: Chalcography, xylography and lithography are engravings on copper, wood and stone, respectively, and these are represented both literally and conceptually by the ensemble, either in colour or scope. Pantograph is an engraving machine based on parallelograms where the movement of one point in tracing an image is produced identically in other points, and etching refers to the method of making prints from a metal plate. Whilst beauty is found in the finished engraving, there are also moments of beauty in the process of creation itself. Therefore, Engravings uses this art form to explore both the uniqueness of these concepts but also how they merge during the creative process. Engravings has been composed with the intention of becoming an evening length piece in the future. Therefore, the composition at this time, point and format can also serve as a consummation for the envisaged sound world, gesture, scope and vision.

Composed by Lei Liang. This edition: Saddle stitching. Sheet music. String. Score and parts. Composed 2014. 48 pages. Duration 11'. Schott Music #ED 30141. Published by Schott Music

Chamber Ensemble

SKU: BT.MUSM570366019

Composed by Evis Sammoutis. Classical. Score Only. 37 pages. University of York Music Press #MUSM570366019. Published by University of York Music Press (BT.MUSM570366019).

English.

Engravi ngs for Large Ensemble: i) Chalcography ii) Pantograph / Etching iii) Xylography / Lithography Engravings was composed for the Ensemble Modern as part of the 2013 International Ensemble Modern Academy and it is dedicated in admiration to this iconic group of soloists. Whilst many art forms largely depend on space, music has a thrilling relationship with time. Time serves as a canvas for composers, and compositions can in many ways also be described as sculpted time. Ancient Greeks had two words for time, Chronos (time in the traditional sense) and Kairos (the opportune moment). The former is quantitative and the latter, qualitative. This distinction is very important as welive our lives in chronos but experience most of the important events of our lives in kairos. For me, the art of music composition highlights this relationship; whereas music cannot exist without chronos, it is the kairos that makes it worthwhile—the pursuit of supreme moments. As an art form, engraving is very lengthy and painstakingly process-driven, not unlike composing, and techniques, instruments and types of engraving directly inspired this three-movement composition. At times, the inspiration lies in the engraved artefact itself. At others, I am interested in the technical process or the instruments utilized. Methods of production depend on the materials used: Chalcography, xylography and lithography are engravings on copper, wood and stone, respectively, and these are represented both literally and conceptually by the ensemble, either in colour or scope. Pantograph is an engraving machine based on parallelograms where the movement of one point in tracing an image is produced identically in other points, and etching refers to the method of making prints from a metal plate. Whilst beauty is found in the finished engraving, there are also moments of beauty in the process of creation itself. Therefore, Engravings uses this art form to explore both the uniqueness of these concepts but also how they merge during the creative process.

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. Softcover. 696 pages. Published by Hal Leonard

Soprano voice, clarinet, violin, piano

SKU: P2.30028

Composed by Lori Ardovino. Chamber music, 20th century. Published by Potenza Music (P2.30028).

The Red Wheelbarrow holds the title of this work and serves as the first song in a song cycle based on some of my favorite, but unrelated, poems. Each of the poems was chosen for the simple reason of my admiration for the work of each of these individuals. The choice of the instruments used, a quasi- Pierrot ensemble with some variation, is influenced by the chamber music of Arnold Schoenberg. In each movement the instrumentation changes slightly to fit the mood of the poem most effectively. The entire ensemble only plays on the first and last movements, providing a type of arch shape with the instrumentation.

Melody instrument (in Bb, Eb, C) and piano

SKU: M7.AHW-1901

Composed by Charlie Parker. Sheet music. 31 pages. Charles Colin Corp. #AHW 1901. Published by Charles Colin Corp. (M7.AHW-1901).

The 'Charlie Parker Yardbird Originals' were originally published in 1954 by my dad, Dr. Charles Colin. In his memoir, 'Reflections II', he includes the colorful story of how it came to be that he met Charlie Parker and would publish this early work. Using most of Pop's lingo, here is a synopsis of that story: 'In the 40's - early 50's 'I' had eight studios on the second floor at 111 West 48th Street with several outstanding teachers. One of whom was Jimmy Abato who played bass clarinet with the Met. Between lessons, Jimmy relaxed at Jim and Andy's, a bar frequented by the top studio and recording artists where they would all meet for a few congenial moments in between sessions. One day Jimmy was chatting with Charlie Parker who confided that he was going through difficult times and was looking for a way to earn some cash. Jimmy, knowing that pop was into music publishing, suggested that Parker and he meet with the idea that he write a few Be Bop tunes that could be printed in book form. Even though Bebop was not yet in the mainstream or necessarily accepted by the music world, pop had great admiration and confidence in 'Charlie Parker' and was willing to make the considerable investment.' Each of the 5 tunes is presented here transposed into B-flat, C, and E-flat, alongside a piano accompaniment. Take a look at the sample pages to the left and then click above to get a physical copy sent directly to your door.

Orchestra

SKU: BT.MUSM570367368

New Dawn. Composed by Sadie Harrison. Classical. Score Only. 18 pages. University of York Music Press #MUSM570367368. Published by University of York Music Press (BT.MUSM570367368).

English.

Sadie Harrison 's Sapida-Dam-Nau (New Dawn)   for Orchestra. Composed and published 2016. Dedicated with admiration to the Afghanistan Women’s Orchestra ‘Zohra’. Sapida-Dam-Nau was written whilst Sadie Harrison was Composer-in-Association with the Afghanistan National Institute of Music, and its composition was generously supported by a Finzi Trust Scholarship 2015-2016. It was premiered on 18th January 2017 at the World Economic Forum at Davos, Switzerland, conducted by Kevin Bishop.

Soprano, Mezzo-Soprano, Tenor, Bass Voice, Baritone Voice

SKU: BT.MUSM570365982

Composed by Evis Sammoutis. Classical. Score Only. 14 pages. University of York Music Press #MUSM570365982. Published by University of York Music Press (BT.MUSM570365982).

English.

Evis Sammoutis ' Sculpting Air for five voices (Soprano, Mezzo, Tenor, Baritone, Bass). Dedicated in admiration to Neue Vocalsolisten. Duration: 13' This work features text from the Odyssey (Book 12, 173-184) in original and English translation; Ovid’s Metamorphoses (Book X Lines 243 297) in Latin and also in two translations by Brooks More (1922) and Arthur Golding (1567); and Shakespeare’s Othello (Act 5, Scene 2).