Chorus a cappella

SKU: BR.CHB-5366-02

Composed by Kurt Thomas. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Early modern; Music post-1945. Choral score. Composed 1925. 52 pages. Breitkopf and Haertel #ChB 5366-02. Published by Breitkopf and Haertel (BR.CHB-5366-02).

ISBN 9790004412961. 7.5 x 10.5 inches. Latin.

Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (ChB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music.

Piano

SKU: HL.282996

Piano Solo. Composed by Florent Nagel. Music Sales America. Classical. Softcover. 89 pages. Alphonse Leduc #AL30792. Published by Alphonse Leduc (HL.282996).

9.0x12.0x0.267 inches.

During his studies, pianist and composer Florian Nagel drew on the teachings of two masters with diametrically opposed approaches tomusic: according to him, Marcel Bitsch brought him wisdom and Claude Ballif, folly. He has written numerous pieces for the pianoalong with vocal and chamber music. His first international success came with Alice in Wonderland for piano four hands and narrator,an orchestral version of which was premiered in March 2018 by the Orchestra national du Capitole de Toulouse. Nagel's Piano Book connects old and new, drawing on the past while remaining firmly anchored in modern times. The 25 remarkably inventive pieces in this collection present an astonishing diversity of styles. From the Prelude et Fuga Antica to the study for the Octaves and the Hommage Ligeti et Rautavaara, this volume offers a rich selection of the piano's potential today. Written equally for concert performance and for the perfection of technique, it also contains an educational component in which the musical form is placed at the service of a wide-ranging imagination.

(Activities for Pre-K through 2nd Grade). Composed by Julia Jordan Kamanda. For Choral (TEACHER). Expressive Art (Choral). Softcover. Published by Hal Leonard

By Joe Cusatis. For Drum Set. Percussion - Drum Set Method or Collection. Book. 76 pages. Published by Alfred Publishing.

Choral (SAB Choir) - intermediate

SKU: HL.49018904

Composed by Paul Hindemith. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1912-1914. 12 pages. Schott Music #C53442. Published by Schott Music (HL.49018904).

ISBN 9790001168281. 7.5x11.0x0.048 inches. German.

Singing, especially singing in small groups, is a valuable and even the most natural musical activity - that is what Paul Hindemith (1895-1963) firmly believed: 'Everybody has got a voice ... A choir is the least demanding and at the same time best educational tool.' And that is why singing had always been part of his teaching activities, be it while trying and practising musical-theoretical tasks, be it while rehearsing old and modern choral settings. No wonder that the composer had dealt with choral music all his life, addressing himself to all different kinds of vocal ensembles: to mixed choirs, male-voice and children's choirs, professional choirs and trained singers. He developed his a-cappella style during his training with Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatoire in Frankfurt. As a consequence, the sketch books from his student days also contain three-part vocal settings on cantus firmi. The sacred choral works presented here (1. Christus, der ist mein Leben, 2. Erhalt uns, Herr, bei deinem Wort, 3. Nun komm, der Heiden Heiland, 4. Gott des Himmels) are not only interesting as compositional studies, but also as sonorous and catchy choral music which can be easily performed by any good church choir.

(Violin). By Rodolphe Kreutzer (1766-1831). Edited by Wolfgang Birtel. String. Softcover. 96 pages. Schott Music #ED20340. Published by Schott Music

(Performance Score). Composed by Garth Knox. For Viola Duet. String. Softcover. Schott Music #ED21835. Published by Schott Music

By Gladyssnell Davis. For Recorder. Baroque, Renaissance. Sheet Music. 124 pages. Published by Novello and Co Ltd.

String Quartet (Score & Parts)

SKU: HL.48025043

Score and Parts. Composed by Ignace Strasfogal. Boosey & Hawkes Chamber Music. Classical, Modern, Neo Classical. Softcover. 76 pages. Bote & Bock #M202535806. Published by Bote & Bock (HL.48025043).

UPC: 196288021728.

Ignac e Strasfogel (1909 - 1994), a master student of Franz Schreker and Leonid Kreutzer, the youngest student at the Berlin Hochschule and the youngest recipient of the prestigious Mendelssohn Prize of the Weimar Republic, made a career as a conductor at the Metropolitan Opera after his emigration in 1934. His String Quartet No. 1, probably written in 1927 as the final work of his studies with Schreker, is an early work of the highest perfection. In the first of the two movements, grotesque-capricious scenariosare revitalized by contrapuntal artistry. The second, non less polypohnic, is a widely branched scherzo with an elegiac trio section. Just as striking is the harmony: With individually shaping of all four parts, all facets up to polytonality and complete detachment from functional tonality are explored - in a certain affinity with the musical language of Alban Berg, not without tongue-in-cheek references to the neoclassicism of the 1920s. A just as original as important contribution to the quartet repertoireof the early twentieth century.

SKU: BR.SON-621

Composed by Jean Sibelius. Edited by Anna Pulkkis. Linen. Complete Works.

Chamber music by Jean Sibelius - a welcome addition to the chamber music repertoire for strings with piano.

Late-romantic; Early modern. Complete Works. 352 pages. Breitkopf and Haertel #SON 621. Published by Breitkopf and Haertel (BR.SON-621).

ISBN 9790004803233. 9 x 12 inches.

This volume presents partly less known, but undoubtedly interesting and highly welcome additions to the chamber music repertoire for violinists and cellists in the reliable Urtext of the Complete Edition. The violin was Sibelius's instrument. He was active as a violinist mainly during his studies at the Helsinki Music Institute from 1885-1889 and for a short time thereafter. The present volume contains Jean Sibelius's opus-numbered works for violin or cello and piano, 36 compositions in total. Most of the works of this volume were created at the beginning of the 20th century and remained unpublished until the early 1920s. Sibelius composed far less music for the cello than for the violin. Malinconia (Op. 20), published in 1911, remained his only opus-numbered work exclusively for cello and piano. This volume also includes Two Pieces (Op. 77) and Four Pieces (Op. 78) as versions for violin with piano and for cello with piano.

Chamber music by Jean Sibelius - a welcome addition to the chamber music repertoire for strings with piano.

Guitar - Grade 1

SKU: FL.FX071726

Composed by Pascal Dubost. Guitar Method, Guitar Instruction. Technique, Scales and Studies. Standard notation and tablatures, fingerings, introductory text. Instructional book. Classical, Educational. Guitar Part. FLEX Editions #FX071726. Published by FLEX Editions (FL.FX071726).

Some hits by classical and romantic composers (Aguado, Giuliani, Carulli, Sor, Tarrega, Carcassi) perfectly suited to modern instruments (with nylon and steel strings...).

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751019

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. German title: Der 116. Psalm. Sacred vocal music, Psalms, German. Set of Orchestra Parts. Composed 1900. Duration 14 minutes. Carus Verlag #CV 07.510/19. Published by Carus Verlag (CA.751019).

ISBN 9790007135232. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and parts available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751005

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. Sacred vocal music, Psalms, German. Choral Score. Composed 1900. 8 pages. Duration 14 minutes. Carus Verlag #CV 07.510/05. Published by Carus Verlag (CA.751005).

ISBN 9790007113407. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751049

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. Organ. Sacred vocal music, Psalms, German. Single Part, Organ. Composed 1900. 4 pages. Duration 14 minutes. Carus Verlag #CV 07.510/49. Published by Carus Verlag (CA.751049).

ISBN 9790007229696. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751011

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. Violin. Sacred vocal music, Psalms, German. Single Part, Violin. Composed 1900. 4 pages. Duration 14 minutes. Carus Verlag #CV 07.510/11. Published by Carus Verlag (CA.751011).

ISBN 9790007229641. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

Books and Journals; Voice

SKU: UT.LB-21

Composed by Antonio Juvarra. Paperback (Soft Cover). Studies and Texts. Classical. Books and Journals. 124 pages. Ut Orpheus #LB 21. Published by Ut Orpheus (UT.LB-21).

ISBN 9788881094899. 5.90 x 8.26 inches.

Le tecniche vocali attuali sono, in senso letterale, l'espressione di un sentire 'alienato' e 'decentrato'. Sono lo stare in punta di piedi scambiato per lo stare in piedi, sono il seme sparato contro un bersaglio, invece che seminato e lasciato crescere, sono l'affondare scambiato per fondare... Esse distruggono l'intuizione naturale del suono come spazio sferico con un centro (analoga a quella del nostro corpo come collocato al centro di uno spazio potenzialmente infinito) e la sostituiscono con una concezione distorta e, appunto, decentrata, qual e quella del suono 'avanti' o 'fuori' o in 'maschera' , che implica che uno non sia gia, naturalmente e tranquillamente, nello spazio del canto, ma che debba arrivarci, cio che induce ipso facto a essere in 'tensione', nel senso letterale del 'tendere' a un presunto luogo ideale di risonanza, che per continuare a sussistere artificiosamente, dovra essere continuamente 'raggiunto', per alcuni in alto, per altri in basso. In altre parole, non piu il naturale 'qui e ora' della mente pacificata, la tranquilla posa della voce dei belcantisti, la classica nobile semplicita e calma grandezza, ma lo spasmodico 'la e allora' della mente nevrotica e schizofrenica...
E a questo punto che le moderne tecniche vocali sono pronte a gettare le fondamenta ('scientifiche') della 'nuova geometria' del canto, brevettando 'figure' del suono sempre piu rivoluzionarie e stupefacenti: la sfera senza centro, il centro senza sfera, la sfera piccola come il centro, il centro grande come la sfera, il centro come bersaglio, la sfera a forma di tubo...

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751015

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. Double bass. Sacred vocal music, Psalms, German. Single Part, Double Bass. Composed 1900. 4 pages. Duration 14 minutes. Carus Verlag #CV 07.510/15. Published by Carus Verlag (CA.751015).

ISBN 9790007229689. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751009

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. 1x 07.510/21 flute 1, 1x 07.510/22 flute 2, 1x 07.510/23 oboe 1, 1x 07.510/24 oboe 2, 1x 07.510/25 clarinet 1, 1x 07.510/26 clarinet 2, 1x 07.510/27 bassoon 1, 1x 07.510/28 bassoon 2, 2x 07.510/31 horns 1 and 2, 2x 07.510/32 Horn 3 and 4, 2x 07.510/33 2 t. Harmony parts. Sacred vocal music, Psalms, German. Set of Orchestra Parts. Composed 1900. 62 pages. Duration 14 minutes. Carus Verlag #CV 07.510/09. Published by Carus Verlag (CA.751009).

ISBN 9790007229634. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and parts available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751014

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. Violoncello. Sacred vocal music, Psalms, German. Single Part, Cello. Composed 1900. 4 pages. Duration 14 minutes. Carus Verlag #CV 07.510/14. Published by Carus Verlag (CA.751014).

ISBN 9790007229672. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751000

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. This edition: Paperbound. Sacred vocal music, psalm, german. German title: Der 116. Psalm. Sacred vocal music, Psalms, German. Full score. Composed 1900. Duration 14 minutes. Carus Verlag #CV 07.510/00. Published by Carus Verlag (CA.751000).

ISBN 9790007092221. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751013

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. Viola. Sacred vocal music, Psalms, German. Single Part, Viola. Composed 1900. 4 pages. Duration 14 minutes. Carus Verlag #CV 07.510/13. Published by Carus Verlag (CA.751013).

ISBN 9790007229665. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751012

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. Violin. Sacred vocal music, Psalms, German. Single Part, Violin. Composed 1900. 4 pages. Duration 14 minutes. Carus Verlag #CV 07.510/12. Published by Carus Verlag (CA.751012).

ISBN 9790007229658. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score and part available separately - see item CA.751000.

Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp, organ, 2 violins, viola, cello, double bass [piano for rehearsal only]

SKU: CA.751003

Composed by Franz Schreker. Edited by Christopher Hailey, Iris Pfeiffer. This edition: Paperbound. Sacred vocal music, Psalms, German. Vocal score. Composed 1900. Duration 14 minutes. Carus Verlag #CV 07.510/03. Published by Carus Verlag (CA.751003).

ISBN 9790007016265. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score available separately - see item CA.751000.

Piano

SKU: BT.VOLMB21

L'Etude du Piano modernisée. Composed by Michael Aaron. Method. Book Only. 64 pages. Volonte e Co #VOLMB21. Published by Volonte e Co (BT.VOLMB21).

ISBN 9788863880199. French.

Grade Three is a strategic point in the study of the piano. Having reached this point, after having overcome the elementary difficulties, the pupil gains a very different perspective on music.

• Unpublishedpieces have been collected with studies by Heller, Burgmuller, Czerny and classical compositions.

Lélève élargit le cadre de ses connaissances, étudie les styles dauteurs tels que Heller, Burgmuller, Czerny, etc.La matière de ce volume comprend des exercices de lecture, des études chrimatiques, des arpèges majeurs et mineurs, des accords simple, etc.

(New Authentic Edition with Accompaniment and Performance CD). By Jean-Baptiste Arban. Edited by Thomas Hooten, Jennifer Marotta. For trumpet. Student book. 436 pages. Published by Carl Fischer

Piano

SKU: BT.PS1806

Composizioni per pianoforte. Composed by Carlo De Battista. Studies & Exercises. Book with CD. Composed 2018. 48 pages. Progetti Sonori #PS1806. Published by Progetti Sonori (BT.PS1806).

ISBN 9788899849146. Italian.

Questa raccolta contiene 16 composizioni pianistiche di genere melodico moderno, indirizzate a studenti dei primi anni di pianoforte, da alternare agli studi tecnici e al repertorio classico tipico di questo percorso. Si tratta di brani intensi, con un forte impatto emotivo, piacevoli sia da suonare, sia da ascoltare. L’Autore si è ispirato a fatti, persone, racconti, figure che hanno segnato la sua vita, contribuendo in modo determinante alla sua evoluzione umana e artistica. E il titolo richiama proprio lo stile descrittivo, quasi “a programma”, di questo lavoro. Ritratti, quindi, intesi come “dipinti”, non di visi ma di sensazioni o stati d’animo legati a persone, notizie, eventi. Stati d’animo, alcuni più limpidi, altri un po’ più sfumati, in cui ognuno di noi si possa identificare, stimolando quel contatto empatico con l’altro che la musica, più di ogni altra espressione artistica, può suscitare. Il CD allegato al libro contiene i 16 brani eseguiti dall’Autore.

Baritone voice & Piano

SKU: ST.Y230

Composed by Rhian Samuel. Vocal music. Five songs to poems by Samuel Beckett.. Score. Stainer & Bell Ltd. #Y230. Published by Stainer & Bell Ltd. (ST.Y230).

ISBN 9790220221736.

Comm issioned with Arts Council of Wales funds by the School of European Studies, Cardiff University, for the centenary celebrations of Samuel Beckett's birth, The Flowing Sand is a setting of five poems by this seminal 20th-century modernist that are unified as a song-cycle by meaningful contrasts of mood and of musical style. The movements are 'what would I do', 'my way is in the sand', 'Da Tagte Es', 'Roundelay' and 'saying it again'. Artistically challenging, yet well within the technical range of enterprising conservatoire students, The Flowing Sand is a major addition to the repertoire of contemporary art-song by British composers, and a significant contribution to the celebrations of the writer's anniversary year.