| Playing With the Band-More March Melodies Flûte traversière [Partition + CD] Carl Fischer
More March Melodies for Solo Instruments and Play-Along CD with Concert Band (Fl...(+)
More March Melodies for
Solo Instruments and
Play-Along CD with
Concert Band (Flute
Book). By Henry Fillmore;
John Philip Sousa;
Kenneth J. Alford; Zo
Elliott. Arranged by
Larry Clark. For Flute.
Score and Audio CD. 16
pages. Published by Carl
Fischer.
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Circus Allegro Carus Verlag
Voice SKU: CA.1282503 A Circus Musical for all kids under 100. Com...(+)
Voice SKU:
CA.1282503 A
Circus Musical for all
kids under 100.
Composed by Peter
Schindler. Carus book
series: More music books.
Circus Allegro (Engl).
Musicals for children,
Songs for children,
Secular choral music.
Vocal score. 64 pages.
Duration 70 minutes.
Carus Verlag #CV
12.825/03. Published by
Carus Verlag
(CA.1282503). ISBN
9790007142773. Language:
English. Text: Schindler,
Peter / Dieterich,
Babette. Text: Peter
Schindler, Babette
Dieterich. Followin
g the great success of
this musical in German,
it is now also available
in English. Everything
seems to be going wrong
at Circus Allegro. Bruno
the Bear refuses to
appear on stage, his
assistant, Bella Stella,
has disappeared, and
finally, even the tiger
escapes! Circus director
Ricardo Grande has to
improvise constantly.
Luckily, his new
assistant, clumsy August
the Clown, always has a
brilliant idea just at
the right time. Despite
all mishaps, the audience
gets to experience a
splendid circus evening.
And in the middle of all
the excitement, the tiger
and Bella suddenly
reappear. The audience is
swept off its feet.
Wherever the world-famous
Circus Allegro appears,
audiences shed tears of
joy and are enchanted -
visually, acoustically
and emotionally. The
individual numbers of
this children's musical
are composed in different
styles and the songs can
be performed either with
an orchestra or just with
a piano. Score available
separately - see item
CA.1282500. $50.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circus Allegro Carus Verlag
Orchestra version 1: 1-2 voice choir, soloists as actors, wind quintet (flute, c...(+)
Orchestra version 1: 1-2
voice choir, soloists as
actors, wind quintet
(flute, clarinet,
trumpet, saxophone,
trombone), string
orchestra (2 violin,
viola/violin 3, cello),
rhythm section (piano,
bass, drums) version 2:
1-2 voice choir, soloists
as actors, piano (ba
SKU: CA.1282505
A Circus Musical for
all kids under 100.
Composed by Peter
Schindler. Carus book
series: More music books.
Circus Allegro (Engl).
Musicals for children,
Songs for children,
Secular choral music.
Choral Score. 32 pages.
Duration 70 minutes.
Carus Verlag #CV
12.825/05. Published by
Carus Verlag
(CA.1282505). ISBN
9790007164058. Language:
English. Text: Schindler,
Peter / Dieterich,
Babette. Text: Peter
Schindler, Babette
Dieterich. Followin
g the great success of
this musical in German,
it is now also available
in English. Everything
seems to be going wrong
at Circus Allegro. Bruno
the Bear refuses to
appear on stage, his
assistant, Bella Stella,
has disappeared, and
finally, even the tiger
escapes! Circus director
Ricardo Grande has to
improvise constantly.
Luckily, his new
assistant, clumsy August
the Clown, always has a
brilliant idea just at
the right time. Despite
all mishaps, the audience
gets to experience a
splendid circus evening.
And in the middle of all
the excitement, the tiger
and Bella suddenly
reappear. The audience is
swept off its feet.
Wherever the world-famous
Circus Allegro appears,
audiences shed tears of
joy and are enchanted -
visually, acoustically
and emotionally. The
individual numbers of
this children's musical
are composed in different
styles and the songs can
be performed either with
an orchestra or just with
a piano. Score available
separately - see item
CA.1282500. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circus Parade Duo, For Alto Saxophone Or Clarinet And Drums Clarinette Leduc, Alphonse
Clarinet SKU: HL.48182350 Composed by Pierre Max Dubois. Leduc. Classical...(+)
Clarinet SKU:
HL.48182350 Composed
by Pierre Max Dubois.
Leduc. Classical.
Softcover. 17 pages.
Alphonse Leduc #AL23509.
Published by Alphonse
Leduc (HL.48182350).
UPC: 888680840648.
9.25x12.25
inches. “Fren
ch composer, Pierre Max
Dubois (1930-1995)
significantly contributed
to the wind repertoire.
Circus Parade Duo for
Alto Saxophone or
Clarinet and Drums was
published in 1965 and
remains prominent as a
more unusual addition to
the ensemble repertoire.
Dubois' music is
characteristically
light-hearted with
unusual harmonic and
melodic textures. Circus
Parade Duo reflects
Dubois' compositional
characteristics with a
typical performance
lasting about fifteen
minutes. Dubois' work is
suitable for advanced
performers, addressing
virtuosic features, such
as complex rhythms,
constant changes of time
signature, chromaticism,
and exploitation of the
ensemble, amongst other
aspects. Circus Parade
Duo is essential to the
advanced Alto Saxophone,
Clarinet and Percussion
repertoire as Dubois'
work makes for an
exciting, varied and
enjoyable performance for
players and audiences
alike.&rdquo. $32.60 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Joy Of Modern Recital Repertory Piano seul [Partition] Music Sales
By Denes Agay (Editor). For Piano. Published by Music Sales. Ideal for the y...(+)
By Denes Agay (Editor).
For Piano. Published by
Music Sales.
Ideal for the young
Pianist. Includes Birds
in the Morning, Having
Fun, Little March,
Interplay, Parade of the
Clowns, Here Comes the
Circus, Monkey Dance and
many more!
$12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cirque de L’étrange Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2 SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor. Step right
up, ladies and gentleman,
boys and girls, step
right up! See the exotic,
the strange, and the
magical at the Cirque de
L’étrange, or
“Circus of the
Strange.†This
piece evokes a bygone era
when circuses and
carnivals provided people
from all walks of life a
chance to see human and
animal
oddities. Cirque de
L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups and is a
great way to expose
students to the march
form and style without
sounding like your
typical march. Step
right up ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange.
Welcome to the Cirque de
L’étrange,
known in English as the
“Circus of the
Strange.†This
piece evokes a time of a
bygone era, a time when
circuses and carnivals
provided people from all
walks of life a chance to
see human and animal
oddities that were
sources of both delight
and horror. While many of
these sideshow
attractions were deemed
fraudulent, it did not
deter the crowds from
flocking to be shocked
and awed. I have always
held a special place in
my heart for the
showmanship of carnivals,
because my grandfather
dearly loved them. For
much of his life, he
worked at fairs and
carnivals selling cotton
candy and candy apples. A
large portion of my days
when growing up were
spent running around
fairgrounds and helping
my grandfather with his
stand. He imparted in me
a love for the cunning,
magic, and sheer joy that
only carnivals and
circuses can bring. In
Cirque de
L’étrange, I
sought to capture the the
mirthful, yet uncanny
mood of the carnivals
that I grew up exploring,
thus transporting you to
a different time.Cirque
de L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups, as it is
a great way to expose
students to the march
form and style while not
sounding like your
typical march.Opening in
D minor, the piece
combines the playful feel
of a march and a macabre
tango. The second time
through the First Strain
(mm. 5-23), the upper
woodwinds and bells add a
second counter melody
based in D harmonic
minor, which heightens
the peculiar nature of
the piece. The Second
Strain (mm. 24-43) by
contrast, is a little
more upbeat, thus evoking
the magical ebullience of
a circus, which is
further highlighted by
the xylophone part. The
Second Strain ends in the
key of F major and sets
up the transition to the
Trio in the key of G
minor. The Trio (m. 44)
begins with the G
harmonic minor melody in
the clarinets and a
counter melody in the
bassoon and tenor
saxophone. The rest of
the woodwinds and bells
join in at m. 60 while
the percussion adds a
Gypsy-like feel with
tambourine and triangle.
At m. 76 the full band
joins in the macabre
parade with the trombones
and baritones harmonizing
the counter melody. The
conclusion of the march
has the upper woodwinds,
adding a second counter
melody complete with
trills to bring the march
to an exciting and
dramatic finish.As the
World’s Greatest
Showman, P.T. Barnum, a
man my grandfather
greatly admired, once
said “The noblest
art is that of making
others happy.†It
is my hope that through
this piece you will
experience the thrill,
delight, and fright that
only carnivals can bring
as you visit the Circus
of the Strange! $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cirque de L’étrange Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2 SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
ISBN 9781491152881.
UPC:
680160910380. Step
right up, ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange, or
“Circus of the
Strange.†This
piece evokes a bygone era
when circuses and
carnivals provided people
from all walks of life a
chance to see human and
animal
oddities. Cirque de
L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups and is a
great way to expose
students to the march
form and style without
sounding like your
typical march. Step
right up ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange.
Welcome to the Cirque de
L’étrange,
known in English as the
“Circus of the
Strange.†This
piece evokes a time of a
bygone era, a time when
circuses and carnivals
provided people from all
walks of life a chance to
see human and animal
oddities that were
sources of both delight
and horror. While many of
these sideshow
attractions were deemed
fraudulent, it did not
deter the crowds from
flocking to be shocked
and awed. I have always
held a special place in
my heart for the
showmanship of carnivals,
because my grandfather
dearly loved them. For
much of his life, he
worked at fairs and
carnivals selling cotton
candy and candy apples. A
large portion of my days
when growing up were
spent running around
fairgrounds and helping
my grandfather with his
stand. He imparted in me
a love for the cunning,
magic, and sheer joy that
only carnivals and
circuses can bring. In
Cirque de
L’étrange, I
sought to capture the the
mirthful, yet uncanny
mood of the carnivals
that I grew up exploring,
thus transporting you to
a different time.Cirque
de L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups, as it is
a great way to expose
students to the march
form and style while not
sounding like your
typical march.Opening in
D minor, the piece
combines the playful feel
of a march and a macabre
tango. The second time
through the First Strain
(mm. 5-23), the upper
woodwinds and bells add a
second counter melody
based in D harmonic
minor, which heightens
the peculiar nature of
the piece. The Second
Strain (mm. 24-43) by
contrast, is a little
more upbeat, thus evoking
the magical ebullience of
a circus, which is
further highlighted by
the xylophone part. The
Second Strain ends in the
key of F major and sets
up the transition to the
Trio in the key of G
minor. The Trio (m. 44)
begins with the G
harmonic minor melody in
the clarinets and a
counter melody in the
bassoon and tenor
saxophone. The rest of
the woodwinds and bells
join in at m. 60 while
the percussion adds a
Gypsy-like feel with
tambourine and triangle.
At m. 76 the full band
joins in the macabre
parade with the trombones
and baritones harmonizing
the counter melody. The
conclusion of the march
has the upper woodwinds,
adding a second counter
melody complete with
trills to bring the march
to an exciting and
dramatic finish.As the
World’s Greatest
Showman, P.T. Barnum, a
man my grandfather
greatly admired, once
said “The noblest
art is that of making
others happy.†It
is my hope that through
this piece you will
experience the thrill,
delight, and fright that
only carnivals can bring
as you visit the Circus
of the Strange! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Etudes, Book 1 Piano seul FJH
Piano - Elementary SKU: FJ.FJH2301 1. Composed by Timothy Brown. P...(+)
Piano - Elementary
SKU: FJ.FJH2301
1. Composed by
Timothy Brown. Piano
Collection; Piano
Supplemental; Technique
Musicianship. New Etudes.
Christmas. Book. The FJH
Music Company Inc
#98-FJH2301. Published by
The FJH Music Company Inc
(FJ.FJH2301). ISBN
9781619281929. UPC:
241444379356.
English. The first
book in the New Etudes
series begins with 20
small works that present
a special technical
aspect. Students feel a
relaxed freedom when
they realize the work is
focused on exploration
rather than performance.
The specific goals are
listed under each title
and include: bouncing
both hands with a loose
wrist; right hand broken
chords; three note slurs;
left-hand crossovers and
many more. These original
etudes range from eight
measures to two pages,
include imaginative art,
and are sure to develop
artistic playing. $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More March Melodies Saxophone Alto [Partition + CD] Carl Fischer
For Solo Instruments and Play-Along CD with Concert Band. By Various. Arranged b...(+)
For Solo Instruments and
Play-Along CD with
Concert Band. By Various.
Arranged by Larry Clark.
For Alto Saxophone. This
edition: Alto Saxophone
in Eb. Playing With The
Band. Premiered March
performances by the
Northern Arizona
University Wind Symphony.
Daniel Schmidt,
Conductor. Score and
Audio CD. 16 pages.
Published by Carl
Fischer.
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pink Lemonade-A Circus Parade (March or One-Step) Orchestre d'harmonie [Conducteur] - Facile Daehn Publications
Concert band - Grade 2 SKU: DH.DP200107-SC Composed by Weidt. Arranged by...(+)
Concert band - Grade 2
SKU:
DH.DP200107-SC
Composed by Weidt.
Arranged by Contorno.
Score. Duration 1 minute,
42 seconds. Published by
Daehn Publications
(DH.DP200107-SC).
What could be
more fun than a march
from the Roaring Twenties
called 'Pink Lemonade'?
(A piece originally
written for banjo!) Treat
your players and audience
to band music of a bygone
era-music to accompany
acrobats, wild animals
and clowns! $6.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Circus Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Guitar,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Timpani, Trombone
1, Trombone 2, Trombone
3, Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1 and
more. SKU:
PR.416410900 For 2
trumpets and
orchestra. Composed
by Iain Hamilton.
Contemporary. Study
Score. With Standard
notation. Composed 1969.
74 pages. Duration 15
minutes. Theodore Presser
Company #416-41090.
Published by Theodore
Presser Company
(PR.416410900). UPC:
680160090754. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Playing with the Band Trombone [Partition + CD] Carl Fischer
(More March Melodies - for Solo Instruments and Play-Along CD with Concert Band ...(+)
(More March Melodies -
for Solo Instruments and
Play-Along CD with
Concert Band (Trombone)).
By Zo Elliott Kenneth J.
Alford. Arranged by Larry
Clark. For Tenor. Score
and audio CD. Standard
notation. 16 pages.
Published by Carl Fischer
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.446413400 High
Wire Act for
Orchestra. Composed
by Michael Boyman. Study
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340. Published by
Merion Music
(PR.446413400). UPC:
680160667406. 9 x 12
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.44641340L High
Wire Act for
Orchestra. Composed
by Michael Boyman. Large
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340L. Published by
Merion Music
(PR.44641340L). UPC:
680160667413. 11 x 17
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Invictus Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4600-75 March. Composed by King...(+)
Concert band - Grade 4
SKU:
CL.012-4600-75
March. Composed by
King. Arranged by Glover.
Concert Band. Karl L.
King Centennial. Audio
recording available
separately (item
CL.WFR391). March.
Oversized, spiral-bound
score. Composed 2017.
Duration 2 minutes, 30
seconds. Opus III Wind
Orchestra Publications
#012-4600-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4600-75).
A ponderous and
dramatic march from the
King of all march
composers! Composed for
King's friend Merle
Evans, bandmaster for the
Ringling Bros. Barnum &
Bailey Circus, Invictus
(which means
unconquerable) lives up
to its title! After a
ponderous minor-key first
section featuring low
brass and woodwinds, the
second features an
exciting circusy sound.
The trio is followed by a
return to the minor key,
and ends with a
rock-solid final section.
An excellent choice for
more advanced high
school, college, and
adult bands, Invictus
will impress audiences
and engage performers
from top to bottom! $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Invictus Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
March. Composed by Karl L. King. Arranged by Andrew Glover. Karl L. King ...(+)
March. Composed by
Karl L. King. Arranged by
Andrew Glover. Karl L.
King Centennial. Audio
recording available
separately (item
CL.WFR391). March. Score
and parts. Composed 2017.
Duration 2 minutes, 30
seconds. Published by
C.L. Barnhouse
(CL.012-4600-00).
$68.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Invictus Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 4 SKU: CL.012-4600-01 March. Composed by King...(+)
Concert band - Grade 4
SKU:
CL.012-4600-01
March. Composed by
King. Arranged by Glover.
Concert Band. Karl L.
King Centennial. Audio
recording available
separately (item
CL.WFR391). March. Extra
full score. Composed
2017. Duration 2 minutes,
30 seconds. Opus III Wind
Orchestra Publications
#012-4600-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4600-01).
A ponderous and
dramatic march from the
King of all march
composers! Composed for
King’s friend
Merle Evans, bandmaster
for the Ringling Bros.
Barnum & Bailey Circus,
Invictus (which means
unconquerable) lives up
to its title! After a
ponderous minor-key first
section featuring low
brass and woodwinds, the
second features an
exciting circusy sound.
The trio is followed by a
return to the minor key,
and ends with a
rock-solid final section.
An excellent choice for
more advanced high
school, college, and
adult bands, Invictus
will impress audiences
and engage performers
from top to bottom! $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mystic Call Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire RBC Publications
Concert Band Concert Band - late intermediate SKU: RU.10302 Composed by K...(+)
Concert Band Concert Band
- late intermediate
SKU: RU.10302
Composed by Karl L. King.
Edited by Timothy Rhea.
Arranged by Edited by
Timothy Rhea.
Contest/Festival. Legacy
of the March. Score and
Parts. RBC Publications
#10302. Published by RBC
Publications (RU.10302).
9 x 12
inches. Composed in
1913, Mystic Call was
dedicated to Charles
Duble of Jeffersonville,
Indiana, who was also a
composer of marches and
an excellent low brass
musician, having playing
trombone with a number of
circus bands during the
early part of the
twentieth century. As for
the title, it is from
Masonic ritual, with Karl
King having been very
active in the Masons and
Shrine. Like most of the
King marches composed
during this period, it
was written for circus
use and contains
exceptional parts for low
brass, requiring a great
deal of technique if
performed at true circus
tempo. The trio scoring
is somewhat more lyrical
in nature than many of
King’s marches. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cincinnatus Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Daehn Publications
By H. A. Vandercook (1864-1949). Arranged by Grauer. For concert band. Grade 3. ...(+)
By H. A. Vandercook
(1864-1949). Arranged by
Grauer. For concert band.
Grade 3. Score and set of
parts. Duration 2
minutes, 9 seconds.
Published by Daehn
Publications
$76.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mystic Call Orchestre d'harmonie [Conducteur] - Intermédiaire RBC Publications
Concert Band Concert Band - late intermediate SKU: RU.10302S Composed by ...(+)
Concert Band Concert Band
- late intermediate
SKU: RU.10302S
Composed by Karl L. King.
Edited by Timothy Rhea.
Arranged by Edited by
Timothy Rhea.
Contest/Festival. Legacy
of the March. Score. RBC
Publications #10302S.
Published by RBC
Publications (RU.10302S).
9 x 12
inches. Composed in
1913, Mystic Call was
dedicated to Charles
Duble of Jeffersonville,
Indiana, who was also a
composer of marches and
an excellent low brass
musician, having playing
trombone with a number of
circus bands during the
early part of the
twentieth century. As for
the title, it is from
Masonic ritual, with Karl
King having been very
active in the Masons and
Shrine. Like most of the
King marches composed
during this period, it
was written for circus
use and contains
exceptional parts for low
brass, requiring a great
deal of technique if
performed at true circus
tempo. The trio scoring
is somewhat more lyrical
in nature than many of
King’s marches. $12.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chamber Symphony [Conducteur] Theodore Presser Co.
Orchestra Orchestra SKU: PR.416413710 For Chamber Orchestra. Compo...(+)
Orchestra Orchestra
SKU: PR.416413710
For Chamber
Orchestra. Composed
by Clint Needham.
Watkiss. Contemporary.
Full score. With Standard
notation. Composed 2008.
92 pages. Duration 21
minutes. Theodore Presser
Company #416-41371.
Published by Theodore
Presser Company
(PR.416413710). ISBN
9781598068214. UPC:
680160587162. 9x12
inches. Needham's
original intent with
Chamber Symphony was to
encapsulate the 2008
presidential election,
from the Democratic
primaries to the historic
general election campaign
and win of Barack Obama.
But, says Needham, In the
midst of the general
election circus, I
decided to broaden my
inspiration and have the
work's overall goal focus
on the larger ideas of
hope and transformation.
Chamber Symphony was
commissioned by the
American Composers
Orchestra with generous
support of Paul
Underwood. Additional
support was from the
National Endowment for
the Arts. I originally
envisioned a work
inspired by the political
landscape of the 2008
presidential election,
focusing primarily on the
hard-fought Democratic
Primary race. I was
fascinated by the
historic and hopeful
spirit that both the
Barack Obama and Hillary
Clinton campaigns
embodied. Sometime later,
in the midst of the
general election circus,
I decided to broaden my
inspiration and have the
work’s overall
goal focus on the larger
ideas of hope and
transformation. Chamber
Symphony is constructed
in three movements
(played without pause):
I. Hammering Out, II.
Open-ended Echoes, and
III. Radiant Nation. The
titles suggest a general
atmosphere that each
movement attempts to
express. The outer
movements, both quick in
tempo, act as the
antithesis of each other
in terms of mood.
“Hammering
Out†employs an
aggressive, relentless,
pounding beat that
frequently shifts, often
emphasized with metallic
sounds. “Radiant
Nation†is much
lighter and more
optimistic in tone, and
uses an up-beat groove
throughout the movement.
The middle movement,
“Open-ended
Echoes,†is the
proverbial calm after the
storm. Unlike the outer
movements,
“Open-ended
Echoes†is almost
void of any strong sense
of pulse. The movement
attempts to create a
peaceful, contemplative
mood that transforms the
volatile nature of the
first movement tothe
radiant spirit of the
last. Chamber Symphony
was commissioned by the
American Composers
Orchestra for its
Orchestra Underground
Series with the generous
support of Paul
Underwood. Additional
support for the
ACO’s Emerging
Composers Program comes
from the National
Endowment for the
Arts.— November 5,
2008. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A New Musical Collection from Cirque du Soleil Piano, Voix et Guitare Alfred Publishing
A New Musical Collection from Cirque du Soleil (Piano/Vocal/Chords). For K...(+)
A New Musical Collection
from Cirque du Soleil
(Piano/Vocal/Chords). For
Keyboard; Piano; Voice.
This
edition:
Piano/Vocal/Chords.
Book; Piano/Vocal/Chords;
Shows and Movies.
Broadway;
Pop; Pop/Rock;
Traditional.
188 pages. Published by
Alfred Music
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Factory Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor. Factory
Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Half Step March Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3895-01 Composed by McKinzey. Concert Band. Symphony ...(+)
Grade 3 SKU:
CL.012-3895-01
Composed by McKinzey.
Concert Band. Symphony
Band Series. Audio
recording available
separately (item
CL.WFR368). Extra full
score. Composed 2010.
Duration 1 minute, 56
seconds. Opus III Wind
Orchestra Publications
#012-3895-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3895-01).
Fingers will
fly and ears will perk up
to this unique quick-step
march titled Half Step
March by Kyle McKinzey.
As the title suggests, it
is a flurry of chromatic
runs and licks that will
make your students WANT
to practice, and have
your audience’s
toes tapping. For many,
it will bring back
memories of the old
circus marches. You will
be able to see clowns
running about, trapeze
artists flying around and
much more. A great opener
to a concert, or a quick
encore piece that will
leave them wanting
more. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Factory Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207F
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Full score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS207F.
Published by Carl Fischer
Music (CF.YPS207F).
ISBN 9781491152959.
UPC:
680160910458. Facto
ry Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Exam Pieces Plus Exercises 2021-2023: Grade 5 - Extended Edition Piano seul - Débutant Trinity College London
Composed by Various. Classical. Textbook. Trinity College London #TCL020567. ...(+)
Composed by Various.
Classical. Textbook.
Trinity
College London
#TCL020567.
Published by Trinity
College
London
$30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Marche fatale Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-9253 Composed by Helmut Lachenmann. Solo instruments; st...(+)
Piano SKU:
BR.EB-9253 Composed
by Helmut Lachenmann.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253). ISBN
9790004185537. 9 x 12
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Marche fatale Orchestre [Conducteur] Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU:
BR.PB-5432 Composed
by Helmut Lachenmann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). World
premiere of the
orchestral version:
Stuttgart, January 1,
2018World premiere of the
piano version: Mito, June
17, 2017 Have a
look into EB
9283. New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432). ISBN
9790004212790. 10 x 12.5
inches. Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020. $63.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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