| The Ultimate Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. Composed by Various. Ukulele. Folk, Standard...(+)
Over 400 Songs to Strum
and
Sing. Composed by
Various.
Ukulele. Folk, Standards.
Softcover. 632 pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Dearest Ruth Voix Mezzo-Soprano, Piano Theodore Presser Co.
For Mezzo-soprano and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes...(+)
For Mezzo-soprano and
Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40297.
Published
by Theodore Presser
Company
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Dearest Ruth Voix Baryton, Piano Theodore Presser Co.
For Baritone and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 ...(+)
For Baritone and Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40298.
Published
by Theodore Presser
Company
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Angel of Dreamers Theodore Presser Co.
Chamber Music Piano, Trombone, Voice SKU: PR.111402650 A Song Cycle fo...(+)
Chamber Music Piano,
Trombone, Voice SKU:
PR.111402650 A
Song Cycle for Baritone
(or Mezzo-soprano),
Trombone, and Piano.
Composed by Eric Ewazen.
Set of Score and Parts.
With Standard notation.
52+16 pages. Duration 24
minutes. Theodore Presser
Company #111-40265.
Published by Theodore
Presser Company
(PR.111402650). UPC:
680160643516. Text: Lorna
Goodison. Lorna
Goodison. Angel of
Dreamers is a song cycle
for bass-baritone (or
mezzo-soprano) singer,
trombone, and either
string orchestra, string
quintet, or piano. It is
based on the
extraordinary poetry of
the Jamaican-American
poet, Lorna Goodison,
whom I have had the great
pleasure of getting to
know in the course of
writing this piece. The
work was commissioned by
a friend from my
undergraduate college
years at The Eastman
School of Music, Maury
Okun, trombonist and
director of the Detroit
Chamber Winds And
Strings. The work was
premiered in 2011 by
bass-baritone Daniel
Washington, trombonist
and U. of Michigan
faculty member David
Jackson, and the string
section of the Detroit
Chamber Winds and
Strings. Daniel and David
gave the second
performance of the work
with Lorna Goodison and
Maury Okun in attendance
at The Juilliard School
the following year. I was
approached by Maury Okun
and David Jackson to
write this piece as a
tribute to Maury's father
who had recently passed
away. They also
introduced me to their
colleague and friend
Lorna Goodison,
suggesting her poetry.
Reading several volumes
of her work, I was
absolutely captivated by
the vivid imagery and
beautiful messages of her
words. I chose five of
the poems, forming a
cycle about life and
death and home and
parents. Lorna is
originally from Jamaica,
and the rich, vivid
imagery, language and
story lines of her poems
beautifully reflect her
roots. The work, in the
tradition of Brahms'
songs for voice, viola,
and piano, features a
singer with an obligato
lyric instrumental line,
which, in my piece, is
the trombone, an
instrument that blends so
beautifully with the
sound of a bass singer.
The first song, O Love
You So Fear the Dark is
hopeful and uplifting,
describing enduring love
throughout the twists and
turns of our lives. The
music is strong and
declamatory, but also
tender. The second song,
God A Me actually
portrays a fish in
Jamaica which is almost
amphibious, flying up out
of the water onto the
land, and somehow,
magically, returning to
the water! For me this
poem depicts the
enjoyment of seeing parts
of life that are fun and
enjoyable and almost
magical! The third song,
All Souls Day depicts a
holiday, somewhat
magical, but also full of
life and energy. The
final two songs are a
tribute to our parents --
My Mother's Sea Chanty,
recalling a dream of
seeing one's mother, with
lyrics of tender love and
remembrance, and finally,
This is my Father's
Country which is a
tribute to the life of a
loving father, recalling
his spirit, his love of
the music Harry
Belafonte, and his
enduring spirit. Angel of
Dreamers was a special
piece for me to write:
for and with friends, old
and new, collaborating
with a poet whose
beautiful, meaningful,
and touching words were
so inspiring, performed
by fantastic musicians
who poured themselves
into the music, and
commissioned by a dear
friend from years gone
by. THIS is why we write
and perform music!. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Rolling Stones: The Rolling Stones Fakebook (1963-1971) Fake Book [Fake Book] Alfred Publishing
Performed by The Rolling Stones. Fakebook for voice and C instrument. With vocal...(+)
Performed by The Rolling
Stones. Fakebook for
voice and C instrument.
With vocal melody, chord
names, color photos,
discography, selected
riffs (guitar tab) and
introductory text. 431
pages. Published by
Alfred Publishing.
(4)$39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Composers' Specials - Special Collector's Edition Video - Pas de partitions [DVD] Devine Entertainment Corporation
6-DVD Set. (DVD). Performance video. DVD . Published by Devine Entertainment Co...(+)
6-DVD Set. (DVD).
Performance video. DVD .
Published by Devine
Entertainment
Corporation.
$159.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fiddle-me-oo-re-i-re-a - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS90
Working on the
Railway. Composed by
Irish Folk Song. Arranged
by Virginia Croft.
Collate - FS SWS. Young
String Orchestra. Set of
Score and Parts. With
Standard notation.
12+16+16+4+10+10+10+3
pages. Duration 2
minutes, 4 seconds. Carl
Fischer Music #YAS90.
Published by Carl Fischer
Music (CF.YAS90). ISBN
9780825884009. UPC:
798408084004. 8.5 x 11
inches. Key: G
major. Fiddle-me-oo
-re-i-re-a is a purely
gleeful fiddling piece in
the Celtic style, and
Virginia Croft’s
arrangement makes it
downright infectious. We
guarantee no complaints
from your students when
you say Okay, from the
top!. Virginia Croft
holds Bachelor of Science
and Master of Education
degrees in Music
Education from the
Pennsylvania State
University. Long active
in public school and
church music, she has
conducted large and small
instrumental and vocal
ensembles in
Pennsylvania, Oregon,
Vermont, and Ontario,
Canada. For the past
thirty-one years, she has
directed a large,
award-winning elementary
school band which she
initially began as a
“mother
volunteer†in
Houston, Texas; but as a
violinist and mother of a
fine cellist, her real
love is the orchestra.She
is the recipient of
letters of commendation
from her United States
Congressman, Mayors of
Houston, and the Governor
of Texas, and was three
times chosen
“Teacher of the
Year†by her fellow
faculty members. She is
listed in the fifth
through eleventh
Southwestern editions of
“Who’s Who
Among America’s
Teachers,†has been
named “Teacher of
the Year†by her
local Rotary Club, was
honored by MiraMax Films
with their “Music
of the Heart†Award
in recognition of her
strong commitment and
support of community
music education, and is a
2005 recipient of the
Goldin Award for
Excellence in
Education.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Really Big Really Easy Piano Book Piano Facile Music Sales
| | |
| Queen [Partition] Backbeat Books
(The Complete Illustrated Lyrics). Book. Softcover. 390 pages. Published by Back...(+)
(The Complete Illustrated
Lyrics). Book. Softcover.
390 pages. Published by
Backbeat Books
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Oedipus the Tyrant Music Distribution Services
SKU: M7.MV-8545 A tragedy by Sophocles translated by Friedrich Höld...(+)
SKU: M7.MV-8545
A tragedy by Sophocles
translated by Friedrich
Hölderlin.
Composed by Carl Orff.
DVD. MusicAvision.
Duration 136'. MDS (Music
Distribution Services)
#MV 8545. Published by
MDS (Music Distribution
Services) (M7.MV-8545).
ISBN 9783795778330.
German English. The
director and film maker
Peider A. Defilla devotes
himself to Carl Orff
again: WERGO is now going
to release his film
'Oedipus der Tyrann'
based on a production of
the Darmstadt State
Theatre. This DVD edition
'Carl Orff' presents a
new view of the
significant 20th-century
composer Carl Orff
(1895-1982). - According
to the Delphic Oracle,
Oedipus, ruler of Thebes,
can only save his city
from doom if he solves
the murder of his
predecessor Laius. In the
course of the
investigation, Oedipus
himself is accused of
regicide and realises
that several years
earlier, he unwittingly
killed Laius, his own
father, and married
Jocasta, his mother.
Thereupon, Oedipus blinds
himself. Conductor:
Stefan Blunier Stage
Director: John Dew Stage
Design: Heinz Balthes
Costumes: José Manuel
Vázquez Chorus Master:
André Weissstarring:
Norbert Schmittberg
(Oedipus), Dimitry
Ivashchenko (A priest),
Andreas Daum (Kreon),
Oleksandr Prytolyuk
(Choragus), Markus Durst
(Choragus), Mark Adler
(Tiresias), Yamina Maamar
(Iokasta), Stefan Umhey
(A messenger from
Corinth), Hans-Joachim
Porcher (A shepherd of
Laius) Darmstadt State
Theatre Orchestra
Darmstadt State Theatre
Male Chorus Darmstadt
State Theatre
Supernumeraries B.O.A.
VIDEOFILMKUNST Munich
production, Director:
Peider A. Defilla German
with english subtitles
Dolby Stereo DVD-9 / 126
+ 10 min. regional code:
0 (PAL) frame size:
16:9. $36.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sound the Trumpets - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1
SKU: CF.BAS77
Composed by Shaker Tune.
Arranged by Deborah Baker
Monday. Beginning String
Orchestra (BAS). Set of
Score and Parts. With
Standard notation.
8+2+8+5+5+5+2+8 pages.
Duration 1 minute, 49
seconds. Carl Fischer
Music #BAS77. Published
by Carl Fischer Music
(CF.BAS77). ISBN
9781491151228. UPC:
680160908721. 9 x 12
inches. As the
title suggests, there is
a trumpet-like motive
which is tossed among
instrument sections.Â
The source of this tune
from the Shaker history
can be performed as a
holiday piece or any time
of year. It is an
easy D major with easy
rhythms which offers a
great selection for
concert or
festival. This piece
offers so many
opportunities to do cross
curricular activities
with your students.Â
The arrangement offers
very equal playing among
sections. Let each
section shine during
their highlighted
part.The original tune is
called Mother's Golden
Trumpet and appears in
a collection of Shaker
tunes for Christmas. This
arrangement is not
specified for holiday
only but can be used in
either setting,In
addition to this great
teaching point, it is a
strong piece in D major
for young string
players.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$48.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sound the Trumpets - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1
SKU: CF.BAS77F
Composed by Shaker Tune.
Arranged by Deborah Baker
Monday. Beginning String
Orchestra (BAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #BAS77F.
Published by Carl Fischer
Music (CF.BAS77F).
ISBN 9781491151594.
UPC: 680160909094. 9 x 12
inches. Key: D
major. As the title
suggests, there is a
trumpet-like motive which
is tossed among
instrument sections.Â
The source of this tune
from the Shaker history
can be performed as a
holiday piece or any time
of year. It is an
easy D major with easy
rhythms which offers a
great selection for
concert or
festival. This piece
offers so many
opportunities to do cross
curricular activities
with your students.Â
The arrangement offers
very equal playing among
sections. Let each
section shine during
their highlighted
part.The original tune is
called Mother's Golden
Trumpet and appears in
a collection of Shaker
tunes for Christmas. This
arrangement is not
specified for holiday
only but can be used in
either setting,In
addition to this great
teaching point, it is a
strong piece in D major
for young string
players.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Caminemos con Jesús GIA Publications
SKU: GI.G-1064 Composed by Tony Alonso S.J. Sacred. GIA Publications #106...(+)
SKU: GI.G-1064
Composed by Tony Alonso
S.J. Sacred. GIA
Publications #1064.
Published by GIA
Publications (GI.G-1064).
UPC:
785147006428. From
the music of the Buena
Vista Social Club to
Gloria Estefan, the
lyrical melodies and
infectious rhythms of
Cuban music have become
embedded in U.S. culture.
With Caminemos con
Jesús / Let Us Walk
with Jesus, composer Tony
Alonso presents a
groundbreaking collection
of liturgical music that
calls on his own Cuban
musical heritage to
provide new ways of
singing the liturgy in
Spanish, English or
bilingually. The first
project of its kind,
Caminemos con Jesús
not only utilizes rich
Cuban idioms but also
explores what style and
musical form can teach us
about praying together
across cultural and
linguistic boundaries.
The dynamic
call-and-response form
that is a hallmark of
traditional Cuban music
makes these songs
especially compelling
choices for bilingual
worship, allowing
assemblies to learn,
internalize, and pray
easily in both Spanish
and English.
“Qué AlegrÃa
Cuando Me Dijeron / I
Rejoiced When I Heard
Them Say†uses the
words of the psalm as a
rhythmic mantra, creating
a fresh and engaging way
to gather as the Body of
Christ. “LetanÃa
a la Madre de las
Américas / Litany of
Mary of The
Americas,†invokes
the Mary of many names
and nations with a simple
yet strong response that
will enliven Marian
feasts throughout the
year. The gentle
simplicity of “Tres
Guajiros / Three
Peasantsâ€
re-imagines the story of
the Magi as humble
peasants bringing gifts
of the land to honor the
newborn Jesus. Also, in
this collection and for
the first time in
published form, is Gloria
Estefan’s
“Caridad,†a
powerful and poetic
prayer to Our Lady of
Charity, the patroness of
Cuba. All of the pieces
of this collection focus
on the importance of
bringing the voices of
the assembly to the
forefront while the
arrangements are
skillfully crafted to be
accessible to musicians
of all abilities. In
addition to the
spiral-bound edition,
individual octavos, and
flute and brass parts,
Caminemos con Jesús
offers a special edition
featuring parts for
guitar, percussion and
other instruments central
to Cuban music. The
studio recording is a
stunning source of prayer
and inspiration, produced
in Miami by Grammy Award
winner Juan Delgado and
featuring some of the
finest Cuban-American
musicians today. GIA
Publications, Inc. is
committed to responding
to the rich diversity of
the contemporary Church.
With Caminemos con
Jesús, we offer you
our very best bilingual
music for the liturgical
year. “The
music of my
father’s Cuban
homeland has been the
language of my heart for
as long as I can
remember. These songs
infuse that rich
tradition with the unique
sabor of my own
experience as a
Cuban-American in a
distinctly liturgical
shape that I hope will
inspire others in their
daily camino con
Jesús.â€
–Tony Alonso
Featuring “Live
Mercy, Be Holy / Vive la
Misericordia, Vive la
Santidad,†the 2020
Los Angeles Religious
Education Congress theme
song! Desde la música
de Buena Vista Social
Club hasta la de Gloria
Estefan, las melodÃas
lÃricas y ritmos
contagiosos de la
música cubana son
incrustados en la cultura
estadounidense. Con
Caminemos con Jesús /
Let Us Walk with Jesus,
el compositor Tony Alonso
presenta una colección
innovadora de música
litúrgica que
incorpora su herencia
musical cubana para
producir una manera nueva
de cantar la liturgia
— en español,
inglés o
bilingüemente. El
primer proyecto de este
tipo, Caminemos con
Jesús no sólo
utiliza modismos ricos de
Cuba sino también
explora lo que el estilo
y la forma musical nos
pueden enseñar con
respeto a rezar juntos a
través de los
lÃmites culturales y
lingüÃsticos.Â
La forma dinámica de
llamada-y-respuesta que
es un sello distintivo de
la música cubana
tradicional crea opciones
cautivadoras para los
rituales bilingües
donde la asamblea puede
aprender, interiorizar y
rezar facilmente tanto en
español como en
inglés. “Qué
AlegrÃa Cuando Me
Dijeron†incorpora
la letra del salmo como
una mantra rÃtmica,
creando una manera
original para congregar
al Cuerpo de Cristo. La
“LetanÃa a la
Madre de las
Américas,†la
cual invoca a la MarÃa
de muchos nombres y
naciones utilizando una
respuesta sencilla y
fuerte, enriquecerá a
las fiestas marianas de
muchos pueblos durante
todo el año. La
sencillez suave de
“Tres
Guajiros†reimagina
la historia de los Reyes
Magos como guajiros
humildes, trayendo
regalos de la tierra para
honrar al recién
nacido Jesús.
También se encuentra
en esta colección, por
la primera vez en forma
publicada, el tema
musical
“Caridad†por
Gloria Estefan, que es
una oración poderosa y
poética a Nuestra
Madre de Caridad, la
patrona de Cuba. Todas
las piezas en esta
colección se enfocan
en la importancia de las
voces de la asamblea
mientras los arreglos son
accesibles para los
músicos de todas
habilidades. Además de
la edición con
espiral, las partituras
corales individuales, y
las ediciones para flauta
y instrumentos de metal,
Caminemos con Jesús
también ofrece una
edición para guitarra
con partituras
adicionales para
percusión y otros
instrumentos centrales en
la música cubana. La
grabación del estudio
es espectacular, una
fuente de oración y
inspiración. Producido
en Miami por el ganador
de Grammy Juan Delgado,
el álbum destaca los
talentos de unos de los
mejores músicos
cubano-americanos de hoy
dÃa. GIA
Publications, Inc.
está comprometido a
responder a la diversidad
rica de la Iglesia
actual. En Caminemos con
Jesús, les ofrecemos
nuestra mejor música
bilingüe para todo el
año litúrgico.
“La música de la
tierra cubana de mi padre
ha sido el lenguaje de mi
corazón desde que yo
tengo memoria. Estas
canciones infunden esa
rica tradición del
sabor único de mi
propia experiencia como
cubanoamericano con una
forma claramente
litúrgica. Es mi deseo
que esta obra inspire a
los demás en su propio
camino diario con
Jesúsâ€.
–Tony AlonsoÂ
Incluye el canto tema,
“Vive la
Misericordia, Vive la
Santidad / Live Mercy, Be
Holy,†compuesto
para el Congreso de
Educación Religiosa de
Los Angeles del 2020.
CONTENTS / CONTENIDO:
Arriba los Corazones / We
Lift Up Our Hearts
• Caminemos con
Jesús / Let Us Walk
with Jesus •
Cántico de Daniel /
Canticle of Daniel
• Caridad / Our
Lady of Charity •
LetanÃa del Santo
Nombre de Jesús /
Litany of the Holy Name
of Jesus •
LetanÃa a la Madre de
las Américas / Litany
to the Mother of the
Americas • Qué
AlegrÃa Cuando Me
Dijeron / I Rejoiced When
I Heard them Say •
Una Gran Nube de Testigos
/ A Wondrous Cloud of
Witnesses • Tres
Guajiros / Three Peasants
• Vayan Por el
Mundo Entero / Go Out to
All the World •
Vive la Misericordia,
Vive la Santidad / Live
Mercy, Be Holy. Â . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music Game of the Week [Flash Cartes & Jeux] Lorenz Publishing Company
By Brenda Knowis. A Year's Worth of Reproducible Activities for the Classroom or...(+)
By Brenda Knowis. A
Year's Worth of
Reproducible Activities
for the Classroom or
Home. Level: Grades K-6 .
Book of games. Published
by Lorenz Publishing
Company. (30/2307H)
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Complete Guitar Player Songbook Omnibus 1 Music Sales
| | |
| Mordy Ferber - Compositions Guitare - Intermédiaire Mel Bay
Guitar (all) - Intermediate SKU: MB.22154 Composed by Mordy Ferber. Solos...(+)
Guitar (all) -
Intermediate SKU:
MB.22154 Composed by
Mordy Ferber. Solos,
Style, Contemporary,
Perfect binding. Bill's
Music Shelf. Jazz. Book.
84 pages. Mel Bay
Publications, Inc #22154.
Published by Mel Bay
Publications, Inc
(MB.22154). ISBN
9780786682560. UPC:
796279111102. 8.5 X 11
inches. This book
is an attempt to capture
the highlights of
twenty-eight years of
composing. Each of these
32 compositions is an
expression, and as such
-- an exposure, of a
genuine part of myself
which I present within
the framework of jazz; my
beloved art form. When I
listen to this music I
hear shades of my early
classical and rock
influences. It also
brings to my mind my
birth place, a small
neighborhood outside of
Haifa, Israel. I really
hope that you will listen
to these pieces come
alive on my CDs All The
Way To Sendai. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Complete Guitar Player Songbook Omnibus Edition Guitare [Fake Book] Music Sales
Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyr...(+)
Compiled by Russ Shipton.
Fake book for voice and
guitar. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. 167 pages.
Published by Music Sales.
(1)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Rock Guitar Fake Book
Guitare notes et tablatures [Fake Book] - Intermédiaire Hal Leonard
For voice and guitar chords. Format: fake book (spiral bound). With guitar chord...(+)
For voice and guitar
chords. Format: fake book
(spiral bound). With
guitar chord diagrams,
vocal melody and guitar
tablature (of vocal
melody only). Series: Hal
Leonard Fake Books. 344
pages. 9x12 inches.
Published by Hal Leonard.
(1)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.114418250 Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano SKU:
PR.114418250 Composed
by Stacy Garrop.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2013. 40+16+16
pages. Duration 23
minutes. Theodore Presser
Company #114-41825.
Published by Theodore
Presser Company
(PR.114418250). UPC:
680160640959. 9 x 12
inches. In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sanctuary Piano Trio: piano, violon, violoncelle Theodore Presser Co.
Chamber Music Violin, cello, Piano SKU: PR.11441825S Composed by Stacy Ga...(+)
Chamber Music Violin,
cello, Piano SKU:
PR.11441825S Composed
by Stacy Garrop.
Contemporary. Score. With
Standard notation.
Composed 2013. 40 pages.
Duration 23 minutes.
Theodore Presser Company
#114-41825S. Published by
Theodore Presser Company
(PR.11441825S). UPC:
680160643745. 9 x 12
inches. In 2011,
Barbara Garrop, my
mother, commissioned me
to write a piano trio in
memory of Norman Garrop,
my father, who passed
away about thirty years
ago. When I started
brainstorming about
topics for the piece, I
found it difficult to
recall many moments of my
early life involving my
father. Too many years
had passed, and the
memories that I could
summon were of achild
looking up to her father,
not an adult relating to
an equal. However, while
collecting stories of my
father from various
family members, along
with discovering a number
of objects that had once
belonged to him and that
I had stored away in
boxes decades ago, I
began to realize that
this piece wasn't so much
about my father as it was
about my re-discovering
the man that he was: a
loving husband and dad
who cared deeply about
his family and his
passions (which included
bike riding, collecting
coins, strumming our
guitar, playing baseball,
watching football games,
entertaining people,
helping to run local
theater and puppet
productions, and carving
objects out of wook); an
accountant who dreamed of
a better future: a
treasurer of our local
synagogue; an early
advocate for computers
(we owned an Apple II+);
and a pranster with a
great sense of humor.
Ultimately, I decided to
musically tell the story
of my search for these
memories. In the first
movement (Without), a
child calls out in a
sing-song voice,
searching for her lost
parent. This search
intesifies over the
course of the movement
through a series of
themes, including a
stepping motif in which a
two-note progression
steadily climbs higher, a
pseudo-jewish folksong,
and a passionate longing
theme. The child's search
becomes increasingly
intense throughout the
movement, calling out
fervently and repeatedly
to the parent; the
movement ends in a moment
of great tnesion and
uncertainty. The second
movment (Within) quietly
opens with the lost
parent finally answering,
represented by a solo
cello; the child (now
personified by the
violin) has found the
parent within the
sanctuary of her own
heart. This movement
highlights the joy and
solemnity of this
beautiful discovery.
-S.G. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Monumentum, Music for string sextet Kunzelmann
2 violins, 2 violas, 2 celli - Level 6 SKU: KU.GM-1911 Composed by David ...(+)
2 violins, 2 violas, 2
celli - Level 6 SKU:
KU.GM-1911 Composed
by David Philip Hefti.
Edited by David Philip
Hefti. Bach format (230 x
302). In A Folder. Full
score, parts. 78 pages.
Duration 19 minutes.
Edition Kunzelmann
#GM-1911. Published by
Edition Kunzelmann
(KU.GM-1911). ISBN
9790206202384. 9 x 12
inches. Monu
mentum, Music for
String Sextet, was
written in 2014 to a
commission from the
Moritzburg Festival, The
Chamber Music Society of
Lincoln Center New York
and the Kathe Kollwitz
House in Moritzburg. It
is dedicated to the
cellist Jan Vogler. The
world premiere took place
on 19 August 2014 at the
Moritzburg Festival,
performed by Timothy
Chooi & Mira Wang
(violins), Roberto Diaz
& Hartmut Rohde
(violas), Jan Vogler
& Harriet Krijgh
(cellos). The American
premiere took place on 7
May 2015 in the Lincoln
Center with the Amphion
String Quartet, the
violist Yura Lee and the
cellist Jan
Vogler.
The
String
Sextet Momentum<
/em> commemorates
the outbreak of the First
World War, the death of
Peter Kollwitz –
who died as a volunteer,
aged just 18, in the
early weeks of the war
– and the manner in
which his mother, the
artist Kathe Kollwitz,
mourned the loss of her
son. The artist worked
through her pain by
creating her most famous
sculpture, The
Mourning Parents. It
stands today at the
German soldiers’
cemetery at Vladslo in
western Flanders, where
her son Peter also lies
buried. During the 18
years that she worked on
the Parents
, Kathe Kollwitz attended
several concerts at the
Volksbuhne in Berlin,
where from January to
February 1927 she heard
Arthur Schnabel’s
cycle of all the
Beethoven piano sonatas.
Schnabel performed the
Sonata op. 111 in c minor
on 26 February 1927, and
this work touched her in
particular, as we can
read in her diary:
“The strange
flickering notes turned
into flames – a
moment of rapture, taking
one into a different
sphere, and the heavens
opened almost as in the
Ninth (Symphony). Then
one found one’s way
back – but it was a
return after having been
assured that there is a
heaven. These notes are
serene – confident
– and good. Thank
you, Schnabel!”
This encounter with
Beethoven’s last
sonata inspired the
artist to take up work
again on her sculpture
after a long interruption
and to consider different
possibilities for
arranging the two
figures. For this reason,
the first minutes
ofMomentum
are derived from this
sonata by Beethoven
– though without it
being quoted in an
audible manner –
and they leave their mark
on the form of the
Sextet. The number 18 and
the date of Peter
Kollwitz’s death
(23 October 1914) also
have a direct impact on
the work’s
dramaturgy. This music is
mostly calm in nature,
but is time and again
interrupted unexpectedly,
being disturbed by unruly
sounds and vehement
eruptions until time
itself seems to dissolve
in an aleatoric passage.
The work ends with an
extended lament on
“seed corn should
not be ground”, a
line from
Goethe’s W
ilhelm Meister’s
Journeyman Years.
Kathe Kollwitz often
quoted this phrase to
argue for peace, and also
took it as the title for
a lithograph that she
made in 1942. -
David Philip
Hefti $89.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singing Round The Year Book And Cd (unison, A Cappella) Voix d'Enfants [Partition + CD] Alfred Publishing
Singing Round the Year. (33 Rounds for Every Occasion). By Robert de Frece. Chor...(+)
Singing Round the Year.
(33 Rounds for Every
Occasion). By Robert de
Frece. Choral Collection;
Classroom/Pre-School;
Other Classroom. Book and
CD. 56 pages. Published
by Alfred Music
Publishing
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best Irish Songs In The World...ever Music Sales
| | |
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