Masterworks for Violin Series for Violin and Piano. Par PAGANINI NICCOLO. Contains La Campanella, Op.7 and Moto Perpetuo, Op.11. Niccolò Paganini gave the premiere performance of his Second Violin Concerto at La Scala in Milan, 1827. The success of the performance was such that the last movement of the concerto was repeated. The subtitle of this movement is \'La Campanella\' (The little bell) because of the sound the harmonics in this work produce. Paganini known for his pyrotechnics uses double harmonics and left hand pizzicato lavishly in this movement. Moto Perpetuo is one of Paganini\'s most popular works. Dozens of transcriptions exist for a variety of instruments, from marimba to double bass, as well as for orchestra, where all first violins play the solo part. The 3,032 sixteenth notes in this four-minute composition require formidable skill and endurance from the performer. / Date parution : 2022-01-14/ Recueil / Violin et Piano

10 Selected Solos with Piano Accompaniment. Par SPARKE PHILIP. Une sélection de 10 pièces avec accompagnement de piano Super Solos est le troisième et dernier volume de cette série évolutive qui accompagnera le jeune instrumentiste du niveau débutant jusquà celui de musicien confirmé. Que ces solos soient le moteur de votre progression dans le formidablemonde de la musique ! Sommaire : Little Overture - Berceuse - March of the Toy Soldiers - Air and Variations - Chicago Blues - Moto Perpetuo - Song of Farewell - Promenade - September Song - Scherzo Finale / Niveau : Elémentaire à Moyen / Pédagogie / Recueil / Cor en Fa et Piano

Par MATTHEWS COLIN. Colin Matthews' Chaconne With Chorale And Moto Perpetuo , for Violin with Piano accompaniment. / Niveau : Intermédiaire à Avancé / Répertoire / Violon et Piano

Par BAEYENS AUGUST. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment./ Répertoire / Flûte Traversière et Violoncelle

Rheinfelden Sketches. Par SPARKE PHILIP. In each of the four movements of this major work for concert band, the composer has tried to capture in music something of the spirit of this beautiful Swiss town of Rheinfelden, which lies on the banks of the Rhein. The opening movement, Promenade, sees woodwind and brass alternating short melodic fragments leading to a noble melody from the horns. The dreamy Ballad features a saxophone solo and chorale-like melody. This leads, via a four bar Interlude, to the Scherzo which takes the form of a moto perpetuo. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Rheinfelden Sketches. Par SPARKE PHILIP. In each of the four movements of this major work for concert band, the composer has tried to capture in music something of the spirit of this beautiful Swiss town of Rheinfelden, which lies on the banks of the Rhein. The opening movement, Promenade, sees woodwind and brass alternating short melodic fragments leading to a noble melody from the horns. The dreamy Ballad features a saxophone solo and chorale-like melody. This leads, via a four bar Interlude, to the Scherzo which takes the form of a moto perpetuo. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par COHEN MARY. Quatorze études originales, imaginatifs pour solo violoncelle, spécialement conçus pour déboucher des études élémentaires pour les plus jeunes joueurs plus avancée matériel par Dotzauer et Popper. Chaque pièce se concentre sur un ou deux aspects de la technique, et l'ensemble couvre un large éventail de compétences de gauche et de droite, y compris les spicatto s'incliner, franchissement des chaîne, moto perpetuo, cantible et les arrêts doubles faciles. Enseignants et les élèves trouveront cette collection inestimable, et pourtant la lumière hearted, agréable et stimulant./ Méthode / Violoncelle

Par SPARKE PHILIP. Sinfonietta: The Town Beneath the Cliff est une commande de Holmestrand Ungdomskorps, de Vestfold en Norvège. L’oeuvre est en quatre mouvements : une fanfare spectaculaire suivie d’une toccata comme un « moto perpetuo ». Le magnifique troisième mouvement, Hymn, permet à l’orchestre de démontrer sa musicalité et sa sonorité. Le dernier mouvement, Scherzo Finale, commence par une courte phrase de l’hymne de la ville de Holmestrand, Holmestrandsangen, dont le retour en entier à la fin de l’oeuvre est accompagné d’un passage orné, basé sur le thème d’ouverture. / Niveau : 4 / Pièce de concert / Répertoire / Brass Band

Commande du Music Department der University of Toronto Création : 21. August 2005 Luzern, Luzerner Saal (CH) Lucerne Festival 2005 · Mitglieder des Ensemble Intercontemporain · Dirigent: Heinz Holliger Besetzung: Floete (auch Altfloete), Klarinette in B, Violine, Harfe und Marimbaphon I Monotonia II Moto perpetuo III Harmonia IV Canon in prolation

for Flute, Clarinet or Alto Saxophone and Concert Band. Par SPARKE PHILIP. En 2008, Philip Sparke publiait ses Super Solos, troisième et dernier volume d’une collection de solos instrumentaux (pour Flûte, Clarinette, Saxophone Alto, Trompette, Cor, Trombone et Euphonium), plébiscités par les jeunes musiciens du monde entier, et plus particulièrement par le jeune flûtiste allemand, Meinhard Drescher. À la demande du père de ce dernier, Philip Sparke a extrait trois pièces du recueil - Little Overture - Berceuse - Moto Perpetuo - pour en faire un « mini-concerto » pour Flûte traversière et Orchestre d’Harmonie. Meinhard Drescher reçut ce concerto comme cadeau pour son seizième anniversaire. Il en assura la création le 18 octobre2009. Concertino Classico est structuré selon le schéma classique du concerto : vif - lent - vif. La partie solo peut également être confiée à la Clarinette ou au Saxophone Alto. / Niveau : 3 / oeuvre solo et Orchestre / Répertoire / Concert Band ou Harmonie et Flûte Traversière, Cla