Moving in Stereo Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(As performed by The Cars). By Ric Ocasek and Greg Hawkes [The Cars]. Arranged b...(+)
(As performed by The
Cars). By Ric Ocasek and
Greg Hawkes [The Cars].
Arranged by Eric Gorfain.
Orchestra. For string w/
vln3. Part(s); Score;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop; Rock. Grade 3.5. 124
pages. Published by
Alfred Music Publishing
11
Pieces in Swinging
Styles. Composed by
Erik Veldkamp. De Haske
Play-Along Book. Play
Along. Book and CD.
Composed 2003. 28 pages.
De Haske Publications
#1033361. Published by De
Haske Publications
(HL.44004799).
ISBN
9789043117838. UPC:
073999047998.
9.0x12.0x0.14 inches.
English-German-French-Dut
ch.
With this book
for mallets, moderately
advanced players have a
number of great swinging
pieces at their disposal,
which can further develop
their skills and
technique in playing jazz
music. Songs include:
Stay Loose * Keep on
Moving * Why Bother? *
It's for Real * It's Nice
to Be Here * Happy Talk *
The Swing Along Blues *
Get It Right * A Blues A
Day * Stamp Your Feet *
Quiet, Please.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
is giving lessons to horn
players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Nick Lane
will walk you through all
23 lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Trombone" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Nick
Lane Nick Lane has been
active in the Los Angeles
music scene for over
twenty five years. He
joined Maynard Ferguson's
Band after graduating
from Bostones Berklee
College of Music and
remained on the road for
three years before moving
to Los Angeles. He
continued touring while
based in L. A. with Rod
Stewart, The Who and Tom
Petty and The Heart
Breakers. Nick Lane
continues to perform with
Etta James, Chicago,
Shakira, Alejandro Sans
and has even performed
with Jennifer Lopez. Nick
has also been featured in
a special PBS broadcast
about "the blues" with
T-Bone Burnett. Nick
remains active in the
commercial recording
fields for movies,
television, commercials
and has recorded with
such Pop artists as; Macy
Gray, Tim Mc Graw, Baby
Face, Destiny's Child,
The Offspring, The
Wallflowers, Fast Ball,
Green Day, No Doubt,
Natalie Merchant,
Everclear, Barbara
Streisand and Joe Cocker.
Nick has recorded with
such Jazz artists as;
Rick Braun, Jeff Golub,
David Benoit, Dave Koz,
Kombo, Greg Karukus and
Warren Hill. Nick's
popular "lounge jazz" CD
performed with baritone
saxophonist Greg Smith
and an organ trio is
recorded on the Oakland
Stroke Label.
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.44012088 C...(+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.44012088
Composed
by Philip Sparke. Anglo
Music Concert Band.
Softcover. Anglo Music
Press #AMP339-010.
Published by Anglo Music
Press (HL.44012088).
9.25x12.25x1.382
inches.
Moving
Heaven and Earth consists
of a theme and 4
variations; although the
theme is original it
contains a phrase heavily
influenced by a 14-bar
passage from the Libera
Me in Faure's Requiem. It
is a sequence that the
composer finds
harmonically compelling
and, although it is never
quoted directly, it
appears in altered form
in the theme and each of
the variations. In the
original, the passage is
set to the words: Quando
c''li movendi sunt et
terra (When the heavens
and the earth shall be
moved) which gave
inspiration for the
title.
Composed by
Kyle Hovatter.
Atmospheric minimalism.
Classical. Score and
Parts. Forton Music
#FM857. Published by
Forton Music (FT.FM857).
ISBN 9790570487561. 21
x 30 cm inches.
I
have an obsession with
the poetry of William
Carlos Williams
(1883-1963). In the
spring of 2016, I was
re-reading his Collected
Works and was struck by a
line in his poem The Well
Disciplined Bargeman. The
bargeman is carefully
rowing over the murky
water and then under the
Presence. Whatever there
is else is moving. Having
plucked my title from
WCW's poem, I have
attempted to capture that
same sensation of
attention being given to
what is not in the
foreground. The pitch
material is fairly
simple: steps going down.
The goal is for the
listener (and especially
the performers) to notice
what cannot be notated.
This work can also be
performed with an
optional drone on concert
E-flat. The work was
premiered by Jeff
Anderle, Kevin Tang,
Sophie Huet and Dan
Ferreira at the San
Francisco Conservatory of
Music on October 16, 2017
at the concert Centennial
Concert: Guitar &
Clarinet Kyle Hovatter
San Francisco, Oct
2019.
Moving On Quatuor à cordes: 2 violons, alto, violoncelle Oxford University Press
String quartet - Moderately Difficult SKU: OU.9780193513228 Composed by H...(+)
String quartet -
Moderately Difficult
SKU:
OU.9780193513228
Composed by Howard
Skempton. String
Quartets. Set of parts.
20 pages. Duration 9'.
Oxford University Press
#9780193513228. Published
by Oxford University
Press (OU.9780193513228).
ISBN 9780193513228. 12
x 8 inches.
Moving
On is a single movement
work for string quartet.
Skempton masterfully
combines classical string
quartet textures with
luxuriant harmonies and a
fluid approach to
tonality, resulting in an
appealing modern addition
to the genre.
Electronics SKU: HL.14042084 Backing Tracks CD. Composed by Pelle ...(+)
Electronics
SKU:
HL.14042084
Backing Tracks CD.
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Contemporary. CD.
Composed 2012. Edition
Wilhelm Hansen #WH31591E.
Published by Edition
Wilhelm Hansen
(HL.14042084).
ISBN
9788759879436.
International (more than
one
language).
Backing
tracks for 'Moving Still'
score (14042074), parts
(14042073).
Moving On Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Oxford University Press
String quartet - Moderately Difficult SKU: OU.9780193417175 Composed by H...(+)
String quartet -
Moderately Difficult
SKU:
OU.9780193417175
Composed by Howard
Skempton. String
Quartets. Score. 12
pages. Duration 9'.
Oxford University Press
#9780193417175. Published
by Oxford University
Press (OU.9780193417175).
ISBN 9780193417175. 12
x 8 inches.
Moving
On is a single movement
work for string quartet.
Skempton masterfully
combines classical string
quartet textures with
luxuriant harmonies and a
fluid approach to
tonality, resulting in an
appealing modern addition
to the genre.
Composed by Philip W. J. Stopford. In this piece, Stopford has created a gentle ...(+)
Composed by Philip W. J.
Stopford. In this piece,
Stopford has created a
gentle and expressive
setting of John 14. The
peace and comfort
inherent in this
well-known text is
matched with flowing
melodies and gentle
accompaniment to make a
moving and meaningful
setting for both choir
and con. Full score.
Published by MorningStar
Music Publishers
(MN.50-9845A).
Book/3.5 SMF Disk Pack Piano (Piano) SKU: HL.48011675 Book/3.5 SMF Dis...(+)
Book/3.5 SMF Disk Pack
Piano (Piano)
SKU:
HL.48011675
Book/3.5 SMF Disk
Pack. Composed by
Christopher Norton. BH
Piano. Classical,
Collection. Book & Disk
Package. Boosey & Hawkes
#M060102578. Published by
Boosey & Hawkes
(HL.48011675).
UPC:
073999736939.
8.25x11.75x0.222
inches.
Includes
3.5'' SMF Diskette.
Contents: Sunny Side Up *
On the Run * Habanera *
Hard Rock Blues *
Misty-Eyed * Chinese Walk
* In the Sun * Moving
Along * Feeling Lazy *
Clock Rock * Orchid
Garden * Last Tango.
SKU: HL.50603259 Bass Flute/Piccolo/Flute and Kantele. Composed by...(+)
SKU: HL.50603259
Bass
Flute/Piccolo/Flute and
Kantele. Composed by
Kaija Saariaho.
Instrumental. Softcover.
20 pages. Chester Music
#CH86163. Published by
Chester Music
(HL.50603259).
UPC:
840126910520.
9.0x12.0x0.136
inches.
Light still
and moving, a work for
flute and kantele - a
traditional Finnish and
Karelian plucked
instrument - was
premiered by Camilla
Hoitenga and Eija
Kankaanranta on 18
February 2017 in Paris as
part of the Festival
Presences 2017.
Moving in Stereo Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.35923S As performed by The Cars. Com...(+)
Orchestra - Grade 3.5
SKU: AP.35923S
As performed by The
Cars. Composed by
Greg Hawkes and Ric
Ocasek. Arranged by Eric
Gorfain. Performance
Music Ensemble; Single
Titles; String Orchestra.
Pop Intermediate String
Orchestra. Light Concert;
Pop; Rock. Score. 16
pages. Alfred Music
#00-35923S. Published by
Alfred Music (AP.35923S).
UPC: 038081417158.
English.
A blast
from the past, yet new
audiences are discovering
this '80s rock classic.
The challenging rhythms,
dynamics, and sonic
textures of this
arrangement grab the
attention of today's
young musicians and
listeners alike. Detailed
instructions are included
to help capture the
style.
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #YAS184F.
Published by Carl Fischer
Music (CF.YAS184F).
ISBN 9781491151860.
UPC: 680160909360. 9 x 12
inches.
Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition.
From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+5+3+8 pages.
Carl Fischer Music
#YAS184. Published by
Carl Fischer Music
(CF.YAS184).
ISBN
9781491151495. UPC:
680160908998. 9 x 12
inches. Key: G
major.
Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition.
From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
By Steve Kahn (Transcriber). For guitar. 26 guitar solos with chord progressions...(+)
By Steve Kahn
(Transcriber). For
guitar. 26 guitar solos
with chord progressions
and guitar voicings.
Level: intermediate,
advanced. Book. Published
by Jamey Aebersold Jazz.
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Billy Joel.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and black and
white photos. Soft rock
and pop rock. 136 pages.
9x12 inches. Published by
Hal Leonard.
Movin' - Groovin' 4 Tubas [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
By Willibald Kresin. For tuba quartet (2 euphoniums, 2 tubas & drums). Swiss imp...(+)
By Willibald Kresin. For
tuba quartet (2
euphoniums, 2 tubas &
drums). Swiss import.
Level: 4+. Score and
parts. Published by
Editions Marc Reift. (EMR
4069)