Organ (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-11

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. Arranged by Alfred (Bc) Durr. This edition: organ part. Softcover. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 104 pages. Duration 110'. Breitkopf and Haertel #OB 5363-11. Published by Breitkopf and Haertel (BR.OB-5363-11).

ISBN 9790004338513. 12.5 x 10 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Woodwinds (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-30

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: wind parts. Folder. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Set of parts. 136 pages. Duration 110'. Breitkopf and Haertel #OB 5363-30. Published by Breitkopf and Haertel (BR.OB-5363-30).

ISBN 9790004338568. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Violin 2 (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-16

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: violin 2 part. Stapled. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 28 pages. Duration 110'. Breitkopf and Haertel #OB 5363-16. Published by Breitkopf and Haertel (BR.OB-5363-16).

ISBN 9790004338537. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Basso (cello/double bass) (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-26

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: cello/double bass part. Stapled. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 38 pages. Duration 110'. Breitkopf and Haertel #OB 5363-26. Published by Breitkopf and Haertel (BR.OB-5363-26).

ISBN 9790004338551. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Viola (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc)

SKU: BR.OB-5363-19

Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: viola part. Stapled. Orchester-Bibliothek (Orchestral Library).

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Mass; Baroque. Part. 24 pages. Duration 110'. Breitkopf and Haertel #OB 5363-19. Published by Breitkopf and Haertel (BR.OB-5363-19).

ISBN 9790004338544. 10 x 12.5 inches.

The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)

150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined.

Study Score Orchestra (3 (3. auch Picc.) * 2 * Engl. Hr. * 2 * Bassklar. * 2 - 4 * 3 * 3 * 1 - P. S. (Vibr. * Trgl. * 3 hg. Beck. * Sizzle-Beck. * Gong * Tamt.) (2 Spieler) - Hfe. - Str.)

SKU: HL.49017992

Orchestra Study Score. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Study Score. Classical. Softcover. Composed 1977. Op. 65. 32 pages. Duration 8'. Schott Music #ED20694. Published by Schott Music (HL.49017992).

ISBN 9790001168977. UPC: 884088601867. 8.25x11.75x0.123 inches.

The brief Fantasia gregoriana, op.65, is based on the Gregorian Easter Hallelujah. Like a mosaic, the individual heterogenic episodes, lyrical, dance-like, hymnal and dramatic in turn, are combined through the permanent presence of the theme into a unified whole.The Gregorian Hallelujah is present as a type of mode in every bar of the work. The subdued introduction, characterised by the tritonically transposed structure of the original material, is followed by a sharply accentuated presentation of the theme in the bass. Over the partially engarlanded resolved variants, a first bitonal climax is reached (F minor and D major simultaneously). The dramatic development is repeated, interspersed with arioso interruptions, until the main idea is brought to culmination in brilliant instrumentation. The final chord consists of all notes of the theme.

SATB choir (div)

SKU: CA.965900

Composed by Giacomo Mezzalira. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. 8 pages. Duration 8 minutes. Carus Verlag #CV 09.659/00. Published by Carus Verlag (CA.965900).

ISBN 9790007165901. Text language: Latin.

Mezzalira places his worked entirely in the tradition of Catholic church music: Gregorian elements are associated likewise with Palestrina's counterpoint and Bruckner's sonorous expansin. Thoroughly in the tradition of the motet, the Memorare is structured in four sections, each in accordance with their respective texts. This large structured composition begins in C minor from the depths of the men's voices, building to a song of lamentation which increases to an harmonically enriched E flat major passage on the words virgo maria. In the second section, harmonically in A flat major, Mezzalira places the upper and lower voices in a double choir opposed to each other in block-like manner in order to develop resonating cantilenas in the third part, which is in F major. After a very simple, tender four-part setting of a hymn the composition ends with an Amen with large modally enriched chords in D major.

SKU: GI.G-10228

Composed by Robert Quebbeman. Music Education. 244 pages. GIA Publications #10228. Published by GIA Publications (GI.G-10228).

ISBN 9781622774869.

Conc eived as a sequel to the eminent twentieth-century text The Symphony and the Symphonic Poem, Robert Quebbeman’s Symphonic Works Analyzed offers in-depth analysis of over sixty works from additional standard orchestral genres, including the overture, incidental pieces, and works for orchestra and chorus. With repertoire spanning the Classical period to the twentieth century, each analysis provides detailed, easy-to-follow charts outlining the structure and form for each work or movement—complete with music examples showing all the important themes, discussions of the significant details of each composition, and the instrumentation required for performance. Ideal for conducting professionals and students alike, this resource facilitates both the visual and aural components of score study, illuminating the intricacies of each work for efficient assimilation. This book is an essential reference for any orchestral conductor. Robert Quebbeman, A.Mus.D., is an emeritus professor at Missouri State University, where he served for almost thirty years as Director of Orchestral Activities and Director of Graduate Studies in Music.

Chamber Music Flute Trio

SKU: CF.W1724

Composed by Ary Van Leeuwen. Fold. Set of Score and Parts. With Standard notation. 12+4+4+4 pages. Carl Fischer Music #W1724. Published by Carl Fischer Music (CF.W1724).

ISBN 9781491149317. UPC: 680160906819. 9x12 inches. Key: D major.

Ary Van Leeuwen's Sonatina In the Old Style for three flutes was dedicated to his dear colleague Leonardo de Lorenzo. Van Leeuwen (1875-1953) was a Dutch solo flutist who played in the Berlin Philharmonic, Philadelphia Orchestra, and Cincinnati Symphony Orchestra among others. Van Leeuwen told Leonardo de Lorenzo that this was written with his compliments and best wishes in exchange for an old compliment of yours over thirty years ago. Lorenzo writes that this piece is a charming composition, and not too difficult..

Piano

SKU: SA.10128

1er arabesque in E major. Composed by Claude Debussy. Original Works. Reprint Source: Paris: Durand & Fils, 1912. Plate D. & F. 4395. Impressionist, French. Piano score. Composed 1891. 8 pages. Duration 4 minutes. Petrucci Library Press #10128. Published by Petrucci Library Press (SA.10128).

8.25 x 11 inches.

This is a beautifully digitized reprint of Debussy's early gem first published in 1891, from the 1912 revised and re-engraved score. In contrast so many on-demand scores now available, this one comes complete with all the pages and the images have been checked to make sure it is highly readable. The score is beautifully printed on large size (9 x 12) off-white stock with a quality cover, all saddle-stitched in the traditional sheet music binding. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Bass Guitar

SKU: BT.MUSMI0373

Composed by Sergio Fabrini. Play Music Italia. Tuition. Book with CD. Play Music Italy #MUSMI0373. Published by Play Music Italy (BT.MUSMI0373).

Italian.

Con non meno di 50 linee di basso Metal, alla maniera dei più grandi artisti di questo stile (Slayer, Megadeth, Pantera, Exodus, Cannibal Corpse, Black Sabbath, Slipknot, Children of Bodom, Manowar, Anthrax, NapalmDeath, ecc.), questo metodo vi divertirà per un bel po’ di tempo! Ma non solo… In effetti queste linee di basso, oltre al piacere di suonarle, vi permetteranno di scoprire e far pratica con tutte le tecnichecaratteristiche dello stile metal (uso del plettro, corde a vuoto, velocità, accordature speciali, esecuzione lineare, ecc.). Un capitolo preliminare, più didattico, vi aiuterà d’altronde adaffrontareserenamente le principali difficoltà di queste linee di basso. Sul disco dati allegato al metodo, troverete numerosi file audio e video. I video (mp4) presentano tramite l’immagine le 50 linee di bassocosì come devono essere suonate, a velocità normale poi ridotta. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti, anch’esse a due velocità diverse. Potrete in questo modosuonare le 50 linee proposte sulle basi musicali oppure approfittarne per sviluppare liberamente i vostri propri accompagnamenti in stile metal.

Double Bass

SKU: BT.YE0030

Composed by F. Keyper. Exam Material. Book Only. Yorke Edition #YE0030. Published by Yorke Edition (BT.YE0030).

An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).

Pr ogramme Note:

As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).

In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.

Full Score

SKU: HL.350177

For SATB Choir and Ensemble Full Score. Composed by James Whitbourn. Choral. Octavo. Chester Music #CH87582. Published by Chester Music (HL.350177).

ISBN 9781705104095. UPC: 840126933147. 9.0x12.0x0.098 inches.

Commissione d by the Pennsbury High School Concert Choir, James D. Moyer, director in celebration of the tenth annual Big Sing concert in Princeton University Chapel, April 25 2018 and to mark the fiftieth anniversary of the assassination of Martin Luther King, April 4 1968 and his preaching in Princeton University Chapel in March 1960. Scored for mixed voices, soprano saxophone, percussion, piano and organ. Parts available: CH87604 Vocal Score available: CH87593.

SATB choir, basso continuo

SKU: CA.5032705

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Tempore Quadragesimae Mh 553. Sacred vocal music, Masses, Latin, Lent and Passiontide. Choral Score. Composed 1794. MH 553. 16 pages. Duration 17 minutes. Carus Verlag #CV 50.327/05. Published by Carus Verlag (CA.5032705).

ISBN 9790007107284. Key: D minor. Language: Latin.

The Missa Tempore Quadragesimae was completed on March 31, 1794. Although the work incorporates but a single quotation of plainsong, in the Et incarnatus est, it exhibits in its economy of means and essentially homophonic style the chief characteristics of music written in response to the demands of liturgical reform at Salzburg during the 1790s. May also be used, without the Gloria, during Advent. Score available separately - see item CA.5032700.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912419

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Set of Orchestra Parts. TVWV 7:30. Duration 20 minutes. Carus Verlag #CV 39.124/19. Published by Carus Verlag (CA.3912419).

ISBN 9790007139322. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and parts available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912414

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violoncello/double bass. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Cello/Double Bass. TVWV 7:30. 12 pages. Duration 20 minutes. Carus Verlag #CV 39.124/14. Published by Carus Verlag (CA.3912414).

ISBN 9790007055813. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912405

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Choral Score. TVWV 7:30. Duration 20 minutes. Carus Verlag #CV 39.124/05. Published by Carus Verlag (CA.3912405).

ISBN 9790007055776. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912411

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 1. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Violin 1. TVWV 7:30. 8 pages. Duration 20 minutes. Carus Verlag #CV 39.124/11. Published by Carus Verlag (CA.3912411).

ISBN 9790007055783. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.3912412

Singet dem Herrn ein neues Lied. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Psalms, German, Easter and Eastertide, Psalms. Single Part, Violin 2. TVWV 7:30. 8 pages. Duration 20 minutes. Carus Verlag #CV 39.124/12. Published by Carus Verlag (CA.3912412).

ISBN 9790007055790. Key: D major. Language: German/English.

Thi s nine-movement psalm composition allows all the participants to shine, in some cases with rich virtuosity: the string ensemble in the opening Sonata; the solo singers and choir in the chaconne-like first vocal movement, Singet dem Herrn; also the solo singers in two duets (alto + tenor, soprano + alto), an alto solo and an extensive bass solo; the choir in two further movements - a fugue on the 6th verse of the psalm Es stehet herrlich und prachtig fur ihm and the concluding movement in two sections, Betet an den Herrn, which ends with a brilliant fugue on Es furchte ihn alle Welt. This is a festive sacred work suitable for many occasions (including weekday Epiphany psalm services and for services on the 4th Sunday after Easter). The present edition presents the source material in revides form, transcribed into current editorial and performance usage. Score and part available separately - see item CA.3912400.

Orchestra (Study Score)

SKU: HL.48024642

Orchestra Study Score. Composed by Sergei Prokofiev. Boosey & Hawkes Scores/Books. Classical, Russian. Softcover. 68 pages. Duration 780 seconds. Boosey & Hawkes #M060133053. Published by Boosey & Hawkes (HL.48024642).

ISBN 9781784542658. UPC: 888680949068. 7.25x10.25x0.241 inches.

New edition of this enigmatic, single-movement work for full orchestra lasting 13 minutes and dating from the early-1930s. In his preface, Gerard McBurney comments that, Despite the music's modernist surface, the Chant symphonique's 'three closely integrated movements' correspond rather neatly to a traditional sonata-form exposition, development and recapitulation. There is even an overall tonality of sorts - D major. But 'parts', 'moods', keys and cadences are all subjected in this unusual work to tremendous pressure and distortion, so that we quickly begin to suspect that something other, different and more mysterious, is really going on here..

Recorder and Piano - Advanced

SKU: FP.FDD02

Composed by David Dubery. Sheet Music and Books. An evocative piece for treble recorder or oboe and piano inspired by two historic Stockport landmarks. Classical. Collection. Forsyths Publications #FDD02. Published by Forsyths Publications (FP.FDD02).

ISBN 9790570503834.

Vern on Park, Stockport’s oldest park, was created on land donated by Lord Vernon (George John Warren). It was built by poor mill workers who called it pinch-belly park and opened on 20th September 1858. Comprising twenty-one acres, it houses a museum, a bandstand, ornamental fountains, a fernery, rockery, borders and sunken rose garden as well terraced walkways that overlook the river and weir. The piece depicts a solitary walker engrossed in his own thoughts on a winter’s day, the landscape, and the park’s Victorian past.

At the very end of the piece a reminder of the park’s Victorian origins can be detected in a quote from Elgar’s Salut d’amour of 1899, which may well have been played by a band in the bandstand. Stockport market celebrated its 750th anniversary in 2010. It dated back to September 1260 when a Royal Charter allowed Robert de Stokeport, the Mayor, to hold a weekly market within the defensive walls of the Norman Castle on the present site of Castle Yard.

The Glass Umbrella was a popular name given to the 1861 covered market built of timber, glass and iron - nine bays with open sides and a glass canopy. In 1912, one bay was removed to enable electric trams and trolley buses to turn a sharp corner.

The piece depicts a lively market day, the multiculturalism of the present day and the old cries of pick and pay without delay. The bells of St Mary’s Church are depicted by a cascading peel tuned to the ten bells of the church tower, and a fleeting reference to John Wainwright’s famous Christmas hymn Christians Awake, and the Westminster chimes striking the hour from St Mary’s, bring to piece to a conclusion. Separate parts are provided for recorder and oboe.

Recorder Quartet - early intermediate

SKU: BT.DHP-1084504-070

Composed by Glenn Miller. Arranged by Paul Van Loey. De Haske Recorder Series. Set (Score & Parts). Composed 2008. 12 pages. De Haske Publications #DHP 1084504-070. Published by De Haske Publications (BT.DHP-1084504-070).

ISBN 9789043130035. 9x12 inches. English-German-French-Dut ch.

Moonlight Serenade was composed in 1939, by Glenn Miller in his typically American big-band style. It was an immediate success and it even became the signature tune of Glenn Miller. The catchy melody has since been used in various films and television series. It has been performed in many styles, from romantic to swinging. The Flanders Recorder Quartet likes to play this work with a low recorder consort: tenor, F bass, C bass, great bass (each instrument then plays an octave lower). This gives the work a slightly “close harmony” feel. Of course the more usual line-up also does the music justice.

Moonli ght Serenade is in 1939 gecomponeerd door Glenn Miller in zijn typisch Amerikaanse Bigbandstijl. De aanstekelijke melodie is in verschillende films en televisieseries gebruikt. In Frankrijk is de song populair gewordenonder de titel Dansez maintenant (1975) - in een uitvoering van Dave. Het Flanders Recorder Quartet speelt dii werk graag in laag blokfluitconsort: tenor, F-bas, C-bas, grootbas (elk instrument speelt dan een octaaf lager). Zo ontstaateen lichte close-harmonystijl. De muziek komt in de gebruikelijke bezetting natuurlijk ook uitstekend tot haar recht.

Moonligh t Serenade wurde 1939 von Glenn Miller in dem ihm eigenen, typisch amerikanischen Big-Band-Stil komponiert. Es wurde schon in vielen Stilen - von romantisch bis Swing - interpretiert. Das Flanders Recorder Quartet aus Belgien, dessen Mitglied und Arrangeur Paul van Loey diese Bearbeitung schrieb, spielt das Stück gerne mit einem tiefen Blockflötenensemble: Tenor-, F-Bass-, C-Bass- und Großbassblockflöte (wobei jedes Instrument eine Oktave tiefer spielt). Dies verleiht dem Werk eine Art Close Harmony“-Gefühl. Aber auch die übliche Besetzung wird der Musik vollkommen gerecht.

Glenn Miller (1904-1944) fut l’un des plus grands chefs d’orchestre de swing américains de son temps. Le son mythique du prestigieux Glenn Miller Orchestra mêlant swing, jazz et improvisation est, aujourd’hui encore, célèbre dans le monde entier. Glenn Miller reste pour le public une véritable légende et ses airs les plus célèbres sont dans toutes les mémoires. En 1939, Glenn Miller composa Moonlight Serenade, une pièce dont l’idiome sonore est typique du style Big Band américain. Il présenta sa création pour la première fois sur la face B du disque Sunrise Serenade. Le succès fut immédiat. La mélodie fit l’objet de nombreuses reprises notamment au cinéma et latélévision.

Nel 1939, Glenn Miller compose Moonlight Serenade, un brano dal linguaggio sonoro tipico dello stile big band americano. Esistono oggi numerose varianti stilistiche di questo brano. Il quartetto di flauto dolce delle Fiandre privilegia suonarlo con strumenti che si sviluppano nei registri gravi: flauti dolci tenori, basso in Fa, basso in Do e un grande basso. Il brano rivela così una struttura in close harmony. E' anche possibile eseguire il brano con un ensemble strutturato in maniera più tradizionale.

Piano Trio (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.EB-10721

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Arranged by Christoph Sobanski. Chamber music; Softbound. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Piano reduction. 80 pages. Duration 18'. Breitkopf and Haertel #EB 10721. Published by Breitkopf and Haertel (BR.EB-10721).

ISBN 9790201807218. 9.5 x 12 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Piano Solo

SKU: BU.EBRA109

Composed by Erik Satie. Arranged by Jean-François Pailler. Anacrouse. Score. Editions Bourges #EBRA109. Published by Editions Bourges (BU.EBRA109).

ISBN 9790560154541. 8.58 x 12.48 inches.

L'album `Piano Zen Vol.1` est inclus dans cette partition.

Depuis son plus jeune âge, Nathalie Ballarini s'initie au piano.
Grâce à la formation qu'elle obtient à la Berklee College of music aux Etats-Unis, elle compose aujourdâ??hui pour piano et orchestre sur des musiques dédiées à des productions audio-visuelles.
Citon s le film ` Post-Scriptum` de Philippe Sisbanne (diffusion Canal ).
Très éclectique et passionnée, elle collabore également à de nombreux projets allant du tango au monde de lâ??enfance.

En 2009, elle présente son premier album `Piano Zen Volume 1` dont est extrait cette pièce.

Piano Solo

SKU: BU.EBRA108

Composed by Erik Satie. Arranged by Jean-François Pailler. Anacrouse. Score. Editions Bourges #EBRA108. Published by Editions Bourges (BU.EBRA108).

ISBN 9790560154534. 8.58 x 12.48 inches.

L'album `Piano Zen Vol.1` est inclus dans cette partition.

Depuis son plus jeune âge, Nathalie Ballarini s'initie au piano.
Grâce à la formation qu'elle obtient à la Berklee College of music aux Etats-Unis, elle compose aujourdâ??hui pour piano et orchestre sur des musiques dédiées à des productions audio-visuelles.
Citon s le film ` Post-Scriptum` de Philippe Sisbanne (diffusion Canal ).
Très éclectique et passionnée, elle collabore également à de nombreux projets allant du tango au monde de lâ??enfance.

En 2009, elle présente son premier album `Piano Zen Volume 1` dont est extrait cette pièce.