| Federico Mompou: Musica Para Piano Piano seul [Partition] Unión Musical Ediciones
By Federico Mompou. For Piano. 20th Century. Sheet Music. 64 pages. Published by...(+)
By Federico Mompou. For
Piano. 20th Century.
Sheet Music. 64 pages.
Published by Union
Musical Ediciones.
(1)$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eloquia Intima Piles Editorial de Musica
Cello, piano SKU: PD.PIL0757 Composed by Luis Blanes. Duration 15:00. Pub...(+)
Cello, piano SKU:
PD.PIL0757 Composed
by Luis Blanes. Duration
15:00. Published by Piles
Editorial de Musica
(PD.PIL0757). ISBN
9790350501395. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Impresions Intimas Piano seul Unión Musical Ediciones
For Piano. Composed by Frederic Mompou. Music Sales America. Latin, Classical. B...(+)
For Piano. Composed by
Frederic Mompou. Music
Sales America. Latin,
Classical. Book Only. 20
pages. Union Musical
Ediciones #MUSUMP76160.
Published by Union
Musical Ediciones
$13.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Musica intima Orchestre à Cordes Breitkopf & Härtel
String orchestra SKU: BR.PB-4767-07 Study score. Composed by Erlan...(+)
String orchestra SKU:
BR.PB-4767-07
Study score.
Composed by Erland Von
Koch. Softcover.
Partitur-Bibliothek
(Score Library). Music
post-1945. Study Score.
Composed 1965. 24 pages.
Duration 16'. Breitkopf
and Haertel #PB 4767-07.
Published by Breitkopf
and Haertel
(BR.PB-4767-07). ISBN
9790004205716. 5.5 x 7.5
inches. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Music for Christmas – Family Edition EMB (Editio Musica Budapest)
Chamber Ensemble (Parts) SKU: HL.50600339 Chamber Music Series with Op...(+)
Chamber Ensemble (Parts)
SKU: HL.50600339
Chamber Music Series
with Optional
Combinations of
Instruments Ad.
Composed by Various. EMB.
Christmas. Editio Musica
Budapest #Z14946.
Published by Editio
Musica Budapest
(HL.50600339). ISBN
9790080149461. UPC:
888680091163.
9.0x12.0x0.345 inches.
Hungarian, English,
German, French. Ad
Libitum Series. The
volumes of the Ad libitum
series contain duos,
trios, and quartets of
easy, medium and advanced
levels of difficulty,
which are playable with
various combinations of
instruments. Ad Libitum
Family Edition volumes
are recommended mainly
for families or groups of
friends where at least
three people play an
instrument. Each of the
pieces included can be
performed using flexible
instrumentation, whether
there are three, four or
even five persons who
would like to play
together. This volume
contains the finest of
easily playble pieces for
christmas and Advent.
Some can include a
singer, so that a vocal
part appears with the
instrumental ones. It is
our believe that joing
music-making will add
further to the beauty and
intimacy of the holiday
season. Pieces include:
Adeste, fideles • O
Christmas tree •
Lo, how a rose e'er
blooming • A Child
Is Born in Bethlehem
• Silent Night
• It Came Upon a
Midnight Clear •
Pastoral (Händel)
• and more. $29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Positions pour baryton et clarinette EMB (Editio Musica Budapest)
Chamber Ensemble and Vocal Solo SKU: BT.EMBZ14436 Composed by Adam Kondor...(+)
Chamber Ensemble and
Vocal Solo SKU:
BT.EMBZ14436 Composed
by Adam Kondor. EMB
Contemporary Music.
Contemporary Music. Book
Only. Composed 2005. 24
pages. Editio Musica
Budapest #EMBZ14436.
Published by Editio
Musica Budapest
(BT.EMBZ14436).
Linked to
expressive, passionate
verses by Albert
Ehrenstein (1886?1950) is
a quiet meditation by an
unknown 16th-century
English poet on the
relationship between
music and the night. Two
languages, two epochs and
two diametrically
different concepts of
poetry are brought
together in an inspired
way in this song-cycle,
Schubertian in its
intimacy yet truly
postmodern. The earlier
version of the work,
since withdrawn, was
written for tenor, that
version was heard at a
number of concerts and on
recordings, performed by
Tamás Bubnó and
Lajos Rozmán. The
composer decided,
however, that it was
better to rework the
piece for a deeper-voiced
singer, thus ten years
after itspremi?re it has
now been given its final
form. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Teachers' Choice Piano Repertory Exam Pieces 2011 Piano seul - Intermédiaire PWM (Polskie Wydawnictwo Muzyczne)
Piano - Grade 4 SKU: BT.WMP2112 12 Grade 4. Arranged by Josephine ...(+)
Piano - Grade 4 SKU:
BT.WMP2112 12
Grade 4. Arranged by
Josephine Koh. Teachers'
Choice. Exam Material.
Book Only. 38 pages.
Wells Music Publishers
#WMP2112. Published by
Wells Music Publishers
(BT.WMP2112). ISBN
9789810884802. T
eachers' Choice, Selected
Piano Repertory & Studies
for Grades 4 & 5 is
compiled to provide
teachers and students
with good options for the
2011-2012 ABRSM Piano
examinations. -
A variety of interesting
andappealing Piano pieces
with up-to-date editorial
suggestions are presented
to assist students
achieve high standards of
musical
performance.
-
Effective teaching points
are suggested with
recommended technical
studies.Teachers will
find this approach very
helpful and effective,
thus enriching their
teaching process, leading
to a very successful
experience.
-
Examination requirements
aside, finer details in
interpretation
andstylisticperformance
are strongly encouraged.
Beyond the printed page,
the editorial suggestions
are directed to provide
the impetus to strive
towards greater musical
creativity and
perfection.
- Most
important of all,enjoy
the high standard of
music typography; with
clear, professionally
laid scores that combine
musical semiotics with
modern publishing
technology. Digital print
on quality cream-coloured
paper ensures comfort in
reading andlearning for
all
students.
$13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Ah, You Play the Violin? Violon Carl Fischer
| | |
| Basic Training for Piano Piano seul [Partition] Carl Fischer
By Lee Hyla. For Piano. Classical. Softcover. Standard notation. 24 pages. Publi...(+)
By Lee Hyla. For Piano.
Classical. Softcover.
Standard notation. 24
pages. Published by Carl
Fischer
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intimations of Immortality, Op. 29 Chorale [Conducteur d'étude / Miniature] Boosey and Hawkes
(Ode for Tenor Solo, Mixed Chorus, and Orchestra). By Gerald Finzi (1901-1956). ...(+)
(Ode for Tenor Solo,
Mixed Chorus, and
Orchestra). By Gerald
Finzi (1901-1956). For
Orchestra, Tenor, Mixed
Choir (Study Score).
Boosey and Hawkes
Scores/Books. Book only.
128 pages. Boosey and
Hawkes #M060123351.
Published by Boosey and
Hawkes
$63.00 - Voir plus => Acheter | | |
| Time To Travel Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
By Angelo Sormani. For concert band. Grade 3. Score and full set of parts. D...(+)
By Angelo Sormani. For
concert
band. Grade 3. Score and
full
set of parts. Duration 4
minutes, 50 seconds.
Published
by Scomegna Edizioni
Musical
srl
$115.88 $110.086 (- 5%) Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Waltz in Ab Major, Op. 69, No. 1 Piano seul [Feuillet] - Intermédiaire/avancé Alfred Publishing
By Frederic Chopin. Edited by Willard A. Palmer. For Piano. Piano Solo. Alfred M...(+)
By Frederic Chopin.
Edited by Willard A.
Palmer. For Piano. Piano
Solo. Alfred Masterwork
Edition. Masterwork.
Level: Early Advanced
(grade 6 ). 8 pages.
Published by Alfred
Publishing.
$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Simplex - Full Score [Conducteur] GIA Publications
SKU: GI.G-018070 Composed by Michael O'Connor and Richard Proulx. Sacred....(+)
SKU: GI.G-018070
Composed by Michael
O'Connor and Richard
Proulx. Sacred. Full
score. 16 pages. GIA
Publications #018070.
Published by GIA
Publications
(GI.G-018070). UPC:
641151125848. Missa
Simplex, one of
WLP’s
simplest musical
settings of the new
translation of The
Roman Missal, has fast
become one of our most
popular. Shortly before
his death, Richard Proulx
wrote the Gloria
Simplex,(WLPÂ 005304),
a straightforward
and easily
learned chant setting
of the newly revised
Gloria. The simple
melodic pattern of the
chant is repeated
throughout the setting as
the Gloria unfolds, with
a few musical surprises
that result in a setting
that is anything but
boring! After
Proulx’s untimely
death, Michael
O’Connor, O.P.,
utilizing the melodic
structure of
Proulx’s work, set
the rest of the
components of the Mass.
The Gloria is widely used
during Ordinary Time from
the smallest parish with
keyboard and cantor to
this country’s
largest cathedral
communities, accompanied
by pipe organ and
supported by a large
choir. Because of its
simplicity, this setting
has
become the setting
in many parishes for the
seasons of Advent and
Lent—minus the
Gloria, of course! Chant
has a universal Catholic
sense, and this Mass
setting captures that
sense and brings the
assembly into an intimacy
with the newly translated
texts of the Mass in a
simple and at times
haunting way. Highlights:
One of
the simplest settin
gs GIA/WLP has to offer.
The Gloria Simplex,
written by Richard Proulx
shortly before his death,
is a chant setting
with a simple melodic
pattern—with some
musical surprises!
Michael O’Connor
continued Proulx’s
work by utilizing the
melodic structure for the
remaining components
of the Mass. Used in
parishes with only
keyboard and
cantor, but also
widely used in large
cathedrals with pipe
organ and a large choir.
An ideal Mass setting for
Advent and Lent. $5.45 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ave verum, op. 65/1 N 123 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Facile Barenreiter
Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or...(+)
Solo voices, SATB
chorus,organ,double bass
ad lib (Soprano solo or
Alto solo (or Female
choir (2voices)) or Tenor
solo, Baritone solo,
Organ, Double bass ad
libitum) - Level 2
SKU: BA.BA25144
Motet for Soprano or
Alto (or two-part Female
Choir) or Tenor and
Baritone, Organ and
optional Double Bass.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 65/1. 4 pages.
Baerenreiter Verlag
#BA25144_00. Published by
Baerenreiter Verlag
(BA.BA25144). ISBN
9790006575107. 29.7 x 21
cm inches. Text Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sancta Mater N 125 - Facile Barenreiter
Solo voices, SATB chorus,piano/organ (Tenor solo (or Soprano solo), Baritone sol...(+)
Solo voices, SATB
chorus,piano/organ (Tenor
solo (or Soprano solo),
Baritone solo (or
Mezzo-soprano solo),
Mixed choir (SATB), Piano
[or Organ]) - Level 2
SKU: BA.BA25146
Motet for Tenor (or
Soprano) and Baritone (or
Mezzo-soprano), four-part
Mixed Choir and Piano [or
Organ]. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Choral score. N 125. 4
pages. Baerenreiter
Verlag #BA25146_00.
Published by Baerenreiter
Verlag (BA.BA25146).
ISBN 9790006575121.
29.5 x 21 cm inches. Text
Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ave Maria N 26 - Facile Barenreiter
Men's choir (TTB),organ (Male choir (TTB), Organ) - Level 2 SKU: BA.BA25137(+)
Men's choir (TTB),organ
(Male choir (TTB), Organ)
- Level 2 SKU:
BA.BA25137 Motet
for three-part Male Choir
and Organ. Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Choral score. N
26. 3 pages. Baerenreiter
Verlag #BA25137_00.
Published by Baerenreiter
Verlag (BA.BA25137).
ISBN 9790006575039.
29.5 x 21 cm inches. Text
Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tu es Petrus N 28a Chorale SATTBB, Clavier - Facile Barenreiter
Baritone voice solo,mixed choir (SATTBB),organ,db adlib (Baritone solo, Mixed ch...(+)
Baritone voice solo,mixed
choir (SATTBB),organ,db
adlib (Baritone solo,
Mixed choir (SATTBB),
Organ, Double bass ad
libitum) - Level 2
SKU: BA.BA25138
Motet for solo
Baritone, six-part Mixed
Choir, Organ and optional
Double Bass. Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Choral score. N
28a. 4 pages.
Baerenreiter Verlag
#BA25138_00. Published by
Baerenreiter Verlag
(BA.BA25138). ISBN
9790006575046. 29.5 x 21
cm inches. Text Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ecce fidelis servus, op. 54 N 108a - Intermédiaire Barenreiter
Solo voices,organ,double bass ad lib (Soprano solo, Tenor solo, Baritone solo, O...(+)
Solo voices,organ,double
bass ad lib (Soprano
solo, Tenor solo,
Baritone solo, Organ,
Double bass ad libitum) -
Level 3 SKU:
BA.BA25142 Trio
for Soprano, Tenor and
Baritone, Organ and
optional Double Bass.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 54. 4 pages.
Baerenreiter Verlag
#BA25142_00. Published by
Baerenreiter Verlag
(BA.BA25142). ISBN
9790006575084. 29.5 x 21
cm inches. Text Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messe basse for three Female Voices (solo and choir), and Organ or Harmonium N 163 - Facile Barenreiter
Solo voices,treble chorus,organ/Harmonium (Soprano solo (2), Alto solo, Female c...(+)
Solo voices,treble
chorus,organ/Harmonium
(Soprano solo (2), Alto
solo, Female choir
(3voices), Organ or
Harmonium) - Level 2
SKU: BA.BA25151
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score. N
163. 12 pages.
Baerenreiter Verlag
#BA25151_00. Published by
Baerenreiter Verlag
(BA.BA25151). ISBN
9790006575176. 29.7 x 21
cm inches. Text Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Maria Mater gratiæ, op. 47/2 N 96 - Facile Barenreiter
Solo voices,organ/piano (Tenor solo, Baritone solo (or Soprano solo, Mezzo-sopra...(+)
Solo voices,organ/piano
(Tenor solo, Baritone
solo (or Soprano solo,
Mezzo-soprano solo),
Organ or Piano) - Level 2
SKU: BA.BA25141
Motet for Tenor and
Baritone (or Soprano and
Mezzo-soprano) and Organ
or Piano. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Singing Score. Opus 47/2.
4 pages. Baerenreiter
Verlag #BA25141_00.
Published by Baerenreiter
Verlag (BA.BA25141).
ISBN 9790006575077.
29.7 x 21 cm inches. Text
Language:
French. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
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binding
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tantum ergo N 156a Chorale SATB - Facile Barenreiter
Solo voices,SATB choir,organ (Soprano solo or Tenor solo, Mixed choir (SATB), Or...(+)
Solo voices,SATB
choir,organ (Soprano solo
or Tenor solo, Mixed
choir (SATB), Organ) -
Level 2 SKU:
BA.BA25149 Motet
for Solo Soprano or
Tenor, four-part Mixed
Choir and Organ.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Choral score. N
156a. 4 pages.
Baerenreiter Verlag
#BA25149_00. Published by
Baerenreiter Verlag
(BA.BA25149). ISBN
9790006575152. 29.7 x 21
cm inches. Text Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ave Maria, op. 93 N 162 - Facile Barenreiter
Soprano voice solo,organ/piano (Soprano solo (2), Organ or Piano) - Level 2 S...(+)
Soprano voice
solo,organ/piano (Soprano
solo (2), Organ or Piano)
- Level 2 SKU:
BA.BA25150 Motet
for two Sopranos and
Organ or Piano.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Singing Score.
Opus 93. 7 pages.
Baerenreiter Verlag
#BA25150_00. Published by
Baerenreiter Verlag
(BA.BA25150). ISBN
9790006575169. 29.5 x 21
cm inches. Text Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Il est né le divin enfant N 107a - Débutant Barenreiter
First choir stg,organ (Choir (1voices), Organ) - Level 1 SKU: BA.BA25152 ...(+)
First choir stg,organ
(Choir (1voices), Organ)
- Level 1 SKU:
BA.BA25152
Christmas carol for
one-part Choir and
Organ. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Choral score. N 107a. 3
pages. Baerenreiter
Verlag #BA25152_00.
Published by Baerenreiter
Verlag (BA.BA25152).
ISBN 9790006575183.
29.7 x 21 cm inches. Text
Language:
French. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Salve Regina, op. 67/1 N 128 - Facile Barenreiter
Solo voices, organ/piano (Soprano solo or Tenor solo, Organ or Piano) - Level 2 ...(+)
Solo voices, organ/piano
(Soprano solo or Tenor
solo, Organ or Piano) -
Level 2 SKU:
BA.BA25147 Motet
for Soprano or Tenor, and
Organ or Piano.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 67/1. 3 pages.
Baerenreiter Verlag
#BA25147_00. Published by
Baerenreiter Verlag
(BA.BA25147). ISBN
9790006575138. 29.7 x 21
cm inches. Text Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cantique de Jean Racine for four-part Mixed Choir and Organ or Piano, op. 11 N 42a Chorale SATB SATB, Piano - Débutant Barenreiter
Mixed choir (SATB),organ|piano (Mixed choir (SATB), Organ or Piano) - Level 1 (+)
Mixed choir
(SATB),organ|piano (Mixed
choir (SATB), Organ or
Piano) - Level 1 SKU:
BA.BA25136 Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Choral score.
Opus 11. 8 pages.
Baerenreiter Verlag
#BA25136_00. Published by
Baerenreiter Verlag
(BA.BA25136). ISBN
9790006575022. 29.7 x 21
cm inches. Text Language:
French. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tantum ergo, op. 55 N 110a - Intermédiaire Barenreiter
Solo voices, SATBB chorus,organ,harp/piano,d ouble bass ad lib (Tenor solo or So...(+)
Solo voices, SATBB
chorus,organ,harp/piano,d
ouble bass ad lib (Tenor
solo or Soprano solo,
Mixed choir (SATBB),
Organ, Harp or Piano,
Double bass ad libitum) -
Level 3 SKU:
BA.BA25143 Motet
for solo Tenor or
Soprano, five-part Mixed
Choir, Organ, Harp or
Piano and optional Double
Bass. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Choral score. Opus 55. 11
pages. Baerenreiter
Verlag #BA25143_00.
Published by Baerenreiter
Verlag (BA.BA25143).
ISBN 9790006575091.
29.5 x 21 cm inches. Text
Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Playing from the Core -- A New Method for French Horn Cor Fennica Gehrman
Horn SKU: FG.55011-555-2 Composed by Tommi Hyytinen. Classical. Book. Fen...(+)
Horn SKU:
FG.55011-555-2
Composed by Tommi
Hyytinen. Classical.
Book. Fennica Gehrman
#55011-555-2. Published
by Fennica Gehrman
(FG.55011-555-2).
Playing from
the Core is a new method
for practicing the French
horn. With an in-depth
understanding of the
traditions and history of
French horn technique,
Tommi Hyytinen brings new
perspectives to
instrumental practice by
examining the interaction
of mind and body and
incorporating these
insights into his method.
The body is perhaps a
musician's primary
instrument, and it is
important to become
intimately acquainted
with this instrument. A
thorough understanding of
the body makes many
musical and technical
challenges easier to
overcome. Hyytinen also
provides comprehensive
advice on preparing for a
performance and on
overcoming stage fright.
For instance,
understanding the
physiology of stress and
performance-related
nerves helps us better to
understand nervousness as
a natural state. By
employing a range of
physical and mental
exercises, we learn to
control nervous reactions
and turn them into
something that, rather
than hindering, can in
fact help and improve our
performances. In addition
to presenting a wealth of
factual information and
physical exercises, the
book contains many
informative
illustrations, playing
exercises, and an etude
exploring different
aspects of French horn
technique. Through the
presentation of
information, exercises
and examples, Playing
from the Core brings
students to a realisation
that everyone can improve
on the technical and
musical challenges they
face. Tommi Hyytinen is
an experienced
professional musician and
teacher, and he instructs
musicians in the holistic
use of the body. The
exercises presented in
the book form part of his
own daily practice
routine and teaching
material. Tommi thus
manages to explain and
show us the benefit of
both body and mental
exercises in preparation
for musical performance.
He shares all his wisdom
so generously that I have
no doubt that all
performing artists,
especially brass and wind
players as well as
singers will profit
enormously from reading
it. (Radovan Vlatkovic)
https://tommihyytinen.fi/
language/en/front-page/.<
/p>
$43.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Ave Maria, op. 67/2 N 129 - Débutant Barenreiter
Solo voices,organ/piano (Mezzo-soprano solo or Baritone solo, Organ or Piano) - ...(+)
Solo voices,organ/piano
(Mezzo-soprano solo or
Baritone solo, Organ or
Piano) - Level 1 SKU:
BA.BA25148 Motet
for Mezzo-soprano or
Baritone and Organ or
Piano. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Singing Score. Opus 67/2.
3 pages. Baerenreiter
Verlag #BA25148_00.
Published by Baerenreiter
Verlag (BA.BA25148).
ISBN 9790006575145.
29.7 x 21 cm inches. Text
Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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