SKU: HL.49006676 Music - Music Education - Musicology 2000. Edited...(+)
SKU: HL.49006676
Music - Music
Education - Musicology
2000. Edited by Egon
Kraus and Richard Jakoby.
This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 107 pages.
Schott Music #ED 6811.
Published by Schott Music
(HL.49006676).
ISBN
9783795703615.
English.
Responsibi
lity for the publication
of this study guide lies
with the German Music
Council. The booklet is
intended to serve as a
guide: it contains
therefore not only a list
of universities, colleges
and the names of
institutes but the first
part includes also an
introduction to the
characteristic problems
which the student, and
especially the foreign
student, is likely to
meet within each of the
three main fields of
study: Music, Music
Teaching and Musicology.
The second part, with
entries arranged
according to the names of
towns and cities, informs
about the possibilities
of studying at the
individual colleges and
institutes. The Study
Guide winds up with the
names and addresses of
important music
organisations and
institutions.
SKU: BA.BVK02439 Edited by Dinko Fabris and Dorothea Baumann. Paperback. ...(+)
SKU: BA.BVK02439
Edited by Dinko Fabris
and Dorothea Baumann.
Paperback. International
Musicological Society.
Book. 167 pages.
Baerenreiter Verlag
#BVK02439_00. Published
by Baerenreiter Verlag
(BA.BVK02439).
ISBN
9783761824399. 23 x 15 cm
inches. Text Language:
English. Preface: Fabris,
Dinko / Baumann,
Dorothea.
The
International
Musicological Society
(IMS) is the oldest
international association
of musicologists active
during 90 years since its
foundation in Basel in
1927. The simplistic
definition of historical
musicology as the study
of the written tradition
of Western art music has
shaped, for many
observers, a distorted
image of the IMS as
aEuropeansociety. This
was not the vision of the
founders. And it is not
the present situation of
IMS. The exciting
story told in this book
compiled by 21
collaborators
reconstructs the role of
the protagonists of the
IMS to the present
days.
Piano SKU: BT.WH33063 Tuition. Book Only. 98 pages. Edition Wilhelm Hanse...(+)
Piano
SKU:
BT.WH33063
Tuition.
Book Only. 98 pages.
Edition Wilhelm Hansen
#WH33063. Published by
Edition Wilhelm Hansen
(BT.WH33063).
ISBN
9788759840535.
English.
Jazz
Chords On Piano -2 by
Tormod Vinsand (2017).
This book is a follow-up
on Jazz Chords on Piano
(WH32971) and it is
definitely an advantage
if you have familiarised
yourself with the
techniques and terms used
in Jazz Chords on Piano .
There are many ways in
which to play jazz on a
piano. In Jazz Chords on
Piano I describe some
guidelines for how to
prepare accompaniment and
melody playing, but
admittedly, there are of
course many other ways to
play or other techniques
to use. In Jazz Chords on
Piano - 2 I have chosen
to focus on four typical
techniques: Part 1 -
Playing Arpeggio in left
hand Part 2 - 4-stacked
chords in a piano
movement Part 3 -
Left-hand chords Part 4
-Overlying triads when
accompanying To
illustrate the various
techniques, I have made
compositions that are
stylistically adjusted so
that the various
techniques make musical
sense and are playable.
(Tormod Vinsand) Tormod
Vinsand (born 1958) has a
Master's Degree in
Musicology from
University of Copenhagen.
Since 1988 Tormod has
been a jazz piano
lecturer at The Rhythmic
Music Conservatory,
Copenhagen, The Institute
of Musicology at
University of Copenhagen,
and the Royal Danish
Academy of Music,
Copenhagen. The material
you fi nd in this book
has been used at the
above three educational
institutions and is
primarily targeted to
music students that do
not have the piano as
their primary instrument
at these schools. But
others may also benefi t
from this book, provided
you have an elementary
theoretical background in
music. Since 2013 Tormod
has also been Music
School Manager at the
Rødovre School of
Music.
Solo piano SKU: A7.ALEA1073 Composed by Jan Vicar. Classical. Score. Comp...(+)
Solo piano
SKU:
A7.ALEA1073
Composed
by Jan Vicar. Classical.
Score. Composed
2001-2006. Duration 34
minutes. Alea Publishing
#ALEA1073. Published by
Alea Publishing
(A7.ALEA1073).
ABOUT THE
COMPOSER: Jan Vicar, born
on May 5, 1949 in
Olomouc, studied
accordion at the
Conservatory in Ostrava,
music and Czech at the
Philosophical Faculty of
Palacky University in
Olomouc, and composition
at the Janacek Academy of
Performing Arts in Brno
and Academy of Performing
Arts in Prague. He
specializes in musicology
and composition. He
served as editor-in-chief
of the leading Czech
music journal Hudebni
rozhledy (Music Review,
1986-1989). His fifth
book, Imprints: Essays on
Czech Music and
Aesthetics (2005), was
published in English. He
is a professor at the
Academy of Performing
Arts in Prague, and head
of the Musicology
Department of Palacky
University in Olomouc. As
a Fulbright/CIES
scholar-in-residence, he
lectured at eight
universities in the
United States
(1998-1999). As a
visiting professor, he
taught composition and
music theory at
Birmingham-Southern
College in Alabama
(2005). He is the author
of circa sixty diverse
compositions - from
orchestral pieces to
cyclic works for
children's choirs. ABOUT
THE WORK: The
Phantasms/Preludes,
composed in 2001 with
revisions by the composer
in 2006, are a stunning
set of twelve short
character pieces for solo
piano, with a total
duration of approximately
34 minutes. The titles of
the individual Preludes
are shown below. The set
has been recorded by
pianist Daniel Wiesner
(with the composer at the
piano for No. 9: Bad
Day), and is available
from the Czech label
Radioservis.
SKU: CA.2411100 Tubinger Beitraege zur Musikwissenschaft, Band 11....(+)
SKU: CA.2411100
Tubinger Beitraege zur
Musikwissenschaft, Band
11. Edited by Georg
Von Dadelsen. This
edition: Paperbound.
Studies of composers,
Musicological books.
German title: Bachs
Wohltemperiertes Klavier.
Studies of composers,
Musicological books.
Book. 168 pages. Carus
Verlag #CV 24.111/00.
Published by Carus Verlag
(CA.2411100).
ISBN
9790007101428. Language:
German.
Contributio
ns to Musicology,
Tubingen, Number 11.
SKU: CA.2410300 Tubinger Beitraege zur Musikwissenschaft, Band 3. ...(+)
SKU: CA.2410300
Tubinger Beitraege zur
Musikwissenschaft, Band
3. Edited by Georg
Von Dadelsen. This
edition: Paperbound.
Studies of composers,
Musicological books.
German title:
Instrumentalmusik J.S.
Bachs. Studies of
composers, Musicological
books. Book. 176 pages.
Carus Verlag #CV
24.103/00. Published by
Carus Verlag
(CA.2410300).
SKU: CA.2410600 Tubinger Beitraege zur Musikwissenschaft, Band 6. ...(+)
SKU: CA.2410600
Tubinger Beitraege zur
Musikwissenschaft, Band
6. Edited by Georg
Von Dadelsen. This
edition: Paperbound.
Studies of composers,
Musicological books.
German title: Bachs
theologischer
Formbegriff. Studies of
composers, Musicological
books. Book. 44 pages.
Carus Verlag #CV
24.106/00. Published by
Carus Verlag
(CA.2410600).
SKU: CA.2411300 Das obligate Accompagnement in den Sinfonien. Edit...(+)
SKU: CA.2411300
Das obligate
Accompagnement in den
Sinfonien. Edited by
Georg Von Dadelsen.
Studies of composers,
Musicological books.
German title: Schuberts
Sinfonien. Studies of
composers, Musicological
books. Book. Composed
1947. D. 352 pages. Carus
Verlag #CV 24.113/00.
Published by Carus Verlag
(CA.2411300).
SKU: CA.2410900 Mit einem Vergleich von Alexander Utendals und Jacob R...(+)
SKU: CA.2410900
Mit einem Vergleich
von Alexander Utendals
und Jacob Reimers
Busspsalmen. Edited
by Georg Von Dadelsen.
This edition: Paperbound.
Studies of composers,
Musicological books.
German title: Tonarten in
Lassos Busspsalmen.
Studies of composers,
Musicological books.
Book. 128 pages. Carus
Verlag #CV 24.109/00.
Published by Carus Verlag
(CA.2410900).
SKU: BR.BV-361 Musikalische Analyse und Editionsphilologie. Compos...(+)
SKU: BR.BV-361
Musikalische Analyse
und
Editionsphilologie.
Composed by F. Wissmann,
H. v. (Hrsg.) Loesch, and
Th. Ahrend. Edited by
Wissmann/Ahrend/
v.Loesch. Hardback.
Buchverlag Breitkopf &
Hartel (Music Books).
Festschrift for
Christian Martin
Schmidt
Book. 568
pages. Breitkopf and
Haertel #BV 361.
Published by Breitkopf
and Haertel (BR.BV-361).
ISBN 9783765103612.
6.5 x 9.5
inches.
37 Years of
Complete Editions
Christian Martin Schmidt,
full professor of
musicology at the
Technische Universitat
Berlin, stands like no
other for the tangible,
musicologically
authoritative status of
complete editions and of
the performance editions
derived from them.
Schmidt began working at
the Schoenberg Complete
Edition 37 years ago,
right after obtaining his
doctorate. In 1992 he was
entrusted with the
editorial direction of
the Mendelssohn Complete
Edition, and since 1997
he has been responsible
for the musical volumes
of the Eisler Complete
Edition. With his 65th
birthday on 10 November
2007, his friends,
students and colleagues
have decided to put
together this
appreciative festschrift
with articles related to
his main field of
endeavor.
SKU: HL.51482405 Konzepte, Texte, Prozesse Clothbound. Edited by M...(+)
SKU: HL.51482405
Konzepte, Texte,
Prozesse Clothbound.
Edited by Michael Struck
and Siegfried Oechsle.
Book. Hardcover. Henle
Complete Edition.
Classical Reference,
German Edition. Book
(hardcover). 336 pages.
G. Henle #HN2405.
Published by G. Henle
(HL.51482405).
ISBN
9790201824055. UPC:
888680668013. 7.5x10.5
inches.
This volume
investigates different
aspects of the creative
process of Johannes
Brahms. Its findings are
impressively underscored
by numerous high-quality
illustrations; the volume
is printed in four colors
throughout. In the course
of 15 chapters, renowned
researchers present
Brahms not just as a
composer but also as an
arranger of his own works
and of those of others,
and also as the dedicatee
of other composers'
works. Along with the
sources for the musical
texts, title pages and
diary entries also offer
a starting point for
fascinating
investigations into the
genesis of Brahms's
works. With this critique
génétique,
current trends in
literary studies and
musicology are here
introduced into the world
of Brahms research. An
extensive index of people
and topics completes this
authoritative overview of
Brahms studies, which has
been edited by scholars
from the Johannes Brahms
Complete Editionin Kiel.
GERMAN TEXT.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
SKU: CA.2411200 Beobachtungen zum Schriftbild der altesten ostfrankisc...(+)
SKU: CA.2411200
Beobachtungen zum
Schriftbild der altesten
ostfrankischen
Sequenzhandschriften.
Edited by Georg Von
Dadelsen. This edition:
Paperbound. German title:
Die Gesungene + Schriftl.
Dargest. Sequenz.
Musicological books.
Book. 112 pages. Carus
Verlag #CV 24.112/00.
Published by Carus Verlag
(CA.2411200).
ISBN
9790007101435. Language:
German.
Contributio
ns to Musicology,
Tubingen, Number 12.
SKU: CA.2410100 Studien zu ihren Madrigalen. Edited by Georg Von D...(+)
SKU: CA.2410100
Studien zu ihren
Madrigalen. Edited by
Georg Von Dadelsen. This
edition: Paperbound.
Carus book series. German
title: Heinrich Schutz.
Studies of composers,
Musicological books.
Book. 200 pages. Carus
Verlag #CV 24.101/00.
Published by Carus Verlag
(CA.2410100).
SKU: CA.2410200 Durchgefuhrt an den Motetten mit dem Tenor IN SECULUM<...(+)
SKU: CA.2410200
Durchgefuhrt an den
Motetten mit dem Tenor IN
SECULUM. Edited by
Georg Von Dadelsen. This
edition: Paperbound.
German title: Unters. Zur
Kompositionstechnik.
Sacred, Musicological
Books. Book. 184 pages.
Carus Verlag #CV
24.102/00. Published by
Carus Verlag
(CA.2410200).
(Ungarische Melodie in D major D 817 -- Allegretto in C minor D 915 -- Drei Klav...(+)
(Ungarische Melodie in D
major D 817 -- Allegretto
in C minor D 915 -- Drei
Klavierstucke D 946). By
Franz Schubert
(1797-1828). Edited by
Walther Durr. For piano.
This edition: Urtext
edition. Published by
Baerenreiter Verlag
Composed by Jacques-Francois Ibert (1890-1962). Edited by Wesley Roberts. Mast...(+)
Composed by
Jacques-Francois
Ibert (1890-1962). Edited
by
Wesley Roberts.
Masterworks;
Piano Solo; Solo; Solo
Small
Ensembles. Alfred
Masterwork
Edition. 20th Century;
Masterwork. Sheet. 12
pages.
Alfred Music #00-47772.
Published by Alfred Music
Composed by Franz Joseph Haydn (1732-1809). Edited by Bernhard Moosbauer / Holge...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Bernhard Moosbauer /
Holger M. Stuwe. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Performance
score, anthology.
Baerenreiter Verlag
#BA10804. Published by
Baerenreiter Verlag
(BA.BA10804).
SKU: BA.BVK02301 1816 to June 1830. Composed by Felix Bartholdy Me...(+)
SKU: BA.BVK02301
1816 to June 1830.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Helmut Loos,
Juliette Appold, and
Wilhelm Seidel. This
edition: 2nd printing
2012 edition. Linen.
Samtliche Briefe in 12
Banden. Only available as
a full subscription to
ISBN 978-3-7618-2300-2.
Book. Baerenreiter Verlag
#BVK02301_00. Published
by Baerenreiter Verlag
(BA.BVK02301).
ISBN
9783761823019. 23.5 x 16
cm inches. Preface:
Seidel,
Wilhelm.
Felix
Mendelssohn Bartholdy as
letter-writer: at the
heart of 19th century
European
culture
As one of
the most important
letter-writers of the
19th century, Felix
Mendelssohn Bartholdy
maintained an extensive
correspondence. With
great style and eloquence
he wrote letters to
friends and family,
letters from his travels
and he also wrote to
leading composers,
musicians, artists as
well as publishers. He
corresponded with famous
contemporaries such as
Robert Schumann, Franz
Liszt and Richard Wagner
as well as Johann
Wolfgang von Goethe, Carl
Friedrich Zelter and
Alexander von
Humboldt.
The
correspondence begins in
1816 and ends in 1847
with the
composer’s death.
These letters are
invaluable documents
shedding light not only
on the genesis,
publication and revision
of his musical works, but
also on a period when
relations between
Christians and Jews still
had a chance to become
harmonious, as Moses
Mendelssohn, the imminent
scholar and grandfather
of the composer had
advocated.
This
edition will therefore be
of great interest far
beyond the circles of
musicologists and music
specialists. It will
appeal to those who are
interested in the history
of culture and ideas and
to those who perceive
Mendelssohn and his
family as representatives
of a unique, diverse
cultural epoch.
The complete
correspondence shows that
Mendelssohn not only went
on to become one of the
leading figures of German
musical culture in the
1840s, but that he also
maintained a network of
musical contacts
throughout
Europe.
The
edition of the complete
letters This
scholarly-critical
complete edition
comprises 5,855 letters
by Felix Mendelssohn
Bartholdy. Previously
only a small part of his
correspondence had been
published and made
accessible to the public.
The complete edition is
based on Mendelssohn
letters which have been
compiled over decades by
Rudolf Elvers as well as
on international research
carried out by an
academic workgroup in
Leipzig spearheaded by
chief editors Helmut Loos
and Wilhelm Seidel. They
determined 500 additional
letters hitherto
unknown.
Versions
of the letter texts have
been compiled from a
scholarly-critical
analysis of the sources,
their historical context
has been discussed and
comments on all points in
need of explanation have
been made.
This
edition of the complete
letters consists of 12
volumes and a CD-ROM.
Each volume contains
indices of mentioned
individuals and
institutions,
compositions by Felix
Mendelssohn Bartholdy and
Fanny Hensel as well as a
register of place names
and currencies. In this
way one obtains an
all-encompassing view of
this unique historical
cosmos.
The
Complete edition has been
produced to the highest
standards in terms of
layout, cover and
binding. It is an ideal
collector’s item
for bibliophiles,
providing an excellent
means for studying the
composer and the period
in which he
lived.
The CD-ROM
forms a valuable addition
to the printed volumes.
It offers the complete
printed edition in the
form of pdf. files,
thereby making its
approximately 9,500 pages
digitally accessible and
enabling letters and the
corresponding commentary
to be read in parallel.
All terms can be located
quickly and conveniently
via a full text
search. (The 12
volumes as well as the
CD-ROM can only be
purchased
complete).
-
German text
only
The
Editors Helmut Loos is
Professor of Musicology
at the University of
Leipzig. He specialises
in the music of the 19th
and 20th centuries, in
particular the reception
of Beethoven, sacred
music and links between
Germany and Central and
Eastern Europe.
Wilhelm Seidel was
professor at the
universities of
Heidelberg, Marburg and
Leipzig. His publications
are devoted to the
temporal structure of
music, music aesthetics
in the 18th and 19th
centuries and music of
the 16th to 20th
centuries, currently on
Mozart and
Mendelssohn.
By Franz Schubert (1797-1828). Edited by Walther Durr. For piano. This edition: ...(+)
By Franz Schubert
(1797-1828). Edited by
Walther Durr. For piano.
This edition: Paperback,
Urtext edition.
Performance score,
Anthology. Text Language:
German/English. 84 pages.
Published by Baerenreiter
Verlag
SKU: BA.BVK02300 12 volumes and a CD-ROM. Composed by Felix Bartho...(+)
SKU: BA.BVK02300
12 volumes and a
CD-ROM. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Alexander Staub, Anja
Morgenstern, Benedikt
Leßmann, C Koop,
Helmut Loos, Ingrid Jach,
Juliane
Baumgart-Streibert,
Juliette Appold, Kadja
Grönke, Lucian
Schiwietz, Susanne
Tomkovic, Thomas Kauba,
Wilhelm Seidel, and
Wolfgang Seifert. Linen.
Felix Mendelssohn
Bartholdy. Samtliche
Briefe in 12 Banden.
Book, CD-ROM. 9651 pages.
Baerenreiter Verlag
#BVK02300_00. Published
by Baerenreiter Verlag
(BA.BVK02300).
ISBN
9783761823002. 23.7 x
16.5 cm inches. Text
language: German.
Preface: Seidel, Wilhelm
/ Loos,
Helmut.
Felix
Mendelssohn Bartholdy as
letter-writer: at the
heart of 19th century
European
culture
As one of
the most important
letter-writers of the
19th century, Felix
Mendelssohn Bartholdy
maintained an extensive
correspondence. With
great style and eloquence
he wrote letters to
friends and family,
letters from his travels
and he also wrote to
leading composers,
musicians, artists as
well as publishers. He
corresponded with famous
contemporaries such as
Robert Schumann, Franz
Liszt and Richard Wagner
as well as Johann
Wolfgang von Goethe, Carl
Friedrich Zelter and
Alexander von
Humboldt.
The
correspondence begins in
1816 and ends in 1847
with the composer's
death. These letters are
invaluable documents
shedding light not only
on the genesis,
publication and revision
of his musical works, but
also on a period when
relations between
Christians and Jews still
had a chance to become
harmonious, as Moses
Mendelssohn, the imminent
scholar and grandfather
of the composer had
advocated.
This
edition will therefore be
of great interest far
beyond the circles of
musicologists and music
specialists. It will
appeal to those who are
interested in the history
of culture and ideas and
to those who perceive
Mendelssohn and his
family as representatives
of a unique, diverse
cultural epoch.
The complete
correspondence shows that
Mendelssohn not only went
on to become one of the
leading figures of German
musical culture in the
1840s, but that he also
maintained a network of
musical contacts
throughout
Europe.
The
edition of the complete
letters This
scholarly-critical
complete edition
comprises 5,855 letters
by Felix Mendelssohn
Bartholdy. Previously
only a small part of his
correspondence had been
published and made
accessible to the public.
The complete edition is
based on Mendelssohn
letters which have been
compiled over decades by
Rudolf Elvers as well as
on international research
carried out by an
academic workgroup in
Leipzig spearheaded by
chief editors Helmut Loos
and Wilhelm Seidel. They
determined 500 additional
letters hitherto
unknown.
Versions
of the letter texts have
been compiled from a
scholarly-critical
analysis of the sources,
their historical context
has been discussed and
comments on all points in
need of explanation have
been made.
This
edition of the complete
letters consists of 12
volumes and a CD-ROM.
Each volume contains
indices of mentioned
individuals and
institutions,
compositions by Felix
Mendelssohn Bartholdy and
Fanny Hensel as well as a
register of place names
and currencies. In this
way one obtains an
all-encompassing view of
this unique historical
cosmos.
The
Complete edition has been
produced to the highest
standards in terms of
layout, cover and
binding. It is an ideal
collector's item for
bibliophiles, providing
an excellent means for
studying the composer and
the period in which he
lived.
The CD-ROM
forms a valuable addition
to the printed volumes.
It offers the complete
printed edition in the
form of pdf. files,
thereby making its
approximately 9,500 pages
digitally accessible and
enabling letters and the
corresponding commentary
to be read in parallel.
All terms can be located
quickly and conveniently
via a full text
search. (The 12
volumes as well as the
CD-ROM can only be
purchased
complete).
-
German text
only
The
Editors Helmut Loos is
Professor of Musicology
at the University of
Leipzig. He specialises
in the music of the 19th
and 20th centuries, in
particular the reception
of Beethoven, sacred
music and links between
Germany and Central and
Eastern Europe.
Wilhelm Seidel was
professor at the
universities of
Heidelberg, Marburg and
Leipzig. His publications
are devoted to the
temporal structure of
music, music aesthetics
in the 18th and 19th
centuries and music of
the 16th to 20th
centuries, currently on
Mozart and
Mendelssohn.
SKU: BA.BVK02303 August 1832 to July 1834. Composed by Felix Barth...(+)
SKU: BA.BVK02303
August 1832 to July
1834. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Helmut Loos, Juliane
Baumgart-Streibert, Uta
Wald, and Wilhelm Seidel.
Linen. Samtliche Briefe
in 12 Banden. Only
available as a full
subscription to ISBN
978-3-7618-2300-2. Book.
With Language: German.
Baerenreiter Verlag
#BVK02303_00. Published
by Baerenreiter Verlag
(BA.BVK02303).
ISBN
9783761823033. 23.5 x 16
cm inches. Preface:
Helmut Loos.
Felix
Mendelssohn Bartholdy as
letter-writer: at the
heart of 19th century
European
culture
As one of
the most important
letter-writers of the
19th century, Felix
Mendelssohn Bartholdy
maintained an extensive
correspondence. With
great style and eloquence
he wrote letters to
friends and family,
letters from his travels
and he also wrote to
leading composers,
musicians, artists as
well as publishers. He
corresponded with famous
contemporaries such as
Robert Schumann, Franz
Liszt and Richard Wagner
as well as Johann
Wolfgang von Goethe, Carl
Friedrich Zelter and
Alexander von
Humboldt.
The
correspondence begins in
1816 and ends in 1847
with the
composer’s death.
These letters are
invaluable documents
shedding light not only
on the genesis,
publication and revision
of his musical works, but
also on a period when
relations between
Christians and Jews still
had a chance to become
harmonious, as Moses
Mendelssohn, the imminent
scholar and grandfather
of the composer had
advocated.
This
edition will therefore be
of great interest far
beyond the circles of
musicologists and music
specialists. It will
appeal to those who are
interested in the history
of culture and ideas and
to those who perceive
Mendelssohn and his
family as representatives
of a unique, diverse
cultural epoch.
The complete
correspondence shows that
Mendelssohn not only went
on to become one of the
leading figures of German
musical culture in the
1840s, but that he also
maintained a network of
musical contacts
throughout
Europe.
The
edition of the complete
letters This
scholarly-critical
complete edition
comprises 5,855 letters
by Felix Mendelssohn
Bartholdy. Previously
only a small part of his
correspondence had been
published and made
accessible to the public.
The complete edition is
based on Mendelssohn
letters which have been
compiled over decades by
Rudolf Elvers as well as
on international research
carried out by an
academic workgroup in
Leipzig spearheaded by
chief editors Helmut Loos
and Wilhelm Seidel. They
determined 500 additional
letters hitherto
unknown.
Versions
of the letter texts have
been compiled from a
scholarly-critical
analysis of the sources,
their historical context
has been discussed and
comments on all points in
need of explanation have
been made.
This
edition of the complete
letters consists of 12
volumes and a CD-ROM.
Each volume contains
indices of mentioned
individuals and
institutions,
compositions by Felix
Mendelssohn Bartholdy and
Fanny Hensel as well as a
register of place names
and currencies. In this
way one obtains an
all-encompassing view of
this unique historical
cosmos.
The
Complete edition has been
produced to the highest
standards in terms of
layout, cover and
binding. It is an ideal
collector’s item
for bibliophiles,
providing an excellent
means for studying the
composer and the period
in which he
lived.
The CD-ROM
forms a valuable addition
to the printed volumes.
It offers the complete
printed edition in the
form of pdf. files,
thereby making its
approximately 9,500 pages
digitally accessible and
enabling letters and the
corresponding commentary
to be read in parallel.
All terms can be located
quickly and conveniently
via a full text
search. (The 12
volumes as well as the
CD-ROM can only be
purchased
complete).
-
German text
only
The
Editors Helmut Loos is
Professor of Musicology
at the University of
Leipzig. He specialises
in the music of the 19th
and 20th centuries, in
particular the reception
of Beethoven, sacred
music and links between
Germany and Central and
Eastern Europe.
Wilhelm Seidel was
professor at the
universities of
Heidelberg, Marburg and
Leipzig. His publications
are devoted to the
temporal structure of
music, music aesthetics
in the 18th and 19th
centuries and music of
the 16th to 20th
centuries, currently on
Mozart and
Mendelssohn.
Octet SKU: BR.MR-1542 Composed by Giovanni Gabrieli. Edited by Robert P. ...(+)
Octet
SKU:
BR.MR-1542
Composed
by Giovanni Gabrieli.
Edited by Robert P.
Block. Chamber music;
stapled. Musica Rara.
Renaissance/early
Baroque. Score and parts.
56 pages. Breitkopf and
Haertel #MR 1542.
Published by Breitkopf
and Haertel (BR.MR-1542).
ISBN 9790004482353. 9
x 12 inches.
Hidden
away in Gabrieli's Sacrae
Symphoniae of 1597, among
forty-five vocal
compositions, lie sixteen
works that make up one of
the first great monuments
of instrumental ensemble
music; fourteen canzoni
and two sonatas that
surpass any of their
genre at that time, and
that were only rarely
matched in the following
decades, most often by
Gabrieli himself.
Gabrieli must be credited
with many firsts in
regard to the development
of the canzona and
sonata: he was the first
to write for more than
eight parts, and first to
deploy his forces
polychorally. He was
first to contrast
polyphonic and homophonic
writing, and duple and
triple meter, within the
same piece, and was a
pioneer in the use of
tone colour - and
specified instrumentation
- for dramatic musical
effect. Egon Kenton, in
his Life and Works of
Giovanni Gabrieli
(American Institute of
Musicology, 1967) sees as
well the seeds of the
concerto grosso and the
solo concerto in
Gabrieli's use of tutti
and solo writing and his
setting off of soloistic
upper parts against
frankly accompanimental
lower parts. lt would not
stretch the point to add
that Gabrieli fleshed out
his many innovations with
musical materials of a
high order, and that he
handled his materials
with consummate
skill.
Composed by Giovanni Gabrieli (1553-1612). Edited by David Malthie. Score and pa...(+)
Composed by Giovanni
Gabrieli (1553-1612).
Edited by David Malthie.
Score and part(s). With
Standard notation.
Duration 3 minutes. Carl
Fischer #BQ-125.
Published by Carl Fischer
SKU: AP.6-204251 Composed by Alfred E. Hill, Arthur F. Hill, and [Antonio...(+)
SKU: AP.6-204251
Composed by Alfred E.
Hill, Arthur F. Hill, and
[Antonio Stradivari] By
W. Henry Hill. Reference
Textbooks; Textbook -
Instrumental. Dover
Edition. Book. Dover
Publications #06-204251.
Published by Dover
Publications
(AP.6-204251).
ISBN
9780486204253. English.
[Antonio Stradivari] By
W. Henry Hill; Arthur F.
Hill; Alfred E.
Hill.
A great work
of musicology. Discusses
string instrument
construction methods,
woods, varnishes, known
instruments, types of
instruments, life,
special features.
Introduction by Sydney
Beck. 68 illustrations
plus 4 color plates. 315
pgs.
SKU: BA.BVK02306 February 1838 to September 1839. Composed by Feli...(+)
SKU: BA.BVK02306
February 1838 to
September 1839.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Alexander
Staub, Helmut Loos, Kadja
Grönke, and Wilhelm
Seidel. Linen. Samtliche
Briefe in 12 Banden. Only
available as a full
subscription to ISBN
978-3-7618-2300-2. Book.
With Language: German.
Baerenreiter Verlag
#BVK02306_00. Published
by Baerenreiter Verlag
(BA.BVK02306).
ISBN
9783761823064. 23.5 x 16
cm inches. Preface:
Seidel,
Wilhelm.
Felix
Mendelssohn Bartholdy as
letter-writer: at the
heart of 19th century
European
culture
As one of
the most important
letter-writers of the
19th century, Felix
Mendelssohn Bartholdy
maintained an extensive
correspondence. With
great style and eloquence
he wrote letters to
friends and family,
letters from his travels
and he also wrote to
leading composers,
musicians, artists as
well as publishers. He
corresponded with famous
contemporaries such as
Robert Schumann, Franz
Liszt and Richard Wagner
as well as Johann
Wolfgang von Goethe, Carl
Friedrich Zelter and
Alexander von
Humboldt.
The
correspondence begins in
1816 and ends in 1847
with the
composer’s death.
These letters are
invaluable documents
shedding light not only
on the genesis,
publication and revision
of his musical works, but
also on a period when
relations between
Christians and Jews still
had a chance to become
harmonious, as Moses
Mendelssohn, the imminent
scholar and grandfather
of the composer had
advocated.
This
edition will therefore be
of great interest far
beyond the circles of
musicologists and music
specialists. It will
appeal to those who are
interested in the history
of culture and ideas and
to those who perceive
Mendelssohn and his
family as representatives
of a unique, diverse
cultural epoch.
The complete
correspondence shows that
Mendelssohn not only went
on to become one of the
leading figures of German
musical culture in the
1840s, but that he also
maintained a network of
musical contacts
throughout
Europe.
The
edition of the complete
letters This
scholarly-critical
complete edition
comprises 5,855 letters
by Felix Mendelssohn
Bartholdy. Previously
only a small part of his
correspondence had been
published and made
accessible to the public.
The complete edition is
based on Mendelssohn
letters which have been
compiled over decades by
Rudolf Elvers as well as
on international research
carried out by an
academic workgroup in
Leipzig spearheaded by
chief editors Helmut Loos
and Wilhelm Seidel. They
determined 500 additional
letters hitherto
unknown.
Versions
of the letter texts have
been compiled from a
scholarly-critical
analysis of the sources,
their historical context
has been discussed and
comments on all points in
need of explanation have
been made.
This
edition of the complete
letters consists of 12
volumes and a CD-ROM.
Each volume contains
indices of mentioned
individuals and
institutions,
compositions by Felix
Mendelssohn Bartholdy and
Fanny Hensel as well as a
register of place names
and currencies. In this
way one obtains an
all-encompassing view of
this unique historical
cosmos.
The
Complete edition has been
produced to the highest
standards in terms of
layout, cover and
binding. It is an ideal
collector’s item
for bibliophiles,
providing an excellent
means for studying the
composer and the period
in which he
lived.
The CD-ROM
forms a valuable addition
to the printed volumes.
It offers the complete
printed edition in the
form of pdf. files,
thereby making its
approximately 9,500 pages
digitally accessible and
enabling letters and the
corresponding commentary
to be read in parallel.
All terms can be located
quickly and conveniently
via a full text
search. (The 12
volumes as well as the
CD-ROM can only be
purchased
complete).
-
German text
only
The
Editors Helmut Loos is
Professor of Musicology
at the University of
Leipzig. He specialises
in the music of the 19th
and 20th centuries, in
particular the reception
of Beethoven, sacred
music and links between
Germany and Central and
Eastern Europe.
Wilhelm Seidel was
professor at the
universities of
Heidelberg, Marburg and
Leipzig. His publications
are devoted to the
temporal structure of
music, music aesthetics
in the 18th and 19th
centuries and music of
the 16th to 20th
centuries, currently on
Mozart and
Mendelssohn.
Books and Journals SKU: UT.QC-5 Edited by Fabio Morabito and Louise Berna...(+)
Books and Journals
SKU: UT.QC-5
Edited by Fabio Morabito
and Louise Bernard de
Raymond. Paperback (Soft
Cover). Quaderni
Clementiani. Classical.
Books and Journals. Ut
Orpheus #QC 5. Published
by Ut Orpheus (UT.QC-5).
ISBN 9788881095223.
6.5 x 9.5
inches.
Essays
by Louise Benrard de
Raymond, Muriel Boulan,
Thomas Christensen,
Etienne Jardin, Ellen
Lockhart, Fabio Morabito,
William O'Hara, Alban
Ramaut, Annette Richards,
Michael B.
Ward
The
nineteenth-century
composer has a persistent
image problem: inspired,
unworldly, male, writing
works of genius for
posterity. If it has been
the project of
musicologists for the
last 30 years to erode
this checklist, he
lingers still like a bad
smell. This book uses
Antoine Reicha
(1770-1836) as a case
study through which to
develop alternative
approaches to the
nineteenth-century
composer. That Reicha was
a composition teacher and
prolific writer of
instruction manuals, for
example, provides an
opportunity (and new
types of sources) to
focus on composers'
attempts at becoming
composers. How can we
catch them 'in the
making', exploring not a
body of works and
achievements, but the
priorities and anxieties
of these individuals (the
knowledge they followed
or created) in crafting
their artistic identities
for the public? What
modes of music
historiography and
analysis might help
explore Reicha's and his
contemporaries' music
beyond mapping it within
local or national
traditions and their
transfer? Can a networked
model of music-history
writing - we might call
it 'a history of music
with no protagonist' -
assist musicologists in
working on non-canonical
composers without
retrospectively making
monuments out of them?
These and other questions
frame this volume, in
order not only to
reassess Reicha, but also
our disciplinary toolkit:
to ask how/why/to what
end we tell stories about
composers in musicology
more generally.
(Walzer / Waltzes op. 65). Composed by Johannes Brahms (1833-1897). This edition...(+)
(Walzer / Waltzes op.
65). Composed by Johannes
Brahms (1833-1897). This
edition: Facsimile. In a
slipcase. Documenta
musicologica. Series II,
Volume 49. Facsimile, CD.
Language: German. 71/28
pages. Published by
Baerenreiter Verlag
Biography (BIOGRAPHY) SKU: HL.50511837 A virtuoz evek 1811-1847. C...(+)
Biography (BIOGRAPHY)
SKU: HL.50511837
A virtuoz evek
1811-1847. Composed
by Alan Walker, FRSC.
EMB. Volume 1. Books on
Music. Book. Editio
Musica Budapest #Z60218.
Published by Editio
Musica Budapest
(HL.50511837).
ISBN
9790080602188. B/5
(17x24) inches.
Hungarian. Judit
Racz.
Alan Walker
is an English music
historian, formerly a
music fellow at the BBC,
and since 1971 head of
department at McMaster
University in Canada. He
has authored and
co-authored many music
critiques and musicology
publications, and he has
organized several Liszt
symposia and festivals
around the world. His
three-volume monograph
(Volume I: The Virtuoso
Years - 1811-1847, Volume
II: The Weimar Years -
1848-1861, Volume III:
The Last Years -
1861-1886) is considered
by both the international
experts and the musical
public to be the most
prestigious and complete
Liszt biography. The
present
Hungarian-language
version was translated
from English by Judit
Racz.
Italian SKU: HL.50605479 Un problema storico, semiologico ed estetico<...(+)
Italian
SKU:
HL.50605479
Un
problema storico,
semiologico ed
estetico. Classical
Reference, Italian
Edition. Softcover.
Ricordi #NR14244300.
Published by Ricordi
(HL.50605479).
ISBN
9781705190395. UPC:
196288126164.
Text
in Italian. Can the
greatness of one of the
most important musicians
of the western world
justify the most
ignominious positions
taken? And above all: can
he justify ignoring them?
The manifestation of
these positions
unfortunately leaves no
doubt: we can read them
both in his writing
Jewishness in music
(1850) and in other texts
collected in this book in
new translations, as well
as in an unpublished text
for Italy. But can it be
said that the librettos
and even the music of
Wagner's operas are also
anti-Semitic? Wagner's
anti-Semitism is at least
a controversial topic in
the specialist
literature: in this book
you will find both a
critical and a polemical
balance, in which the
criteria of biographical
research, general
history, music,
musicology, semiology, of
psychoanalysis and
aesthetics. How to
explain it? With the fact
that perhaps Wagner
himself was a Jew? Many
of his contemporaries
believed this, as the
large collection of
caricatures brought
together in this work
testifies. At the end of
a rigorous investigation,
it is necessary to ask
some disturbing
questions: should the
execution or
representation of
Wagner's works perhaps
beprohibited? Should
Bayreuth be closed
down?