(Muzio Clementi Opera Omnia - Volume XIV). By Muzio Clementi (1752-1832). Edited by David Rowland. Critical commentary. 692 pages. Published by Ut Orpheus

2 Pianos, 4 Hands/Mid-Intermediate Level. By Muzio Clementi. Arranged by Camil Van Hulse. Willis. Size 9x12 inches. 10 pages. Published by Willis Music.

2 Pianos, 4 Hands/Mid-Intermediate Level. By Muzio Clementi. Arranged by Camil Van Hulse. Willis. Size 9x12 inches. 16 pages. Published by Willis Music.

2 Pianos, 4 Hands/Mid-Intermediate Level. By Muzio Clementi. Arranged by Camil Van Hulse. Willis. Size 9x12 inches. 16 pages. Published by Willis Music.

Piano Solo. By Muzio Clementi. Arranged by Buonamici. Piano Collection. Size 9x12 inches. 88 pages. Published by G. Schirmer, Inc.

Piano Solo. By Muzio Clementi. Arranged by Giuseppe Buonamici. Piano Collection. Size 9x12 inches. 88 pages. Published by G. Schirmer, Inc.

Clementi Sonatinas for Piano composed by Muzio Clementi (1752-1832). Arranged by Jay Latulippe. For piano. This edition: Paperback. Collection. Distinctive Masterworks series. Classical. Intermediate. Book. Text Language: English. 64 pages. Published by Santorella Publications

(for Piano). By Muzio Clementi (1752-1832). Edited by Ernst-GÌ_nter Heinemann. Henle Music Folios. Softcover. 56 pages. G. Henle #HN848. Published by G. Henle

Piano Solo. By Muzio Clementi. Edited by S> Gerlach, A. Tyson. For piano solo. This edition: HN817. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: 3 and 7. Urtext edition (Paper-bound). 11 pages. Published by G. Henle.

Books and Journals

SKU: UT.QC-1

Edited by Massimiliano Sala Richard Bösel. Paperback (Soft Cover). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 1. Published by Ut Orpheus (UT.QC-1).

ISBN 9788881094509. 6.5 x 9.5 inches.

Saggi di Eva Badura-Skoda, Otto Biba, Federico Celestini, Andrea Coen, Dorothy de Val, Anselm Gerhard, Alberto Iesuè, Roberto Illiano, Leon Plantinga, David Rowland, Luca Sala, Massimiliano Sala, Rohan H. Stewart-MacDonald


L’Istituto Storico Austriaco a Roma, in collaborazione con la Sezione di Storia della Musica dell’Istituto Storico Germanico a Roma, il Comitato Scientifico degli Opera omnia di Muzio Clementi e il Da Ponte-Institut für Librettologie, Don Juan-Forschung und Sammlungsgeschichte di Vienna, ha organizzato dal 4 al 6 dicembre 2002 un symposium internazionale di studi dal titolo Muzio Clementi. Cosmopolita della musica, che ha inteso riunire nella città natale dell’autore i maggiori esperti di Clementi in occasione del 250° anniversario della nascita del compositore.
I numerosi interventi del symposium si sono articolati in complessive 4 sezioni (Muzio Clementi nel 250^o anniversario della nascita; Clementi: un romano a Londra; L’altro Clementi; Clementi e la «Wiener Klassik»), svoltesi presso la sede dell’Istituto Storico Austriaco (5 e 6 dicembre).
La manifestazione ha messo in luce soprattutto la dimensione europea degli interscambi culturali dovuti al fenomeno delle migrazioni dei musicisti, dei rapporti internazionali inerenti all’editoria, all’impresariato e al commercio degli strumenti a tastiera.

Books and Journals

SKU: UT.QC-2

Composed by Rohan H. Stewart-MacDonald. Hardback (Cloth Hard Cover with Jacket). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 2. Published by Ut Orpheus (UT.QC-2).

ISBN 9788881094585. 6.5 x 9.5 inches.

The career of Muzio Clementi (1752-1832) spanned the lives of both Mozart and Beethoven and was exceptionally diverse. It encompassed performing on the keyboard, conducting, teaching, business activities and composition in the realms of keyboard, chamber and orchestral music. This book focuses on Clementi’s keyboard sonatas and aims to shed new light on their relationship with the complex cross-currents of late eighteenth-century musical style, both in England, where Clementi was active for much of his career, and the continent, which he visited periodically.
The first chapter summarises Clementi’s historical reputation as it developed in the nineteenth and twentieth centuries, and evaluates the impact on it of the significant developments in Clementi scholarship since 2000. The aim is to stress the deficiencies of the established view of Clementi as a keyboard pedagogue and to stress the importance of liberating him as much as possible from this ingrained perception. This is attempted, in the remaining chapters, through close, analytical readings of a variety of keyboard sonatas from all stages of his career, comparing them with a range of works by Haydn, Mozart, Beethoven and other contemporaries such as Jan Ladislav Dussek (1760-1812). The comparisons are made from the perspectives of distinguishing features of Clementi’s style such as his unusually intense deployment of strict counterpoint in the later keyboard sonatas; his cultivation of irregularity in recapitulations; his use of the ‘three-key’ exposition in the middle-to-later stages of his career that seems to anticipate nineteenth-century developments, and also his assimilation of heightened virtuosity into the earlier sonatas, often in the form of cadenzas more suggestive of the keyboard concerto – a genre Clementi seems, rather strangely, to have neglected. The book has been envisaged as a direct response, not only to the most recent scholarship on Clementi, but also to current approaches to eighteenth-century music in general, including the interdisciplinary work of Annette Richards.

By Muzio Clementi. For Piano. Piano Collection. Masterwork. Book. 112 pages. Published by Alfred Publishing.

By Muzio Clementi. For Piano. Piano Collection. Masterwork. Book. 88 pages. Published by Alfred Publishing.

By Muzio Clementi. For Piano. Piano Method. Kalmus Edition. Masterwork. Book. 136 pages. Published by Alfred Publishing.
Level: Intermediate / Advanced.

By Muzio Clementi. For Piano. Piano Collection. Masterwork. Level: Advanced. Book. 80 pages. Published by Alfred Publishing.

Piano Solo. By Muzio Clementi. Arranged by Ettore Pozzoli. Piano Collection. Size 9x12 inches. 23 pages. Published by Ricordi.

2 Pianos, 4 Hands/Mid-Intermediate Level. By Muzio Clementi. Arranged by Camil Van Hulse. Willis. Size 9x12 inches. 9 pages. Published by Willis Music.

By Muzio Clementi. For Violin, Violoncello and Piano. Score and Parts. Published by Ut Orpheus.

By Muzio Clementi. For Piano (Harpsichord) and Flute (Violin). Score and Parts. Published by Ut Orpheus. (MC 06)

Schirmer's Library of Musical Classics, Vol. 2058. By Muzio Clementi. Piano Collection. Size 9x12 inches. 242 pages. Published by G. Schirmer, Inc. ISBN 0634099221.

By Muzio Clementi. For Piano (Harpsichord), Violin and Violoncello. Score and Parts. Published by Ut Orpheus.

By Muzio Clementi. For Piano (Harpsichord) and Flute (Violin). Score and Parts. Published by Ut Orpheus. (MC 05)

Composed by Muzio Clementi (1752-1832). Edited by Jennifer Linn. Schirmer Performance Editions. Classical. Softcover Audio Online. 72 pages. Published by G. Schirmer

Composed by Muzio Clementi (1752-1832). Masterworks; Piano Collection. Kalmus Edition. Form: Prelude. Classical; Masterwork; Romantic. Book. 68 pages. Kalmus Classic Edition #00-K03305. Published by Kalmus Classic Edition

By Muzio Clementi. For Violin, Violoncello and Piano. Score and Parts. Published by Ut Orpheus.

By Muzio Clementi (1752-1832). Edited by Luca Sala. For Piano / Orchestra. This edition: Critical Edition. Opera Omnia - Vol. II.5. Score (cloth bound). 112 pages. Published by Ut Orpheus