| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 568
pages. Published by Hal
Leonard.
(8)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal...(+)
By Various. For C
Instruments. Fake Book.
Softcover. 560 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gospel's Greatest
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
(26)$37.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of Contemporary Christian
Fake Book [Fake Book] - Intermédiaire Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 583 pages.
Published by Hal Leonard.
(4)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Love has Died for Me Chorale SATB SATB divisi - Facile Oxford University Press
SATB choir, divisi, a cappella (SATB) - easy SKU: OU.9780193528314 (fr...(+)
SATB choir, divisi, a
cappella (SATB) - easy
SKU:
OU.9780193528314
(from Passion
Music). Composed by
Will Todd. Sacred choral
- mixed voices. Vocal
score. 8 pages. Duration
3.5'. Oxford University
Press #9780193528314.
Published by Oxford
University Press
(OU.9780193528314).
ISBN 9780193528314. 10
x 7 inches. For
SATB (with divisions)
unaccompanied 'My Love
has Died for Me' is taken
from Passion Music, a
concert and liturgical
work that epitomizes
Todd's love of blending
jazz and choral music.
Recurring melodies,
changing metres, and
extended harmonies
combine to explore the
theme of loss in this
powerful and expressive
lament. $3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Lyric Library: Pop/Rock Ballads Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Performed by Various. Lyric Library. Size 6x9 inc...(+)
Complete Lyrics for 200
Songs. Performed by
Various. Lyric Library.
Size 6x9 inches. 220
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Folk Songs North America Sings (Kodaly Collection) Piano, Voix [Partition] E.C. Kerby
Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8....(+)
Voice and Piano. By
Richard Johnston.
(resource book). Vocal
Collection. Size 8.5x11
inches. 400 pages.
Published by E.c. Kerby.
$50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 70 Bach Chorales for Easy Classical Guitar
Guitare notes et tablatures Guitare classique [Partition + Accès audio] - Facile Cherry Lane
Composed by Johann Sebastian Bach (1685-1750). Arranged by Mark Phillips. Easy G...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Mark Phillips. Easy
Guitar. Classical.
Softcover Audio Online.
With guitar tablature. 76
pages. Published by
Cherry Lane Music
(1)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hank Williams: Hank Williams Complete
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Hank Williams. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Hank
Williams. For voice,
piano and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Honky
tonk and traditional
country. 303 pages. 9x12
inches. Published by Hal
Leonard.
(10)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Harpe Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp
SKU: CF.H84
Composed by Marcel
Tournier. Edited by Carl
Swanson. Collection -
Score. Carl Fischer Music
#H84. Published by Carl
Fischer Music (CF.H84).
ISBN 9781491165539.
UPC:
680160924530. Marce
l Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. Over
his long career, he added
a significant catalogue
of very beautiful works
to the harp repertoire.
Many of his solo works,
almost one hundred, have
been consistently in
print since they were
first published. But in
recent years harpist Carl
Swanson has discovered a
treasure trove of pieces
by Tournier heretofore
unknown and unpublished.
These include the
Déchiffrages in this
edition, as well as songs
set for voice, harp, and
string quartet, and
ensemble arrangements of
some of his most beloved
works.All of the works
that Carl Swanson found
were in manuscript only.
With the help of the
great harpist Catherine
Michel, he has put these
pieces into playable
form, and they are being
published for the very
first time. He and
Catherine often had to
re-notate passages to
show clearly how they
could be played, adding
fingerings and musical
nuances, tempos, pedals,
and pedal
diagrams.Tournier wrote
these pieces when he was
in his 20s, and before he
became the
impressionistic composer
those familiar with his
work know so well. They
are written in the late
nineteenth-century
romantic style that was
being taught at that time
at the Paris
Conservatory. They are
beautiful short,
intermediate level pieces
by a first rate composer,
and add much needed
repertoire to that level
of playing. Marcel
Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. He
graduated from the Paris
Conservatory with a first
prize in harp in 1899. He
also studied composition
there and won a second
prize in the prestigious
Prix de Rome competition,
as well as a first prize
in the Rossini
competition, another
major composition
competition of the day.
From 1912 to 1948 he
taught the harp class at
the Paris Conservatory.
But composition, and
almost entirely,
composition for the harp,
was the main focus of his
life. His published
works, including many
works for solo harp, a
few for harp and other
instruments, and several
songs, number around one
hundred pieces.In 2019,
while researching
Tournier for my edition
MARCEL TOURNIER: 10
Pieces for Solo Harp, I
discovered that there was
a significant list of
pieces by this composer
that had never been
published and were not
included on any inventory
of his music. Principal
on this list were his
déchiffrages
(pronounced
day-she-frahge, like the
second syllable in the
word garage).The word
déchiffrage means
sight-reading exercise,
and that was their
original purpose.
Tournier numbered and
dated these pieces, with
dates ranging from 1900
to 1910, indicating that
they were in all
likelihood written for
Alphonse
Hasselmans’ class
at the Paris
Conservatory. Tournier
was probably told how
long to make each one,
and how difficult. They
range in length from two
to four pages, with only
one in the whole series
extending to five, and
from thirty to fifty-five
measures, with only one
extending to eight-five.
The level of difficulty
for the whole series is
intermediate, with some
at the easier end, and
others at the middle or
upper end.We don’t
know if they were
intended to test students
trying to enter the harp
class, or if they were
used to test students in
the class as they played
their exams. The fact
that they were never
published means that
students had to not only
sight read them, but
sight read them in
manuscript form!I worked
from digital images of
the original manuscripts,
which are in the private
music library of a
harpist in France. She
had twenty-seven of these
pieces, and this edition
is the second in a series
of three that will
publish, for the first
time, all of the ones
that I have found thus
far. The manuscripts
themselves consist of
little more than notes on
the page: no pedals
written in, no
fingerings, few if any
musical nuances and tempo
markings, and no clear
indication as to which
hand plays which notes.
These would have been
difficult to sight read
indeed! My collaborator
Catherine Michel and I
added musical nuances,
fingerings, pedals and
pedal diagrams, and tempo
indications to put them
into their current
condition.At the time
these were written,
Tournier would have been
in his twenties, having
just graduated from the
harp class himself
(1899), and might still
have been in the
composition class. These
are the earliest known
pieces that he wrote, and
they were written at the
very beginning of a
cultural revolution and
upheaval in Paris that
was to completely and
profoundly alter musical
composition. Tournier
himself would eventually
be caught up in this new
way of composing. But not
yet.All of the
déchiffrages are
written in the late
romantic style that was
being taught at that time
at the Paris
Conservatory. Each one is
built on a clear musical
idea, and the variety
over the whole series
makes them wonderful to
listen to as well as to
learn. They are also
great technical lessons
for intermediate level
players.The obvious
question is: Why
didn’t Tournier
publish these pieces, and
why didn’t he list
them on his own inventory
of his music? Actually,
four of them were
published, with small
changes, as his
collection Four Preludes,
Op. 16. These came from
the ones that will be in
volume three of this
series from Carl Fischer.
His first large piece,
Theme and Variations, was
published in 1908, and
his two best known and
frequently played pieces,
Féerie and Au Matin,
followed in 1912 and 1913
respectively. We can only
speculate because there
is so much still unknown
about Tournier and about
these unpublished pieces.
He may have looked at
them, fresh out of school
as he was, as simply a
way to make some quick
money. The first several
pieces that he did
publish are much longer
than any of the
déchiffrages. So it
could be that, because of
their shorter length, as
well as the earlier
musical style that he was
moving away from, he
chose not to publish any
more of them. We may
never know the full
story. But all these
years later, more than a
century after they were
composed, we can listen
to them for their own
merits, and not measured
against whatever else was
going on at the time. The
numbers on these pieces
are the ones that
Tournier assigned to
them, and the gaps
between some of the
numbers suggest that
there are perhaps thirty
or more of these pieces
still to be found, if
they still exist. They
will, in all likelihood,
be found, as these were,
in private collections of
harp music, not in
institutional libraries.
We can only hope that
more of them will be
located in years to
come.—Carl
SwansonGlossary of French
Musical TermsTournier was
very precise about how he
wanted his pieces played,
and carefully
communicated this with
many musical indications.
He used standard Italian
words, but also used
French words and phrases,
and occasionally mixed
both together. It is
extremely important to
observe and understand
everything that he put on
the page.Here is a list
of the French words and
phrases found in the
pieces in this edition,
with their
translation.bien
chanté well sung,
melodiousdécidé
firm, resolutediminu peu
à peu becoming softer
little by littleen
diminuant becoming
softeren riten. slowing
downen se perdant dying
awayGaiement gayly,
lightlygracieusement
gracefully,
elegantlyLéger light,
quickLent slowmarquez le
chant emphasize the
melodyModéré at a
moderate tempopeu Ã
peu animé more lively,
little by littleplus lent
slowerRetenu held
backsans lenteur without
slownesssans retinir
without slowing downsec
drily, abruptlysoutenu
sustained, heldtrès
arpegé very
arpeggiatedTrès
Modéré Very
moderate tempoTrès peu
retenu slightly held
backTrès soutenu very
sustainedun peu retenu
slightly held back. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The 1980s – Super Easy Songbook Piano Facile - Débutant Hal Leonard
Piano/Keyboard SKU: HL.1438561 Composed by Various. Super Easy Songbook. ...(+)
Piano/Keyboard SKU:
HL.1438561 Composed
by Various. Super Easy
Songbook. Classic Rock,
Pop, Standards.
Softcover. Published by
Hal Leonard (HL.1438561).
ISBN 9798350123715.
UPC:
196288204916. The
'80s brought on an
electrifying surge of
musical innovation,
marked by the rise of
genres such as synth-pop,
hair metal, and the early
beginnings of hip-hop.
This dynamic period was
distinguished by the
revolutionary influence
of MTV, which changed the
way we consume music and
turned musicians in
visual legends. The
decade's spirited vibe
made a lasting impact on
the music scene, etching
its presence into the
cultural fabric forever.
Grab your hairspray and
teasing comb and jump
into this new Super Easy
songbook, featuring 46
simple arrangements of
the decade's best to
start playing your
favorite songs in no
time! Each song is
arranged with simple
right-hand melody, letter
names inside each note,
basic left-hand chord
diagrams, and no page
turns. Songs include:
Africa ⢠All Outof
Love ⢠Beat It
⢠Danger Zone â¢
Don't Dream It's Over
⢠Ebony and Ivory
⢠Everybody Wants to
Rule the World â¢
Flashdance... What a
Feeling ⢠Footloose
⢠Girls Just Want to
Have Fun ⢠Higher
Love ⢠Hurts so Good
⢠Into the Air
Tonight ⢠Jump
⢠Owner of a Lonely
Heart ⢠Running Up
That Hill ⢠Sweet
Dreams (Are Made of This)
⢠Total Eclipse of
the Heart ⢠You're
the Inspiration â¢
and more! $16.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Klezmer Dance Suite [Conducteur] OR-TAV Music Publications
Clarinet, Strings, percussion, tuba SKU: OT.37019 Composed by Lev Kogan. ...(+)
Clarinet, Strings,
percussion, tuba SKU:
OT.37019 Composed by
Lev Kogan. Arranged by
Alan Kaufman. For
clarinet, strings,
percussion, and tuba.
Klezmer. Score. OR-TAV
Music Publications
#37019. Published by
OR-TAV Music Publications
(OT.37019). ISBN
9789655050851. 8.27 x
11.69 inches. Lev
Kogan Klezmer Dance
Suite for clarinet,
strings, percussion, and
tuba arranged by Alan
Kaufman, with cadenzas by
Gene Kavadlo Score. A
set of parts may be
ordered
separately. There is
also an edition for small
ensemble including a
score and one copy each
part, SKU 37019set I
have been Principal
Clarinetist with the
Charlotte Symphony
Orchestra, North
Carolina, since 1975. My
interest in klezmer music
began in 1984 when I
realized how unique the
clarinet voice can be in
the klezmer idiom - it is
totally different from
playing in a symphony
orchestra, and I found
that unique voice to be
very appealing. I formed
a quartet called Viva
Klezmer!, and we have
been concertizing and
recording ever
since. I discovered
Lev Kogan's Hassidic
Tunes for Clarinet and
Piano a number of years
ago and was struck by the
lovely melodies and
harmonies that Mr. Kogan
had composed. The tunes
were always enjoyed by
audiences whenever I
performed them, and it
occured to me that
several of them could be
orchestrated and grouped
together to form a very
attractive klezmer suite.
I enlisted the aid of my
talented colleague, Alan
Kaufman, and the result
is this publication.
There is dearth of
klezmer music featuring
clarinet with orchestra
or chamber ensemble, and
this publication helps
fill that void. The
suite can be performed
with orchestra or, if
percussion and tuba are
unavailable, as chamber
music with clarinet and
strings. In the absence
of tuba, the part may be
played by another bass
instrument. Gene
Kavadlo Lev Kogan
(1927-2007) was born in
Baku, Azerbaijan, and
immigrated to Israel in
1972. Kogan attended the
Moscow State Conservatory
from 1946-1952 where he
studied piano and was a
composition of Aram
Khatchturian. He has
devotred much time to the
research, creation and
performance of Jewish
music. In Israel, he has
composed many productions
for the Yiddish theater
and Chassidic, Yiddish
songs and chamber
music. Originally from
New York State, Alan
Kaufman graduated from
Potsdam State University
with a Bachelor's Degree
in Music Education and a
Master's Degree in Music
Performance in
Percussion. Since then,
he has been a performer,
arranger, educator,
producer and composer of
commercial jingles,
recordings and movie and
television soundtracks.
He has produced albums
and/or has arranged for
an array of groups from
The Buddy Rich Band to
performing with artists
as diverse as Luciano
Pavoratti and Bernadette
Peters, to Dave Brubeck
and Johnny Cash. Since
1978, Alan has resided in
Charlotte, NC where he
continues his musical
journey. $24.94 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Klezmer Dance Suite (parts) OR-TAV Music Publications
Clarinet, Strings, percussion, tuba SKU: OT.37019PARTS Composed by Lev Ko...(+)
Clarinet, Strings,
percussion, tuba SKU:
OT.37019PARTS
Composed by Lev Kogan.
Arranged by Alan Kaufman.
For clarinet, strings,
percussion, and tuba.
Klezmer. Set of parts.
OR-TAV Music Publications
#37019PARTS. Published by
OR-TAV Music Publications
(OT.37019PARTS). 8.27
x 11.69 inches. Lev
Kogan Klezmer Dance
Suite for clarinet,
strings, percussion, and
tuba arranged by Alan
Kaufman, with cadenzas by
Gene Kavadlo Set of
parts There is also an
edition for small
ensemble including a
score and one copy each
part, SKU 37019set I
have been Principal
Clarinetist with the
Charlotte Symphony
Orchestra, North
Carolina, since 1975. My
interest in klezmer music
began in 1984 when I
realized how unique the
clarinet voice can be in
the klezmer idiom - it is
totally different from
playing in a symphony
orchestra, and I found
that unique voice to be
very appealing. I formed
a quartet called Viva
Klezmer!, and we have
been concertizing and
recording ever
since. I discovered
Lev Kogan's Hassidic
Tunes for Clarinet and
Piano a number of years
ago and was struck by the
lovely melodies and
harmonies that Mr. Kogan
had composed. The tunes
were always enjoyed by
audiences whenever I
performed them, and it
occured to me that
several of them could be
orchestrated and grouped
together to form a very
attractive klezmer suite.
I enlisted the aid of my
talented colleague, Alan
Kaufman, and the result
is this publication.
There is dearth of
klezmer music featuring
clarinet with orchestra
or chamber ensemble, and
this publication helps
fill that void. The
suite can be performed
with orchestra or, if
percussion and tuba are
unavailable, as chamber
music with clarinet and
strings. In the absence
of tuba, the part may be
played by another bass
instrument. Gene
Kavadlo Lev Kogan
(1927-2007) was born in
Baku, Azerbaijan, and
immigrated to Israel in
1972. Kogan attended the
Moscow State Conservatory
from 1946-1952 where he
studied piano and was a
composition of Aram
Khatchturian. He has
devotred much time to the
research, creation and
performance of Jewish
music. In Israel, he has
composed many productions
for the Yiddish theater
and Chassidic, Yiddish
songs and chamber
music. Originally from
New York State, Alan
Kaufman graduated from
Potsdam State University
with a Bachelor's Degree
in Music Education and a
Master's Degree in Music
Performance in
Percussion. Since then,
he has been a performer,
arranger, educator,
producer and composer of
commercial jingles,
recordings and movie and
television soundtracks.
He has produced albums
and/or has arranged for
an array of groups from
The Buddy Rich Band to
performing with artists
as diverse as Luciano
Pavoratti and Bernadette
Peters, to Dave Brubeck
and Johnny Cash. Since
1978, Alan has resided in
Charlotte, NC where he
continues his musical
journey. $57.44 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Klezmer Dance Suite [Conducteur et Parties séparées] OR-TAV Music Publications
Clarinet, String quartet, percussion, tuba SKU: OT.37019SET Composed by L...(+)
Clarinet, String quartet,
percussion, tuba SKU:
OT.37019SET Composed
by Lev Kogan. Arranged by
Alan Kaufman. For
clarinet, strings,
percussion, and tuba.
Klezmer. Score and Parts.
OR-TAV Music Publications
#37019SET. Published by
OR-TAV Music Publications
(OT.37019SET). 8.27 x
11.69 inches. Lev
Kogan Klezmer Dance
Suite for clarinet,
strings, percussion, and
tuba arranged by Alan
Kaufman, with cadenzas by
Gene Kavadlo Score and
one copy each part I
have been Principal
Clarinetist with the
Charlotte Symphony
Orchestra, North
Carolina, since 1975. My
interest in klezmer music
began in 1984 when I
realized how unique the
clarinet voice can be in
the klezmer idiom - it is
totally different from
playing in a symphony
orchestra, and I found
that unique voice to be
very appealing. I formed
a quartet called Viva
Klezmer!, and we have
been concertizing and
recording ever
since. I discovered
Lev Kogan's Hassidic
Tunes for Clarinet and
Piano a number of years
ago and was struck by the
lovely melodies and
harmonies that Mr. Kogan
had composed. The tunes
were always enjoyed by
audiences whenever I
performed them, and it
occured to me that
several of them could be
orchestrated and grouped
together to form a very
attractive klezmer suite.
I enlisted the aid of my
talented colleague, Alan
Kaufman, and the result
is this publication.
There is dearth of
klezmer music featuring
clarinet with orchestra
or chamber ensemble, and
this publication helps
fill that void. The
suite can be performed
with orchestra or, if
percussion and tuba are
unavailable, as chamber
music with clarinet and
strings. In the absence
of tuba, the part may be
played by another bass
instrument. Gene
Kavadlo Lev Kogan
(1927-2007) was born in
Baku, Azerbaijan, and
immigrated to Israel in
1972. Kogan attended the
Moscow State Conservatory
from 1946-1952 where he
studied piano and was a
composition of Aram
Khatchturian. He has
devotred much time to the
research, creation and
performance of Jewish
music. In Israel, he has
composed many productions
for the Yiddish theater
and Chassidic, Yiddish
songs and chamber
music. Originally from
New York State, Alan
Kaufman graduated from
Potsdam State University
with a Bachelor's Degree
in Music Education and a
Master's Degree in Music
Performance in
Percussion. Since then,
he has been a performer,
arranger, educator,
producer and composer of
commercial jingles,
recordings and movie and
television soundtracks.
He has produced albums
and/or has arranged for
an array of groups from
The Buddy Rich Band to
performing with artists
as diverse as Luciano
Pavoratti and Bernadette
Peters, to Dave Brubeck
and Johnny Cash. Since
1978, Alan has resided in
Charlotte, NC where he
continues his musical
journey. $43.75 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Without Music Theodore Presser Co.
Chamber Music Piano, Voice SKU: PR.111402850 Five Songs for Mezzo-sopr...(+)
Chamber Music Piano,
Voice SKU:
PR.111402850 Five
Songs for Mezzo-soprano
and Piano. Composed
by Ricky Ian Gordon.
Collection - Performance.
28 pages. Duration 25
minutes. Theodore Presser
Company #111-40285.
Published by Theodore
Presser Company
(PR.111402850). ISBN
9781491132005. UPC:
680160680627. What the
Living Do by Maria
Howe. The poetry of
Marie Howe has a special
place in Ricky Ian
Gordon’s heart and
mind, both haunting and
soothing. WITHOUT MUSIC
is a five-movement work
in which Howe’s
words and Gordon’s
music together give voice
to longterm grieving for
a loved one lost to AIDS.
The work was commissioned
by Music Academy of the
West for their 2019
Marilyn Horne Song
Competition
Winners’ Recital
Tour. For a long time,
I have been in dialogue
with the poems of Marie
Howe. Some poets speak so
directly to you that they
become a second voice
inside you. I have so
many of her poems
memorized, and I speak
them so often because at
certain moments I know
she will say it better
than me.Many I have set
or tried to set and felt
dissatisfied and put them
away. Marie’s
poems are so plain
spoken, you want them to
feel, if you are taking
the trouble to set them
to music, that the songs
are plain spoken as
well... because it would
be criminal to set
Marie’s poems in a
way that obscures the
words and makes them feel
distant or remote.I first
heard Kelsey Lauritano in
a Master Class that
Stephanie Blythe was
giving at Juilliard. I
was bowled over by her
poise, the beauty of her
voice, her engagement
with her body and her
connection to text. She
is a real artist through
and through. I wanted to
create a cycle for her
where it felt like she
was talking to the
audience in the most
intimate way possible. I
wanted to be able to see
her heart.These five
poems are from
Marie’s book,
“What the Living
Do,†the book which
was published eight years
after her brother Johnny
died at 28 from AIDS. The
book is impossibly
beautiful, as clear as a
spring in a remote
forest... the poems
simply tell the story of
Johnny’s illness
and Marie’s
relationship with it, and
him... as Marie would put
it, they are “how
some of it
happened.â€I lost my
partner Jeffrey Grossi to
AIDS in 1996, so needless
to say, this book, and
Marie’s poems were
balm for me... one of the
myriad ways I got through
an excruciating time, as
Jeffrey’s death
followed practically, the
death of my entire
community. I feel bad,
and even awkward, that
this is still so much a
part of my story, but it
is. Is it PTSD, or just,
not wanting to forget? I
don’t know. But
these songs are steeped
in that time. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Voiceworks 2: A Further Handbook For Singing Voix d'Enfants [Vocal Score] Oxford University Press
| | |
| Alto à la Mode Theodore Presser Co.
Chamber Music alto Flute SKU: PR.114423380 Composed by Christine Potter. ...(+)
Chamber Music alto Flute
SKU: PR.114423380
Composed by Christine
Potter. Performance
Score. 4 pages. Duration
3 minutes. Theodore
Presser Company
#114-42338. Published by
Theodore Presser Company
(PR.114423380). ISBN
9781491135129. UPC:
680160686988. Inspi
red by her
friends’
beatboxing and
exploration of jazz,
flutist Chris Potter
joins the fun and brings
us along in this
introduction to swing
rhythm and the basics of
beatboxing. Playing off
the multiple meanings of
“mode†and
“à la
modeâ€, Dr. Potter
fashionably explores a
world of varied scales
and modern percussive
sonorities where the ch-
ch- ch- beatboxing attack
leads players to chant
about
ch-ch-chocolate!. A
Few Words from ChrisThis
title came to me out of
nowhere at 4 AM one
morning, and I just had
to write a piece to go
along with it! I love
words with multiple
meanings, and
“mode†has
three!The French term
à la mode means in a
current, fashionable
style: in other words,
popular. The alto flute
certainly fits that
description!For
Americans, the phrase is
used when describing the
dessert pie à la mode,
meaning pie with ice
cream, typically vanilla.
Pie à la mode has an
interesting history! The
phrase and the American
dessert is attributed to
John Gieriet. He was born
in Switzerland, later
moved to France, and must
have studied cooking
because two years after
moving to the U.S. in
1854, Gieriet was put in
charge of all the food
service at the White
House. He served under
two presidents, Franklin
Pierce and James
Buchanan. When that job
ended, he moved to
Duluth, Minnesota and
bought a hotel. In 1885,
a menu for the hotel
offered a dessert called
pie à la mode, the
first time this phrase
had appeared in print.
Originally it was
blueberry pie with
vanilla ice cream.In
music, the term mode
means a series of notes
that have an identifiable
pattern of intervals
encompassing an octave.
Major and minor scales
are modes, as are other
scale forms such as
pentatonic, dorian,
phrygian, and lydian.
ALTO À LA MODE uses
three modes, all based on
D. In this piece, you
will find the D blues
scale (D F G Ab A C D),
the D dorian (D E F G A B
C D), and the D minor
natural form (D E F G A
Bb C D).In addition to
the three melodic modes,
I wanted a rhythmic idea
or two to unify the
piece. I decided touse
the rhythms of the word
vanilla: three short
notes with emphasis on
the second note, and
chocolate: two short
notes with emphasis on
the first note. Also
please notice that the
spoken syllable cha is
the beginning sound of
chocolate! All this and
no calories!I credit my
fabulous friend Ali
Ryerson for the jazz
influence, and the
wonderful composer Nicole
Chamberlain for the
beatboxing
inspiration. $8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Throughout These Forty Days: Ten Preludes on Lenten Hymns for Manuals Orgue [Partition] - Facile Concordia Publishing House
By J. Wayne Kerr. For organ. Collection. 20 pages. Published by Concordia Publis...(+)
By J. Wayne Kerr. For
organ. Collection. 20
pages. Published by
Concordia Publishing
House
$19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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