Composed by Larry Baione. Guitar Method. Instruction, Jazz. Softcover Audio Online. 32 pages. Published by Berklee Press

By Shelley Helzerman Houser. For Piano. The FJH Sacred Piano Library. Level: Early Advanced. Book. Published by The FJH Music Company Inc.

French Horn

SKU: HL.50600659

For Horn in F. Composed by Osmo Tapio Räihälä. Brass Solo. Classical. Softcover. 8 pages. Sikorski #SIK8832. Published by Sikorski (HL.50600659).

8.25x11.75x0.046 inches.

“Many ideas come to us in the middle of the wee hours, and especially after a good dinner and a good drink. The following day is a merciless sieve: only the best ideas survive. Writing 'Soliloque 2: La tornade' was one of those ideas that endured the light of the following day, after I had spent a good evening with my friend Jukka Harju, a master of french horn, in April 2012. He realized that needed a new, shortish solo piece for his concert on the Nordic Hornfest in Norway, and after a quick and imprudent thought, I said 'yes' when he wanted me to write it. Knowing that Jukka's bravura is his fantastic cantabile and more silent sounds, I wanted to introduce the other end of his virtuosity, that is, his ability to shape music constructed of quicker passages. After numerous get-togethers where we tried different views and angles, the piece was duly finished for the premiere in early August 2012. It might be signed by me, but it was definitely made better by Jukka's umpteen questions and proposals.” (Osmo Tapio Räihälä).

Baritone, Euphonium, Tuba, Sousaphone, Trombone, Cello - intermediate/advanced

SKU: JK.01978

Composed by Various. Arranged by Sarah Brough Blomquist. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01978. Published by Jackman Music Corporation (JK.01978).

UPC: 093285019782.

Intro ducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.

The series includes three books (SOLD SEPARATELY):
Piano Accompaniment Book - #01976
C Instrument - Treble Clef - #01977
C Instrument - Bass Clef - #01978

Arrangement s found in this book:
Be Still, My Soul
Come, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books)
Where Can I Turn for Peace?
If You Could Hie to Kolob
I Need Thee Every Hour
More Holiness Give Me
Jesus, the Very Thought of Thee
Amazing Grace
Our Savior's Love
Composer: Various
Arranger: Sarah Brough Blomquist
Difficulty: Late-Intermediate/Advance d.

By Marilynn Ham. For Piano. The FJH Sacred Piano Library. Sacred. Level: Early Advanced. Book. Published by The FJH Music Company Inc.

Composed by Various. Vocal Collection. Standards. Softcover Audio Online. 72 pages. Published by Hal Leonard

Arranged by Lynn S. Lund. For Vocal Solo Book. Published by Jackman Music Corporation.
Level: Medium.

SATB Chorus, & Piano

SKU: SU.96010062

For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010062. Published by Subito Music Corporation (SU.96010062).

Instrumentation : SATB Chorus, & Piano
Duration: 4'
Composed: 2012
Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.

Tenor, Accompaniment CDs. Composed by Various. Edited by Richard Walters. Vocal Collection. Broadway. CD. 8 pages. Published by Hal Leonard

(Tenor Book/Accompaniment CDs). By Various. Edited by Richard Walters. Vocal Collection. Book with CD. 254 pages. Published by Hal Leonard

(Masterful Sacred Solos by Mark Hayes). By Mark Hayes. For piano. Level 3. Sacred piano

By Knapp, Gabriel, Holbrook, Dougall, Meyerbeer, Palmer, Dykes. Arranged by David R. Naylor. -. For Piano Solo. Level: Medium Difficult. Published by Jackman Music Corporation.

Piano/Keyboards - Intermediate

SKU: AD.ADG209

Composed by Andrew D. Gordon. Funk, Rock. Book & digital audio. ADG Productions #ADG209. Published by ADG Productions (AD.ADG209).

ISBN 9781970178456. UPC: 663389120921. 9 x 12 inches.

As so many keyboards and virtual instruments emulate clavinet keyboard sounds I thought it would be of interest to many keyboard players to write a book containing riffs associated with playing the clavinet, usually featured in Funk, Soul and Rock, Jazz-Funk-Fusion and Reggae styles.
The Clavinet
The clavinet is a 5 octave keyboard manufactured by Hohner from the 1960’s to the 1980’s and its bright staccato sound has been used extensively in the above mentioned styles. The clavinet is often used with wah-wah and phaser effects giving unique sounds reminiscent of how a rhythm guitarist would play. Playing the clavinet is generally different than playing the piano or organ. Usually you are playing very staccato parts similar to how a guitarist would pick a string on the guitar. The left and right hand often play separate syncopated parts that require extensive practice. My suggestion would be to clap or tap the rhythm of both left and right hand. Once the rhythm is mastered go on to play the left and right hand parts separately at a slow tempo and gradually speeding it up to the recommended tempo.
I have created a youtube video showing you the steps that I recommend for learning these riffs.
https://youtu.b e/8tLdPhnA0ng

Each of the 100 riffs has been recorded 3 times:Clavinet with rhythm backing tracks, Rhythm backing tracks, Rhythm backing tracks at a slow tempo.

Grade 1

SKU: CL.LDP-7216-01

Composed by Daehn. Concert Band. Extra full score. Composed 2003. Daehn Publications #LDP-7216-01. Published by Daehn Publications (CL.LDP-7216-01).

Three well-known American folksongs, Down in the Valley, Skip to My Lou, and Cindy, are featured in this thoughtful and delightful arrangement for young concert band.

SKU: HL.438839

EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0000. Published by Hal Leonard (HL.438839).

UPC: 852940000929. 5.25x19.5x2.5 inches.

With the Carl Martin Quattro being so popular throughout the years, Carl thought to himself, “I could really use that same sort of high quality, straight forward, simple to use package for my acoustics as well”. The Acoustic GiG begins with Carl Martin's award winning Compressor/Limiter circuit. Individual controls for compression and level allow for simple and easy operation. Next, is the well known and highly respected Vintage Style Echo with controls for level, tone, repeat and tap-tempo, plus the 'Dotted 8th Note' switch for the most beautiful musical echo. The Reverb is a new Analogue/Digital Hybrid, tailored after the vintage-style spring reverbs so suitable for guitar. A beautiful, shimmering, yet warm reverb with the added bonus of becoming a more modulation/chorus/reverb texture at higher settings. The Boost simply allows you to cut though the mix with a crystal clean volume increase of up to 15dB for your solos. No change in your tone, and no increased 'quackiness' from your piezo pickups! To gain maximum EQ shaping, we found it necessary to include a high quality semi parametric EQ. We incorporated this section directly from Carl Martin's famous 3 Band Parametric Pre-Amp which allows for the specific shaping of tone from your guitar and pickup. To avoid potential feedback, practice has show the use of a phase inverter circuitry to be very efficient... so of course the Acoustic GiG has a Phase Shift switch. To complete the Acoustic GiG, we have incorporated a tuner and a overall mute switch. On the back panel are all the needed connections, 1/4″ input, unbalanced 1/4″ output, high quality balanced XLR out with ground lift, an insert section placed right after the boost and before the EQ section, and 9V DC input with a direct DC output if you find the need for an extra pedal.

A Noble Theme. Composed by Heather Sorenson. Brookfield Choral Series. General Worship, Sacred. Octavo. 12 pages. Published by Brookfield Press

Guitar

SKU: FV.FUE-10309

Composed by Vivienne Olive. Contemporary. Score and parts. Furore Verlag #FUE 10309. Published by Furore Verlag (FV.FUE-10309).

ISBN 9790501826094.

This guitar quintet is an arrangement of the 4th movement of my Concerto for Guitar and Orchestra – Ceilidh. Although Ceilidh is a cheerful, jaunty work, the 4th movement – the Sarabande – is a thoughtful elegy.

Violin, piano

SKU: BR.EB-9413

Composed by Nicola Campogrande. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Score. Composed 2020. 28 pages. Duration 9'. Breitkopf and Haertel #EB 9413. Published by Breitkopf and Haertel (BR.EB-9413).

ISBN 9790004188873. 9 x 12 inches.

For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020

World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.

(Children's Choir)

SKU: HL.1069732

For Children's Choir and Tape. Composed by Josephine Stephenson. Choral. Octavo. 12 pages. Duration 165 seconds. Alphonse Leduc #AL30902. Published by Alphonse Leduc (HL.1069732).

ISBN 9781705174623. UPC: 196288095774. 9.0x12.0 inches.

This “little musical postcard” composed for the Maîtrise de Radio France Children's Choir during the pandemic is based on a text by Antoine Thiollier. The image of the bridges was self-evident to bring together the isolated members of the Choir. While writing, Antoine Thiollier remembered Rimbaud's “Bridges”; he more or less kept the contrasts and the form, to conceive in his own way a “little philosophical bubble which skids not without malice in the poetic puzzle of the last sentence. A real cul-de-sac that encloses the thought in a circle.” According to Josephine Stephenson, the music for this text flowed almost naturally: In a style that is “a little more pop than I am used to, with a simple electronic accompaniment, whose coldness of sound went well with the current situation in my opinion, and above all left room for the expressiveness of the singers' voices and their words.”.

Choral (ChoirTrax CD)

SKU: HL.279971

A Noble Theme. Composed by Heather Sorenson. Brookfield Choral Series. General Worship, Sacred. CD. Duration 285 seconds. Published by Brookfield Press (HL.279971).

UPC: 888680761592. 5.0x5.0x0.173 inches. Psalm 45.

Another addition to a series of publications dedicated to the Psalms, this lofty anthem is replete with sensational melodic material and sweeping crescendos. Using music as a spiritual and poetic focus, the song delivers a portrait of the divine with regal results. The piano is substantial and captures the orchestration with colorful figurations and engaging patterns. A soaring final stanza passionately expresses the epic truth of God's love with joyful abandon. The anthem ends quietly with the thought, Christ is the theme that stirs my heart to sing. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, mallet perc, aux perc, timp, hp, pno, solo vn, vn 1-2, va, vc, db) available as a digital download.

Arranged by Jackie Frost Halversen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01969. Published by Jackman Music Corporation

Concert Band/Harmonie - Grade 2.5

SKU: BT.CMP-1111-07-140

Arranged by Bryan Kidd. Young Band. Concert Piece. Score Only. Composed 2007. 16 pages. Curnow Music #CMP 1111-07-140. Published by Curnow Music (BT.CMP-1111-07-140).

9x12 inches. English.

This thoughtful and creative arrangement of the classic song of the American West is a rich and sonorous treatment infused with exquisite and unexpected harmonies. You’ve never heard it like this before! Bryan Kidd has managed to bring a true musical adventure to the developing band in his own unmistakably personal way.This is a wonderful chance for your musicians to show that they can be truly expressive. This piece is the perfect tool for a cross-curricular unit with U.S. history. Surprising!

Home on the Range is gebaseerd op een gedicht (‘My Western Home’ uit 1872) van Brewster Higley, een arts uit Indiana die een jaar daarvoor een stukje land had gekocht in Kansas. Vervolgens schreef Dean Kelley er een melodie bij -het nieuwe lied werd al snel geliefd onder migranten in de Verenigde Staten. In de loop der jaren werd het steeds bekender, het is uitgevoerd door vele artiesten, onder wie Frank Sinatra. In 1947 werd Home on the Range hetofficiële lied van de staat Kansas. Brewster Higleys omschrijving van een helderblauwe hemel, oneindige vergezichten en een overvloedige fauna vindt met deze muziek nog altijd weerklank bij luisteraars.

Ho me on the Range ist ein bekanntes Volkslied aus dem amerikanischen Westen und Titelsong eines lustigen Disneyfilms, der in Deutschland als Die Kühe sind los bekannt ist. Bryan Kidd schuf eine sehr kreative, voll klingende Bearbeitung des Klassikers mit ausgefallenen Harmonien. So haben Sie dieses Lied noch nie gehört! Mit dieser Bearbeitung der einerseits vertrauten Melodie können Ihre Musiker doch eine völlig neue musikalische Erfahrung machen und Ihre Ausdrucksmöglichkeiten ausloten. Überraschend!

< I>Home on the Range est une ancienne mélodie country qui plonge ses racines dans l’Amérique de l’Ouest. Cette mélodie a récemment fait le tour de monde, après avoir été intégrée dans la bande originale du film d’animation La ferme se rebelle produit par les studios Disney. Bryan Kidd en a réalisé une version très créative avec des harmonies surprenantes et des lignes expressives. Une composition fun et divertissante.

18 American Classics Arranged for Piano Solo. By Various. Arranged by Phillip Keveren. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 64 pages. Published by Hal Leonard.

SATB choir, divisi, piano reduction - Intermediate

SKU: GI.WW1696

Composed by Patrick Hawes. Cameron LaBarr. Classical. Octavo. 8 pages. Walton Music #WW1696. Published by Walton Music (GI.WW1696).

UPC: 785147011767. Latin. Text Source: Traditional Latin.

Patrick Hawes' gentle and thoughtful music perfectly fits this simple, yet profound, text: Give light to my eyes lest I sleep unto death. Cameron LaBarr Choral Series.

Orchestra (2(2picc).2.cor ang.2.Bb-clar.2 - 4.3.3.1 - timp.perc - hp - str)

SKU: BR.PB-5576

4 Legends - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Suite; Early modern. Study Score. Duration 50'. Breitkopf and Haertel #PB 5576. Published by Breitkopf and Haertel (BR.PB-5576).

ISBN 9790004213865. 6.5 x 9 inches.

Little is known about the actual composition process of Lemminkainen, and the performance and publication history is rather complex, resulting in a first complete printing of all four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Definitely the overture had, it is now known and loved as The Swan of Tuonela.Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.On Lemminkainen and the Maidens on the Island a critic opined: We do not hesitate to award this tone painting of Lemminkainen's erotic emotional world the first prize among all the young composer's works. Sibelius himself said about Lemminkainen in Tuonela: The cradle song at the end of the work is maternal love, which rakes the pieces of Lemminkainen together from the River Tuonela. and commented on Lemminkainen's Return: I would like to see more pride in us Finns. Why should we be ashamed? This is the underlying thought in Lemminkainen's Return. Lemminkainen is just as good as the noblest of earls. He is an aristocrat, without question an aristocrat!.