Performed by Alan Pasqua. Pianosoft (Yamaha software for the Disklavier). Floppy disk only. Size 5x5.5 inches. Published by Hal Leonard.

Voice and Piano

SKU: AP.36-M181291

Composed by Maurice Ravel. Performance Music Ensemble; Solo Voice with Piano. Ludwig Masters. Score and Part(s). Alfred Music #36-M181291. Published by Alfred Music (AP.36-M181291).

UPC: 660355185809. English.

Maurice Ravel (1875-1937) wrote the first of his CINQ MÉLODIES POPULAIRES GRECQUES (Five Greek Folk Melodies) in 1904 at the urgent request of Pierre Aubry, who wished to illustrate a lecture he was giving on Greek folksong. Initially given five folksongs from which to choose, Ravel supplied a piano accompaniment for them in only thirty-six hours. Having impressed those who supplied the original five, three more were produced, which Ravel also quickly set to piano accompaniment, in a style imitative of the Mediterranean lands, but remaining distinctly French in its execution. The five melodies in this collection were selected from those eight. Ravel had started orchestrating all five as well, completing two, leaving Manuel Rosenthal to complete the remaining three. Songs in the collection: I. Le Réveil de la Mariée (Wake Up, My Dear), II. Là-bas, vers l'église (Out There, Where the Church Tower), III. Quel galant m'est comparable (Which Gallant Can Compare With Me?), IV. Chanson des cueilleuses de lentisques (Song of the Lentisk Gatherers), and V. Tout gai! (Be Gay!). The Ravel/Rosenthal orchestrations have been edited by Clinton Nieweg in an edition available from E.F. Kalmus.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Performed by Teddy Wilson. For solo piano. Format: piano solo songbook. With chord names and introductory text. Jazz. Series: Hal Leonard Artist Transcriptions. 88 pages. 9x12 inches. Published by Hal Leonard.

By Martha Sherrill Kelsey. For piano, four-hands. Level: Easy. Educational piano collection. Published by Heritage Music Press. (70/1563H)

By Various. Piano/Vocal/Guitar Songbook. Pop, Rock. Softcover. Published by Hal Leonard

Composed by Various. Piano/Vocal/Guitar Songbook. Softcover. 320 pages. Published by Hal Leonard

(Irish Melodies). By Clark Kimberling. For Flute. Solos. Bill's Music Shelf. Celtic/Irish. Beginning-Intermediate. Book. 52 pages

Original Keys For Singers. (Transcribed From Historic Recordings). By Billie Holiday. For voice and piano. Vocal Collection. Standards and Vocal Standards. Difficulty: medium. Songbook. Vocal melody, piano accompaniment, lyrics, chord names and introductory text. 80 pages. Published

Study Score Orchestra (pic.2.2.3.2.cbsn-4.3.3.1 -timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., tamb, 4templeblck, 2 anvils, whip)-2hp.cel-str(12.10.8 .6.6 min))

SKU: HL.49045520

For Orchestra (2013) Music of Our Time Series. Composed by Ryan Wigglesworth. Arranged by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. Study Score. Classical. Softcover. Composed 2013. 60 pages. Duration 1020 seconds. Schott Music #ED13930. Published by Schott Music (HL.49045520).

ISBN 9790220137198. UPC: 841886028876. 8.25x11.75x0.2 inches.

Locke's Theatre, an orchestral work in three short movements, takes as its departure point incidental music written for Shakespeare's The Tempest by the seventeenth-century English composer Matthew Locke. Aspects of Locke's idiosyncratic and daringly advanced harmonic and rhythmic language were to be adopted (some might say perfected) by his younger friend and protege Henry Purcell. But it is the very rawness and directness of Locke's theatre music that I wished to acknowledge and emulate. In each of my work's three movements - entitled respectively 'The First Music', 'Rustic Music', and 'Curtain Music (with Storm)' - the baroque originals, though very often submerged, remain a constant, shadowy presence. Locke's Theatre was commissioned by the Aldeburgh Festival to mark the centenary of Benjamin Britten's birth. -Ryan Wigglesworth.

By Carlos Del Puerto and Silvio Vergara. For acoustic or electric bass. by Carlos Del Puerto and Silvio Vergara (bassist with Irakere) (bassist with Conjunto Rumbavana) . Afro-Caribbean. Book and CD. Published by Sher Music Company.

Performed by Duke Ellington. By Duke Ellington. Edited by Carol Cuellar. Piano arrangement mixed folio (Advanced piano). Level: advanced piano. 188 pages. Published by Alfred Publishing.

Accordion Orchestra - Grade 5

SKU: BT.DHP-0981307-060

Composed by Jan Van der Roost. Arranged by Myriam Mees. Accordion. March. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981307-060. Published by De Haske Publications (BT.DHP-0981307-060).

Rikudim (Hebrew for “Dances”) is a four-part dance suite based on Jewish music. By using eastern intervals and irregular time changes, the composer succeeds in creating a slightly melancholy but specifically Jewish flavoured piece.

Rikudim (Hebreeuws voor ‘dansen’) is een vierdelige suite van op joodse muziek gebaseerde dansen. Door het gebruik van oosters aandoende toonafstanden en onregelmatige maatsoorten is de componist erin geslaagd om enerzijdseen vleugje melancholie en anderzijds een specifiek joods tintje in deze muziek te verweven. De duidelijk omlijnde thema’s en de soms verrassende, maar soms ook weer natuurlijk overkomende harmonisaties geven deze ‘gestileerde volksdansen’een directe zeggingskracht.

Di e vierteilige Suite Rikudim (hebräisch für ’Tanzen‘) besteht aus von der jüdischen Musik inspirierten Tänzen. Durch den Gebrauch von orientalisch anmutenden Tonintervallen und unregelmäßigen Taktarten ist es dem Komponisten gelungen, in dieser Musik einerseits einen Hauch Melancholie, andererseits spezifisch jüdische Elemente miteinander zu verschmelzen. Die deutlich bestimmten Themen und die bisweilen sehr überraschenden und natürlichen Harmonien bewirken, dass diese stilisierten Volkstänze ihre Botschaft sehr direkt vermitteln.

Rik udim (de l’hébreu rikud, “danse”) est une suite de quatre danses originales inspirées de la musique traditionnelle juive. L’utilisation d’une structure tonale orientale, l’introduction de mesures irrégulières et la richesse sonore de l’orchestration apportent cette œuvre une teinte mélancolique mais surtout une grande authenticité. Les thèmes très inspirés sont clairement différenciés. L’harmonisation quelquefois surprenante sans jamais être dénaturée confère ces quatre danses originales juives une grande richesse d’expression.

(Concerto for Flute and Strings). By Carl Vine (1954-). Orchestra. For Flute, String Orchestra. Masterworks; Score; String Orchestra. Faber Edition. 20th Century; Masterwork. Published by Faber Music

For Recorder Solo and Other Instruments. Composed by Barbara Heller (1936-). Edited by Julien Singer. This edition: Saddle stitching. Sheet music. Edition Schott. Die Ausgabe enthalt tagebuchartig entstandene Stucke, die zum Teil alternativ auf der Alt- oder Sopranblockflote gespielt werden konnen. Classical. Composed 1998-1999. 77 pages. Duration 100'. Schott Music #ED9484. Published by Schott Music (

Composed by Arvo Part (1935-). Solo part with piano reduction. With Standard notation. Universal Edition #UE17274. Published by Universal Edition

Orchestra SATBar vocal soli, SMATBarB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, percussion, 2 violins, viola, cello and contrabass

SKU: CA.2810200

Dedicated to Helmuth Rilling. Composed by Sven-David Sandstrom. Arranged by Timothy Higgs. This edition: Paperbound. German title: Messiah. Oratorios. Full score. Composed 2008. Duration 120 minutes. Carus Verlag #CV 28.102/00. Published by Carus Verlag (CA.2810200).

ISBN 9790007093938. Language: English. Text: Jennens, Charles. Text: Charles Jennens.

The Messiah, by the Swedish composer Sven-David Sandstrom, was commissioned by the Oregon Bach Festival and the Internationale Bachakademie Stuttgart to commemorate the Handel anniversary year 2009. In accordance with the wishes of these two institutions, the work is based on Charles Jennen's English libretto which Handel set in his famous oratorio more than 260 years ago. Great expression and orchestral color characterize this Messiah of the 21st century, in which for Sandstrom modernity and euphony do not represent a contradiction - corresponding to his artistic credo: My music should be understandable on first hearing and should touch people..

By Night Ranger. Guitar Recorded Versions (Authentic note-for-note transcriptions). Softcover. Guitar tablature. 120 pages. Published by Hal Leonard.

Choral (ShowTrax CD)

SKU: HL.334979

From The Prince of Egypt. Composed by Stephen Schwartz. Arranged by John Leavitt. Pop Choral Series. Christian, General Worship, Hebrew, Jewish, Movies, Pop, Sacred. CD. Duration 270 seconds. Published by Hal Leonard (HL.334979).

UPC: 840126910919. 5.0x5.0x0.15 inches.

Stephen Schwartz's When You Believe won the Academy Award for Best Song in 1999, and John Leavitt gives his signature, dignified touch to his arrangement, adding strings and percussion to moving effect. The Hebrew prayer in the middle section of the piece is a great opportunity for cultural exploration.

Violin

SKU: OT.22090

Composed by Daniel Akiva. For violin solo. Classical. Score. OR-TAV Music Publications #22090. Published by OR-TAV Music Publications (OT.22090).

ISBN 9789655050738. 8.27 x 11.69 inches.

Daniel Akiva's Partita for violin solo consists of six movements based loosely on music of the Sephardic Jews. It was written for students as performance material, and dedicated to them.
Contents:
Liturgical Song
Prayer
Supplication
Dance
Kaddish
Supplication
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Voice

SKU: OT.28102

Composed by Daniel Akiva. For voice and piano. Classical. Performance score. OR-TAV Music Publications #28102. Published by OR-TAV Music Publications (OT.28102).

ISBN 9789655050837. 8.27 x 11.69 inches.

Songs for voice and piano on poems by Rivka Miriam
Contents:
Ma lchut (Kingdom)
Nigun (Tune)
Song Cycle - A Tree Touched a Tree
The Flow of Water as the Flow of Light
Language: Hebrew. The text appears in the score in both Hebrew and Latin letters.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years he chaired the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shemesh, Rivka Miriam, and Avner Peretz.

Composed by Andrew Lloyd Webber. Easy Piano Composer Collection. Broadway. Softcover. 208 pages. Published by Hal Leonard

Composed by Andrew Lloyd Webber. P/V/G Composer Collection. Broadway. Softcover. 240 pages. Published by Hal Leonard

SKU: ST.B847

Composed by Lucie Skeaping and Roddy Skeaping. Books & Study Scores. Book and CD. . 23 themed classroom projects for Key Stage 2 Music. Real Tudor songs, dances and drama, listening games and loads of things to do!. . In association with the Early Music Network. Book and CD. Stainer & Bell Ltd. #B847. Published by Stainer & Bell Ltd. (ST.B847).

ISBN 9780852498477.

Let's Make Tudor Music was runner-up in the 1999 Times Educational Supplement Award for Primary Music.

This publication contains 88 pages packed with ideas, including drama and dance as well as music making. The beautifully produced CD has 35 tracks for listening and for teaching. Books for the pupils are also available...

An exciting new Key Stage 2 education product brings a unique role to early music in the classroom.
Produced in association with the Early Music Network, Let's Make Tudor Music enables pupils to discover the joy of early music through a lively exploration of Tudor history and lifestyles, in the context of composing, improvising, appraising and performing targets set out in the National Curriculum.

The 23 themed classroom projects contained in the Teacher's Book and Pupil's Book are filled with real Tudor songs, dances and drama, listening games and other things to do. Children and adults with no previous experience gain the confidence to be performing genuine early music in minutes, using ordinary classroom instruments, but guided by the expert, authentic performances and unique Learning Tracks contained on the integral CD.

For teachers, Let's Make Tudor Music contains clear and practical instructions, plus authoritative attention to detail and historical accuracy. For pupils, the lively Tudor atmosphere created in the recorded performances and illustrations gives them the chance to discover early music through the active enjoyment of participation and performance, and the exciting sounds of period instruments.

Flexible in format, Let's Make Tudor Music can be used in a comprehensive manner to meet Key Stage Two music targets. But its step-by-step guidance makes it no less suited to non-specialist teachers wishing to broaden the scope of classroommusical activity, and use its stimulating materials in the context of a range of curriculum subjects.

The authors, Lucie and Roddy Skeaping, are leading early music and folk performers with the ensembles The City Waites and The Burning Bush. In addition, their celebrated workshops for schools, The Musical Mystery Tour, have introduced young audiences to early music and period performance in Britain, the USA and the Far East.

The Early Music Network is the national early music development agency, and is supported by the Arts Council. It promotes the understanding and enjoyment of early music and historically informed performances, and seeks to increase the understanding, appreciation and enjoyment of early music by an audience of increasing numbers.

George Pratt, Professor Emeritus of Music at the University of Huddersfield and board member of the Early Music Network comments: 'The authors combine musical professionalism with sensitivity both as teachers themselves and to their unknown colleagues in the classroom - a rare mix, and one which teachers will find deeply reassuring.'