(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 4000 pages. Published by Subito Music.

For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.

(Schirmer's Library of Musical Classics). Composed by Various. For Piano. Piano Collection. Softcover. 232 pages. Published by G. Schirmer

(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. Beginner. 40 pages. Published by Alfred Music

55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo. Arranged by Blake Neely, Richard Walters. World's Greatest Classical Music. Size 9x12 inches. 240 pages. Published by Hal Leonard.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Intermediate / Early Advanced (grade 4/5/6/6 ). Book. 248 pages. Published by Alfred Publishing.

Composed by Frederic Chopin (1810-1849). Collection for solo piano. 191 pages. Published by Alfred Publishing.

(The World's Great Classical Music Series). By Frédéric Chopin. Edited by Richard Walters. World's Greatest Classical Music. Softcover. 228 pages. Published by Hal Leonard

Easiest Piano Pieces by Frederic Chopin. Composed by Frederic Chopin (1810-1849). Edited by Wilhelm Ohmen. Piano. Softcover. 52 pages. Schott Music #ED22459-1. Published by Schott Music (HL.49045374).

Piano Solo. By Frederic Chopin. Piano Collection. Size 9x12 inches. 248 pages. Published by G. Schirmer, Inc.

By Frédéric Chopin. Edited by Willard A. Palmer. For Piano. Book; CD; Masterworks; Piano Collection. Alfred Masterwork CD Edition. Masterwork; Romantic. Advanced. 124 pages. Published by Alfred Music Publishing

Piano

SKU: BT.PWM0238

Composed by Frederic Chopin. Book Only. 124 pages. Polskie Wydawnictwo Muzyczne #PWM0238. Published by Polskie Wydawnictwo Muzyczne (BT.PWM0238).

ISBN 9788322414354.

An authoritative edition of the Nocturnes of Frederic Chopin published during the composers lifetime, edited by Ignacy Jan Paderewski.

The Orchestra Musician's CD-ROM Library - Violin. By Claude Debussy, Gustav Mahler. Misc. Book and CD Package. Size 8.5x11 inches. 8 pages. Published by Hal Leonard.

Harp, Keyboard and Others. By Claude Debussy, Gustav Mahler. Misc. CD-ROM only. Size 9x12 inches. Published by Hal Leonard.

(Schirmer's Library of Musical Classics, Vol. 2072). By Frederic Chopin (1810-1849). Piano Collection. Softcover. 248 pages

For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5400 pages. Published by Subito Music.

(Schirmer's Library of Musical Classics Vol. 2104). Composed by Frederic Chopin (1810-1849). For Piano. Piano Collection. Softcover. 724 pages. G. Schirmer #LB2104. Published by G. Schirmer

Schirmer's Library of Musical Classics Volume 2118. Composed by Various. Piano Collection. Softcover. 232 pages. Published by G. Schirmer

(Nocturnes (4 Selections). By Frédéric Chopin. Edited by Willard A. Palmer. For Piano. Masterworks; Piano Collection. Exploring Piano Masterworks. Masterwork; Romantic. Early Advanced; Late Intermediate. Book. 24 pages. Published by Alfred Music Publishing

By Bernard Gasso (Editor). For Piano. Classical. 192 pages. Published by Music Sales.

Collection for solo piano. Series: The World's Great Classical Music. 256 pages. Published by Hal Leonard.

Book 4. Study Guide for Preparation, Practice and Performance. Composed by Phyllis Alpert Lehrer and Ingrid Jacobson Clarfield. Graded Standard Repertoire; Masterworks; Piano Collection. Classics for the Developing Pianist. Masterwork. Book. Alfred Music #00-48591. Published by Alfred Music