| Natural Light (Album) for Piano Solo Piano seul Metropolis Music Publishers
Piano Solo SKU: IS.PN7287EM Composed by Louis Anthony DeLise. Keyboards -...(+)
Piano Solo SKU:
IS.PN7287EM Composed
by Louis Anthony DeLise.
Keyboards - Piano.
Metropolis Music
Publishers #PN7287EM.
Published by Metropolis
Music Publishers
(IS.PN7287EM). ISBN
9790365072873. Natu
ral Light, by composer
Louis Anthony deLise is a
diverse collection of
pieces for piano solo,
including: American
Darkness, Autumn
Twilight, But Not
Forgotten, Early January,
In the Edge of the Water,
Mosaic, Natural Light,
And Then She Was Gone,
Spring Rain, Three Little
Dancers, Winter's Chill,
and Variations on
Moonlight. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Litra Beam Premium Streaming Key Light with Truesoft Hal Leonard
SKU: HL.1141413 Blue Microphones. Lighting. Duration 210 seconds. Hal Leo...(+)
SKU: HL.1141413
Blue Microphones.
Lighting. Duration 210
seconds. Hal Leonard
#946-000006. Published by
Hal Leonard (HL.1141413).
UPC: 097855175052.
7.0x18.0x2.75
inches. Built for
streaming, the Logitech
Litra Beam desktop key
light with TrueSoft
technology makes it easy
to achieve professional
lighting effects. Direct
light where you want it
for a cinematic look.
Easily swap between
lighting techniques to
express different moods.
Whether you're shooting a
YouTube video, streaming
on Twitch or just working
from home, Litra Beam
ensures you always look
your best. Natural Skin
Tones, Radiant Look
Logitech's TrueSoft
technology delivers
balanced full-spectrum
LED light with cinematic
color accuracy for a
natural, radiant look
across all skin tones.
The Ultimate Desktop Fit
Litra Beam is packed with
features that make it
easier than ever t
oachieve professional
lighting effects in any
space. Its slim, elegant
design can snuggle up to
your monitor and fit into
your desktop in ways
other lights can't.
Built-in cable management
in the base keeps your
setup looking sleek. And
three 1/4-20 thread
fittings allow you to
attach Litra Beam to its
desktop stand in multiple
ways to achieve your
desired lighting setup.
Safe for All-Day
Streaming Litra Beam has
cleared even the
strictest testing
guidelines to ensure safe
all-day streaming. So,
whether you're creating a
new video for YouTube of
kicking off a marathon
streaming session, Litra
Beam helps you stay
comfortable and confident
on-camera – all
day long. Fine-Tune Your
Look On Camera Litra Beam
features 5 brightness and
5 color temperature
settings (2700K-6500K) to
dial in the look you
want. Or, you can hold
down the buttons for
continuous, stepless
adjustment. Quick Access
to Your Favorite Settings
Download Logitech's free
G HUB desktop app and
connect via USB or
Bluetooth® to control
brightness and color
temperature, save
presets, turn light
on/off, and more right
from your desktop. And,
if you have a Logitech G
keyboard or mouse, you
can use G-Keys to easily
turn your light on/off,
change brightness and
color temperature, and
more. Logitech TrueSoft
Technology TrueSoft was
designed to solve common
challenges for today's
content creator including
quality of light, harsh
shadows, and eye fatigue
from long hours of
streaming. Litra Beam was
purpose-built for
streaming and uses
TrueSoft technology to
wrap the subject in soft
and diffused, accurate
LED light that is gentle
on the eyes for all-day
professional content
creation. $99.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shepherd's Hey Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
Arranged by Patrick Roszell. Orchestra. Part(s); Score; SmartMusic; String Orche...(+)
Arranged by Patrick
Roszell. Orchestra.
Part(s); Score;
SmartMusic; String
Orchestra. Belwin
Beginning String
Orchestra. Folk; Light
Concert; Traditional.
Grade 2. 72 pages.
Published by Belwin Music
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Luminary Piano et Orchestre [Conducteur d'étude / Miniature] Theodore Presser Co.
Concerto for Piano and Orchestra. Composed by Narong Prangcharoen. First ...(+)
Concerto for Piano and
Orchestra. Composed
by Narong Prangcharoen.
First performed by the
Thailand Philharmonic
Orchestra, Dariusz
Mikulksi, conductor, with
Christopher Janwong
McKiggan as piano
soloist. Contemporary.
Full score (study). With
Standard notation.
Composed 2016. 80 pages.
Duration 24 minutes.
Theodore Presser Company
#416-41609. Published by
Theodore Presser Company
(PR.416416090).
$55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Luminary Piano seul Theodore Presser Co.
Scores SKU: PR.41641609L Concerto for Piano and Orchestra. Compose...(+)
Scores SKU:
PR.41641609L
Concerto for Piano and
Orchestra. Composed
by Narong Prangcharoen.
First performed by the
Thailand Philharmonic
Orchestra, Dariusz
Mikulksi, conductor, with
Christopher Janwong
McKiggan as piano
soloist. Contemporary.
Large Score. With
Standard notation.
Composed 2016. 80 pages.
Duration 24 minutes.
Theodore Presser Company
#416-41609L. Published by
Theodore Presser Company
(PR.41641609L). UPC:
680160641260. 11 x 17
inches. Luminary
was composed to honor the
72nd birthday of pianist
and teacher Bennett
Lerner. The word luminary
has two meanings: 1
(archaic), a natural
light-giving object or
source of light,
especially the sun or the
moon, the most important
natural sources of light
for the planet Earth; and
2, a person who inspires
or influences others.
Bennett Lerner is one of
the latter and has
inspired and influenced a
myriad of musicians,
especially pianists and
composers. He is also a
great advocate of new
music. Luminary has three
main sections, recalling
a traditional concerto.
It begins with fast
repeated notes, which
portray rays of light
penetrating the
atmosphere of the earth.
The second section is
peacheful and slow and
the third section returns
to the opening high
energy. The piece
contains a small hint of
Southeast Asian music,
but of unclear
geographical origin.
Luminary was commissioned
by the Ansin Foundation,
with the gracious support
of the South Dakota
Symphony and the Thailand
Philharmonic Orchestra.
It was first performed by
the Thailand Philharmonic
Orchestra, Dariusz
Mikulski, conductor, with
Christopher Janwong
McKiggan as piano
soloist, on June 17,
2016. Both the composer
and the pianist were
students of Bennett
Lerner. $115.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spark of Light Carl Fischer
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano
SKU: CF.CM9751
Composed by Andrew
Steffen. Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9751.
Published by Carl Fischer
Music (CF.CM9751).
ISBN 9781491162392.
UPC: 680160921140. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845). About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano SKU:
CF.CM9747 Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747). ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845). About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rays of Light - Débutant Carl Fischer
Orchestra String Sextet, Piano - Grade 1 SKU: CF.BAS75 Composed by George...(+)
Orchestra String Sextet,
Piano - Grade 1 SKU:
CF.BAS75 Composed by
George Sweet. SWS FS.
Carl Fischer Beginning
String Orchestra Series.
Set of Score and Parts.
With Standard notation.
16+2+16+5+5+5+2+12 pages.
Duration 2 minutes, 35
seconds. Carl Fischer
Music #BAS75. Published
by Carl Fischer Music
(CF.BAS75). ISBN
9781491146392. UPC:
680160903894. 9 x 12
inches. Key: D
major. Rays of
Light is an upbeat,
positive piece for
developing ensembles
inspired by the returning
of light after a dark
storm. Composer George
Sweet has an indelible
style that incorporates a
fresh harmonic
perspective with simple
yet tuneful melodic
gestures not commonly
found in pieces for
beginning ensembles.
Every section of the
orchestra is given a
change to shine in this
delightful new piece.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Haunted Bridges - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210F Composed
by Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Full
score. 12 pages. Carl
Fischer Music #YAS210F.
Published by Carl Fischer
Music (CF.YAS210F).
ISBN 9781491160701.
UPC:
680160919307. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haunted Bridges - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210 Composed by
Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Set of
Score and Parts.
16+16+4+10+10+10+12
pages. Carl Fischer Music
#YAS210. Published by
Carl Fischer Music
(CF.YAS210). ISBN
9781491160442. UPC:
680160919031. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating F/C
sharps and naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/CÂ sharps and
naturals throughout and
devilishly unpredictable
harmonic patterns. The
piece also calls for
numerous extended
techniques that students
will enjoy, including
playing behind the
bridge, sul ponticello,
portamento, and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Eternal Light from Light Chorale SATB SATB, Orgue - Débutant GIA Publications
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, trombone 1, trombone 2
- Beginning SKU:
GI.G-7701 Composed by
Charles Villiers
Stanford. Arranged by
Robert J. Powell. Advent
1 B, Ordinary Time 6 A,
Ordinary Time 26 A.
Choral. Tune Name:
Engelberg. Sacred.
Octavo. 12 pages. GIA
Publications #7701.
Published by GIA
Publications (GI.G-7701).
UPC: 785147770107.
English. Text by Delores
Dufner. Scripture: Isaiah
64:4, 1 Corinthians 2:9,
Philippians
2:11. ENGELBERG is
one of those tunes that
musicians love to program
whenever possible. While
there seems to be no
shortage of texts to yoke
with it, Delores
Dufner’s well
crafted hymn, which sings
of Christ our Light, was
written specifically for
the tune, creating a
natural pairing that we
think Stanford would have
appreciated!
Powell’s setting
with brass quartet
captures the grandeur of
the tune. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rays of Light - Débutant Carl Fischer
Orchestra String Sextet, Piano - Grade 1 SKU: CF.BAS75F Composed by Georg...(+)
Orchestra String Sextet,
Piano - Grade 1 SKU:
CF.BAS75F Composed by
George Sweet. SWS. Carl
Fischer Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages.
Duration 2 minutes, 36
seconds. Carl Fischer
Music #BAS75F. Published
by Carl Fischer Music
(CF.BAS75F). ISBN
9781491146743. UPC:
680160904242. 9 x 12
inches. Rays of
Light is an upbeat,
positive piece for
developing ensembles
inspired by the returning
of light after a dark
storm. Composer George
Sweet has an indelible
style that incorporates a
fresh harmonic
perspective with simple
yet tuneful melodic
gestures.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mr. Natural ('Based on The Little Beggerman') Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29 Based On the Li...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS29
Based On the Little
Beggerman. Composed
by Anonymous. Arranged by
James Uhl. Carl Fischer
Young String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. Carl Fischer
Music #YAS29. Published
by Carl Fischer Music
(CF.YAS29). ISBN
9780825858383. UPC:
798408058388. 8.5 X 11
inches. Key: G
major. This fun
tune based on the folk
song The Little Beggar
Man is skillfully
arranged by James Uhl and
has all the components
needed to challenge
developing string
players. Very playable
and with light
counterpoint, Mr. Natural
encourages rhythmic
accuracy wh.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mr. Natural ('Based on The Little Beggerman') Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29F Based On the L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS29F
Based On the Little
Beggerman. Composed
by Anonymous. Arranged by
James Uhl. Carl Fischer
Young String Orchestra
Series. Classical. Full
score. With Standard
notation. Carl Fischer
Music #YAS29F. Published
by Carl Fischer Music
(CF.YAS29F). ISBN
9780825858390. UPC:
798408058395. 8.5 X 11
inches. Key: G
major. This fun
tune based on the folk
song The Little Beggar
Man is skillfully
arranged by James Uhl and
has all the components
needed to challenge
developing string
players. Very playable
and with light
counterpoint, Mr. Natural
encourages rhythmic
accuracy wh.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Finger Rock! Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Bob Phillips. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Sound ...(+)
By Bob Phillips.
Orchestra. Part(s);
Score; SmartMusic; String
Orchestra. Sound
Innovations for Strings.
Light Concert; Novelty.
Grade 1.5. 80 pages.
Published by Alfred Music
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eternal Source of Light Divine Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Intermédiaire Eighth Note Publications
By George Frideric Handel. Arranged by David Marlatt. For Brass Quintet and Sopr...(+)
By George Frideric
Handel. Arranged by David
Marlatt. For Brass
Quintet and Soprano.
Brass Ensemble - Quintet.
Baroque. Level:
Medium-Difficult.
Duration 00:02:35.
Published by Eighth Note
Publications.
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spark of Light Carl Fischer
Choral SAB choir, piano SKU: CF.CM9730 Composed by Andrew Steffen. 16 pag...(+)
Choral SAB choir, piano
SKU: CF.CM9730
Composed by Andrew
Steffen. 16 pages.
Duration 2 minutes, 48
seconds. Carl Fischer
Music #CM9730. Published
by Carl Fischer Music
(CF.CM9730). ISBN
9781491161098. UPC:
680160919697. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845). About
Jonas Halgrimsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him. The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
illicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven.... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.
https://digicoll.library.
wisc.edu/Jonas/Alheim/Alh
eim.html A good friend
asked if I would write a
song for her ensemble.
The parameters were that
it had to be three-part
with a limited range in
the Bass part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson's writings.
There is such a need for
three-part music that is
both exciting,
accessible, and
challenging. Director's
Note Truly consider how
the work can come to
'life' off the page. Rise
and fall with phrase and
sometimes each note. The
magic exists beyond the
ink on the page!
Consideration to range,
tessitura, and content
was all considered as
part of this process in
creating music that is
accessible to all
programs and ensembles
Accompaniment Note The
accompaniment can look
intimidating, but please
feel free to alter the
pulsing eighth notes in
the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. AboutJónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
illicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven.... Â The pure
and almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.  Â
https://digicoll.library.
wisc.edu/Jonas/Alheim/Alh
eim.htmlA good friend
asked if I would write a
song for her
ensemble. The
parameters were that it
had to be three-part with
a limited range in the
Bass part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings.  There
is such a need for
three-part music that is
both exciting,
accessible, and
challenging. Director
€™s NoteTruly
consider how the work can
come to
‘life’ off
the page. Rise and
fall with phrase and
sometimes each note.Â
The magic exists beyond
the ink on the
page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensemblesAccompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eternal Source of Light Divine for Trumpet & Organ or Piano - Avancé Cherry Classics
Trumpet and Organ or Piano - Advanced SKU: CY.CC3032 Composed by George F...(+)
Trumpet and Organ or
Piano - Advanced SKU:
CY.CC3032 Composed by
George Frideric Handel.
Arranged by Justin Bland.
Classical. Score and
Parts. Cherry Classics
#CC3032. Published by
Cherry Classics
(CY.CC3032). ISBN
9790530110072. 8.5 x 11
in inches. Eternal
Source of Light Divine is
an aria from G. F.
Handel's secular cantata
Ode for the Birthday of
Queen Anne (HVW 74).
While this particular
aria is immensely among
trumpeters and sopranos
(who generally sing the
vocal line an octave
above the original),
Handel intended the line
to be sung by an alto
voice. In this
arrangement for trumpet
and organ, Justin Bland
has kept the vocal line
(now played by the right
hand of the organist) in
the octave in which
Handel wrote it. The
original notes of the
trumpet part also remain
unchanged, allowing the
part to easily be played
on both modern and
baroque/natural trumpets.
Although the aria was
written in D major, a
version in C major is
also included, allowing
for a greater number of
possibilities of
performance. For example,
if an organ at A=466 is
used, the C major version
can be used so that the
resulting performance
sounds in D major at
A=415. $17.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Be Sharp But Stay Natural Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Loreta Fin. Orchestra. Part(s); Score; String Orchestra. Wilfin Stri...(+)
Composed by Loreta Fin.
Orchestra. Part(s);
Score; String Orchestra.
Wilfin String Orchestra:
Young String Ensemble
Series. Grade 1. 66
pages. Published by
Alfred Music
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moontowers - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flu...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Euphonium, Euphonium
T.C., Flute, Horn, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Timpani, Triangle,
Trombone, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone and more. -
Grade 3 SKU:
CF.CPS257 Composed by
Chris Campbell. Cps. Set
of Score and Parts.
16+4+16+2+4+5+2+2+8+6+12+
6+4+8+2+1+1+2+20 pages.
Duration 3 minutes, 28
seconds. Carl Fischer
Music #CPS257. Published
by Carl Fischer Music
(CF.CPS257). ISBN
9781491161265. UPC:
680160919857. The
original intent for this
piece was to evoke a
fantasy atmosphere of
huge mythical constructs,
such as stone edifices,
rising from a lunar
surface softly
illuminated by reflected
light from another
galactic source. It is
meant to give an
impression of a single
vision, allowing the
listener or player to
imagine a personal
interpretation of their
own. The story behind
this particular title
comes from the late 19th
century. Before the
widespread use of
electric streetlights,
many large American and
European cities erected
large structures - some
as tall as 165 feet -
intended to brighten the
cities at night at times
when there was
insufficient natural
moonlight. Referred to at
that time as Moonlight
Towers, the only ones
still in existence and in
use today are found in
Austin, Texas. These
man-made wonders may not
be as stunning as
naturally-formed stone
edifices, but they are
nevertheless
eye-catching. One of
these structures in a
large park is adorned
with strands of lights
every December to
resemble a gigantic
Christmas tree which can
be seen for miles. In
this composition, measure
81 through measure 97
depicts four of the
remaining thirteen towers
in four different
settings in Austin. This
piece is also intended to
capture the wonder of
these singular relics of
history, with a fantasy
atmosphere of their
own. The original
intent for this piece was
to evoke a fantasy
atmosphere of huge
mythical constructs, such
as stone edifices, rising
from a lunar surface
softly illuminated by
reflected light from
another galactic source.
It is meant to give an
impression of a single
vision, allowing the
listener or player to
imagine a personal
interpretation of their
own. The story behind
this particular title
comes from the late 19th
century. Before the
widespread use of
electric streetlights,
many large American and
European cities erected
large structures - some
as tall as 165 feet -
intended to brighten the
cities at night at times
when there was
insufficient natural
moonlight. Referred to at
that time as Moonlight
Towers, the only ones
still in existence and in
use today are found in
Austin, Texas. These
man-made wonders may not
be as stunning as
naturally-formed stone
edifices, but they are
nevertheless
eye-catching. One of
these structures in a
large park is adorned
with strands of lights
every December to
resemble a gigantic
Christmas tree which can
be seen for miles. In
this composition, measure
81 through measure 97
depicts four of the
remaining thirteen towers
in four different
settings in Austin. This
piece is also intended to
capture the wonder of
these singular relics of
history, with a fantasy
atmosphere of their
own. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Moontowers - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flu...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Euphonium, Euphonium
T.C., Flute, Horn, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Timpani, Triangle,
Trombone, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone and more. -
Grade 3 SKU:
CF.CPS257F Composed
by Chris Campbell. Cps.
Full score. 20 pages.
Duration 3 minutes, 28
seconds. Carl Fischer
Music #CPS257F. Published
by Carl Fischer Music
(CF.CPS257F). ISBN
9781491161678. UPC:
680160920358. The
original intent for this
piece was to evoke a
fantasy atmosphere of
huge mythical constructs,
such as stone edifices,
rising from a lunar
surface softly
illuminated by reflected
light from another
galactic source. It is
meant to give an
impression of a single
vision, allowing the
listener or player to
imagine a personal
interpretation of their
own. The story behind
this particular title
comes from the late 19th
century. Before the
widespread use of
electric streetlights,
many large American and
European cities erected
large structures - some
as tall as 165 feet -
intended to brighten the
cities at night at times
when there was
insufficient natural
moonlight. Referred to at
that time as Moonlight
Towers, the only ones
still in existence and in
use today are found in
Austin, Texas. These
man-made wonders may not
be as stunning as
naturally-formed stone
edifices, but they are
nevertheless
eye-catching. One of
these structures in a
large park is adorned
with strands of lights
every December to
resemble a gigantic
Christmas tree which can
be seen for miles. In
this composition, measure
81 through measure 97
depicts four of the
remaining thirteen towers
in four different
settings in Austin. This
piece is also intended to
capture the wonder of
these singular relics of
history, with a fantasy
atmosphere of their
own. The original
intent for this piece was
to evoke a fantasy
atmosphere of huge
mythical constructs, such
as stone edifices, rising
from a lunar surface
softly illuminated by
reflected light from
another galactic source.
It is meant to give an
impression of a single
vision, allowing the
listener or player to
imagine a personal
interpretation of their
own. The story behind
this particular title
comes from the late 19th
century. Before the
widespread use of
electric streetlights,
many large American and
European cities erected
large structures - some
as tall as 165 feet -
intended to brighten the
cities at night at times
when there was
insufficient natural
moonlight. Referred to at
that time as Moonlight
Towers, the only ones
still in existence and in
use today are found in
Austin, Texas. These
man-made wonders may not
be as stunning as
naturally-formed stone
edifices, but they are
nevertheless
eye-catching. One of
these structures in a
large park is adorned
with strands of lights
every December to
resemble a gigantic
Christmas tree which can
be seen for miles. In
this composition, measure
81 through measure 97
depicts four of the
remaining thirteen towers
in four different
settings in Austin. This
piece is also intended to
capture the wonder of
these singular relics of
history, with a fantasy
atmosphere of their
own. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Walk of the Silent Zombies Orchestre à Cordes [Conducteur] Alfred Publishing
Composed by Bob Phillips. Score; SmartMusic; String Orchestra. Sound Innovations...(+)
Composed by Bob Phillips.
Score; SmartMusic; String
Orchestra. Sound
Innovations for String
Orchestra. Fall;
Halloween; Light Concert.
8 pages. Published by
Alfred Music (AP.41246S).
$6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Variations on "People, Look East" Cloches Lorenz Publishing Company
Handbells (3-5 octaves) - Level 3+ SKU: LO.20-1476L Composed by Michael H...(+)
Handbells (3-5 octaves) -
Level 3+ SKU:
LO.20-1476L Composed
by Michael Helman.
Advent, Concert, Sacred.
Handbell score. Lorenz
Publishing Company
#20/1476L. Published by
Lorenz Publishing Company
(LO.20-1476L). ISBN
9781429107297. Leve
l 3+ • While giving
ringers a workout as it
wends its way from
variation to variation,
this concert level work
is a joy to play. Michael
Helman incorporates
simple and compound
meters in the keys of C
major and C minor as he
displays the ensemble in
its natural light.
Don’t miss this
brilliant addition to the
repertoire. $5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ludovico Einaudi : Underwater
Piano seul Chester
Piano Solo. Composed by Ludovico Einaudi. Piano. Softcover. Chester Music #CH...(+)
Piano Solo. Composed by
Ludovico Einaudi. Piano.
Softcover. Chester Music
#CH88215. Published by
Chester
Music
$21.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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