SKU: FL.FX071231

SKU: HL.14017586

ISBN 9788759879412. English-Danish.

Pre face I Programme Note TENEBRAE was commissioned by the Turku (Abo) Music Festival and composed for Finnish guitarist Timo Korhonen, whom I had known and admired for a long time. Timo gave a brillant premiere of TENEBRAE in Turku on August 13, 1991 and has played it several times since then. The title is Latin, and means darkness or gloom, but it also refers to the Roman Catholic matins and lauds services in Holy Week. These are held as dusk falls, and the idea is that the sixteen candles that are burning at the beginning of the service are gradually extinguished until, after sixteenprayers, the church is in darkness. The same development is carried through inTENEBRAE by musical means, so that we have not yet had to resort to acandlelit setting - although it is by no means out of the question. The piece makes extensive use of the guitar's properties for revealing quiet, intimate feelings, although naturally in a work of this scope there is contrasting material included. Jouni Kaipainen, 1993.

SKU: AP.1-ADV11205

ISBN 9783892210467. UPC: 805095112054. German.

Das Jazz Theorie Buch ist wohl das umfangreichste Werk seiner Art. Es ist ähnlich aufgebaut wie der vom selben Autor bei Advance Music erschienene Bestseller Das Jazz Piano Buch und genauso praxisbezogen. Theoretische Sachverhalte werden immer anhand musikalischer Beispiele und Transkriptionen von berühmten Aufnahmen der Jazzgeschichte erklärt.

Von den theoretischen Grundlagen wie Intervalle, Akkord/Skalen-Theorie (Dur, Moll, Vermindert, Ganzton, Bebop, Pentatonik etc.) über die II-V-I Verbindung, Blues und Rhythm Changes bis hin zu Salsa und Latin Jazz werden in 24 Kapitel alle wichtigen Themen ausführlich behandelt. Daneben enthält das Buch nützliche Information über die Interpretation von Lead Sheets (Melodie mit Akkordsymbolen), eine ausführliche Repertoire-Liste mit Quellenangaben und Hinweisen auf Play-Along-Aufnahmen und eine Diskographie. Vier höchst interessante Kapitel mit mehr als 100 Seiten sind dem Thema Reharmonisation gewidmet.

Titles: Teil I Theorie: Akkorde und Skalen * Teil II Improvisation: Das Spielen über Changes * Teil III Reharmonisation * Teil IV Das Repertoire * Teil V Sonstiges.

SKU: VD.ED11423

ISBN 9790202024232. 12 x 9 inches.

SKU: FL.FX071995

SKU: MB.21028M

ISBN 9780786689224. UPC: 786689226. 8.75 x 11.75 inches.

Fiddle Tunes for Banjo Made Easy is a collection of must-know, easy-to-learn bluegrass instrumental standards. Ross records each song at three speeds and also includes a rhythm backup track. The slow speed is ideal for hearing the notes clearly and being able to play along in rhythm; the medium speed is a perfect goal for the beginning and intermediate student while the faster speed demonstrates what the song can sound like with a hard, driving push. The tablature is large for ease of reading and includes accent marks for melody notes where needed. Ross also provides tips and suggestions for each song to save you valuable practice time. These are tips on the more challenging spots that Ross has learned firsthand from teaching these privately for many years. In addition, there is a whole page of instruction on learning the chords to the song, how to play the song using only the chords, chord charts written out for each song and tips for memorizing and playing without tab. Fiddle Tunes for Banjo Made Easy is not just another tab book; it covers all the bases and gives you a realistic balanced approach for learning the songs the EASY way. Includes access to online audio.

SKU: HL.49015462

ISBN 9790001084208. 8.25x11.75x0.188 inches.

Orchester I: 3 (1., 2. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (1. auch Es-Klar., 3. auch Bassklar.) * 2 * Kfg. - 4 (2. u. 4. auch Wagnertb. in F) * 3 * 3 (1 Tenor-, 2 Basspos.) * 1 - P. S. (Glsp. * Vibr.) - Hfe. - Str. (2 (4) * 2 (4) * 2 (4) * 2 * 2)Orchester II: Str. (9 * 8 * 8 * 4 * 2)[Orch. II spielt eine selbststandige Komposition fur Streichorchester, die unter dem Titel Blendwerk auch als eigenes Stuck aufgefuhrt werden kann.]

Orchester I: 3 (1., 2. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (1. auch Es-Klar., 3. auch Bassklar.) * 2 * Kfg. - 4 (2. u. 4. auch Wagnertb. in F) * 3 * 3 (1 Tenor-, 2 Basspos.) * 1 - P. S. (Glsp. * Vibr.) - Hfe. - Str. (2 (4) * 2 (4) * 2 (4) * 2 * 2)

Orchester II: Str. (9 * 8 * 8 * 4 * 2)

[Orch. II spielt eine selbststandige Komposition fur Streichorchester, die unter dem Titel Blendwerk auch als eigenes Stuck aufgefuhrt werden kann.].

SKU: HL.48181133

UPC: 888680864477. 9.0x12.0x0.177 inches.

Having studied the flute with virtuosos Paul Taffanel, Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire, Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. His editions of Soussmann's 24 Daily Studies for Flute is one of many popular study books compiled by the renowned flautist. During his career, Moyse frequently played solo flute with many orchestras, including performing the main concertos of the repertory. As well as performing and composing, Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI, the composer moved to the United States where he continued to perform, compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique, including Soussmann's 24 Daily Studies, which today remain universally accepted and popular. Moyse's book is essential to all aspiring advanced flautists.

SKU: M7.AV-5950

ISBN 9790203918257.

SKU: BA.BVK02465

SKU: PR.UE033056

UPC: 803452061977. German.

SKU: BT.SY-2385

SKU: XC.UILCH2411

6.75 x 10.5 inches.

Mixed - Level 1.

SKU: BT.SCHBB4000645

SKU: ST.Y296

ISBN 9790220223525.

Natu re and landscape have been the dominant themes of much of Rhian Samuel's vocal music of the last ten years, projected chiefly through the poetry of Anne Stevenson, and in her most recent song-settings, the writings of the Pakistan-born Texas-based poet Zulfikar Ghose. His poem 'Conspiracy of the Clouds' describes how, the clouds having chosen to become invisible, 'Even the astronauts on the space shuttle / looked down on a cloudless America' as hurricanes ravage Louisiana and storms engulf Nebraska. An intriguing conceit in the tradition of magic realism, the text is presented as a scena lasting around 16 minutes, with interpolations from 'Haze' by the nineteenth-century New England transcendentalist Henry David Thoreau. Thus modern fable and romantic nature-description are juxtaposed, and their interaction becomes the source of musical contrasts too. Thoreau's words are assigned predominantly to the vocalist's highest register, those of Ghose to her lower tessitura; and the suggestive and dramatic accompaniment builds tension steadily to the final ironic response of an incredulous American public: not one of awe and wonder, but the question 'Why weren't we told about it?