| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Celtic Air and Dance No. 5 Orchestre d'harmonie - Débutant Hal Leonard
Score Only Concert Band (Score) - Level 1.5 SKU: HL.4006595 Arranged by M...(+)
Score Only Concert Band
(Score) - Level 1.5
SKU: HL.4006595
Arranged by Michael
Sweeney. MusicWorks Grade
1. Contest, Festival.
Softcover. 16 pages.
Duration 195 seconds.
Published by Hal Leonard
(HL.4006595). UPC:
840126917536.
9.0x12.0x0.032
inches. Continuing
the popular format of
previous Celtic Air and
Dance settings, this work
for second year players
opens with the tender
Irish ballad Ned of the
Hill. The dance segment
combines two popular
Irish polkas with the
melodies skillfully
traded between various
sections of the band.
Perfect for teaching both
legato and detached
styles, and also keeping
the percussion
engaged. $5.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Das Wundertheater Chorale, Orchestre [Conducteur d'étude / Miniature] Schott
(Opera on an Intermezzo of Miguel de Cervantes). Composed by Hans Werner Henze (...(+)
(Opera on an Intermezzo
of Miguel de Cervantes).
Composed by Hans Werner
Henze (1926-). Study
Score. Schott. Study
Score. Schott Music
#ED9519. Published by
Schott Music
$64.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fingerpicking Celtic Folk Guitare notes et tablatures [Partition] Hal Leonard
(15 Songs Arranged for Solo Guitar in Standard Notation and Tab). By Various. Gu...(+)
(15 Songs Arranged for
Solo Guitar in Standard
Notation and Tab). By
Various. Guitar Solo.
Softcover. Guitar
tablature. 48 pages.
Published by Hal Leonard
(1)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ballads and Songs of the Civil War Piano, Voix et Guitare [Partition] - Intermédiaire Mel Bay
By Jerry Silverman. For piano/vocal. Songbook. American. Level: Intermediate. Bo...(+)
By Jerry Silverman. For
piano/vocal. Songbook.
American. Level:
Intermediate. Book. Size
8.75x11.75. 272 pages.
Published by Mel Bay
Publications, Inc.
(3)$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Gibson 335 Guitar Book Livre - Pas de partitions [Partition] Backbeat Books
Electric Semi-Solid Thinlines and the Players Who Made Them Famous. Book....(+)
Electric Semi-Solid
Thinlines and the Players
Who Made Them Famous.
Book. Softcover. 160
pages. Published by
Backbeat Books
(HL.137904).
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cornish Pastiche. Trumpet & Piano Clifton Edition
Trumpet & Piano SKU: ST.C133 Composed by Mark Tanner. Wind & brass music....(+)
Trumpet & Piano SKU:
ST.C133 Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C133. Published by
Clifton Edition
(ST.C133). ISBN
9790570811335. As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry brass
players Grades 1–4
(ABRSM Grades 1, 2 &
4 syllabuses) Former
Spartan Press Cat. No.:
SP1213. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cornish Pastiche. Clarinet & Piano Clarinette et Piano Clifton Edition
Clarinet and Piano SKU: ST.C129 Composed by Mark Tanner. Wind & brass mus...(+)
Clarinet and Piano
SKU: ST.C129
Composed by Mark Tanner.
Wind & brass music.
Clifton Edition #C129.
Published by Clifton
Edition (ST.C129).
ISBN
9790570811298. As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1218. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cornish Pastiche. E flat Treble Clef Brass & Piano - Intermédiaire Clifton Edition
E flat Treble Clef Brass & Piano SKU: ST.C132 Composed by Mark Tanner. Wi...(+)
E flat Treble Clef Brass
& Piano SKU:
ST.C132 Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C132. Published by
Clifton Edition
(ST.C132). ISBN
9790570811328. As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry brass
players Grades 1–4
(ABRSM Grade 4
syllabus) Former
Spartan Press Cat. No.:
SP1214. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cornish Pastiche. Bassoon & Piano Basson, Piano (duo) Clifton Edition
Bassoon and Piano SKU: ST.C130 Composed by Mark Tanner. Wind & brass musi...(+)
Bassoon and Piano SKU:
ST.C130 Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C130. Published by
Clifton Edition
(ST.C130). ISBN
9790570811304. As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1219. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cornish Pastiche. Horn in F & Piano Clifton Edition
Horn in F & Piano SKU: ST.C131 Composed by Mark Tanner. Wind & brass musi...(+)
Horn in F & Piano SKU:
ST.C131 Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C131. Published by
Clifton Edition
(ST.C131). ISBN
9790570811311. As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry horn
players Grades 1–4
(ABRSM Grade 3) Former
Spartan Press Cat. No.:
SP1216. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cornish Pastiche. Trombone & Piano - Débutant Clifton Edition
Trombone & Piano SKU: ST.C134 Composed by Mark Tanner. Wind & brass music...(+)
Trombone & Piano SKU:
ST.C134 Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C134. Published by
Clifton Edition
(ST.C134). ISBN
9790570811342. As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry brass
players Grades 1–4
(ABRSM Grade 1
syllabus) Former
Spartan Press Cat. No.:
SP1215. $24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Charlotte Seither : Dir, mir zu Piano, Voix Barenreiter
Composed by Charlotte Seither (1965-). Stapled. Performance score. 6 pages. ...(+)
Composed by Charlotte
Seither (1965-). Stapled.
Performance score. 6
pages.
Baerenreiter Verlag #BA
8276. Published by
Baerenreiter Verlag
$16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Christ the Same Chorale SATB SATB, Orgue [Octavo] Augsburg Fortress
| | |
| Musical Theatre Songs of the 2010s: Men's Edition Piano, Voix Hal Leonard
36 Songs from 26 Shows. Composed by Various. Vocal Collection. Broadway, Musi...(+)
36 Songs from 26 Shows.
Composed by Various.
Vocal
Collection. Broadway,
Musicals. Softcover. 296
pages. Published by Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Everlasting Voices Violoncelle, Piano Carl Fischer
Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9625 ...(+)
Choral Cello, Piano, alto
1, alto 2, soprano 1,
soprano 2 SKU:
CF.CM9625 Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats. The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tone Poem [Conducteur] Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Viola, Violin
1, Violin 2, Violoncello
SKU: PR.416414390
For Chamber
Orchestra. Composed
by Chen Yi. Premiered by
the Idyllwild Arts
Orchestra, Peter Askim,
conductor. Contemporary.
Full score. With Standard
notation. Composed 2012.
30 pages. Duration 8
minutes. Theodore Presser
Company #416-41439.
Published by Theodore
Presser Company
(PR.416414390). UPC:
680160606917. 8.5 x 11
inches. 2 Flutes, 2
Oboes, 2 Clarinets in Bb,
2 Bassoons, 2 Horns in F,
Percussion,
Strings. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2 oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion and strings.
The length is about 8
minutes. It is inspired
by two poems by Su
Dong-po (1036-1101) about
southern Chinese
landscape paintings. The
imagination of the two
beautiful ancient Chinese
poems became the sonic
landscape pictures, to
share with my musicians
and audience. The
brimming waves, the sunny
day, The dimming hills,
the rainy haze. The West
Lake as the Beauty Xizi,
Whether she is adorned
richly or plainly. Like
spilt ink dark clouds
spread o'er the hills as
a pall; Like bouncing
pearls the raindrops in
the boat run riot. A
sudden rolling gale comes
and dispels them all,
Below Lake View Pavilion
sky-mirrored water's
quiet. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion andstrings.
The length is about 8
minutes. It is inspired
by two poems by SuDong-po
(1036-1101) about
southern Chinese
landscape paintings.The
imagination of the two
beautiful ancient Chinese
poems became thesonic
landscape pictures, to
share with my musicians
and audience.The brimming
waves, the sunny day,The
dimming hills, the rainy
haze.The West Lake as the
Beauty Xizi,Whether she
is adorned richly or
plainly.Like spilt ink
dark clouds spread o'er
the hills as a pall;Like
bouncing pearls the
raindrops in the boat run
riot.A sudden rolling
gale comes and dispels
them all,Below Lake View
Pavilion sky-mirrored
water's quiet. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tone Poem Theodore Presser Co.
Chamber orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flut...(+)
Chamber orchestra Bassoon
1, Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Percussion, Viola, Violin
1, Violin 2, Violoncello
SKU: PR.41641439L
For Chamber
Orchestra. Composed
by Chen Yi. Premiered by
the Idyllwild Arts
Orchestra, Peter Askim,
conductor. Contemporary.
Large Score. With
Standard notation.
Composed 2012. 30 pages.
Duration 8 minutes.
Theodore Presser Company
#416-41439L. Published by
Theodore Presser Company
(PR.41641439L). UPC:
680160606924. 11 x 14
inches. 2 Flutes, 2
Oboes, 2 Clarinets in Bb,
2 Bassoons, 2 Horns in F,
Percussion,
Strings. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2 oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion and strings.
The length is about 8
minutes. It is inspired
by two poems by Su
Dong-po (1036-1101) about
southern Chinese
landscape paintings. The
imagination of the two
beautiful ancient Chinese
poems became the sonic
landscape pictures, to
share with my musicians
and audience. The
brimming waves, the sunny
day, The dimming hills,
the rainy haze. The West
Lake as the Beauty Xizi,
Whether she is adorned
richly or plainly. Like
spilt ink dark clouds
spread o'er the hills as
a pall; Like bouncing
pearls the raindrops in
the boat run riot. A
sudden rolling gale comes
and dispels them all,
Below Lake View Pavilion
sky-mirrored water's
quiet. The work Tone
Poem is composed for
chamber orchestra, 2
flutes, 2oboes, 2 B-flat
clarinets, 2 bassoons, 2
French horns, 1
percussion andstrings.
The length is about 8
minutes. It is inspired
by two poems by SuDong-po
(1036-1101) about
southern Chinese
landscape paintings.The
imagination of the two
beautiful ancient Chinese
poems became thesonic
landscape pictures, to
share with my musicians
and audience.The brimming
waves, the sunny day,The
dimming hills, the rainy
haze.The West Lake as the
Beauty Xizi,Whether she
is adorned richly or
plainly.Like spilt ink
dark clouds spread o'er
the hills as a pall;Like
bouncing pearls the
raindrops in the boat run
riot.A sudden rolling
gale comes and dispels
them all,Below Lake View
Pavilion sky-mirrored
water's quiet. $45.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano Theory Workbook - Book 5 Piano seul [Livre d'activité] - Intermédiaire Hal Leonard
Hal Leonard Student Piano Library. By Barbara Kreader, Fred Kern, Phillip Kevere...(+)
Hal Leonard Student Piano
Library. By Barbara
Kreader, Fred Kern,
Phillip Keveren, Mona
Rejino, and Karen
Harrington. The Hal
Leonard Student Piano
Library. Book only. Size
9x12 inches. 40 pages.
Published by Hal Leonard.
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Favourite Tv Themes 2 Music Sales
| | |
| Favourite Tv Themes 2 Music Sales
| | |
| Windows Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418140 Composed by James Matheson. Perform...(+)
Chamber Music Piano
SKU: PR.110418140
Composed by James
Matheson. Performance
Score. 24 pages. Duration
25 minutes. Theodore
Presser Company
#110-41814. Published by
Theodore Presser Company
(PR.110418140). ISBN
9781491129432. UPC:
680160640379. Mathe
son’s
five-movement work is a
setting of stained glass
windows created by Marc
Chagall and Henri Matisse
for a rustic country
church adjoining the
Rockefeller estate near
Sleepy Hollow on the
Hudson River.
Matheson’s suite
draws from four Chagall
windows: 1. Jeremiah, 2.
Isaiah, 3. Crucifixion,
4. The Good Samaritan,
and culminates with
Matisse’s 5. The
Rose. In 1954, the
Rockefeller family asked
Henri Matisse to create a
stained glass Rose
Window for the Union
Church of Pocantico
Hills, New York as a
memorial to Abby
Aldrich Rockefeller,
the great art patroness
and a founder of the
Museum of Modern Art. It
was to be the
artist’s last
work. A few years
later, Mrs.
Rockefeller’s
youngest son, David,
acting on behalf of the
family, commissioned
Marc Chagall to create an
entire series of stained
glass windows to fill
the rest of the small
church resulting in the
large, majestic
“Good
Samaritan†window
and eight sublime
smaller windows, each
depicting a biblical
figure or scene. In 2015,
Premiere Commission
commissioned James
Matheson to compose
WINDOWS to celebrate
the centennial of the
Union Church of Pocantico
Hills and the 100th
birthday of
David Rockefeller.Â
This deeply touching,
epic cycle distills into
music the intimate, often
heart-rending,
visions of Chagall as
well as the powerful
simplicity of
Matisse’s modern
design which utilizes
the striking collage
forms he employed in his
final years.
Matheson’s work
also reflects
the influence of
Olivier Messiaen’s
own
theologically-inspired
music. Like the French
master, Matheson
utilizes large-scale
blocks of harmonies with
organ-like sonorities to
support and shift the
music’s
kaleidoscopic planes of
color and set into relief
the work’s
piercing motifs and
intricate patterns. The
universal themes of love
and sacrifice
(“Jeremiahâ€
and “Isaiahâ€
), loss and altruism
(“Crucifixionâ€
and “The Good
Samaritanâ€) and the
jubilant celebration
of life and nature
(“The Roseâ€)
are memorably portrayed
in this
poignant tribute to
the human
spirit.—Bruce
Levingston. $20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Hymn to the Thames Orchestre [Conducteur] University Of York Music Press
Orchestra SKU: BT.YKM570369270 Composed by Robert Saxton. Score Only. Com...(+)
Orchestra SKU:
BT.YKM570369270
Composed by Robert
Saxton. Score Only.
Composed 2021. 70 pages.
University of York Music
Press #YKM570369270.
Published by University
of York Music Press
(BT.YKM570369270).
A Hymn to the
Thames was commissioned
by James Turnbull and the
Music Director of the St
Paul’s Sinfonia, Andrew
Morley. It was begun in
2019 and completed early
in 2020. There are four
movements played without
a break, which follow the
Thames from its Cotswold
source to the North Sea.
As the first performance
took place in St
ALfege’s Church,
Greenwich, this seemed
appropriate. The solo
oboe represents both a
wanderer along the river
path and the spirit of
the river. The pitch
centres of the movements
spell out the musical
letters of the river
(tHAmES—B natural, A, E
and E flat) so that the
river’s name is
projected across the
whole work. In addition,
the musical letters found
in James Turnbull, Andrew
Morley and my wife,
Teresa Cahill ( who was
born in Maidenhead and
brought up by the river
in Rotherhithe) are
entwined in various
guises. The first
movement grows from the
depths, the soloist
entering with
fanfare-like gestures,
followed by lyrical music
and breaks into a dance
as the river gathers
momentum. The third
movement is slow and
sustained and
geographically the Thames
flows through Oxford. The
music is based on the
well-known In Nomine
‘head motif’ from the
Gloria tibi Trinitas Mass
by the early Tudor
composer, John Taverner,
who was the first
Director of Music at
Christ Church, Oxford.
The orchestra provides a
screen or veil above
which the solo oboe
dreams and ruminates.
This leads directly into
the fourth and final
movement which begins in
the depths once more,
interrupting the oboe’s
held note from the end of
the third movement. The
waters’ increasing
intensity and power are
represented throughout by
a moto perpetuo of quick,
steady semiquavers. Near
the close, the woodwind
play O Nata Lux by Thomas
Tallis, the great Tudor
composer who, with his
wife Joan, is buried in
St Alfege’s. Beneath
this, the lower strings
continue the fast
semiquaver movement of
the river and, above, the
violins are heard as a
halo of harmonics. At the
close, the oboe rises,
opening out to the
future, and celebrating
its voyage, while the
orchestra fades as the
river meets the sea. A
Hymn to the Thames lasts
approximately 17
minutes. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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