| Jonas Brothers: Hold On Fanfare [Conducteur et Parties séparées] - Facile Hal Leonard
By Jonas Brothers. Composed by Nicholas Jonas, Kevin Jonas Ii, Joseph Jonas. Arr...(+)
By Jonas Brothers.
Composed by Nicholas
Jonas, Kevin Jonas Ii,
Joseph Jonas. Arranged by
Michael Brown. (Score and
Parts). Easy Contemporary
Marching Band. Published
by Hal Leonard.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Softly, As I Leave You Euphonium et Cuivres [Conducteur et Parties séparées] Winwood Music
By Robert and Nicholas Childs. By Alfred De Vita. Arranged by Alan Catherall. So...(+)
By Robert and Nicholas
Childs. By Alfred De
Vita. Arranged by Alan
Catherall. Solo/Duet. For
Euphonium and Brass Band.
Matt Munroe hit in
euphonic style. Light
Concert. Easy. Condensed
Score and Parts. Standard
Notation. Duration 3:45
$58.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143L
Composed by Stacy Garrop.
Spiral. Large Score. 68
pages. Duration 20
minutes. Theodore Presser
Company #116-42143L.
Published by Theodore
Presser Company
(PR.11642143L). UPC:
680160693320. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $71.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Berko's Journey [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143S
Composed by Stacy Garrop.
Sws. Score. 68 pages.
Duration 20 minutes.
Theodore Presser Company
#116-42143S. Published by
Theodore Presser Company
(PR.11642143S). UPC:
680160693313. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $40.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| At Her Ladyship's Request Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Co...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
Flute 1, Flute 2, Flute
3, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Piccolo, Trombone 1,
Trombone 2, Trumpet 1,
Trumpet 2 and more.
SKU: PR.115402330
A Period Piece for
Bands of Winds.
Composed by Carter Pann.
Folio. Set of Score and
Parts.
16+16+16+8+16+16+24+24+24
+16+8+8+8+8+16+16+16+16+1
6+16+16+8+8+8+8+16+16+16+
16+32+20+8+8+8+4+4+60
pages. Duration 12:30.
Theodore Presser Company
#115-40233. Published by
Theodore Presser Company
(PR.115402330). ISBN
9781491129555. UPC:
680160667727. 9 x 12
inches. Armed with
a prodigious gift for
forging musical
identities, “Lord
Carter Nicholas
Pann†presents an
offering inspired by the
Elizabethan Era and an
appreciation for the
works of Percy Grainger.
Pann’s suite tells
a story of palace
intrigue, outlined by the
movement titles:1.
Overture - Young Tom
Abel, Heir to Cecil
Abel’s Fortune2.
Sarabande - Father Daniel
Bennett from the Abbey at
Lockwood Cross3.
Pastorale - Joseph
Dimplesweet, His
Lordship’s Oldest
Farmhand4. Gallop - Lord
William H. Pettybone,
Duke of Bremingham. At
Her Ladyship’s
Request (2016) was an
idea born out of
admiration for the wind
works of Percy Grainger
– most notably his
Lincolnshire Posey.The
names and places here are
all fictitious. Four
countrymen have come
forward at Her
Ladyship’s request
as we commoners (and for
as long as I can
remember) have been led
to believe Her Highness
has grown complacent in
her aged betrothal to His
Lordship.I. It has long
been established in this
hill country that young,
svelte Tom Abel has
caught her fancy eye. He
knocks about with the
swagger of a visiting
dignitary, confident and
cocksure. And then there
is his father’s
fortune. Cecil Abel may
be the richest man in the
land save for His
Lordship. Tom, his only
son, will run his face
straight into that pile
the moment his old man
kicks.II. It is rare to
spy Father Daniel
Bennett, High Priest from
the Abbey at Lockwood
Cross, loitering in our
very own town
square…but not as
of late.III. Is Her
Ladyship so desperate as
to call upon Old Man
Dimplesweet? Were you to
confirm this, I would
have straightened my back
and spit the ground
before you. Then I saw
what could not possibly
be misconstrued. And
where is His Lordship
anyway?IV. Pettybone!
Conniving…
insidious. I don’t
believe there has been a
greater rivalry among men
for generations. The
Duke’s ego alone
could run our nation. The
grudges he grows are
notorious. His mount is
legendary. The day has
come to collect his
toll. $225.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noona Digital Piano Method Book 1 Piano seul [Partition] Heritage Music Press
By Walter Noona. For piano. Level: Level 1. Piano method. Published by Heritage ...(+)
By Walter Noona. For
piano. Level: Level 1.
Piano method. Published
by Heritage Music Press.
(40/1001)
(1)$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Behold, how good and pleasant [Conducteur et Parties séparées] Carus Verlag
SSATB, Ctto muto (Vl), Vl (Fl trav), Fg (Vne), Bc SKU: CA.2004819 Compose...(+)
SSATB, Ctto muto (Vl), Vl
(Fl trav), Fg (Vne), Bc
SKU: CA.2004819
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Daniel
Ivo de Oliveira.
Stuttgart Urtext Edition:
Schutz. Complete
orchestral parts. Sacred
vocal music, Secular
choral music. Set of
Orchestra Parts. SWV 48.
Duration 7 minutes. Carus
Verlag #CV 20.048/19.
Published by Carus Verlag
(CA.2004819). ISBN
9790007249472. Language:
German. Heinrich
Schutz's setting of Psalm
133 was composed for the
wedding of his amiable
and much-loved brother
Georg Schutz which took
place on 9 August 1619 in
St Nicholas's Church in
Leipzig. With its
colorful instrumental
accompaniment, this
intimate composition may
be regarded as one of the
most charming works of
its time. At the same
time it is probably the
first work by Schutz
which gives us a sense of
the concertante style of
the Symphoniae sacrae I
which were to follow.
Score and parts available
separately - see item
CA.2004800. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Behold, how good and pleasant Carus Verlag
SSATB, Ctto muto (Vl), Vl (Fl trav), Fg (Vne), Bc SKU: CA.2004805 Compose...(+)
SSATB, Ctto muto (Vl), Vl
(Fl trav), Fg (Vne), Bc
SKU: CA.2004805
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Daniel
Ivo de Oliveira.
Stuttgart Urtext Edition:
Schutz. Sacred vocal
music, Secular choral
music. Choral Score. SWV
48. Duration 7 minutes.
Carus Verlag #CV
20.048/05. Published by
Carus Verlag
(CA.2004805). ISBN
9790007239756. Language:
German. Heinrich
Schutz's setting of Psalm
133 was composed for the
wedding of his amiable
and much-loved brother
Georg Schutz which took
place on 9 August 1619 in
St Nicholas's Church in
Leipzig. With its
colorful instrumental
accompaniment, this
intimate composition may
be regarded as one of the
most charming works of
its time. At the same
time it is probably the
first work by Schutz
which gives us a sense of
the concertante style of
the Symphoniae sacrae I
which were to follow.
Score available
separately - see item
CA.2004800. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Noona Basic Piano Book 1
Piano seul Heritage Music Press
By Walter Noona. Piano. Level: Level 1. Piano method. Published by Heritage Musi...(+)
By Walter Noona. Piano.
Level: Level 1. Piano
method. Published by
Heritage Music Press.
(2)$8.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| First Book of Favorites Piano seul - Débutant Alfred Publishing
(40 Arrangements for Beginning Pianists). Arranged by Gayle Kowalchyk and E. L. ...(+)
(40 Arrangements for
Beginning Pianists).
Arranged by Gayle
Kowalchyk and E. L.
Lancaster. For Piano.
Book; Piano Collection;
Piano Supplemental.
Elementary. 80 pages.
Published by Alfred Music
Publishing
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Library Of Children's Song Classics
Piano, Voix [Partition] Music Sales
Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vo...(+)
Edited by Amy Appleby,
Liz Seelhoff Byrum. For
voice and piano. Format:
piano/vocal/chords
songbook (spiral bound).
With vocal melody, piano
accompaniment, lyrics,
chord names,
illustrations and
introductory text.
Children's and Folk. 240
pages. 9x12 inches.
Published by Music Sales.
(3)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Behold, how good and pleasant Carus Verlag
SSATB, Ctto muto (Vl), Vl (Fl trav), Fg (Vne), Bc SKU: CA.2004811 Compose...(+)
SSATB, Ctto muto (Vl), Vl
(Fl trav), Fg (Vne), Bc
SKU: CA.2004811
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Daniel
Ivo de Oliveira.
Stuttgart Urtext Edition:
Schutz. Violin/flute.
Sacred vocal music,
Secular choral music.
Single Part,
Violin/Flute. SWV 48.
Duration 7 minutes. Carus
Verlag #CV 20.048/11.
Published by Carus Verlag
(CA.2004811). ISBN
9790007249458. Language:
German. Heinrich
Schutz's setting of Psalm
133 was composed for the
wedding of his amiable
and much-loved brother
Georg Schutz which took
place on 9 August 1619 in
St Nicholas's Church in
Leipzig. With its
colorful instrumental
accompaniment, this
intimate composition may
be regarded as one of the
most charming works of
its time. At the same
time it is probably the
first work by Schutz
which gives us a sense of
the concertante style of
the Symphoniae sacrae I
which were to follow.
Score and part available
separately - see item
CA.2004800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pre-Reading Book of Favorites Piano seul - Débutant Alfred Publishing
(40 Arrangements for Beginning Pianists). Arranged by Gayle Kowalchyk and E. L. ...(+)
(40 Arrangements for
Beginning Pianists).
Arranged by Gayle
Kowalchyk and E. L.
Lancaster. For Piano.
Book; Piano Collection;
Piano Supplemental. Early
Elementary. 80 pages.
Published by Alfred Music
Publishing
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Practicing Music GIA Publications
SKU: GI.G-10180 How the Professionals Do It. Composed by Morris Ar...(+)
SKU: GI.G-10180
How the Professionals
Do It. Composed by
Morris Arnie Lang & Brian
Willson. Classical. 200
pages. GIA Publications
#10180. Published by GIA
Publications
(GI.G-10180). ISBN
9781574635348. Succ
essful professional
musicians—instrume
ntalists and vocalists
alike—are always
busy. Performing,
teaching, family, and
professional
responsibilities keep
them on the go around the
clock, yet they still
find time to practice so
that they can maintain
technique, prepare for
upcoming performances,
and thrive as a musician.
In this eye-opening essay
collection, these
world-renowned artists
share their insights on
practice, from practical
tips you can use today to
the intangible lessons of
living a musical life:
Paul Austerlitz Chris
Bacas Stefan Bauer
Evangeline Benedetti
Serena Benedetti Bruce
Bonvissuto John Bruschini
Norman Carey Jennifer
Choi Peter Erskine Lars
Frandsen Gordon Gottlieb
Hill Greene John Isley
Vic Juris Aline Kiryayeva
Morris
“Arnie†Lang
Deb Lyons Jacqueline
Martelle Shoko Nagai and
Satoshi Takeishi Andy
Narell Isabelle
O’Connell Richard
O’Donnell Victor
Rendón Sonny Rollins
Jay Rosen Michael Rosen
Terry Silverlight Andrew
White, III Brian Willson
Dr. Brian Willson is a
professional musician,
educator, author, and
student of African
Diaspora heritage in the
Americas. As a
percussionist/conductor/l
ecturer he has performed
in over 25 countries,
working with a wide
variety of artists
including Big Nick
Nicholas, Katy Roberts,
Morris Lang, Pauline
Oliveros, Ivo Perelman,
Rasul Siddik, the Mystery
Brothers, Salim
Washington, Brooklyn
Philharmonic, Freddie
MacGregor, Gloria Gaynor,
Roberta Flack, along with
numerous tours of the
Broadway shows A Chorus
Line, Evita, and Chess.
His work is represented
on over 15 recordings,
DVDs, and television
specials. Morris Lang
attended the Juilliard
School. In 1955, shortly
after graduation, he was
appointed Associate
Principal Timpanist and
percussionist with the
New York Philharmonic. He
has performed with music
directors from Leonard
Bernstein, Pierre Boulez,
Zubin Mehta to Kurt Mazur
on hundreds of recordings
and on television
including the famous
Leonard
Bernstein’s
“Young
People’s
Concerts†and
“Live from Lincoln
Center.â€. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Childs' Choice - Avancé Winwood Music
By Robert & Nicholas Childs. By Various. Arranged by Eric Wilson. For Euphonium ...(+)
By Robert & Nicholas
Childs. By Various.
Arranged by Eric Wilson.
For Euphonium & Piano.
More hits from the Childs
Brothers. Light Concert.
Advanced. Piano score and
parts. Standard Notation.
Published by Winwood
Music
$30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Behold, how good and pleasant Carus Verlag
SSATB, Ctto muto (Vl), Vl (Fl trav), Fg (Vne), Bc SKU: CA.2004812 Compose...(+)
SSATB, Ctto muto (Vl), Vl
(Fl trav), Fg (Vne), Bc
SKU: CA.2004812
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Daniel
Ivo de Oliveira.
Stuttgart Urtext Edition:
Schutz. Basso continuo.
Sacred vocal music,
Secular choral music.
Single Part, basso
continuo. SWV 48.
Duration 7 minutes. Carus
Verlag #CV 20.048/12.
Published by Carus Verlag
(CA.2004812). ISBN
9790007249465. Language:
German. Heinrich
Schutz's setting of Psalm
133 was composed for the
wedding of his amiable
and much-loved brother
Georg Schutz which took
place on 9 August 1619 in
St Nicholas's Church in
Leipzig. With its
colorful instrumental
accompaniment, this
intimate composition may
be regarded as one of the
most charming works of
its time. At the same
time it is probably the
first work by Schutz
which gives us a sense of
the concertante style of
the Symphoniae sacrae I
which were to follow.
Score and part available
separately - see item
CA.2004800. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Noona Comprehensive Music Magic Piano Lessons Primer Piano seul Heritage Music Press
By Walter Noona. Piano. Level: Primer. Piano method. Published by Heritage Music...(+)
By Walter Noona. Piano.
Level: Primer. Piano
method. Published by
Heritage Music Press.
(1)$14.95 - Voir plus => Acheter | | |
| Behold, how good and pleasant Carus Verlag
SSATB, Ctto muto (Vl), Vl (Fl trav), Fg (Vne), Bc SKU: CA.2004849 Compose...(+)
SSATB, Ctto muto (Vl), Vl
(Fl trav), Fg (Vne), Bc
SKU: CA.2004849
Composed by Heinrich
Schutz. Edited by Uwe
Wolf. Arranged by Daniel
Ivo de Oliveira.
Stuttgart Urtext Edition:
Schutz. Organ. Sacred
vocal music, Secular
choral music. Single
Part, Organ. SWV 48.
Duration 7 minutes. Carus
Verlag #CV 20.048/49.
Published by Carus Verlag
(CA.2004849). ISBN
9790007249014. Language:
German. Heinrich
Schutz's setting of Psalm
133 was composed for the
wedding of his amiable
and much-loved brother
Georg Schutz which took
place on 9 August 1619 in
St Nicholas's Church in
Leipzig. With its
colorful instrumental
accompaniment, this
intimate composition may
be regarded as one of the
most charming works of
its time. At the same
time it is probably the
first work by Schutz
which gives us a sense of
the concertante style of
the Symphoniae sacrae I
which were to follow.
Score and part available
separately - see item
CA.2004800. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Behold, how good and pleasant [Conducteur] Carus Verlag
SSATB Voices, Ctto muto (Vl), Vl (Fl trav), Fg (Vne), Bc SKU: CA.2004800 ...(+)
SSATB Voices, Ctto muto
(Vl), Vl (Fl trav), Fg
(Vne), Bc SKU:
CA.2004800 Composed
by Heinrich Schutz.
Edited by Uwe Wolf.
Arranged by Daniel Ivo de
Oliveira. Sacred vocal
music. Stuttgart Urtext
Edition: Schutz. Sacred
vocal music, Secular
choral music. Full score.
SWV 48. Duration 7
minutes. Carus Verlag #CV
20.048/00. Published by
Carus Verlag
(CA.2004800). ISBN
9790007239749. Language:
German. Heinrich
Schutz's setting of Psalm
133 was composed for the
wedding of his amiable
and much-loved brother
Georg Schutz which took
place on 9 August 1619 in
St Nicholas's Church in
Leipzig. With its
colorful instrumental
accompaniment, this
intimate composition may
be regarded as one of the
most charming works of
its time. At the same
time it is probably the
first work by Schutz
which gives us a sense of
the concertante style of
the Symphoniae sacrae I
which were to follow. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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