(15 of Their Greatest Hits) Performed by Lynyrd Skynyrd. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard guitar notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Rock and hard rock. Series: Hal Leonard Guitar Recorded Versions. 113 pages. 6.75x10.5 inches. Published by Hal Leonard.

By Modest Moussorgsky. Arranged by John Higgins. Young Band (Concert Band). Size 8.5x11 inches. Published by Hal Leonard.

Performed by Lynyrd Skynyrd. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 104 pages. Published by Hal Leonard.

Smart PianoSoft. Performed by Lynyrd Skynyrd. Pianosoft Sync. Floppy disk. Size 5x5 inches. Published by Yamaha.

Easy Guitar with Riffs and Solos (Includes Tab). Performed by Lynyrd Skynyrd. Easy Guitar (Simplified arrangements for guitar). With notes and tablature. Size 9x12 inches. 80 pages. Published by Hal Leonard.

A Step-By-Step Breakdown of the Band's Guitar Styles and Techniques. By Lynyrd Skynyrd. Signature Licks Guitar. Southern Rock, Rock Instruction, Rock. Softcover Audio Online. With guitar tablature. 96 pages. Published by Hal Leonard

By Lynyrd Skynyrd. Guitar Recorded Version. Softcover. Guitar tablature. 192 pages. Published by Hal Leonard

By Lynyrd Skynyrd. Bass Recorded Versions Persona. Softcover. Guitar tablature. 114 pages. Published by Hal Leonard

Easy Piano Piano/Keyboard

SKU: HL.282475

The New Decade Series. Composed by Various. Easy Piano Songbook. Standards. Softcover. 360 pages. Published by Hal Leonard (HL.282475).

ISBN 9781540034328. UPC: 888680789190. 9.0x12.0x0.847 inches.

Music is what helped many keep their spirits up during the Great Depression in the 1930s. Here are 100 of the most memorable songs of the decade presented in easy piano arrangements with lyrics. Songs include: As Time Goes By * Blue Moon * Body and Soul * Embraceable You * Georgia on My Mind * The Glory of Love * How Deep Is the Ocean (How High Is the Sky) * I Don't Know Why (I Just Do) * I Got Rhythm * I'll Be Seeing You * In the Mood * The Lady Is a Tramp * Love Is Here to Stay * Mood Indigo * My Funny Valentine * The Nearness of You * Over the Rainbow * Sing, Sing, Sing * Summertime * Thanks for the Memory * The Very Thought of You * The Way You Look Tonight * and more.

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Prog ram Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

Choral SSAA choir

SKU: CF.CM9722

Composed by Kyle Pederson. Jbc. 8 pages. Duration 3 minutes, 41 seconds. Carl Fischer Music #CM9722. Published by Carl Fischer Music (CF.CM9722).

ISBN 9781491161012. UPC: 680160919611. Key: C major. English. Kyle Pederson. Original.

Stars was born out of a life-long fascination with the night sky, and the text is a meditation on the interconnectedness of creation. The light from distant stars takes eons to reach our eyes, connecting us with an ancient past. Many elements that comprise our bodies were cast out of stars million years ago. Since we are the stuff of stars, where will we cast our own light? Whose world will we impact? Harmonically, the piece seeks to evoke the vastness and mystery of space, simultaneously capturing the intimacy of connection. Stars Legacies of light Ages ago, you spun light into the bleak Ancient light falls on my eye And I? A star sacred stellar dust casting light out through time In whose sky will my light fall?  .
Stars was born out of a life-long fascination with the night sky, and the text is a meditation on the interconnectedness of creation.  The light from distant stars takes eons to reach our eyes, connecting us with an ancient past. Many elements that comprise our bodies were cast out of stars million years ago. Since we are the stuff of stars, where will we cast our own light? Whose world will we impact?Harmonically, the piece seeks to evoke the vastness and mystery of space, simultaneously capturing the intimacy of connection.StarsLegacies of lightAges ago, you spun light into the bleakAncient light falls on my eyeAnd I?A starsacred stellar dustcasting light out through timeIn whose sky will my light fall?

By Taylor Swift. Piano/Vocal/Guitar Artist Songbook. Pop. Softcover. 144 pages. Duration 780 seconds. Published by Hal Leonard

(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard

Lyrics/Chords Ukulele

SKU: HL.232108

By The Beatles. Ukulele. Pop. Softcover. Composed 2014. 384 pages. Hal Leonard #NO91894. Published by Hal Leonard (HL.232108).

ISBN 9781783052738. UPC: 888680677329. 4.5x7.5x0.899 inches.

Complete lyrics and chords to 195 Beatles songs, including: Across the Universe • All My Loving • All You Need Is Love • And I Love Her • Back in the U.S.S.R. • The Ballad of John and Yoko • Birthday • Blackbird • A Day in the Life • Day Tripper • Dear Prudence • Drive My Car • Eight Days a Week • Eleanor Rigby • Good Day Sunshine • Got to Get You into My Life • A Hard Day's Night • Help! • Helter Skelter • Here Comes the Sun • Hey Jude • I Saw Her Standing There • I Want to Hold Your Hand • In My Life • Let It Be • The Long and Winding Road • Lucy in the Sky with Diamonds • Penny Lane • Revolution • Something • Ticket to Ride • Twist and Shout • When I'm Sixty-Four • While My Guitar Gently Weeps • Yellow Submarine • Yesterday • and more. 4-1/2 inches x 7-1/2 inches.

Dan Welcher’s most enduringly and frequently played orchestral work, Prairie Light is a fascinating musical companion to three of Georgia O’Keeffe’s most unusual paintings, Light Coming on the Plains, Canyon with Crows, and Starlight Night. This work is ideal for performances using visual projections of the paintings, and is frequently programmed for subscription concerts as well as those for educational settings. Duration: 14’ Parts available on rental.
This work for full orchestra was inspired by three paintings of the noted Americanartist Georgia O’Keeffe. These three watercolors were done in 1917 while the artist was living in Canyon, Texas (near Amarillo), and deal primarily with color and shape. Consequently, the music is primarily concerned with broad lines and shapes rather than rhythms, with subtle washes of color rather than constant harmonic movement, and with arching melody instead of linear counterpoint.The first movement, Light Coming on the Plains, is an elliptical-shaped painting, deep blue to indigo with a “horizon” at the bottom that seems flat and unchanging. The sun hasn’t risen yet, although it does in the course of this movement, but it seems instead to be providing light from behind the canvas. The music is unmoving in terms of rhythm or harmony (although there is a modulation midway through), a color-infused mantra of sound that is almost Eastern.At the height of the sun, we proceed to the second movement, entitled Canyon with Crows. The canyon is red-orange, with black crows circling above friendly unfolding hills. The music is gentle but lively and more rhythmic, with the birds represented by solo oboe, clarinet, and sometimes flute. Halfway through, the brass have a chorale version of the opening motive, played very slowly, over the unending triplets of woodwinds and strings. At the end of the movement, the birds return for a duo-cadenza, accompanied by the dying rays of the sun in muted strings and the ongoing triplets of the solo quartet.The stage is set for the final movement, Starlight Night. In O’Keeffe’s painting, the stars are represented by regularly-spaced rectangles of bright pale yellow on a blue-black sky, with the same shape to the field of vision and the horizon that is found in Light Coming on the Plains. The stars become audible: harp, celesta, glockenspiel, and string pizzicati all lend a sparkle while a solo flute introduces a slowly unfolding theme. After this theme has been heard twice and the sky has begun to really brighten, there is a sudden interruption: a xylophone and a piano begin another “mantra” in brittle staccato chords. This is the same mechanical eternity as O’Keeffe’s regularly-spaced square stars, and it continues on its own as the night progresses. The music builds and grows as the moon rises and arcs, then falls as the pre-dawn light that opened the work returns to bring it to a close. Acycle of light, changing with the movements of sun, moon, and stars, appearing differently from various points of view

SKU: GI.G-CD-966

Composed by Liam Lawton. Sacred. CD. GIA Publications #966. Published by GIA Publications (GI.G-CD-966).

UPC: 785147096627.

Under a starlit sky in Bethlehem, Liam Lawton was struck by the insight that the same moon and stars lit the sky when a tiny child, who was to change the world forever, was born. This inspired him to record a new Christmas album, Bethlehem Sky. Included on this recording are favorite classic carols along with Liam’s new and most treasured songs for the Christmas season. The title track is a gentle ballad that sparkles like the star that heralded Christ’s birth and calls for us all to follow. Bring the glory and peace of the Bethlehem Sky into your heart this Christmas. CONTENTS: See amid the Winter’s Snow • Noel, Noel • The Maiden and the Child • It Came upon a Midnight Clear • The Darkest Midnight • Ave Maria • Bethlehem Sky • Some Children See Him • Ave Maria • A Rose in December • Room in Your Heart • Silent Night. .

For Piano. Composed by Stacy Garrop. Sws. Duration 5 minutes. Theodore Presser Company #110-41832. Published by Theodore Presser Company

Over 250 Great Songs of the Rock Era. Fake Book (Includes melody line and chords). Size 9x12 inches. 280 pages. Published by Hal Leonard.

Score and Parts. Composed by Yukiko Nishimura. Southern Music. Classical. Softcover. Southern Music Company #SO121C. Published by Southern Music Company

String quartet

SKU: FG.55011-486-9

Composed by Kai Nieminen. Score and parts. Fennica Gehrman #55011-486-9. Published by Fennica Gehrman (FG.55011-486-9).

ISBN 9790550114869.

The composer describes his 3rd string quartet, as follows: When we moved from Mantsala to Ylitornio in 1962, the experience of the northern sky at night without streetlight or other light pollution just stuck in my mind. The depth of the starry sky and the idea of how small we actually are inspired me for the three series of the string quartet. All of the string quartets are associated with the winter atmosphere and winter light in Sea Lapland. The series will culminate in the Gestures of Winter quartet, nicknamed as Time Around Northern Night Skies....