SKU: LM.JJ07197

ISBN 9790230807197.

Reli gioso - Giocoso.

SKU: LM.JJ09108

ISBN 9790230809108.

SKU: AP.36-A718902

UPC: 659359730764. English.

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: LM.JJ07210

ISBN 9790230807210.

Berceuse Des-dur jest utworem niezmiernie subtelnym i wyrafinowanym, co wyra a si przez wahad ow arabesk melodii, przekszta cenie rodków ornamentalnych w warto ci kolorystyczne i konsekwencj techniki wariacyjnej, wyst pujcej w ostinatowej odmianie

SKU: LM.JJ10173

ISBN 9790230810173.

SKU: CU.EC7107

SKU: BT.PWM8739

ISBN 9788322424803.

'War iacje na temat w asny'' op. 15 powsta y w 1854 i w tym samym roku ukaza y si drukiem, wydane przez firm Breitkopf und Hartel w Lipsku. Kompozycja oparta na technice wariacyjnej posiada nietypow form . Temat z trzemawariacjami (w dur) poprzedza molowy wst p z elementami kadencji. Fragment ten pojawia si ponownie po wariacjach, po czym nast puje fina w formie b yskotliwego walca, zako czony efektown kod . ''Wariacje'' - podobnie jak innekompozycje Wieniawskiego - wymagaj od skrzypka swobody w grze akordowej i oktawowej, umiej tno ci wykonywania ró norodnych form staccata, b yskotliwych pasa y czy innych elementów wirtuozowskiej techniki, jak równie czystociintonacji fla oletów.

SKU: CL.029-1573-01

SKU: BR.PB-5559-07

Tchaikovsky's Hamburg Symphony in the Urtext

ISBN 9790004213698. 6.5 x 9 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

SKU: CY.CC3139

ISBN 9790530111079. 8.5 x 11 in inches.

Hymnus, Op 57 is a piece first composed for 12 cellos by Julius Klengel and first published in 1920. Klengel was one of the most important German cellists and pedagogues of the German Romantic period. Hymnus is a lush, chordal and spiritual work composed in memory of the great conductor Artur Nikisch. It has been beautifully arranged for 12-part Trombone Choir by Brian Conklin. This 6 minute work is appropriate for advanced performers.

SKU: BT.MUSM570200795

English.

Six songs to poems by C P Cavafy (also English version by the composer). First performance: Akis Lalousis and the Orchestra of the State Conservatoire, Thessaloniki, conducted by the composer, 10th November 2000. UK Premiere by Stephen Varcoe with the University of York Orchestra, conducted by the composer.

SKU: LM.JJ07739

ISBN 9790230807739.

SKU: BR.OB-5558-27

Tchaikovsky's Hamburg Symphony in the Urtext

ISBN 9790004344699. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

SKU: YM.GPP01096224

ISBN 9784636962246.

Easy Arrangements for flexible ensemble for children. 5 classical music pieces for many instruments such as Keyboard harmonica, Glockenspiel, Handbells, Other percussion and Piano.
Chu Ji Nan Du De Shao Er He Zou . 5Shou Gu Dian Le Qu ,Le Qi Bao Gua Kou Feng Qin , Zhong Qin , Shou Ling , Qi Ta Da Ji Le Qi He Gang Qin .

1. Melody from The Magic Flute; 2. Colonel Bogey March; 3. Radetzky March; 4. Korobeiniki; 5. Orpheus in the Underworld
1. Xuan Lu Xuan Zi Mo Di ; 2. Bo Ji Shang Xiao Jin Xing Qu ; 3. La De Ci Ji Jin Xing Qu ; 4. Huo Lang ; 5. Di Yu Zhong De Ao Fei Ou.

SKU: DY.DO-1221

ISBN 9782895039969.

SKU: BR.OB-5558-30

Tchaikovsky's Hamburg Symphony in the Urtext

ISBN 9790004344705. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.