| Prayers from the Ark Chorale SSAA - Intermédiaire/avancé Moseler Verlag
Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449-01 Compos...(+)
Female choir (SSAA) and
instruments - level 4
SKU:
M2.MOS-69449-01
Composed by Alfred
Koerppen. Choral score.
Möseler Verlag #MOS
69449-01. Published by
Möseler Verlag
(M2.MOS-69449-01).
ISBN
9790203755685. 1955
erschien aus der Hand der
franzosischen Nonne
Carmen Bernos de Gaszold
ein Gedichtband unter dem
Titel Prieres dans
l'Arche - Gebete aus der
Arche. Diese Gebete
werden den Tieren in den
Mund gelegt, die mit
Noah, in der drangvollen
Enge der Arche vereint,
das Ende der Sintflut
erwarten. Die Dichterin
folgt einer Tradition -
man denkt an Asop, La
Fontaine und Goethe -
wenn sie im Wesen der
Kreaturen Spiegelungen
menschlicher Schwachen,
Fehler und Tugenden
erkennt. Denn die in der
Wasserwuste gefangenen
Tiere reden so fromm,
furchtsam, selbstgerecht
und banal, wie es
menschlich ware. Und auch
das Allzumenschliche -
Hoffart, Leichtsinn, Neid
- kommt zu Wort. Nur dass
die Ichbefangenheit der
betenden Tiere ihrer
Unschuld keinen Abbruch
tut. Ihre bedingte und
bedrangte Natur findet
Gedanken, die uns ein
sympathisierendes Lacheln
abgewinnt. Der Zyklus
schien mir zur Vertonung
geeignet, weil er ein
religioses Thema
unpratentios und
originell vortragt und
ein Stuck ermoglicht, das
die ubliche Trennung
zwischen weltlich und
geistlich uberschreitet
und Konzertsaal und
Kirche in Anspruch nehmen
kann. Zur Besetzung: Der
Frauenchor muss aus den
vier ublichen Stimmlagen
1. und 2. Sopran, 1. und
2. Alt bestehen, wobei
auch noch Stimmteilungen
vorkommen. In Nr. 9 Gebet
der Taube wird noch ein
(aus dem Chor zu
bildendes) Soloquartett
gebraucht. Der
Instrumentalpart besteht
aus einer Oboe und einem
Streicherquintett (1. und
2. Violine, Viola,
Violoncello und
Kontrabass). Die
Besetzung soll solistisch
sein, kann aber bei den
Streichern (und wenn die
Klangbalance zum Chor
dies wunschenswert macht)
zu einem kleinen
Kammerorchester erweitert
werden. Der Charakter der
Instrumente, ihre
Techniken und Farben,
erlauben mir realistische
Klangmetaphern und
physiognomische
Parallelen - so, wenn das
Cello im Duett mit dem
Alt die hochmutige
Giraffe in
grossintervalligen
Sprungen deutet, die
rasende Geschaftigkeit
der Ameise sich in
schnellen
Violinbariolagen
ausdruckt oder die Oboe
ein naturalistisches
Rabengekrachz horen
lasst. Der Zyklus beginnt
mit dem Gebet des Noah.
Man stelle sich das
Gedrange und Geschrei
vor, dass die Arche
erfullt, die hochgehenden
Wogen, den prasselnden
Regen, und mitten darin
den Urvater Noah, dem
sich der Ausruf entringt:
Herr, was fur ein Zirkus!
Seine Ausbruche
korrespondieren mit dem
auf- und niederwogenden
Streichersatz, bis der
Sturm sich legt, die
Wogen sich glatten und
Noah in der mehrmals
gedehnten Phrase Es
dauert lange seine
Ergebung und Hoffnung
ausdruckt. Nach dem
pharisaischen Gebet der
Giraffe ergreift die
Schildkrote das Wort. Ihr
Instrument ist die
Bratsche. Ihre
schnaufende Kurzatmigkeit
hindert sie, ihr Gebet
zusammenhangend zu
sprechen. Der fleissigen
Ameise - sie erbost sich
sehr uber die Grille,
deren Wirtshausmusik sie
unterbricht - folgt der
Hahn mit hellen und
scharfen Tonen. Er ist
es, der die Sonne
aufgehen lasst; man kann
es in dem sich
auffaltenden Klang der
Coda horen. Der
vergessliche
Schmetterling taumelt in
immer neu variierten
Oboenfiguren durch die
glasernen Sommerklange
von Streicherflageoletts,
bis es ihm einfallt, was
er sagen wollte: Amen.
Das Schwein bekennt sich
zu seiner schnuffelnden
und grunzenden Natur,
die, von den Streichern
mit rauhem Bogendruck
gezeichnet, in der Coda
durch eine stille
F-Dur-Kantilene eine
sonderbare Verklarung
erfahrt. Vor uns die
Sintflut ruft der Rabe,
und sein durchdringender
Oboenschrei ubertont das
Wogen und Schwanken der
Streicher, die hier
Motive aus dem Gebet des
Noah wieder aufnehmen. In
der darauf eintretenden
Stille bieten die
Instrumente verschiedene
Themen an, die folgenlos
verschwinden - um nach
dem Altsolo Die Arche
wartet sich in einem
ruhig-feierlichen
a-cappella-Satz mit
alternierendem
Soloquartett wieder
zusammenzufinden und das
Werk in reinem Es-Dur
beschliessen. Alfred
Koerppen. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hotel Eden (Vocal Score) Opéra [Vocal Score] Ione Press
| | |
| Prayers from the Ark Chorale SSAA [Conducteur] - Intermédiaire/avancé Moseler Verlag
Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449 Composed ...(+)
Female choir (SSAA) and
instruments - level 4
SKU: M2.MOS-69449
Composed by Alfred
Koerppen. Score. 56
pages. Möseler Verlag
#MOS 69449. Published by
Möseler Verlag
(M2.MOS-69449). ISBN
9790203755678. 1955
erschien aus der Hand der
franzosischen Nonne
Carmen Bernos de Gaszold
ein Gedichtband unter dem
Titel Prieres dans
l'Arche - Gebete aus der
Arche. Diese Gebete
werden den Tieren in den
Mund gelegt, die mit
Noah, in der drangvollen
Enge der Arche vereint,
das Ende der Sintflut
erwarten. Die Dichterin
folgt einer Tradition -
man denkt an Asop, La
Fontaine und Goethe -
wenn sie im Wesen der
Kreaturen Spiegelungen
menschlicher Schwachen,
Fehler und Tugenden
erkennt. Denn die in der
Wasserwuste gefangenen
Tiere reden so fromm,
furchtsam, selbstgerecht
und banal, wie es
menschlich ware. Und auch
das Allzumenschliche -
Hoffart, Leichtsinn, Neid
- kommt zu Wort. Nur dass
die Ichbefangenheit der
betenden Tiere ihrer
Unschuld keinen Abbruch
tut. Ihre bedingte und
bedrangte Natur findet
Gedanken, die uns ein
sympathisierendes Lacheln
abgewinnt. Der Zyklus
schien mir zur Vertonung
geeignet, weil er ein
religioses Thema
unpratentios und
originell vortragt und
ein Stuck ermoglicht, das
die ubliche Trennung
zwischen weltlich und
geistlich uberschreitet
und Konzertsaal und
Kirche in Anspruch nehmen
kann. Zur Besetzung: Der
Frauenchor muss aus den
vier ublichen Stimmlagen
1. und 2. Sopran, 1. und
2. Alt bestehen, wobei
auch noch Stimmteilungen
vorkommen. In Nr. 9 Gebet
der Taube wird noch ein
(aus dem Chor zu
bildendes) Soloquartett
gebraucht. Der
Instrumentalpart besteht
aus einer Oboe und einem
Streicherquintett (1. und
2. Violine, Viola,
Violoncello und
Kontrabass). Die
Besetzung soll solistisch
sein, kann aber bei den
Streichern (und wenn die
Klangbalance zum Chor
dies wunschenswert macht)
zu einem kleinen
Kammerorchester erweitert
werden. Der Charakter der
Instrumente, ihre
Techniken und Farben,
erlauben mir realistische
Klangmetaphern und
physiognomische
Parallelen - so, wenn das
Cello im Duett mit dem
Alt die hochmutige
Giraffe in
grossintervalligen
Sprungen deutet, die
rasende Geschaftigkeit
der Ameise sich in
schnellen
Violinbariolagen
ausdruckt oder die Oboe
ein naturalistisches
Rabengekrachz horen
lasst. Der Zyklus beginnt
mit dem Gebet des Noah.
Man stelle sich das
Gedrange und Geschrei
vor, dass die Arche
erfullt, die hochgehenden
Wogen, den prasselnden
Regen, und mitten darin
den Urvater Noah, dem
sich der Ausruf entringt:
Herr, was fur ein Zirkus!
Seine Ausbruche
korrespondieren mit dem
auf- und niederwogenden
Streichersatz, bis der
Sturm sich legt, die
Wogen sich glatten und
Noah in der mehrmals
gedehnten Phrase Es
dauert lange seine
Ergebung und Hoffnung
ausdruckt. Nach dem
pharisaischen Gebet der
Giraffe ergreift die
Schildkrote das Wort. Ihr
Instrument ist die
Bratsche. Ihre
schnaufende Kurzatmigkeit
hindert sie, ihr Gebet
zusammenhangend zu
sprechen. Der fleissigen
Ameise - sie erbost sich
sehr uber die Grille,
deren Wirtshausmusik sie
unterbricht - folgt der
Hahn mit hellen und
scharfen Tonen. Er ist
es, der die Sonne
aufgehen lasst; man kann
es in dem sich
auffaltenden Klang der
Coda horen. Der
vergessliche
Schmetterling taumelt in
immer neu variierten
Oboenfiguren durch die
glasernen Sommerklange
von Streicherflageoletts,
bis es ihm einfallt, was
er sagen wollte: Amen.
Das Schwein bekennt sich
zu seiner schnuffelnden
und grunzenden Natur,
die, von den Streichern
mit rauhem Bogendruck
gezeichnet, in der Coda
durch eine stille
F-Dur-Kantilene eine
sonderbare Verklarung
erfahrt. Vor uns die
Sintflut ruft der Rabe,
und sein durchdringender
Oboenschrei ubertont das
Wogen und Schwanken der
Streicher, die hier
Motive aus dem Gebet des
Noah wieder aufnehmen. In
der darauf eintretenden
Stille bieten die
Instrumente verschiedene
Themen an, die folgenlos
verschwinden - um nach
dem Altsolo Die Arche
wartet sich in einem
ruhig-feierlichen
a-cappella-Satz mit
alternierendem
Soloquartett wieder
zusammenzufinden und das
Werk in reinem Es-Dur
beschliessen. Alfred
Koerppen. $56.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Prayers from the Ark Chorale SSAA - Intermédiaire/avancé Moseler Verlag
Female choir (SSAA) and instruments (oboe, violin I, violin II, viola, cello, do...(+)
Female choir (SSAA) and
instruments (oboe, violin
I, violin II, viola,
cello, double bass) -
level 4 SKU:
M2.MOS-69449-60
Composed by Alfred
Koerppen. Set of parts.
Möseler Verlag #MOS
69449-60. Published by
Möseler Verlag
(M2.MOS-69449-60).
ISBN
9790203755692. 1955
erschien aus der Hand der
franzosischen Nonne
Carmen Bernos de Gaszold
ein Gedichtband unter dem
Titel Prieres dans
l'Arche - Gebete aus der
Arche. Diese Gebete
werden den Tieren in den
Mund gelegt, die mit
Noah, in der drangvollen
Enge der Arche vereint,
das Ende der Sintflut
erwarten. Die Dichterin
folgt einer Tradition -
man denkt an Asop, La
Fontaine und Goethe -
wenn sie im Wesen der
Kreaturen Spiegelungen
menschlicher Schwachen,
Fehler und Tugenden
erkennt. Denn die in der
Wasserwuste gefangenen
Tiere reden so fromm,
furchtsam, selbstgerecht
und banal, wie es
menschlich ware. Und auch
das Allzumenschliche -
Hoffart, Leichtsinn, Neid
- kommt zu Wort. Nur dass
die Ichbefangenheit der
betenden Tiere ihrer
Unschuld keinen Abbruch
tut. Ihre bedingte und
bedrangte Natur findet
Gedanken, die uns ein
sympathisierendes Lacheln
abgewinnt. Der Zyklus
schien mir zur Vertonung
geeignet, weil er ein
religioses Thema
unpratentios und
originell vortragt und
ein Stuck ermoglicht, das
die ubliche Trennung
zwischen weltlich und
geistlich uberschreitet
und Konzertsaal und
Kirche in Anspruch nehmen
kann. Zur Besetzung: Der
Frauenchor muss aus den
vier ublichen Stimmlagen
1. und 2. Sopran, 1. und
2. Alt bestehen, wobei
auch noch Stimmteilungen
vorkommen. In Nr. 9 Gebet
der Taube wird noch ein
(aus dem Chor zu
bildendes) Soloquartett
gebraucht. Der
Instrumentalpart besteht
aus einer Oboe und einem
Streicherquintett (1. und
2. Violine, Viola,
Violoncello und
Kontrabass). Die
Besetzung soll solistisch
sein, kann aber bei den
Streichern (und wenn die
Klangbalance zum Chor
dies wunschenswert macht)
zu einem kleinen
Kammerorchester erweitert
werden. Der Charakter der
Instrumente, ihre
Techniken und Farben,
erlauben mir realistische
Klangmetaphern und
physiognomische
Parallelen - so, wenn das
Cello im Duett mit dem
Alt die hochmutige
Giraffe in
grossintervalligen
Sprungen deutet, die
rasende Geschaftigkeit
der Ameise sich in
schnellen
Violinbariolagen
ausdruckt oder die Oboe
ein naturalistisches
Rabengekrachz horen
lasst. Der Zyklus beginnt
mit dem Gebet des Noah.
Man stelle sich das
Gedrange und Geschrei
vor, dass die Arche
erfullt, die hochgehenden
Wogen, den prasselnden
Regen, und mitten darin
den Urvater Noah, dem
sich der Ausruf entringt:
Herr, was fur ein Zirkus!
Seine Ausbruche
korrespondieren mit dem
auf- und niederwogenden
Streichersatz, bis der
Sturm sich legt, die
Wogen sich glatten und
Noah in der mehrmals
gedehnten Phrase Es
dauert lange seine
Ergebung und Hoffnung
ausdruckt. Nach dem
pharisaischen Gebet der
Giraffe ergreift die
Schildkrote das Wort. Ihr
Instrument ist die
Bratsche. Ihre
schnaufende Kurzatmigkeit
hindert sie, ihr Gebet
zusammenhangend zu
sprechen. Der fleissigen
Ameise - sie erbost sich
sehr uber die Grille,
deren Wirtshausmusik sie
unterbricht - folgt der
Hahn mit hellen und
scharfen Tonen. Er ist
es, der die Sonne
aufgehen lasst; man kann
es in dem sich
auffaltenden Klang der
Coda horen. Der
vergessliche
Schmetterling taumelt in
immer neu variierten
Oboenfiguren durch die
glasernen Sommerklange
von Streicherflageoletts,
bis es ihm einfallt, was
er sagen wollte: Amen.
Das Schwein bekennt sich
zu seiner schnuffelnden
und grunzenden Natur,
die, von den Streichern
mit rauhem Bogendruck
gezeichnet, in der Coda
durch eine stille
F-Dur-Kantilene eine
sonderbare Verklarung
erfahrt. Vor uns die
Sintflut ruft der Rabe,
und sein durchdringender
Oboenschrei ubertont das
Wogen und Schwanken der
Streicher, die hier
Motive aus dem Gebet des
Noah wieder aufnehmen. In
der darauf eintretenden
Stille bieten die
Instrumente verschiedene
Themen an, die folgenlos
verschwinden - um nach
dem Altsolo Die Arche
wartet sich in einem
ruhig-feierlichen
a-cappella-Satz mit
alternierendem
Soloquartett wieder
zusammenzufinden und das
Werk in reinem Es-Dur
beschliessen. Alfred
Koerppen. $39.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano,
alto voice, bass Guitar,
bass voice, soprano
voice, tenor voice
SKU: CF.CM9743IN
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar,
Percussion, Piano, alto
voice, soprano 1, soprano
2 SKU: CF.CM9742
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Starlit Landscape Orchestre d'harmonie - Facile Molenaar Edition
Concert Band - Grade 3 SKU: ML.013760060 Composed by Naoya Wada. Full set...(+)
Concert Band - Grade 3
SKU: ML.013760060
Composed by Naoya Wada.
Full set. Molenaar
Edition #013760060.
Published by Molenaar
Edition (ML.013760060).
On August 14th
2020, the composer Noah
Wada saw the Perseids
meteor shower from a
hill. He could clearly
see many bright stars
streaming across the sky,
as if they were falling
down on the earth. The
dazzling sight was enough
to inspire him to compose
this
overture.
Starlit
Landscape was
commissioned by the
Kawagoe High School Band,
Kawagoe City, Saitama,
Japan and premiered on
March 20th, 2023 by the
band and Mr. Hiroki Mori,
director.
Starlit
Landscape is a sparkling
overture from the
Japanese composer Naoya
Wada. It begins with a
bold brass fanfare over a
bright woodwind
passage.
Op 14
augustus 2020 zag de
componist Noah Wada de
Perseïden-meteorenregen
vanaf een heuvel. Hij kon
duidelijk vele heldere
sterren langs de hemel
zien stromen, alsof ze op
de aarde neervielen. De
oogverblindende aanblik
was genoeg om hem te
inspireren tot het
componeren van deze
ouverture.
Starlit
Landscape werd geschreven
in opdracht van de
Kawagoe High School Band,
Kawagoe City, Saitama,
Japan en ging in
première op 20 maart
2023 door de band en
Hiroki Mori,
directeur.
Starlit
Landscape is een
sprankelende ouverture
van de Japanse componist
Naoya Wada. Het begint
met een gedurfde fanfare
over een heldere passage
van
houtblazers.
Le 14
août 2020, le
compositeur Noah Wada a
observé la pluie de
météores des Perséides
depuis une colline. Il a
pu voir clairement de
nombreuses étoiles
brillantes traverser le
ciel, comme si elles
tombaient sur la terre.
Ce spectacle éblouissant
a suffi à l'inspirer
pour composer cette
ouverture.
Starlit
Landscape a été
commandée par le Kawagoe
High School Band, Kawagoe
City, Saitama, Japon, et
a été créée le 20
mars 2023 par l'orchestre
et M. Hiroki Mori,
directeur.
Starlit
Landscape est une
ouverture étincelante du
compositeur japonais
Naoya Wada. Elle commence
par une fanfare de
cuivres audacieuse sur un
passage de bois
lumineux.
Am 14.
August 2020 sah der
Komponist Noah Wada von
einem Hügel aus den
Meteoritenschauer der
Perseiden. Er konnte
deutlich sehen, wie viele
helle Sterne über den
Himmel strömten, als ob
sie auf die Erde fielen.
Dieser schillernde
Anblick inspirierte ihn
zur Komposition dieser
Ouvertüre.
Starli
t Landscape wurde von der
Kawagoe High School Band,
Kawagoe City, Saitama,
Japan, in Auftrag gegeben
und am 20. März 2023 von
der Band und Herrn Hiroki
Mori, dem Leiter,
uraufgeführt.
Sta
rlit Landscape ist eine
funkelnde Ouvertüre des
japanischen Komponisten
Naoya Wada. Sie beginnt
mit einer kühnen
Blechbläserfanfare über
einer hellen
Holzbläserpassage. $146.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Caroline, Or Change Piano, Voix et Guitare [Collection / Songbook] Cherry Lane
By Jeanine Tesori. For Piano/Vocal/Guitar. Vocal Selections. Softcover. 104 page...(+)
By Jeanine Tesori. For
Piano/Vocal/Guitar. Vocal
Selections. Softcover.
104 pages. Published by
Cherry Lane Music
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cool Kids Fanfare [Conducteur] - Débutant Alfred Publishing
Marching Band - Grade 1.5 SKU: AP.43872S As Recorded by Echosmith....(+)
Marching Band - Grade 1.5
SKU: AP.43872S
As Recorded by
Echosmith. By
Echosmith, Graham
Sierota, Jamie Sierota,
Jeffery Sierota, Jesiah
Dzwonek, Noah Sierota,
and Sydney Sierota. By
Graham Sierota, Jamie
Sierota, Jeffery Sierota,
Jesiah Dzwonek
[Echosmith], Noah
Sierota, and Sydney
Sierota. Arranged by
Jerry Burns. Marching
Band; Performance Music
Ensemble; Single Titles.
Very Easy Pops for
Marching Band. Pop.
Score. 8 pages. Duration
1:48. Alfred Music
#00-43872S. Published by
Alfred Music (AP.43872S).
UPC: 038081502847.
English. The group
Echosmith had a big 2014
hit with this one. Jerry
Burns gives us a
great-sounding chart that
will be ready to perform
today! (1:48). $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Go Into the Ark Chorale SATB Augsburg Fortress
SATB choir SKU: AU.9781506413884 Composed by Zach Westermeyer. St. Olaf C...(+)
SATB choir SKU:
AU.9781506413884
Composed by Zach
Westermeyer. St. Olaf
Choral Series. Adult,
General, Anthem. Octavo.
Augsburg Fortress
#9781506413884. Published
by Augsburg Fortress
(AU.9781506413884).
ISBN 9781506413884.
UPC:
9.78151E+12. This
piece uses a driving,
rhythmic ostinato paired
with a vibrant, modal
theme to tell the story
of Noah's Ark. Rigid
harmonies evoke Noah's
fierce loyalty in one
section; haunting
melodies depict the
magnitude of the flood in
another. Go Into the Ark
is an elegant yet
memorable work that will
leave choristers humming
on their way out of
rehearsal. $1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Bass Recorder Player's Book of Rounds Greenblatt & Seay
Arranged by Deborah Greenblatt. Bass Solo. For bass recorder. Rounds, World Folk...(+)
Arranged by Deborah
Greenblatt. Bass Solo.
For bass recorder.
Rounds, World Folk. Tune
book. Standard Notation.
24 pages
$10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Tenor Recorder Player's Book of Rounds Greenblatt & Seay
Arranged by Deborah Greenblatt. Recorder Solo. For tenor recorder. Rounds, World...(+)
Arranged by Deborah
Greenblatt. Recorder
Solo. For tenor recorder.
Rounds, World Folk. Tune
book. Standard Notation.
24 pages
$10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cool Kids Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
As Recorded by Echosmith. By Graham Sierota; Jamie Sierota; Noah Sierota;...(+)
As Recorded by
Echosmith. By Graham
Sierota; Jamie Sierota;
Noah Sierota; Sydney
Sierota; Jeffery Sierota;
Jesiah Dzwonek
[Echosmith]. By Graham
Sierota; Jamie Sierota;
Noah Sierota; Sydney
Sierota; Jeffery Sierota;
Jesiah Dzwonek
[Echosmith]. Arranged by
Jerry Burns. Marching
Band; Performance Music
Ensemble; Single Titles.
Very Easy Pops for
Marching Band. Pop.
Part(s); Score. 86 pages.
Duration 1:48. Alfred
Music #00-43872.
Published by Alfred Music
(AP.43872).
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs of Yale Schirmer
Voice and Piano. By Various. Arranged by Marshall Bartholomew. Choral. Size 7.5x...(+)
Voice and Piano. By
Various. Arranged by
Marshall Bartholomew.
Choral. Size 7.5x10.7
inches. 244 pages.
Published by G. Schirmer,
Inc.
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Cello Player's Book of Rounds Violoncelle Greenblatt and Seay
Arranged by Deborah Greenblatt. For cello. Rounds. Book. Published by Greenblatt...(+)
Arranged by Deborah
Greenblatt. For cello.
Rounds. Book. Published
by Greenblatt and Seay.
$10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Hero's Anthem Potenza Music
Trombone quartet SKU: P2.80045 Composed by Noah D. Taylor. Chamber music,...(+)
Trombone quartet SKU:
P2.80045 Composed by
Noah D. Taylor. Chamber
music, 20th century.
Published by Potenza
Music (P2.80045).
The Hero's
Anthem was composed in
the fall of 2004 while
Noah D. Taylor was
studying composition at
Bowling Green State
University. Title The
Hero's Anthem, this piece
is meant to symbolize the
hard but necessary road
for heroes. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Christmas Finale - Intermédiaire LudwigMasters Publications
Concert Band Concert Band with optional SATB Chorus - Grade 4 SKU: AP.36-5010...(+)
Concert Band Concert Band
with optional SATB Chorus
- Grade 4 SKU:
AP.36-50100349
Composed by Various.
Arranged by Noah Taylor.
Concert Band; Performance
Music Ensemble. Holiday
Music for Band.
Christmas. Score and
Part(s). LudwigMasters
Publications
#36-50100349. Published
by LudwigMasters
Publications
(AP.36-50100349). UPC:
659359616716.
English. You'll
find this an
extraordinarily versatile
arrangement, for it can
be played with or without
an SATB chorus (item #
36-50800001) and/or a
handbell choir. Comprised
of three popular carols
that will immediately
grip your audience,
Christmas Finale arranged
by Noah Taylor is just as
bright and festive as is
the season.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $65.00 - Voir plus => Acheter | | |
| The Viola Player's Book of Rounds Alto seul Greenblatt and Seay
Arranged by Deborah Greenblatt. For viola. Rounds. Book. Published by Greenblatt...(+)
Arranged by Deborah
Greenblatt. For viola.
Rounds. Book. Published
by Greenblatt and Seay.
$10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Weinlein Nun Gang Ein Reduction Chorale TTBB - Avancé Schott
Men's choir (TTBB), solo (T) and small orchestra (2.1.2.1 - 3.1.1.0 - Pk., Schla...(+)
Men's choir (TTBB), solo
(T) and small orchestra
(2.1.2.1 - 3.1.1.0 - Pk.,
Schlagz. (kl. Tr.,
Becken, Tamb., Triangel)
- Str.) - advanced
SKU: HL.49005324
Eine frohliche
Weinkantate. Composed
by Kurt Hessenberg. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Piano
reduction. Op. 72. 52
pages. Duration 20'.
Schott Music #ED 4994.
Published by Schott Music
(HL.49005324). ISBN
9790001057332.
German. $45.95 - Voir plus => Acheter | | |
| Cool Kids Chorale SATB Alfred Publishing
By Graham Sierota; Jamie Sierota; Noah Sierota; Sydney Sierota; Jeffery Sierota;...(+)
By Graham Sierota; Jamie
Sierota; Noah Sierota;
Sydney Sierota; Jeffery
Sierota; Jessiah Dzwonek
[Echosmith]. By Graham
Sierota; Jamie Sierota;
Noah Sierota; Sydney
Sierota; Jeffery Sierota;
Jessiah Dzwonek
[Echosmith]. Arranged by
Alan Billingsley.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-43523.
Published by Alfred Music
(AP.43523).
$2.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Fiddle Player's Book of Rounds Violon Greenblatt and Seay
Arranged by Deborah Greenblatt. For fiddle. Rounds Fiddle. Book. Published by Gr...(+)
Arranged by Deborah
Greenblatt. For fiddle.
Rounds Fiddle. Book.
Published by Greenblatt
and Seay.
$10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hessenberg K Weinlein Nun Gang Op72 Chorale TTBB - Avancé Schott
Men's choir (TTBB), solo (T) and small orchestra (BASS 1/2) - advanced SKU: H...(+)
Men's choir (TTBB), solo
(T) and small orchestra
(BASS 1/2) - advanced
SKU: HL.49031779
Eine frohliche
Weinkantate. Composed
by Kurt Hessenberg. Sheet
music. Edition Schott.
Choir part. Op. 72. 12
pages. Duration 20'.
Schott Music #ED 4994-02.
Published by Schott Music
(HL.49031779). ISBN
9790001057356.
German. $4.50 - Voir plus => Acheter | | |
| A Christmas Finale LudwigMasters Publications
Choir Secular Concert Band with optional SATB Chorus (SATB choir) SKU: AP.36-...(+)
Choir Secular Concert
Band with optional SATB
Chorus (SATB choir)
SKU:
AP.36-50800001
Composed by Various.
Arranged by Noah Taylor.
Choral Octavo. Holiday
Music for Band.
Christmas. LudwigMasters
Publications
#36-50800001. Published
by LudwigMasters
Publications
(AP.36-50800001). ISBN
9798892703826. UPC:
659359867804.
English. This SATB
chorus piece and/or a
handbell choir can be
performed with the
concert band arrangement
(item # 36-50100349).
Comprised of three
popular carols that will
immediately grip your
audience, Christmas
Finale arranged by Noah
Taylor is just as bright
and festive as is the
season.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.99 - Voir plus => Acheter | | |
| Zemer Halilim 1 - Facile OR-TAV Music Publications
2 flutes - Early Intermediate SKU: OT.23135 Israeli Songs for Flute Du...(+)
2 flutes - Early
Intermediate SKU:
OT.23135 Israeli
Songs for Flute Duet.
Composed by Various.
Arranged by Idan Levi. 5
Israeli songs arranged
for flute duet. Israeli.
Performance score. OR-TAV
Music Publications
#23135. Published by
OR-TAV Music Publications
(OT.23135). ISBN
9789655050950. 8.27 x
11.69 inches. Zemer
Halilim 1 - Israeli Songs
for Flute
Duet arranged by Idan
Levi 5 Israeli songs
arranged for flute
duet Song
list: Kinneret Pera
ch natati
l'Nurit Chofim Omri
m Yeshna
Eretz Noah Noah
(simplified
arrangement). $12.44 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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