Composed by Dale Jergenson. For 2-part women's voices, piano. General, Memorial. Moderately Difficult. Choral score. Published by Laurendale Associates

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113905

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Choral Score. Composed 1724. BWV 139. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.139/05. Published by Carus Verlag (CA.3113905).

ISBN 9790007181093. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113909

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. 1x 31.139/21 oboe d'amore 1, 1x 31.139/22 oboe d'amore 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1724. BWV 139. Duration 20 minutes. Carus Verlag #CV 31.139/09. Published by Carus Verlag (CA.3113909).

ISBN 9790007208233. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113913

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Single Part, Viola. Composed 1724. BWV 139. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.139/13. Published by Carus Verlag (CA.3113913).

ISBN 9790007208264. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.

Harry Chapin. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Pop. Book. 176 pages. Published by Alfred Publishing.

Chorus a cappella

SKU: BR.CHB-5234-02

Composed by Fanny Cecile Mendelssohn. Edited by Gottfried Heinz and J. Draheim. Choir; stapled. Chor-Bibliothek (Choral Library). Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica). Song; Romantic. Choral score. 4 pages. Breitkopf and Haertel #ChB 5234-02. Published by Breitkopf and Haertel (BR.CHB-5234-02).

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, [cello piccolo], basso continuo

SKU: CA.3113919

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1724. BWV 139. Duration 20 minutes. Carus Verlag #CV 31.139/19. Published by Carus Verlag (CA.3113919).

ISBN 9790007181277. Text language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.

Orchestra Soli SATB, Coro SATB, 2 Obda, 2 Vl, Va, [Vcpic], Bc

SKU: CA.3113907

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Study score. Composed 1724. BWV 139. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.139/07. Published by Carus Verlag (CA.3113907).

ISBN 9790007244965. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

SATB vocal soli, SATB choir, flute, 3 oboes, horn, 2 violins, viola, basso continuo

SKU: CA.3102612

Cantata for 24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Till Reininghaus. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ach wie fluchtig, ach wie nichtig. Sacred vocal music, End of the church year, Mourning, death. Single Part, Violin 2. Composed 1724. BWV 26. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.026/12. Published by Carus Verlag (CA.3102612).

ISBN 9790007205270. Language: German/English.

Bac h's cantata BWV 26 belongs to the Leipzig cycle of chorale cantatas, 1724/25, and it was first performed on 19 November 1724. The underlying 13-vers hymn by Michael Franck provided Bach and his unidentified librettist with an abundance of metaphors and comparisons which, from verse to verse and movement to movement, illustrate the fleeting and transitory nature of earthly life: an impressive musical-poetic exposition of potent baroque pictures of vanity.. Score and part available separately - see item CA.3102600.

SATB choir, organ and flute

SKU: AU.9780800675158

Composed by Susan Palo Cherwien. Advent. Augsburg Choral Library. Anthem. Octavo. Published by Augsburg Fortress (AU.9780800675158).

ISBN 9780800675158.

Davi d and Susan Cherwien offer all that is new and beautiful in this elegant setting. Susan has written a profound text with poetic images of Epiphany and Transfiguration. In this text you can also find much appropriate to Lent and the Sundays of November as well. Married to the lovely tune and choral writing of David Cherwien, Come, Beloved of the Maker would be a wonderful addition to a choir's repertoire.