By Sally K. Albrecht. For Choir. (SATB). Choral Octavo. Choral Designs. Gospel; Sacred; Secular; Spiritual. Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Edwin Mclean, edited by Milton Okum. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and illustrations. TV. 71 pages. 9x12 inches. Published by Cherry Lane Music.

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Composed by Mary McDonald. For SATB choir, piano (with optional 2 trumpets, congregation, trombone, horn, percussion, children's choir and organ). Sacred Anthem, Ascension, Eastertide, General. Octavo. Lorenz Publishing Company #10/4701L. Published by Lorenz Publishing Company

Piano, Vocal and Guitar

SKU: HL.14009157

Composed by Peter Fardell. Music Sales America. Educational Tool. Book and CD. Composed 2014. 24 pages. Music Sales #GA11143. Published by Music Sales (HL.14009157).

ISBN 9780711986466. 0.12 inches. English.

Double Trouble uses catchy tunes and clever lyrics to teach mathematical concepts. Ideal for whole-class lessons where knowledge and skills are introduced, developed or reinforced. All the songs are valuable for leading on to questioning and problem-solving activities.

Fanfare Band - Grade 5

SKU: BT.GOB-000389-120

Composed by Rob Goorhuis. Score Only. 20 pages. Gobelin Music Publications #GOB 000389-120. Published by Gobelin Music Publications (BT.GOB-000389-120).

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band.
The solo part in its instrumentation distinguishes itself from the other saxophone solos.
The soloist should be able to play both the alto and soprano saxophone.

The piece consists of four parts, which almost blend into one another.
A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.
This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.
This piece exacts a high standard of the soloist’s technical skills.

The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest.
De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.

Het stuk bestaat uit vier deeltjes, die vrijwel in elkaar overlopen.
Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.
Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.

De ‘Rhapsody’ werd geschreven voor de fanfare ‘Soli Deo Gloria’ uit Tienhoven.

Gobelin Music Publications.

(Hymn Arrangements for Young Singers). By Barny Robertson and Cherry Garasi. Edited by Cherry Garasi. Arranged by Barry Robertson. For Unison Preschool Choir. This edition: Paperback. Choral. Sunday School, VBS, Children's Church, Christian preschools, or a

By Mario Castelnuovo Tedesco (1895-1968) and Mario Castelnuovo-tedesco (1895-1968). For guitar. Standard notation. Opus 170, Number 36. Published by Berben

From Mary Poppins Returns. Composed by Marc Shaiman and Scott Wittman. Arranged by Mark A. Brymer. Disney Choral. Movies, Show Choir, Disney. Octavo. Published by Hal Leonard

Composed by Gwyneth W. Walker (1947-). For SATB choir, organ accompaniment. General. Published by E.C. Schirmer Publishing

(Der Spielzeugmacher-Werkstatt ). Composed by Jarvis. For concert band. Grade 3.5. Score and parts. Duration 2 minutes, 35 seconds. Published by C.L. Barnhouse

Composed by Pablo de Sarasate (1844-1908). Arranged by Andreas van Zoelen. For Violin and Concert Band. Grade 3. Full score and set of parts. Duration 9:00. Published by Baton Music

Composed by Lloyd Larson. Choral, cantatas. Advent, Christmas. Choral score. Lorenz Publishing Company #65/2090L. Published by Lorenz Publishing Company

By Joel Raney. For Handbells. (SAB or Three-Part). Hymntune, Jazz/SwingStyle, Contemporary, Hymntune and Sacred. Print Music Single (SAB w/opt. Handbells). 12 pages. Published by Hope Publishing Company.

Composed by Jonas Myrin and Matt Redman. Arranged by Lloyd Larson. For SATB choir with optional guitar. General Worship. Octavo. 12 pages. Published by Hope Publishing Company

By Lynn S. Lund. Text: Shawn M. Stringham. For SSATB Choir. Easter. Level: Medium / Medium-Difficult (accompaniment). Duration 2:15. Published by Jackman Music Corporation.

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. Softcover. 696 pages. Published by Hal Leonard

By Sally K. Albrecht, Jay Althouse. Childrens Musicals and Programs. Christmas and Choral. CD only. Published by Alfred Publishing.

Composed by J.D. Frizzell. For SSAA choir, piano accompaniment. Octavo. Heritage Music Press #15/3209H. Published by Heritage Music Press

(Progressive Repertoire, Volume 3). By Various. Arranged by Collectif. For guitar solo. 2. 40 pages

Composed by Ludwig van Beethoven (1770-1827). Arranged by Jack Bullock. Orchestra. Masterworks; Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Form: Sonatina. Classical; Masterwork Arrangement; Romantic. Grade 2. 76 pages. Published by Belwin Music

Composed by Z. Randall Stroope. For SATB choir, piano accompaniment (with optional brass quintet, timpani, percussion). Octavo. Heritage Music Press #15/3256H. Published by Heritage Music Press

By Leslie Bricusse and Anthony Newley. Arranged by Douglas E. Wagner. Concert Band. Concert Band; Part(s); Score; SmartMusic. Pop Young Band. Form: Ballade. Movie; Pop. Grade 2. 120 pages. Published by Alfred Music

Score and Parts. By Johan De Meij. Amstel Concert Bands. Published by DeHaske Publications.

Composed by Jay Althouse. Communion, General Worship, Sacred. Octavo. 8 pages. Published by Hope Publishing Company (HP.C6034).

(Lameid et Siftotai B'racha). Composed by Michael Isaacson. Transcontinental Music Choral. Jewish. Octavo. 8 pages. Transcontinental Music #993398. Published by Transcontinental Music

By Franz Krommer. Edited by Berlasz. For clarinet, piano. Op.36. Published by Edition Kunzelmann.