Composed by George Frideric Handel (1685-1759) and Thomas Attwood. Music Sales America. Baroque, Classical, Choral. 4 pages. Novello and Co Ltd. #NOV290225. Published by Novello and Co Ltd. (HL.14032978).

Composed by Stephen McManus. For SATB choir, a cappella. Text: Liturgy of the Hours. Brief settings of the seven Magnificat antiphons for the last days of Advent. Advent. Octavo. Published by CanticaNOVA Publications

SATB/Organ or Piano Choral; Organ (SATB/ORGAN)

SKU: HL.422592

Composed by Lee Dengler. Shawnee Sacred. General Worship. Octavo. 12 pages. Duration 205 seconds. Published by Shawnee Press (HL.422592).

UPC: 196288061489. 6.75x10.5x0.029 inches. Acts 26:16, Ephesians 5:14, Joshua 6:12.

Emboldening the church, this powerful anthem challenges the people of God to ministry and service. Well-balanced choral writing predominates, bringing substance and power to this impressive text.

Arranged by Stan Pethel. For Piano. The FJH Sacred Piano Library. Spiritual. Book. Published by The FJH Music Company Inc.
Level: Late Intermediate.

Choral (Violin)

SKU: HP.C6295

Arranged by Marty Parks. Piano with optional Violin (Included). Hymntune, Hymn Arrangements, Commemoration, Thanksgiving, General Worship, God - Faithfulness, Hope, Promise. Octavo. 12 pages. Hope Publishing Company #C6295. Published by Hope Publishing Company (HP.C6295).

UPC: 763628162955.

Ameri can folk melody paired with a classic hymn text This setting of the classic text, O God Our Help in Ages Past paired with the American folk melody, CONSOLATION, is full of energy and enhanced by an optional fiddle part.

Be Exalted, O God / Now Thank We All Our God. By Brent Chambers. Arranged by Bruce Greer. For Choir. (SATB). Choral Octavo. Sing Praise. Sacred. Choral Octavo. 16 pages. Published by Alfred Publishing.

SATB choir, organ accompaniment, oboe - Early intermediate

SKU: GI.G-7346

Composed by John Eggert. Holy Innocents, September 11. Choral. Sacred. Octavo. 12 pages. GIA Publications #7346. Published by GIA Publications (GI.G-7346).

UPC: 785147734604. English. Text Source: In Bethlehem a Newborn Boy, Rosamond Herklots, 1905–1987, We Seek You Here, As Well, O God, Mary Louise Bringle. Text by Rosamond Herklots. Scripture: 1. Matthew 2:16–18, 2. Lamentations 2:11–12.

Two complete texts are included here, reminding us that the Son of God—whether innocent infant or suffering servant—is the Savior of the world. The feeling of lament evoked by the oboe ultimately gives way to joy.

(Medley of O Little Town of Bethlehem , Silent Night! Holy Night! and Emmanuel, God with Us ). By Nathan and Christy Nockels. Arranged by Lloyd Larson. For SATB choir and piano or optional orchestration. The Lloyd Larson Choral Series. DIVINUM MYSTERIUM ST. LOUIS, Hymntune, Christmas, Sacred. Octavo. 8 pages. Published by Hope Publishing Company

(Medley of O Little Town of Bethlehem , Silent Night! Holy Night! and Emmanuel, God with Us ). By Nathan and Christy Nockels. Arranged by Lloyd Larson. For SATB choir and piano or optional orchestration. DIVINUM MYSTERIUM ST. LOUIS, Hymntune, Christmas,

SKU: CA.700800

Composed by Hermann Stern, Johann Sebastian Bach, and Paul Ernst Ruppel. German title: Kommet Her, Horet (3). Sacred vocal music, Hymn settings, Reformation day. Full score. 4 pages. Carus Verlag #CV 07.008/00. Published by Carus Verlag (CA.700800).

ISBN 9790007013028.

Songs of Inspiration. Strum It (guitar). Size 9x12 inches. 40 pages. Published by Hal Leonard.

For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names and big note notation. Americana. Series: Hal Leonard E-Z Play Today. 72 pages. 9x12 inches. Published by Hal Leonard.

Jingle, Jingle, Jingle and O Christmas Tree arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Carol Of The Bells and O Little Town Of Bethlehem arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100209

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 2x 31.002/21 2 oboes, 1x 31.002/31 trumpet, 1x 31.002/32 trombone 1, 1x 31.002/33 trombone 2, 1x 31.002/34 trombone 3, 1x 31.002/35 trombone 4. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein 7. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.002/09. Published by Carus Verlag (CA.3100209).

ISBN 9790007041335. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105819

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. Duration 17 minutes. Carus Verlag #CV 31.058/19. Published by Carus Verlag (CA.3105819).

ISBN 9790007136208. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

(All Creatures of Our God and King). Performed by First Call. By Asukulu 'Yunu Mukalay, David Maddux, Marty Mccall, Mmunga Mwenebulongo Mulongoy. Arranged by Roger Emerson. (Showtrax Cd). Choral. CD only. Size 5x5.5 inches. 16 pages. Published by Hal Leonard.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100313

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1725. BWV 3. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.003/13. Published by Carus Verlag (CA.3100313).

ISBN 9790007041465. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

SATB Choir and Piano

SKU: HL.14027062

Composed by Reginald Redman. Music Sales America. Sacred. Choral Score. Music Sales #NOV401182. Published by Music Sales (HL.14027062).

Redman 'O God Of Earth And Altar' arranged for SATB with piano accompaniment.

Composed by Gustav Holst (1874-1934), arranged by Richard Proulx. Vocal score for SATB choir and organ accompaniment. With vocal score notation, lyrics and organ accompaniment. 8 pages. Published by GIA Publications.

By Herbert Howells. For SATB Choir, Organ. Sacred, 20th Century, Choral. Sheet Music. 8 pages. Published by Novello and Co Ltd.

(All Creatures of Our God and King). Performed by First Call. By Asukulu 'Yunu Mukalay, David Maddux, Marty Mccall, Mmunga Mwenebulongo Mulongoy. Arranged by Roger Emerson. (IPAKR). Choral. Size 8.5x11 inches. 16 pages. Published by Hal Leonard.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100312

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1725. BWV 3. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.003/12. Published by Carus Verlag (CA.3100312).

ISBN 9790007041458. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100213

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 2. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.002/13. Published by Carus Verlag (CA.3100213).

ISBN 9790007041366. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.