Accordion - intermediate

SKU: M7.VHR-1811

Akkordeon Pur. Edited by Hans-Gunther Kolz. Sheet music. 32 pages. Holzschuh Musikverlag #VHR 1811. Published by Holzschuh Musikverlag (M7.VHR-1811).

ISBN 9783940069146.

AKKO RDEONpur bietet Spezialarrangements im mittleren Schwierigkeitsgrad. Libertango, Revirado, Adios Nonino, S.V.P., Oblivion, Tanti anni prima, Francanapa, Close Your Eyes And Listen.

Bb Instruments

SKU: HL.295068

Bb Edition. By Various. Fake Book. Bebop, Jazz. Softcover. 248 pages. Published by Hal Leonard (HL.295068).

ISBN 9781540055200. UPC: 888680945091. 8.5x11.0x0.592 inches.

Your new official bebop bible! Over 200 classics arranged for Bb instruments in Real Book style. Titles include: Anthropology * Au Privave * Be-Bop * Boneology * Boplicity (Be Bop Lives) * Byrd Like * Cherokee (Indian Love Song) * Confirmation * Donna Lee * Doxy * Epistrophy * 52nd Street Theme * Four * Goin' to Minton's * Good Bait * Groovin' High * Hi-Fly * Hot House * In Walked Bud * Jay Bird * Lady Bird * Lennie's Pennies * Moose the Mooche * Move * Oblivion * Oleo * Parisian Thoroughfare * Rosetta * Salt Peanuts * Solar * Teaneck * Tin Tin Deo * Tour De Force * Tricrotism * Wail * Woodyn' You * Yardbird Suite * and more! Comb bound.

From the Paris Conservatoire repertoire. Composed by Various. Edited by Jutta Puchhammer-Sedillot. This edition: Saddle stitching. Sheet music. String. Recital, Classical. Score and part, Softcover. Composed 1896-1938. 22254. 88 pages. Schott Music #ED22254. Published by Schott Music (HL.49045367).

Piano (P+KRB)

SKU: HL.49042462

No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462).

ISBN 9783795794637. German - English.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Composed by Carl Stamitz (1745-1801). Edited by Ondrej ?indelár. Arranged by Petr Koronthály. This edition: urtext edition. Paperback. Barenreiter Urtext. Piano reduction, Part (1). Baerenreiter Verlag #BA11563- 90. Published by Baerenreiter Verlag

Edited by Christoph Emmanuel Langheim. For violin and viola duet. This edition: saddle stitiching. Hors Serie. Score and parts. 28 28 pages. Published by Ut Orpheus

Another classic by Piazolla. Composed by Astor Piazolla. Arranged by Uwe Rossler. Piano reduction. Duration 1 minute, 30 seconds. Published by Uetz Music (UZ.BU-9056).

(P+KRB)

SKU: HL.49042459

Composed by Carl Maria von Weber. Edited by Andreas Fukerider and Claudia Theis. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 274 pages. Schott Music #WGA1061. Published by Schott Music (HL.49042459).

ISBN 9783795794682. 8.75x12.25x1.022 inches.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Composed by Astor Piazzolla (1921-1992). Boosey and Hawkes Chamber Music. Softcover. 120 pages. Published by Boosey and Hawkes

Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso], Timp, 2 Vl, Va, Vc, Cb, Org - Level 2

SKU: CA.2708611

Composed by Anton Diabelli. Edited by Frank Hondgen. Violin 1. Sacred vocal music, Masses, Latin. Part. Op. 147. Duration 30 minutes. Carus Verlag #CV 27.086/11. Published by Carus Verlag (CA.2708611).

ISBN M-007-25355-4. Key: F major. Latin.

Diabelli's church music has unjustly largely fallen into oblivion. In his Pastoral Mass in F, the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The Pastoral Mass is suitable for performance both at Christmas time and beyond.

Eb Edition. By Various. Fake Book. Bebop, Jazz. Softcover. 248 pages. Published by Hal Leonard

Piano duets (solo: pno - 2(picc).2.2.2 - 2.2.1.0 - timp - str)

SKU: BR.EB-8901

Composed by Hans Gal. Solo instruments; Softbound. Edition Breitkopf. Solo concerto; Early modern; Music post-1945. Piano reduction. 100 pages. Duration 34'. Breitkopf and Haertel #EB 8901. Published by Breitkopf and Haertel (BR.EB-8901).

ISBN 9790004185292. 9 x 12 inches.

The composition of works for solo piano runs through Hans Gal's entire oeuvre. Like all of the piano reductions for his operas, cantatas and solo concertos, the piano reduction of the Piano Concerto Op. 57 was written by the composer himself. First performed in Bournemouth in 1949, the Piano Concerto fell into oblivion after 1959, only to be performed again in 2009 by Hartmut Hudezeck for the first time in 50 years. The chamber-musical texture of the Piano Concerto - each part literally plays a role and has an independent contrapuntal function makes rehearsing with the aid of the piano reduction virtually indispensable. The present critical new edition was prepared by Anthony Fox with the essential support of Hartmut Hudezeck, who, thanks to his practical performance experience and his expertise in the field, was able to address not only questions of content but also of performance practice. Moreover, the edition benefits from Sarah Beth Briggs's annotations, who first recorded the work with the Royal Northern Sinfonia under the baton of Kenneth Woods on CD. The Concerto is notable for its tightly organized musical material shared equally between soloist and orchestra: ...attractive and accessible... (Erik Levi, BBC Music Magazine).

The Royal Netherlands Army Band. By The Royal Netherlands Army Band. Composed by Various. De Haske Concert Band CD. CD only. Published by De Haske Publications.

Composed by Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 178 pages. Published by Hal Leonard

Composed by Astor Piazzolla (1921-1992). For Violin, Piano Accompaniment. Boosey and Hawkes Chamber Music. Softcover. 120 pages. Published by Boosey and Hawkes

Composed by Astor Piazzolla (1921-1992). For Piano. BH Piano. Softcover. 132 pages. Boosey and Hawkes #M051246786. Published by Boosey and Hawkes

Composed by Astor Piazzolla (1921-1992). Boosey and Hawkes Chamber Music. Softcover. 122 pages. Published by Boosey and Hawkes

Composed by Astor Piazzolla (1921-1992). Boosey and Hawkes Chamber Music. Softcover. 122 pages. Published by Boosey and Hawke

Violin and 1 other inst.

SKU: BR.EB-9344

Composed by Michael Haydn. Edited by Wilhelm Altmann. Solo instruments; stapled. Edition Breitkopf. Testimony of the friendship between M. Haydn und W. A. Mozart. Sonata; Classical. Score. 60 pages. Breitkopf and Haertel #EB 9344. Published by Breitkopf and Haertel (BR.EB-9344).

ISBN 9790004188088. 9 x 12 inches.

Michael Haydn composed his four Sonatas for Violin and Viola in 1783, commissioned by the Salzburg archbishop. In fact, the archbishop ordered six sonatas, but Haydn fell ill and was not able to write the last two sonatas himself. As helper in need, Wolfgang Amadeus Mozart aided his friend. He composed the two missing sonatas and agreed that they would be presented to the archbishop under the name of Haydn. While both sonatas by Mozart have found a wide distribution, the four compositions by Haydn nearly fell into oblivion and are made available again with this edition.

Testimony of the friendship between M. Haydn und W. A. Mozart.

Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso], Timp, 2 Vl, Va, Vc, Cb, Org - Level 2

SKU: CA.2708612

Composed by Anton Diabelli. Edited by Frank Hondgen. Violin 2. Sacred vocal music, Masses, Latin. Part. Op. 147. Duration 30 minutes. Carus Verlag #CV 27.086/12. Published by Carus Verlag (CA.2708612).

ISBN M-007-25356-1. Key: F major. Latin.

Diabelli's church music has unjustly largely fallen into oblivion. In his Pastoral Mass in F, the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The Pastoral Mass is suitable for performance both at Christmas time and beyond.

C Edition. By Various. Fake Book. Softcover. 248 pages. Published by Hal Leonard (HL.154230).