| The Piano Guys - Wonders (Violin Play-Along Volume 58) Violon [Partition + Accès audio] Hal Leonard
Violin Play-Along Volume 58. By The Piano Guys. Violin Play-Along. Softcover A...(+)
Violin Play-Along Volume
58.
By The Piano Guys. Violin
Play-Along. Softcover
Audio
Online. 32 pages.
Published
by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Michael Aaron Piano Course: Adult Piano Course, Book 1 Piano seul [Partition] - Débutant Alfred Publishing
By Michael Aaron. For Piano. Piano - Aaron Method. Book. 64 pages. Published by ...(+)
By Michael Aaron. For
Piano. Piano - Aaron
Method. Book. 64 pages.
Published by Alfred
Publishing.
(2)$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classical Guitar Solos for All Occasions Guitare notes et tablatures Guitare classique Hal Leonard
Over 50 Favorite Repertoire Pieces Written in Standard Notation and Tablature....(+)
Over 50 Favorite
Repertoire
Pieces Written in
Standard
Notation and Tablature.
Arranged by Jerry
Willard.
Guitar Solo. Classical.
Softcover. With guitar
tablature. 114 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wedding Album 2 - String Trio - Intermédiaire Latham Music Enterprises
Violin 1, Violin 2 /Viola and Cello - Grade 3-4 SKU: AP.36-52702160 Compo...(+)
Violin 1, Violin 2 /Viola
and Cello - Grade 3-4
SKU:
AP.36-52702160
Composed by Lynne Latham.
Performance Music
Ensemble; String Trio.
Ludwig Masters. Score.
Latham Music Enterprises
#36-52702160. Published
by Latham Music
Enterprises
(AP.36-52702160). ISBN
9781621567615. UPC:
660355076534.
English. Scored for
2 Violins and Cello and
includes optional Violin
2 for Viola. Titles
include: Bach-Wachet auf,
Arioso, and Sheep may
Safely Graze;
Schumann-Traumeri;
Beethoven-Ode to Joy;
Franck-Panis Angelicus;
Mozart-Alleluja from
Exultate Jubilate and
Andante from Piano
Concerto #21; and
Tchaikovsky-Sleeping
Beauty Waltz.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $8.95 - Voir plus => Acheter | | |
| Frohe Hirten / Joyous Shepherds aria from the Christmas Oratorio - Avancé Cherry Classics
By Johann Sebastian Bach (1685-1750). Arranged by David Fetter. For Trombone, Fl...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
David Fetter. For
Trombone, Flute, Cello,
Keyboard. Baroque.
Advanced. Piano score and
parts. Published by
Cherry Classics
$27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Collected String Quartets v. 1 - Intermédiaire LudwigMasters Publications
Orchestra Violin 1, Violin 2, Viola, Cello - Grade 3.5 SKU: AP.36-52703201(+)
Orchestra Violin 1,
Violin 2, Viola, Cello -
Grade 3.5 SKU:
AP.36-52703201
Composed by Carole
Neuen-Rabinowitz.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
100 pages. LudwigMasters
Publications
#36-52703201. Published
by LudwigMasters
Publications
(AP.36-52703201). ISBN
9781621567387. UPC:
679360645680.
English. Includes
Canon (Pachelbel), Ode to
Joy (Beethoven), Chamber
Suite (Handel),
Badinerie, Prelude &
Fugue, and Sarabande
(J.S. Bach), Concerto for
2 Violins & Concerto
in D minor (Vivaldi),
Concerto Grosso #10
(Corelli), arranged for
string quartet by Carole
Neuen Rabinowitz. Perfect
for
weddings/receptions.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $33.99 - Voir plus => Acheter | | |
| Concertino No. 1 in F Major Clarinette et Piano [Partition + CD] Fentone Music
Clarinet and Piano - intermediate-adv SKU: HL.44005643 For clarinet an...(+)
Clarinet and Piano -
intermediate-adv SKU:
HL.44005643 For
clarinet and piano.
Composed by Jean-Baptiste
Breval. Fentone
Instrumental Books.
Transcription. Book with
CD. Composed 2005.
Fentone Music #F 893.
Published by Fentone
Music (HL.44005643).
UPC: 884088041137.
9x12 inches.
International (more than
one
language). Concerti
no No. 1 in F major for
cello and piano. In The
Platinum Series this
excellent piece has been
published in an edition
for clarinet. On the CD
that comes with the book
you will first hear the
piano accompaniment
alone, followed by the
demo version with both
clarinet and piano. It is
of course more
instructive and enjoyable
to play with a live
accompanist if you can,
using the piano part that
is also included. This
piece is a great addition
to the clarinet
repertoire!
Een
van de bekendste werken
van Jean-Baptiste Breval
is het Concertino No.
1 in F major voor
cello en piano. Dit is
voor The Platinum Series
speciaal voor de klarinet
bewerkt. Op de
fantastische cd zijn
eerst de
pianobegeleidingente
horen en vervolgens de
schitterende demoversies
- met klarinet en een
live ingespeelde piano.
Natuurlijk is het nog
leerzamer en aangenamer
om echt samen met een
pianist te musiceren. Een
aanwinst voor het
klarinetrepetoire!
Das ursprunglich fur
Cello und Klavier
geschriebene
Concertino Nr. 1 in
F-Dur des
franzosischen Komponisten
Jean-Baptiste Breval. Das
dreiteilige Werk setzt
sich aus einem lebhaften
Allegro, einem lyrischen,
majestatischen Mittelteil
und einem resoluten
Allegretto zusammen.
Anstelle des Pianisten
kann auch zur
beiliegenden CD gespielt
werden, auf der neben der
Begleitung auch eine
vollstandige Demoversion
zu horen ist.Die Reihe
The Platinum
Series enthalt
bekannte klassische Werke
fur verschiedene
Instrumente, die nun
verschiedenen Holzblasern
zuganglich gemacht wurden
und sich in ihrer neuen
Form wunderbar als
Konzertstucke eignen. Die
CDs derPlatinum
Series bieten Ihnen
die Gelegenheit, zu einer
schonen Begleitung, die
live mit Klavier,
Cembalo, Kammerensemble
oder gar
Sinfonieorchester
eingespielt wurde, zu
spielen. Auf der CD
erklingen jeweils alle
Begleitungen und
Demo-Versionen. Die
Stucke mit Basso
continuo, der auf dem
Klavier oder
Cembalogespielt werden
kann, enthalten jeweils
eine separate Solo- und
Cellostimme, sodass sie
auch von einem Ensemble
aufgefuhrt werden konnen.
Alle sechs Ausgaben sind
im Schwierigkeitsgrad
mittelschwer - schwer.
La collection
Platinum Series
rassemble des œuvres
classiques composees a
l'origine pour divers
instrument et idealement
adaptees pour des
instruments a vent de la
famille des bois. Chaque
ouvrage de cette
collection est enrichi
d'un compact disc
(version integrale +
accompagnement) d'une
grande qualite musicale.
Pour vous offrir un
excellent confort de jeu,
les accompagnements ont
ete confies au piano, au
clavecin, a un ensemble
de musique de chambre et
quelquefois meme a un
Orchestre Symphonique.
Les oeuvres avec basse
continue (adaptee pour le
piano ou le clavecin)
disposent d'une partie
soliste et d'une partie
pour violoncelle separees
afin de pouvoir
constituer unensemble
instrumental.
La
collezione >The
Platinum Series e
sinonimo di alta qualita.
Troverete le piu
importanti pagine di
musica trascritte per
strumenti a fiato. Sul CD
sono registrati dapprima
l'intero brano col
solista, e poi le sole
basi musicali
d'accompagnamento,
realizzate con strumenti
autentici che realizzano
il basso continuo al
clavicembalo. Da oggi
potrete interpretare col
saxofono le musiche di
grandi compositori come
Benedetto Marcello,
oppure suonare al
clarinetto la
trascrizione del Concerto
n.1 di Breval per
violoncello. Per le
composizioni da suonare
in duo, troverete sul CD
sia l'incisione completa
del brano, che la sola
seconda voce o il solo
Basso continuo, cosi da
potersuonare sia da soli
che assieme ad un vostro
amico. $23.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cape of Good Hope Violoncelle - Facile OR-TAV Music Publications
Cello - Early Intermediate SKU: OT.22092 Composed by Mike Witkerk. For ce...(+)
Cello - Early
Intermediate SKU:
OT.22092 Composed by
Mike Witkerk. For cello
and piano. Contemporary.
Score and Part. OR-TAV
Music Publications
#22092. Published by
OR-TAV Music Publications
(OT.22092). ISBN
9789655051063. 8.27 x
11.69 inches. Mike
Witkerk The Cape of
Good Hope for cello
and piano
Mike
Witkerk is a South
African composer and
pianist. Hailing
originally from the
Republic of Tajikistan,
he now lives in Israel.
His performances include
appearances with Michael
Jackson, Chris deBurgh,
Stevie Wonder and Cliff
Richard. His compositions
range from classical jazz
to modern. He enjoys
creating compositions
that present new ideas
and sounds. $8.69 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cours methodique de duos pour deux violoncelles Vol. 1 Op. 49 2 Violoncelles (duo) Bote and Bock
Cello Duet (Performance Score) SKU: HL.48025146 2 Performing Scores wi...(+)
Cello Duet (Performance
Score) SKU:
HL.48025146 2
Performing Scores with
Online Audio.
Composed by Jacques
Offenbach. Edited by
Cyrille Tricoire and
Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 88 pages. Bote
& Bock #M202537091.
Published by Bote & Bock
(HL.48025146). UPC:
196288096276. Jacqu
es Offenbach was not only
one of the most
successful composers of
his time, but also an
incomparable virtuoso on
the cello - his ravishing
playing in the salons of
Paris caused many a swoon
among the (female)
audience. Under the opus
numbers 49 to 54, he also
presented a cello method
in the form of duets of
progressive difficulty.
Offenbach would not be
himself if the work did
not meet the very highest
standards both from an
educational and a
musical-compositional
point of view, with an
always typical
naturalness and
originality of style. All
six volumes are equally
suitable as a method of
cello technique, duet
playing, for enjoyable
music-making at home as
well as forconcert
performances. The new
edition in the Offenbach
Edition Keck OEK
complements the modernly
edited music material by
adding online links to
audios ofthe individual
parts as well as the
duets in harmony. $38.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Solos: Cello Music Sales
| | |
| Six Baryton Trios for Trombone and Piano Trombone et Piano - Avancé Cherry Classics
Trombone and piano - advanced SKU: CY.CC2565 Composed by Franz Joseph Hay...(+)
Trombone and piano -
advanced SKU:
CY.CC2565 Composed by
Franz Joseph Haydn.
Arranged by Robert
Trevarthen. Classical.
Solo part and piano
accompaniment. Published
by Cherry Classics
(CY.CC2565).
Haydn composed
over 100 compositions,
each in three movements,
for his wealthy employer
Nicolas Esterhazy, who
played the six-string
instrument called a
Baryton, which in shape
looked much like our
modern day cello, but, of
course, with six rather
the cello four strings.
His original scores were
composed of three lines:
the solo part, an inner
filler part for viola and
a bass part. I have
realized the piano part.
These transcriptions were
created to give the solo
trombonist an experience
with classical
music.
The music
is in an elegant style
and a joy to perform as
arranged by Mr.
Trevarthen.
The
six works included in the
collection are as
follows: No. 2 in G
(Theme and
Variations) No. 26 in
F No. 49 in F No.
55 in F No. 77 in
F No. 95 in
B-flat
The works
are between 6 and 9
minutes in length each
and suitable for
moderately advanced
performers. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spirit of God, Descend Chorale SATB SATB, Cordes [Octavo] Augsburg Fortress
By John Helgen. For SATB choir, keyboard and cello. General. Gladsong. Anthem. C...(+)
By John Helgen. For SATB
choir, keyboard and
cello. General. Gladsong.
Anthem. Choral Octavo.
Published by Augsburg
Fortress
$1.60 $1.52 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Purcell : Adagio and Conzona Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire FJH
(from Ode for Saint Cecilia's Day). Composed by Henry Purcell (1659-1695). Arran...(+)
(from Ode for Saint
Cecilia's Day). Composed
by Henry Purcell
(1659-1695). Arranged by
Bob Lipton. For string
orchestra. FJH String
Orchestra. Grade 3.5.
Score and parts. Duration
3 minutes, 15 seconds.
Published by The FJH
Music Company Inc
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bach Transcriptions for Piano Piano seul Oxford University Press
(Twentieth-century arrangements from choral and instrumental works). By Johann S...(+)
(Twentieth-century
arrangements from choral
and instrumental works).
By Johann Sebastian Bach
(1685-1750). Arranged by
Michael Aston; David Owen
Norris. For Solo piano.
Piano. Other Collection.
64 pages. Published by
Oxford University Press
(OU.9780193392
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blue Baroque - Violoncello Violoncelle Universal Edition
Composed by Mike Cornick. With Standard notation. Universal Edition #UE21381. Pu...(+)
Composed by Mike Cornick.
With Standard notation.
Universal Edition
#UE21381. Published by
Universal Edition
(PR.UE021381).
$18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Septet Merion Music
Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2 SKU: PR.1444075...(+)
Chamber Music Cello,
Piano, Viola, Violin,
Violin 1, Violin 2
SKU: PR.14440757S
Composed by Ellen Taaffe
Zwilich. Full score. 64
pages. Duration 24
minutes. Merion Music
#144-40757S. Published by
Merion Music
(PR.14440757S). ISBN
9781491136539. UPC:
680160689347. Ellen
Taaffe Zwilich’s
Septet is the first major
work written for this
combination of
instruments, and the
pioneering process was
greatly enjoyed by the
composer: “While
the instrumentation of
the Septet provides an
almost orchestral
palette, and it was
interesting to explore
that, I love the idea of
seven artist-performers,
each of whom can be a
stunning virtuoso one
moment and a thoughtful
partner the next, and I
relish the electricity
that results from those
shifting roles.â€
Septet was written for
the
Kalichstein-Laredo-Robins
on Trio and the Miami
String Quartet, to whom
it is dedicated. String
parts available on
rental. For advanced
ensembles. Duration:
24’. Writing
music is a labor of love
for me. My greatest
joy is writing for
performers whom I can be
sure will not only
deliver the notes
accurately, but will
project the meaning
behind the notes. To
have performers in the
wings who will bring
their own imagination and
deep understanding to a
performance is an
inspiration to me. So
I approached the writing
of my Septet for the
Kalichstein-Laredo-Robins
on Trio and the Miami
String Quartet with great
anticipation and
pleasure.The fact that
there is no model for
such a Septet made the
pre-composition process a
most enjoyable
exploration. I liked
the idea of having two
strong ensemble
personalities in the mix,
and I thought that there
must be some sort of
challenging interchange
at the outset. The
first movement,
“Introductions,â
(note the plural)
starts with the piano
trio throwing down the
gauntlet and the string
quartet entering quietly,
but gradually (almost one
by one) joining with the
trio to make a true
septet with multi-faceted
relations. The second
movement, “Quasi
una Passacaglia,â€
is based on a repeated
phrase pattern. Part
of the formal design is a
contrast between
“Baroqueâ€
style performance and
modern, more romantic
ways of playing.Â
“Games,†the
third movement, involves
much playful interplay
and the fourth movement,
“Au revoir,â€
offers both reminiscence
and farewell – not
“good-bye,â€
but “until we meet
again.â€Throughout
the piece, two of my
persistent fascinations
are explored: firstly, my
interest in designing
initial material that can
evolve into large-scale
form, and secondly, the
pleasure I take in
chamber music. While
the instrumentation of
the Septet provides an
almost orchestral palette
and it was interesting to
explore that, I love the
idea of 7
artist-performers, each
of whom can be a stunning
virtuoso one moment and a
thoughtful partner the
next, and I relish the
electricity that results
form those shifting
roles. $35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Septet Merion Music
Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2 SKU: PR.1444075...(+)
Chamber Music Cello,
Piano, Viola, Violin,
Violin 1, Violin 2
SKU: PR.144407570
Composed by Ellen Taaffe
Zwilich. Set of Score and
Parts.
64+12+12+12+12+12+12
pages. Duration 24
minutes. Merion Music
#144-40757. Published by
Merion Music
(PR.144407570). ISBN
9781491136522. UPC:
680160689330. Ellen
Taaffe Zwilich’s
Septet is the first major
work written for this
combination of
instruments, and the
pioneering process was
greatly enjoyed by the
composer: “While
the instrumentation of
the Septet provides an
almost orchestral
palette, and it was
interesting to explore
that, I love the idea of
seven artist-performers,
each of whom can be a
stunning virtuoso one
moment and a thoughtful
partner the next, and I
relish the electricity
that results from those
shifting roles.â€
Septet was written for
the
Kalichstein-Laredo-Robins
on Trio and the Miami
String Quartet, to whom
it is dedicated. String
parts available on
rental. For advanced
ensembles. Duration:
24’. Writing
music is a labor of love
for me. My greatest
joy is writing for
performers whom I can be
sure will not only
deliver the notes
accurately, but will
project the meaning
behind the notes. To
have performers in the
wings who will bring
their own imagination and
deep understanding to a
performance is an
inspiration to me. So
I approached the writing
of my Septet for the
Kalichstein-Laredo-Robins
on Trio and the Miami
String Quartet with great
anticipation and
pleasure.The fact that
there is no model for
such a Septet made the
pre-composition process a
most enjoyable
exploration. I liked
the idea of having two
strong ensemble
personalities in the mix,
and I thought that there
must be some sort of
challenging interchange
at the outset. The
first movement,
“Introductions,â
(note the plural)
starts with the piano
trio throwing down the
gauntlet and the string
quartet entering quietly,
but gradually (almost one
by one) joining with the
trio to make a true
septet with multi-faceted
relations. The second
movement, “Quasi
una Passacaglia,â€
is based on a repeated
phrase pattern. Part
of the formal design is a
contrast between
“Baroqueâ€
style performance and
modern, more romantic
ways of playing.Â
“Games,†the
third movement, involves
much playful interplay
and the fourth movement,
“Au revoir,â€
offers both reminiscence
and farewell – not
“good-bye,â€
but “until we meet
again.â€Throughout
the piece, two of my
persistent fascinations
are explored: firstly, my
interest in designing
initial material that can
evolve into large-scale
form, and secondly, the
pleasure I take in
chamber music. While
the instrumentation of
the Septet provides an
almost orchestral palette
and it was interesting to
explore that, I love the
idea of 7
artist-performers, each
of whom can be a stunning
virtuoso one moment and a
thoughtful partner the
next, and I relish the
electricity that results
form those shifting
roles. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haunted Bridges - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210F Composed
by Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Full
score. 12 pages. Carl
Fischer Music #YAS210F.
Published by Carl Fischer
Music (CF.YAS210F).
ISBN 9781491160701.
UPC:
680160919307. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/C-sharps and -naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Haunted Bridges - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2 SKU:
CF.YAS210 Composed by
Aaron Fryklund. Carl
Fischer Young String
Orchestra Series. Set of
Score and Parts.
16+16+4+10+10+10+12
pages. Carl Fischer Music
#YAS210. Published by
Carl Fischer Music
(CF.YAS210). ISBN
9781491160442. UPC:
680160919031. In
the dim moonlight on a
night long past a rider
emerges from the fog and
slowly dares to cross a
mysterious and unsettling
bridge. The trembling
rider hesitates, unsure
whether he is more
nervous about the legend
of the headless horseman
or the creaking and
shifting he feels under
his own horse's hooves.
Haunted Bridges is a work
for string orchestra
inspired by Washington
Irving's Ichabod Crane
and his ill-fated ride in
Sleepy Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating F/C
sharps and naturals
throughout and devilishly
unpredictable harmonic
patterns. The piece also
calls for numerous
extended techniques that
students will enjoy,
including playing behind
the bridge, sul
ponticello, portamento,
and seagull glissandi.
Special techniques:
Haunted Bridges calls for
a handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect. In the dim
moonlight on a night long
past a rider emerges from
the fog and slowly dares
to cross a mysterious and
unsettling bridge. The
trembling rider
hesitates, unsure whether
he is more nervous about
the legend of the
headless horseman or the
creaking and shifting he
feels under his own
horse's hooves. Haunted
Bridges is a work for
string orchestra inspired
by Washington Irving's
Ichabod Crane and his
ill-fated ride in Sleepy
Hollow. The piece
contains allusions to the
tune London Bridge is
Falling Down, first as a
creeping counter-melody
and later as a theme in a
twisted 3/4 section whose
shifting harmonic
progression draws to mind
the fall of the fabled
bridge. Haunted Bridges
contains alternating
F/CÂ sharps and
naturals throughout and
devilishly unpredictable
harmonic patterns. The
piece also calls for
numerous extended
techniques that students
will enjoy, including
playing behind the
bridge, sul ponticello,
portamento, and seagull
glissandi.Special
techniques:Haunted
Bridges calls for a
handful of extended
techniques, most of which
are self explanatory or
commonly known. The
technique appearing in
the Violin II part from
measures 58-72 may
require some additional
explanation. This figure
is sometimes referred to
as seagull glissando and
is achieved by lightly
touching the finger to
the string and gliding up
and down the string,
producing many transient
natural harmonics as the
finger crosses the nodes
of the string. It is
suggested to start with
the 3rd finger on the A
string and slowly
glissando up beyond the
natural A harmonic, then
slowly back down,
continuing in this
pattern until measure 73.
It is also intended for
each player to vary their
speed slightly so that
the timing of the
glissandi are all a
little different,
resulting in a
shimmering, aleatoric
effect.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Endless Fascination: The Life and Work of Thomas Pitfield, Composer, Artist, Craftsman, Poet Forsyth Publications
SKU: FP.FPT06 Composed by John Turner Ed. Rosemary Firman. Biography. A w...(+)
SKU: FP.FPT06
Composed by John Turner
Ed. Rosemary Firman.
Biography. A wonderful
retrospective on the life
of Bolton-born composer,
artist and craftsman
Thomas Pitfield,
featuring
autobiographical
writings, new critical
essays reappraising his
work, and the
recollections of family,
friends, pupils and
colleagues, as well a.
Non-Fiction. Text Book.
Forsyths Publications
#FPT06. Published by
Forsyths Publications
(FP.FPT06). ISBN
9780951479544. Endl
ess Fascination brings
together Thomas
Pitfield’s most
significant
autobiographical
writings, new critical
essays reappraising his
work, and the
recollections of family,
friends, pupils and
colleagues. It is
illustrated with
portraits, musical
examples and over 100
reproductions of his art
and craft works,
supplemented by a CD of
music by the composer and
his
acquaintances.
Tho
mas Pitfield (1903-1999)
was born in Bolton,
Lancashire, into a
conventional and
narrow-minded
working-class family.
Drawn to music and driven
by a compelling urge to
compose, he overcame
initial setbacks and
lived according to
principles he worked out
for himself, maintaining
a modest and honest
lifestyle directed by the
precepts of vegetarianism
and pacifism, and keeping
faith with his innate
gifts to make a living
and a home for himself
and his like-minded wife
Alice. He became a
notable and prolific
composer who enjoyed
numerous performances and
broadcasts of his works,
especially in the North
West region of England,
some by leading artists
such as John Barbirolli,
Vilém Tauský,
Benjamin Britten and
Peter Pears, John McCabe,
and Ronald Stevenson. His
music, often written for
specific occasions or
performers, was typically
light-hearted and
small-scale, with
frequent reference to
folk-music; larger-scale
pieces included two piano
concertos, concertos for
violin, cello and
recorder, and more than a
dozen stage works. He was
also an artist, craftsman
and poet (with an
enthusiasm for nonsense
verse), whose work
reflects the revival of
interest in the arts and
crafts during the first
half of the 20th century.
Running as a thread
though everything he did
was his unswerving love
for the natural world and
in particular the beauty
of trees. $62.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mozart, Mozart 2 Flûtes traversières (duo) Ricordi
(16 Selections from the Operas in Historic Arrangements for 2 Flutes). Composed ...(+)
(16 Selections from the
Operas in Historic
Arrangements for 2
Flutes). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Various. For Flute Duet.
Ricordi Germany.
Softcover. 40 pages.
Published by Ricordi
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Bach Fake Book
Piano seul [Fake Book] Cherry Lane
By Johann Sebastian Bach (1685-1750). Piano Personality. Softcover. 128 pages. P...(+)
By Johann Sebastian Bach
(1685-1750). Piano
Personality. Softcover.
128 pages. Published by
Cherry Lane Music
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Song in the Air Hope Publishing Company
SKU: HP.C6109R Arranged by Joel Raney. Piano Accompaniment with Optional ...(+)
SKU: HP.C6109R
Arranged by Joel Raney.
Piano Accompaniment with
Optional Orchestra.
Christmas, Sacred. Rhythm
parts. Hope Publishing
Company #C6109R.
Published by Hope
Publishing Company
(HP.C6109R). UPC:
763628261092. Origi
nal anthem with Away in
the Manger With a
delightful Latin American
feel, original music is
paired with the familiar
words by Josiah G.
Holland There's a Song in
the Air. A strain of
Away in a Manger is
dropped in to round out
the story of the manger
in Bethlehem. This upbeat
Christmas anthem from
Joel's best-selling
cantata, Joy! (code no.
8721) can be accompanied
by piano, orchestration
or rhythm. Rhythm parts:
Conductor's Score,
Percussion, Piano, Synth,
Guitar/Bass, Drums &
String Reduction for
Keyboard. Orchestration:
Conductor's Score, Flute,
Oboe (or Soprano Sax or
Clarinet), Clarinet, 2
Trumpets (or Alto Sax),
Alto Sax, Tenor Sax, 2
Trombones or Tenor Sax or
Baritone T. C. ,
Percussion, Piano, Synth,
Guitar/Bass, Drums,
Violins 1 & 2, Viola,
Cello/Bassoon and String
Reduction for
Keyboard. $34.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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