| Baroque Brass Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Lorenz Publishing Company
Composed by Charles Evans. Brass ensemble. For brass quintet. General, Holy Week...(+)
Composed by Charles
Evans. Brass ensemble.
For brass quintet.
General, Holy Week, Lent.
Lorenz Publishing Company
#30/3211L. Published by
Lorenz Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143L
Composed by Stacy Garrop.
Spiral. Large Score. 68
pages. Duration 20
minutes. Theodore Presser
Company #116-42143L.
Published by Theodore
Presser Company
(PR.11642143L). UPC:
680160693320. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $71.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Berko's Journey [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143S
Composed by Stacy Garrop.
Sws. Score. 68 pages.
Duration 20 minutes.
Theodore Presser Company
#116-42143S. Published by
Theodore Presser Company
(PR.11642143S). UPC:
680160693313. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $40.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Celesta,
Clarinet 1, Clarinet 2,
Contrabass, Flute, Flute
1, Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Trumpet 3 and more.
SKU: PR.41641515L
Composed by Behzad
Ranjbaran. Premiered by
the Philadelphia
Orchestra, Yannick
Nezet-Seguin, Music
Director, Jeffrey Khaner,
flute; Verizon Hall,
Philadelphia.
Contemporary. Large
Score. With Standard
notation. Composed 2013.
Duration 28 minutes.
Theodore Presser Company
#416-41515L. Published by
Theodore Presser Company
(PR.41641515L). UPC:
680160621750. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions. In writing my
flute concerto, I aimed
not only to highlight the
modern flautist's ability
to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages. Two prominent
characters permeate the
first movement of my
concerto. They are marked
in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively. The
lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others. In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. The solo flute is
left out in an agitated
middle section that
references the first
movement. In the third
section of the movement
the solo flute returns in
meditative fashion
culminating in a duet
with the harp. The third
movement is written as
one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
Some of the materials
from the earlier
movements are presented
again with joyous
character. The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. $160.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Modern Repertory of Vocalise-Etudes (Trombone/Euphonium) Potenza Music
Trombone/euphonium SKU: P2.80091 Composed by Various. Arranged by Robert ...(+)
Trombone/euphonium
SKU: P2.80091
Composed by Various.
Arranged by Robert
Benton. Solo music.
Published by Potenza
Music (P2.80091).
Many of the
best teachers consider
vocalises essential for
teaching and learning a
singing tone quality in
addition to range,
ornamentation, and most
importantly, style. Each
of these vocalises is by
its nature - and title -
an etude. Do not be
turned off by the
pedagogical nature. They
are meant to be studied
as well as performed.
Much like the Chopin
piano etudes, these
pieces are full of great
music, and were written
with public performance
in mind. Also of note is
that all thirty of these
vocalises are by French
composers, so this is a
wonderful resource with
which to learn the French
style of performance. I
hope you enjoy these
thirty vocalise-etudes as
music as I have. They are
a pure delight to learn
and perform. Happy
practicing! $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Modern Repertory of Vocalise-Etudes (Tuba/Bass Trombone) Potenza Music
Tuba/bass trombone SKU: P2.90068 Composed by Various. Arranged by Robert ...(+)
Tuba/bass trombone
SKU: P2.90068
Composed by Various.
Arranged by Robert
Benton. Solo music.
Published by Potenza
Music (P2.90068).
Many of the
best teachers consider
vocalises essential for
teaching and learning a
singing tone quality in
addition to range,
ornamentation, and most
importantly, style. Each
of these vocalises is by
its nature - and title -
an etude. Do not be
turned off by the
pedagogical nature. They
are meant to be studied
as well as performed.
Much like the Chopin
piano etudes, these
pieces are full of great
music, and were written
with public performance
in mind. Also of note is
that all thirty of these
vocalises are by French
composers, so this is a
wonderful resource with
which to learn the French
style of performance. I
hope you enjoy these
thirty vocalise-etudes as
music as I have. They are
a pure delight to learn
and perform. Happy
practicing! $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| No Joy In Mudville Big band [Conducteur et Parties séparées] Sierra Music
By Bill Holman. Arranged by Bill Holman. Jazz Ensemble / Jazz Band. The Bill Hol...(+)
By Bill Holman. Arranged
by Bill Holman. Jazz
Ensemble / Jazz Band. The
Bill Holman Big Band
Series. From the Holman
CD A View From The Side
. Swing. Grade 5. Score
and set of parts.
Published by Sierra Music
$65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Celesta,
Clarinet 1, Clarinet 2,
Contrabass, Flute, Flute
1, Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone 1,
Trombone 2, Trombone 3,
Trumpet 1, Trumpet 2,
Trumpet 3 and more.
SKU: PR.416415150
Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150). ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches. Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Hymns: Trombone Solos with Piano Accompaniment - Intermédiaire Childrens Music Workshop
Trombone - Intermediate SKU: CZ.9798879438970 Composed by Various. Arrang...(+)
Trombone - Intermediate
SKU:
CZ.9798879438970
Composed by Various.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798879438970.
Published by Children's
Music Workshop
(CZ.9798879438970).
ISBN
9798879438970. Disc
over Jazz Hymns – where
cherished hymns meet the
vibrant world of jazz!
Immerse yourself in the
timeless essence of
twenty beloved hymns, now
adorned with
sophisticated jazz
harmonies, designed to be
easily performed by music
enthusiasts of all
levels. This unique
collection features
classics like 'Amazing
Grace,' 'How Great Thou
Art,' and 'What a Friend
We Have in Jesus,' each
thoughtfully arranged to
blend tradition with the
allure of contemporary
jazz. Featuring beautiful
arrangements, online
audio mp3s and included
lyrics, this book is a
comprehensive resource
for both musicians and
congregations
alike. Ideal for
church services, personal
devotion, or musical
gatherings, these hymns
resonate with a newfound
energy while honoring
their sacred roots.
Elevate the ambiance of
your gatherings and
infuse them with the rich
melodies and fresh
harmonies found within
Jazz Hymns. Embrace
the beauty of tradition
reimagined and experience
the joy of playing these
timeless hymns, perfectly
suited for musicians
seeking a harmonious
blend of classic and
modern influences Jazz
Hymns is available is
editions for flute, oboe,
clarinet, saxophone,
trumpet, trombone,
violin, viola, cello,
guitar and solo
piano. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Land of Hope and Glory Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
By Edward Elgar. Arranged by Philip Sparke. (Score and Parts). ANGLO MUSIC PRES...(+)
By Edward Elgar. Arranged
by Philip Sparke. (Score
and Parts). ANGLO MUSIC
PRESS. Size 9x12 inches.
Published by Anglo Music.
$86.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pop Plaza [Partition + CD] - Facile De Haske Publications
Bb/C Trombone BC/TC - early intermediate SKU: BT.DHP-1053896-400 Book wit...(+)
Bb/C Trombone BC/TC -
early intermediate
SKU:
BT.DHP-1053896-400
Book with CD. Composed
2005. 52 pages. De Haske
Publications #DHP
1053896-400. Published by
De Haske Publications
(BT.DHP-1053896-400).
ISBN 9789043122672.
9x12 inches.
International. As
the tile suggests Pop
Plaza contains a
turbulent market place
full of favourite pop
songs. In this varied
selection you will find a
mixture of both old and
newer hits - something
for everyone to enjoy.
Contains: Every Breath
You Take •
Underneath Your Clothes
• Lying in the Arms
of Mary • The Most
Beautiful Girl in the
World •Ben •
You Don’t Have to
Say You Love Me •
Wherever You Will Go
• Beautiful •
She Will Be Loved •
Streets of London and
more.
De titel
zegt het al: in Pop Plaza
staan diverse pophits -
zowel recente als minder
recente - dus er is voor
ieder wat
wils!
Pop
Plaza hält, was
der Titel verspricht: Ein
turbulenter Marktplatz
voll von absoluten
Lieblings-Pophits. In
diesem bunten Reigen aus
aktuelleren und
älteren Titeln ist
für jeden
Instrumentalisten etwas
dabei, das den Spaß am
Spielen oder auch am
Vorspielen erhöht.
Pop Plaza
contient la fois
plusieurs grands
succès de la musique
pop des décennies
passées et des tubes
actuels. Pour les
interpréter,
faites-vous accompagner
par la musique tonique du
compact disc ! Sommaire :
Every Breath You Take
• Underneath Your
Clothes • Lying in
the Arms of Mary •
The Most Beautiful Girl
in the World •
Anyplace, Anywhere,
Anytime • La
ballade des gens heureux
• Ben • You
Don’t Have to Say
You Love Me •
Wherever You Will Go
• Beautiful •
She Will Be Loved •
Streets of
London
Pop
Plaza contiene i
più grandi successi
della musica pop del
decennio passato e le
canzoni di successo
attuali. Per
interpretarle, fatevi
accompagnare dalla musica
tonica del CD. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Clarinet Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1145403-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1145403-010
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145403-010. Published by
De Haske Publications
(BT.DHP-1145403-010).
English-German-French-
Dutch. The
Clarinet Concerto
is the highpoint of
Satoshi Yagisawa’s
‘Concerto
Series’, which
also includes Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto and
Saxophone Concertino,
as well asConcertino
for Solo Percussion and
Wind Orchestra.
Yagisawa’s
characteristic theme in
the second movement
enjoys great popularity
and is therefore often
performed separately as
Intermezzo.
Het
Clarinet Concerto
vormt het hoogtepunt van
Satoshi Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto,
Saxophone
Concertino
enConcertino for Solo
Percussion and Wind
Orchestra deel van
uitmaken. Met name
Yagisawa’s
karakteristieke thema uit
het tweede deel is
populair. Daarom wordt
dat vaak als afzonderlijk
stuk uitgevoerd, onder de
titel
Das
Clarinet Concerto
bildet den Höhepunkt
der Concerto-Reihe“
von Satoshi Yagisawa, zu
welcher außerdem
folgende seiner Werke
zählen: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto,
SaxophoneConcertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.
Yagisawas
charakteristisches Thema
im zweiten Satz erfreut
sich besonderer
Beliebtheit und wird
daher als
Intermezzo oft
einzeln
aufgeführt.
Cet
te composition
représente
l’apogée de la
série de concertos de
Satoshi Yagisawa, qui
comprend aussi une
Suite concertante pour
piano et orchestre,
un Concerto pour
trompette, un
Concerto pour
trombone, un
Concertino
poursaxophone et
un Concertino pour
percussion solo et
orchestre
d’harmonie. En
raison de sa grande
popularité, le
thème émouvant du
deuxième mouvement,
qui est intitulé
Intermezzo, est
souvent interprété
indépendamment.
Il Clarinet
Concerto fa parte
della Concert
Series“ di Satoshi
Yagisawa, che include le
seguenti opere: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino e anche
Concertino forSolo
Percussion and Wind
Orchestra. Il tema
caratteristico di
Yagisawa nel secondo
movimento gode di una
popolarit speciale e
viene quindi spesso
eseguito da solo come
intermezzo. $314.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Weihnachtslieder und mehr - Facile De Haske Publications
Trombone Ensemble - early intermediate SKU: BT.DHP-1135501-401 42 Chor...(+)
Trombone Ensemble - early
intermediate SKU:
BT.DHP-1135501-401
42 Choräle und
Lieder zu Advent und
Weihnachten. Arranged
by Michael Koch.
Posaunenchor Aktuell.
Book Only. Composed 2013.
36 pages. De Haske
Publications #DHP
1135501-401. Published by
De Haske Publications
(BT.DHP-1135501-401).
ISBN 9789043139441.
9x12 inches.
German. Das
Repertoire der
Posaunenchöre hat sich
seit den 90er-Jahren des
letzten Jahrhunderts
stark erweitert. Neben
den klassischen
Choralsätzen, alter
Spielmusik, Werken
klassischer und
romantischer Meister und
zeitgenössischer
Bläsermusik haben
sichmoderne Stilistiken
vom Swing über Rock-
und Popmusik bis zu
lateinamerikanischen
Rhythmen in den
Posaunenchören
etabliert. Viele neue
geistliche Lieder
erfordern zudem ein
sicheres Bewegen auf
diesem Terrain. Ein
breites Repertoire bringt
nicht nurAbwechslung und
zusätzlichen Spaß
am Musizieren, es erlaubt
dem Posaunenchor auch,
sich inner- und
außerhalb des
Gottesdienstes
zeitgemäß zu
präsentieren.
Darüber hinaus
motiviert moderne,
schwungvolle Musik den
Nachwuchs, der für das
Bestehen einesjeden
Ensembles
überlebenswichtig ist.
Auch bei der Pflege des
tradtionellen
Repertoires, wie etwa der
Advents- und
Weihnachtslieder, sorgen
neue Bearbeitungen für
frischen Wind.Für die
Sammlung
Weihnachtslieder und
mehr wurde eine
Auswahl anLiedern
getroffen, die ein
breitgefächertes
Repertoire für die
Zeit vom Advent über
Weihanchten bis Neujahr
liefern. Darunter finden
sich Lieder aus dem
Gesangbuch, wie Es
kommt ein Schiff geladen,
Herbei, o ihr
Gläubigen und
In dulcijubilo,
die von festlichem,
choralartigem Charakter
sind, aber auch
fröhliche, liedhafte
Titel, wie zum Beispiel
Kling, Glöckchen,
klingelingeling.
Liedern alteren Ursprungs
stehen modernere Melodien
aus dem 20. Jahrhundert
gegenüber
unddeutschsprachige
Lieder wurden um einige
bekannte internationale
Titel, wie das englische
Joy to the World
oder das französische
Il est né, le divin
Enfant, ergänzt.
Insgesamt 42 Titel decken
den Bedarf für jeden
Anlass ab.Die durchwegneu
komponierten Sätze
klingen einerseits
vorwiegend traditionell,
vereinzelt sind sie an
berühmte Vorbilder
angelehnt. Andererseits
klingt doch auch immer
wieder die individuelle
Handschrift des
Arrangeurs durch und
rückt die vertrauten
Melodien inein neues
Licht. Alle Sätze sind
vierstimmig mit einer
optionalen Oberstimme
geschrieben, sodass vier-
oder fünfstimmige
Aufführungen
gleichermaßen
möglich sind. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Weber Complete Edition 2/1 Chorale SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2
flutes, 2 oboes, 2
clarinets, 2 bassoons - 2
horns, 2 trumpets, 3
trombones, timpani and
strings (P+KRB) SKU:
HL.49042434 Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434). ISBN
9783795794491.
10.25x13.5x1.141 inches.
German. Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references. $257.00 - Voir plus => Acheter | | |
| Heroic Poem Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Oboes, 3 Flutes (3rd doubles Piccolo), 3 Tr...(+)
Orchestra 2 Bassoons, 2
Clarinets, 2 Oboes, 3
Flutes (3rd doubles
Piccolo), 3 Trombones, 3
Trumpets, 4 Horns, 4
Trumpets ad lib. (in rear
of hall), Bass Clarinet,
Bass Drum, Cele,
Contrabassoon, Cymbals,
English Horn, Gong, Harp,
Snare Drum, Timpani,
Triangle, Tuba SKU:
PR.47600137L Composed
by Radie Britain. This
edition: Large Score.
Contemporary. Large
Score. With Standard
notation. Composed 1946.
Duration 13 minutes.
Theodore Presser Company
#476-00137L. Published by
Theodore Presser Company
(PR.47600137L). UPC:
680160637157. 11x17
inches. This piece,
dedicated to the memory
of a heroic feat, does
not desire to be classed
as a Symphonic Poem in
the generally accepted
sense of this term. It
does not attempt to
picture, or to strictly
follow, the various
mechanical and realistic
phases of this heroic
adventure although, on
the other hand, it does
not entirely avoid
allusion to such
realistic phenomena as
are characteristic of and
inseperable from the
nature of this adventure
and the technical means
of its realization. The
composer's main object,
however, was to try to
express in sound the
emotional phases of an
adventure that might be
called a prototype of
modern romance; to touch
upon its human aspect and
its ethical meaning, not
only in the relation to
the individual, but to
humanity in general. To
the individual, the
venturing Hero, refer the
opening phrases; the
sinister aspect of a bold
inspiration at its first
manifestation. To his
human environments, his
character and conquering
spirit, refer certain
lyrical as well as
martial and ehical
themes. According to the
nature of the venture,
the clash of motoric
forces and that of an
indomitable spirit with
the threatening elements
presented themselves for
musical consideration as
well as the plausible
uncertainty of the
outcome, the increasing
conficence and the final
victory, and triumphant
victory itself. And as
emotion in its purest and
most intense form reverts
to the primitive, the
composer thought it not
amiss to make fragmentary
use of the anthems of two
nations, thus symbolizing
the appeal from soil to
soil; an appeal that
found its joyous echo in
all humanity. And in the
midst of the turbulent
rejoicing stands the lone
figure of the Hero whose
daring had materialized
the dream of aeons. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Heroic Poem [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets, 2 Oboes, 3 Flutes (3rd doubles Piccolo), 3 Tr...(+)
Orchestra 2 Bassoons, 2
Clarinets, 2 Oboes, 3
Flutes (3rd doubles
Piccolo), 3 Trombones, 3
Trumpets, 4 Horns, 4
Trumpets ad lib. (in rear
of hall), Bass Clarinet,
Bass Drum, Cele,
Contrabassoon, Cymbals,
English Horn, Gong, Harp,
Snare Drum, Timpani,
Triangle, Tuba SKU:
PR.476001370 Composed
by Radie Britain. This
edition: Study Score.
Contemporary. Full score.
With Standard notation.
Composed 1946. Duration
13 minutes. Theodore
Presser Company
#476-00137. Published by
Theodore Presser Company
(PR.476001370). UPC:
680160637140. 9x12
inches. This piece,
dedicated to the memory
of a heroic feat, does
not desire to be classed
as a Symphonic Poem in
the generally accepted
sense of this term. It
does not attempt to
picture, or to strictly
follow, the various
mechanical and realistic
phases of this heroic
adventure although, on
the other hand, it does
not entirely avoid
allusion to such
realistic phenomena as
are characteristic of and
inseparable from the
nature of this adventure
and the technical means
of its realization. The
composer's main object,
however, was to try to
express in sound the
emotional phases of an
adventure that might be
called a prototype of
modern romance; to touch
upon its human aspect and
its ethical meaning, not
only in the relation to
the individual, but to
humanity in general. To
the individual, the
venturing Hero, refer the
opening phrases; the
sinister aspect of a bold
inspiration at its first
manifestation. To his
human environments, his
character and conquering
spirit, refer certain
lyrical as well as
martial and ethical
themes. According to the
nature of the venture,
the clash of motoric
forces and that of an
indomitable spirit with
the threatening elements
presented themselves for
musical consideration as
well as the plausible
uncertainty of the
outcome, the increasing
confidence and the final
victory, and triumphant
victory itself. And as
emotion in its purest and
most intense form reverts
to the primitive, the
composer thought it not
amiss to make fragmentary
use of the anthems of two
nations, thus symbolizing
the appeal from soil to
soil; an appeal that
found its joyous echo in
all humanity. And in the
midst of the turbulent
rejoicing stands the lone
figure of the Hero whose
daring had materialized
the dream of aeons. $41.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasia Nova Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5
SKU:
MH.1-59913-082-3
Composed by Bob Margolis.
Suitable for community
bands, high school bands,
and college bands. 14
minutes duration if
played as a suite; or
movements 1 or 3 may be
performed separately.
Conductor score and set
of parts. Duration 14:00.
Published by Manhattan
Beach Music
(MH.1-59913-082-3).
ISBN
9781599130828. Fant
asia Nova is a suite
comprising two concert
marches and a slow,
middle movement that
derives its themes from
both marches. Ragtime
(composed in early
September, 1978) is a new
from old sort of piece.
Although its tunefulness
and harmonies have an
old-fashioned character,
its structure,
development, and
orchestration are unusual
for a march. In the
chorale section (measures
111 - 148) the band
director must be very
careful in balancing, for
each of the elements must
come through. More
important is that the
audience be brought up by
this section -- filled
with a joyous exaltation;
great attention must be
paid to sonority and the
band must play earnestly.
Ragtime stands on its own
and may be performed
separately. Dreams
(composed in late
September, 1978) is the
traditional march of the
two. It is very closely
modeled (in structure
only) to Sousa's Stars
and Stripes Forever. It
even includes a tricky
piccolo solo, although
the accompaniment has a
chorale texture, almost
like a school alma mater.
This march has a
patriotic, inspirational
sound, because it was
composed for the town of
Irondequoit, New York --
for a Town March contest
held by the town's
community concert band.
It did not, so far as I
know, become the town's
march; one can hear the
name, Irondequoit,
throughout the Trio, for
every turn of the melody
(in fact, each group of
four notes) fits the
accent pattern
(Ih-RON-dih-kwoit) of the
town's name. Parade
stands on its own as a
complete work and may be
performed separately.
Ensemble instrumentation:
1 Piccolo, 6 Flutes, 2
1st & 2nd Oboes, 1
English Horn, 1 Eb
Clarinet, 3 1st Bb
Clarinet, 3 2nd Bb
Clarinet, 3 3rd Bb
Clarinet, 1 Eb Alto
Clarinet, 2 Bb Bass
Clarinet, 1 Eb Contrabass
Clarinet (optional), 2
1st & 2nd Bassoons, 1
Contrabassoon (optional),
1 1st Eb Alto Saxophone,
1 2nd Eb Alto Saxophone,
1 Bb Tenor Saxophone, 1
Eb Baritone Saxophone, 3
1st Bb Cornets, 3 2nd Bb
Cornets, 3 3rd Bb
Cornets, 1 1st Horn in F,
1 2nd Horn in F, 2 3rd
and 4th Horns in F, 2 1st
Trombones, 2 2nd
Trombones, 2 3rd
Trombones, 1 Euphonium
(Treble Clef), 2
Euphonium (Bass Clef), 4
Tuba, 1 String Bass, 1
Timpani (Triangle), 5
Percussion. $125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Threefold - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone 1, Trombone 2
and more. - Grade 3
SKU: CF.CPS239
Composed by Richard
Summers. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+6+8+2+1+4+4+
24+4 pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CPS239.
Published by Carl Fischer
Music (CF.CPS239).
ISBN 9781491157855.
UPC: 680160916450. 9 x 12
inches. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter. Syncopation
adds a modern, jazzy,
popular feel to this
exciting concert band
composition. Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and blend.
This adds a feeling of
baroque or renaissance
style to the texture. Yet
the melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The middle
3/4 section is slightly
slower featuring brass
and saxophones and played
legato. Then at the key
change, it becomes more
articulate and
contrapuntal. The a tempo
at m. 88 returns to the
original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter.Â
Syncopation adds a
modern, jazzy, popular
feel to this exciting
concert band
composition.Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and
blend. This adds a
feeling of baroque or
renaissance style to the
texture. Yet the
melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The
middle 3/4 section is
slightly slower featuring
brass and saxophones and
played legato. Then at
the key change, it
becomes more articulate
and contrapuntal. The
a tempo at m. 88 returns
to the original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Threefold [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone 1, Trombone 2
and more. - Grade 3
SKU: CF.CPS239F
Composed by Richard
Summers. Sws. Cps. Full
score. 24 pages. Duration
3 minutes, 40 seconds.
Carl Fischer Music
#CPS239F. Published by
Carl Fischer Music
(CF.CPS239F). ISBN
9781491157848. UPC:
680160916443. 9 x 12
inches. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter. Syncopation
adds a modern, jazzy,
popular feel to this
exciting concert band
composition. Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and blend.
This adds a feeling of
baroque or renaissance
style to the texture. Yet
the melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The middle
3/4 section is slightly
slower featuring brass
and saxophones and played
legato. Then at the key
change, it becomes more
articulate and
contrapuntal. The a tempo
at m. 88 returns to the
original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter.Â
Syncopation adds a
modern, jazzy, popular
feel to this exciting
concert band
composition.Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and
blend. This adds a
feeling of baroque or
renaissance style to the
texture. Yet the
melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The
middle 3/4 section is
slightly slower featuring
brass and saxophones and
played legato. Then at
the key change, it
becomes more articulate
and contrapuntal. The
a tempo at m. 88 returns
to the original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Song in the Air Hope Publishing Company
SKU: HP.C6109R Arranged by Joel Raney. Piano Accompaniment with Optional ...(+)
SKU: HP.C6109R
Arranged by Joel Raney.
Piano Accompaniment with
Optional Orchestra.
Christmas, Sacred. Rhythm
parts. Hope Publishing
Company #C6109R.
Published by Hope
Publishing Company
(HP.C6109R). UPC:
763628261092. Origi
nal anthem with Away in
the Manger With a
delightful Latin American
feel, original music is
paired with the familiar
words by Josiah G.
Holland There's a Song in
the Air. A strain of
Away in a Manger is
dropped in to round out
the story of the manger
in Bethlehem. This upbeat
Christmas anthem from
Joel's best-selling
cantata, Joy! (code no.
8721) can be accompanied
by piano, orchestration
or rhythm. Rhythm parts:
Conductor's Score,
Percussion, Piano, Synth,
Guitar/Bass, Drums &
String Reduction for
Keyboard. Orchestration:
Conductor's Score, Flute,
Oboe (or Soprano Sax or
Clarinet), Clarinet, 2
Trumpets (or Alto Sax),
Alto Sax, Tenor Sax, 2
Trombones or Tenor Sax or
Baritone T. C. ,
Percussion, Piano, Synth,
Guitar/Bass, Drums,
Violins 1 & 2, Viola,
Cello/Bassoon and String
Reduction for
Keyboard. $34.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| A Song In The Air Chorale SATB [Octavo] Hope Publishing Company
Arranged by Joel Raney. Christmas, Sacred. Octavo. Published by Hope Publishing...(+)
Arranged by Joel Raney.
Christmas, Sacred.
Octavo. Published by Hope
Publishing Company
(HP.C6109).
$3.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Song in the Air Hope Publishing Company
SKU: HP.C6109O Arranged by Joel Raney. Piano Accompaniment with Optional ...(+)
SKU: HP.C6109O
Arranged by Joel Raney.
Piano Accompaniment with
Optional Orchestra.
Orchestration. Christmas,
Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C6109O. Published by
Hope Publishing Company
(HP.C6109O). UPC:
763628361099. Origi
nal anthem with Away in
the Manger With a
delightful Latin American
feel, original music is
paired with the familiar
words by Josiah G.
Holland There's a Song in
the Air. A strain of
Away in a Manger is
dropped in to round out
the story of the manger
in Bethlehem. This upbeat
Christmas anthem from
Joel's best-selling
cantata, Joy! (code no.
8721) can be accompanied
by piano, orchestration
or rhythm. Rhythm parts:
Conductor's Score,
Percussion, Piano, Synth,
Guitar/Bass, Drums &
String Reduction for
Keyboard. Orchestration:
Conductor's Score, Flute,
Oboe (or Soprano Sax or
Clarinet), Clarinet, 2
Trumpets (or Alto Sax),
Alto Sax, Tenor Sax, 2
Trombones or Tenor Sax or
Baritone T. C. ,
Percussion, Piano, Synth,
Guitar/Bass, Drums,
Violins 1 & 2, Viola,
Cello/Bassoon and String
Reduction for
Keyboard. $89.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Don't Cry CD Chorale Hope Publishing Company
Choir SKU: HP.C6141C Composed by Kirk Franklin. Arranged by Joel Raney. M...(+)
Choir SKU:
HP.C6141C Composed by
Kirk Franklin. Arranged
by Joel Raney. My heart,
O God, is steadfast, my
heart is steadfast; I
will sing and make music.
Psalm 57:7. Easter
Sunday, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C6141C.
Published by Hope
Publishing Company
(HP.C6141C). UPC:
763628961411. By Kirk
Franklin. Spiritual
by Kirk Franklin
The music of Kirk
Franklin is synonymous
with the heart of worship
in the African-American
Church, and Joel Raney
has set this powerful
resurrection song as
authentically as
possible, maintaining its
soulful, gospel style.
The buildup from
beginning to end is sure
to enrapture all in the
message Don't cry, wipe
your eyes, he is not
dead! If you enjoyed
Revelation 19 and Order
My Steps, previously
published in our catalog,
then you won't want to
miss this one.
Orchestrations:
Conductor's Score, Horn
(or Alto Sax or
Clarinet), 2 Trombone (or
Tenor Sax or Baritone T.
C. ), Percussion, Piano,
Synth (Vintage Rhodes),
Electric Guitar (or Capo
Guitar), Electric Bass,
Drums, Violins 1 & 2,
Viola (or Clarinet),
Cello/Bassoon (or Bass
Clarinet). Double Bass
and String
Reduction. $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Rolling Thunder Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band SKU: AP.36-50105073 Arranged by Henry Fillmore and ed./arr. ...(+)
Concert Band SKU:
AP.36-50105073
Arranged by Henry
Fillmore and ed./arr. by
Col. Arnald Gabriel.
Concert Band. Col. Arnald
Gabriel Series. Score.
LudwigMasters
Publications
#36-50105073. Published
by LudwigMasters
Publications
(AP.36-50105073). ISBN
9781621561194. UPC:
659359520808.
English. There's
never been another
screamer quite like it!
Fillmore's venerable
warhorse has been given a
thorough looking over by
one of the foremost band
conductors of our time.
Drawing on his years of
experience with the
United States Air Force
Band, Colonel Gabriel has
meticulously edited this
formidable march for the
modern band. Rolling
Thunder has long been an
admired and often
performed work in the
symphonic band
repertoire. Composed by
(James) Henry Fillmore in
1916, this march was a
favorite of conductor
Merle Evans and the
Ringling Brothers and
Barnum and Bailey Circus.
The work is dedicated to
Ed Hicker, who as far as
the little documentation
shows, was an actor and
musician in the
Cincinnati, Ohio area and
who may have performed
with Fillmore in the many
pit orchestra engagements
of his youth. Rolling
Thunder is unique within
the march oeuvre, in that
its softest dynamic
marking is forte! In
later printings, Fillmore
added the subtitle A
Trombone Ace, perhaps a
tip of the hat to his own
instrument and that the
trombones and other bass
instruments are playing
to the fore from
beginning to end.
Fillmore also indicates
that the march should be
played Furioso. So sit
back, close your eyes and
enjoy the exciting, death
defying sounds of the
circus as only Henry
Fillmore (our Uncle
Henry) can do.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $12.00 - Voir plus => Acheter | | |
| Three Moods Smith WV 183 [Conducteur et Parties séparées] Music Distribution Services
Clarinet, 2 trumpets, horn, trombone and tuba SKU: M7.KECF-140 Composed b...(+)
Clarinet, 2 trumpets,
horn, trombone and tuba
SKU: M7.KECF-140
Composed by Peter Bernard
Smith. This edition:
Saddle stitching. Sheet
music. Score and parts.
40 pages. MDS (Music
Distribution Services)
#KECF 140. Published by
MDS (Music Distribution
Services) (M7.KECF-140).
ISBN 9790502361402.
German English. As
the titles already
suggest, this piece
describes three different
moods in modern style.
The first movement is
characterised by vivid
articulation, augmented
fifths, strongs rhythms
and a contrast between
vigorous and lyrical
passages.The second
movement is a melancholic
daydream with Long legato
passages. The third
movement bubbles with the
joy of living, simply
through the regular time
changes. $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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