Organ

SKU: M7.DOHR-18922

Composed by Bernd Genz. Sheet music. Single sheet. 12 pages. MDS (Music Distribution Services) #DOHR 18922. Published by MDS (Music Distribution Services) (M7.DOHR-18922).

ISBN 9790202039229.

Die Grundlage des Werks ist eine frei gestaltete choralähnliche Melodie, die sich entsprechend dem Bauweise einer klassischen Passacaglia durch das ganze Stück zieht. Verschiedene Charaktere choralmäßiger Interpretation sind in dieses Werk eingearbeitet und produzieren eine Bedeutungsfeld, das mit dem Begriff choraliter spielt und mehrere Assoziationen konkret werden lässt: choraliter - canonico, chromatico, diatonico, liturgico, fugato und maestoso. Diese Charakteristik bestimmt auch den Sitz der Passacaglia choraliter im kirchenmusikalischen Leben: als Musik im Gottesdienst. Das Werk entstand im Oktober 2017 und hat eine Gesamt-Spieldauer von ungefähr zwölf Minuten. (Bernd Genz).

SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo or 2 oboes, english horn and basso continuo)

SKU: CA.3550311

Arranged by J. S. Bach. Composed by Francesco Gasparini. Edited by Peter Wollny. This edition: urtext. Edition Bach-Archiv Leipzig - Musical Monuments. Basso continuo. Sacred vocal music, Masses, Latin. Single Part, basso continuo. 4 pages. Carus Verlag #CV 35.503/11. Published by Carus Verlag (CA.3550311).

ISBN 9790007213473. Text language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

Organ and speakers

SKU: HL.49017441

Composed by Petr Eben. This edition: Paperback/Soft Cover. Sheet music. PANTON. Composed 1981. 124 pages. Schott Music #P5040. Published by Schott Music (HL.49017441).

9.0x12.0x0.376 inches.

This composition evolved from an improvisation played by Petr Eben himself on numerous concert tours across Europe. Now the printed version long awaited by many organists has been published. The fourteen pieces are based on themes taken from the book by the same name by the humanist philosopher, educational theorist and theologist Johann Amos Comenius (1592-1670). Eben writes about the piece: 'The pilgrim who wanders through the labyrinth of the world finds nothing here to delight him and turns his heart towards God. What touches me most about Comenius' view is his tireless striving to make the world a better place. The whole atmosphere of the text is not that of an idyllic stroll through the world, but of a satirical, bizarre and sometimes even apocalyptic vision.'.

SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo or 2 oboes, english horn and basso continuo)

SKU: CA.3550348

Arranged by J. S. Bach. Composed by Francesco Gasparini. Edited by Peter Wollny. This edition: urtext. Edition Bach-Archiv Leipzig - Musical Monuments. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. 8 pages. Carus Verlag #CV 35.503/48. Published by Carus Verlag (CA.3550348).

ISBN 9790007213497. Language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo or 2 oboes, english horn and basso continuo)

SKU: CA.3550349

Arranged by J. S. Bach. Composed by Francesco Gasparini. Edited by Peter Wollny. This edition: urtext. Edition Bach-Archiv Leipzig - Musical Monuments. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. 8 pages. Carus Verlag #CV 35.503/49. Published by Carus Verlag (CA.3550349).

ISBN 9790007213503. Language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo or 2 oboes, english horn and basso continuo)

SKU: CA.3550319

Arranged by J. S. Bach. Composed by Francesco Gasparini. Edited by Peter Wollny. This edition: urtext. Edition Bach-Archiv Leipzig - Musical Monuments. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Carus Verlag #CV 35.503/19. Published by Carus Verlag (CA.3550319).

ISBN 9790007213480. Text language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and parts available separately - see item CA.3550300.

(from a Christmas Canticle). By John Biggs (1932-). For SATB choir, soprano voice solo and piano. Christmas & Chunukah. Cheerful text - Latin & English. Choral. Intermediate. Full score. Duration 3.75 minutes. Published by Consort Press

(from a Christmas Canticle). By John Biggs (1932-). For SATB choir, soprano voice solo and piano. Christmas & Chunukah. Cheerful text - Latin & English. Choral. Intermediate. Full score. Duration 2.75 minutes. Published by Consort Press . full score. choral.

(1.3.0.1/0.0.0.0,ob d'Amore,ob da Caccia,va da gamba,cem,str=1-1-1.1.1-1 .0)

SKU: TM.01536SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A3032. Published by Lucks Music Library (TM.01536SC).

Does not incl #12 Trio Sonata (see #650-5603). No. 1 Ricercar, No. 2 Canon perpetuus super Thema Regium, No. 3 Canon 1 a 2, No. 4 Canon 2 a 2 Violini in Unisono, No. 5 Canon 3 a 2 per Motum contrarium, No. 6 Canon 4 a 2 per Augmentationem contrario Motu, No. 7 Canon 5 a 2, No. 8 Fuga canonica in Epidiapente, No. 9 Ricercar a 6, No. 10 Canon a 2 Quaerendo invenietis, No. 11 Canon a 4, No. 12 Sonata Siehe die gesondert beiliegende Stimme, No. 13 Canon perpetuus.

(1.3.0.1/0.0.0.0,ob d'Amore,ob da Caccia,va da gamba,cem,str=1-1-1.1.1-1 .0)

SKU: TM.01536SET

Composed by Johann Sebastian Bach. Set Type: M. Set of parts. Lucks Music Library #A3032. Published by Lucks Music Library (TM.01536SET).

Does not incl #12 Trio Sonata (see #650-5603). No. 1 Ricercar, No. 2 Canon perpetuus super Thema Regium, No. 3 Canon 1 a 2, No. 4 Canon 2 a 2 Violini in Unisono, No. 5 Canon 3 a 2 per Motum contrarium, No. 6 Canon 4 a 2 per Augmentationem contrario Motu, No. 7 Canon 5 a 2, No. 8 Fuga canonica in Epidiapente, No. 9 Ricercar a 6, No. 10 Canon a 2 Quaerendo invenietis, No. 11 Canon a 4, No. 12 Sonata Siehe die gesondert beiliegende Stimme, No. 13 Canon perpetuus.