((Play a Dance for Me)). By Giovanni Giacomo Gastoldi. Edited by and arr., with ...(+)
((Play a Dance for Me)).
By Giovanni Giacomo
Gastoldi. Edited by and
arr., with English words,
by Patrick M. Liebergen.
Choir Secular. 3-Part
Mixed Choir (SAB). Choral
Octavo; Masterworks.
Choral Designs. Baroque;
Masterwork Arrangement;
Renaissance. 12 p
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
(Incorporating March of the Toys, Toyland, and Parade of the Wooden Soldier...(+)
(Incorporating March of
the Toys, Toyland, and
Parade of the Wooden
Soldiers ). By Mark
Weston. Secular
Christmas. Performance &
Accompaniment CD.
Published by Heritage
Music Press
Lyrics/Chords Guitar SKU: HL.242081 By The Beatles. The Little Black Song...(+)
Lyrics/Chords Guitar
SKU: HL.242081
By
The Beatles. The Little
Black Songbook. Pop. 384
pages. Hal Leonard
#HL00242081. Published by
Hal Leonard (HL.242081).
ISBN 9781785588617.
UPC: 888680704407.
4.75x7.75x0.956
inches.
A
pocket-sized collection
of 195 Beatles hits
presented in chord
songbook format. Includes
complete lyrics, chord
names & a handy chord
box reference sheet.
Including classic hits
such as: All You Need Is
Love • Can't Buy Me
Love • Day Tripper
• Do You Want to
Know a Secret •
Eleanor Rigby •
From Me to You •
Get Back • Help!
• Hey Jude •
I Want to Hold Your Hand
• Let It Be •
Magical Mystery Tour
• Ob-La-Di Ob-La-Da
• Please Please Me
• Ticket to Ride
• Twist and Shout
• and more.
Lyrics/Chords Ukulele SKU: HL.232108 By The Beatles. Ukulele. Pop. Softco...(+)
Lyrics/Chords Ukulele
SKU: HL.232108
By
The Beatles. Ukulele.
Pop. Softcover. Composed
2014. 384 pages. Hal
Leonard #NO91894.
Published by Hal Leonard
(HL.232108).
ISBN
9781783052738. UPC:
888680677329.
4.5x7.5x0.899
inches.
Complete
lyrics and chords to 195
Beatles songs, including:
Across the Universe
• All My Loving
• All You Need Is
Love • And I Love
Her • Back in the
U.S.S.R. • The
Ballad of John and Yoko
• Birthday •
Blackbird • A Day
in the Life • Day
Tripper • Dear
Prudence • Drive My
Car • Eight Days a
Week • Eleanor
Rigby • Good Day
Sunshine • Got to
Get You into My Life
• A Hard Day's
Night • Help!
• Helter Skelter
• Here Comes the
Sun • Hey Jude
• I Saw Her
Standing There • I
Want to Hold Your Hand
• In My Life
• Let It Be •
The Long and Winding Road
• Lucy in the Sky
with Diamonds •
Penny Lane •
Revolution •
Something • Ticket
to Ride • Twist and
Shout • When I'm
Sixty-Four • While
My Guitar Gently Weeps
• Yellow Submarine
• Yesterday •
and more. 4-1/2 inches x
7-1/2 inches.
SKU: HL.49005065 Volume 4. Composed by Heinrich Creuzburg. This ed...(+)
SKU: HL.49005065
Volume 4. Composed
by Heinrich Creuzburg.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 64
pages. Schott Music #ED
4643. Published by Schott
Music (HL.49005065).
ISBN 9790001054201.
UPC: 073999695861.
9.0x12.0x0.24 inches.
German - English -
French.
(A TRANSP) SKU: HL.49032202 1. - 4. Schuljahr einschliesslich Vorklass...(+)
(A TRANSP)
SKU:
HL.49032202
1. -
4. Schuljahr
einschliesslich
Vorklasse. Composed
by Fischer. This edition:
Ring/Spiral binding.
Loose-leaf folder.
Edition Schott. 150
pages. Schott Music #ED
6799. Published by Schott
Music (HL.49032202).
ISBN 9790001143141.
German. Michael
Czieslik.
Die
folgenden insgesamt 35
Arbeitstransparente
wollen dem Lehrer den
Umgang mit dem
Schulerband zu
Musikunterricht -
Grundschule erleichtern,
indem sie ihm die
Moglichkeit geben,
komplexere Abbildungen
(Notenbeispiele,
grafische Partituren,
Tastatur o.a.) mit Hilfe
eines Overheadprojektors
an die (Lein-) Wand zu
projizieren. Sie
enthalten vor allem
solche Abbildungen, die
der Lehrer nicht ohne
grosseren Aufwand selbst
auf Overheadtransparente
oder Arbeitsbogen
ubertragen kann.
Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio; Piano/V...(+)
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords. P/V/C
Mixed Folio;
Piano/Vocal/Chords. Sheet
Music Hits. Pop/Rock.
Book. 128 pages. Alfred
Music #00-MFM0323.
Published by Alfred Music
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689587368 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689587368
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Eastertide.
CD preview pak. Word
Music #080689587368.
Published by Word Music
(WD.080689587368).
UPC:
080689587368.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689875229 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689875229
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Listening
CD. Word Music
#080689875229. Published
by Word Music
(WD.080689875229).
UPC:
080689875229.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689504679 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689504679
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength!
Orchestration. Word Music
#080689504679. Published
by Word Music
(WD.080689504679).
UPC:
080689504679.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689800726 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689800726
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Eastertide.
Bulk CD (10-pak). Word
Music #080689800726.
Published by Word Music
(WD.080689800726).
UPC:
080689800726.
God's
people are called to
sing. His song has been
written on our hearts,
and we must give voice to
what He has written
there. And there may be
nothing quite so powerful
as a men's chorus joining
strong voices together in
songs of honor and praise
to their God and
King!
The new men's
choir book from WORD
Music, 1st CORINTHIANS
16:13, is designed to
help the men of God in
your church and community
do just that...come
together to sing praise
to the Lord, to sing for
joy, to sing to Him a new
song, to declare His
might and power.
Featuring 7 new
arrangements from
best-selling arrangers
Russell Mauldin, Cliff
Duren, Lari Goss and
Marty Hamby, 1st
CORINTHIANS 16:13 is a
must-have, new book for
your music library. All
men of God have a song to
sing; now they have an
excellent, new resource
to help them bring that
song to life and declare
their allegiance to the
King of Kings and Lord of
Lords!Ask the men in
your Cchurch to sing;
challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
make her great! Rise up,
O men of God! Tread where
his feet have trod. As
brothers of the Son of
Man, rise up, O men of
God! ...Rise up, men of
God, and sing!
TTBB choir, piano accompaniment - easy/moderate SKU: WD.080689704024 7...(+)
TTBB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689704024
7
Powerful Arrangements for
Bold Men of God.
Arranged by Cliff Duren,
Lari Goss and Marty
Hamby, and Russell
Mauldin. Choral,
cantatas. Be Alert and on
Your Guard; Stand Firm in
Your Faith; Act Like Men
and Be Courageous; Grow
In Strength! Christmas.
Practice trax. Word Music
#080689704024. Published
by Word Music
(WD.080689704024).
UPC:
080689704024.
God's
people are called to
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The new men's
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Featuring 7 new
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Russell Mauldin, Cliff
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CORINTHIANS 16:13 is a
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Lords!Ask the men in
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challenge and encourage
them to sing. And if all
else fails, then inspire
them to sing, using the
words of this magestic
old hymn, Rise Up O Men
of God, written by
William P. Merrill in
1911. The text
reads:Rise up, O men
of God! Have done with
lesser things. Give heart
and soul and mind and
strength to serve the
King of Kings. Rise up, O
men of God, in one united
throng. Bring in the day
of brotherhood and end
the night of wrong. Rise
up, O men of God! The
church for you doth wait,
Her strength unequal to
her task; rise up, and
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O men of God! Tread where
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SKU: GI.G-10368 A Document History (1835-1935). Composed by Bryan ...(+)
SKU: GI.G-10368
A Document History
(1835-1935). Composed
by Bryan J. Proksch.
Music Education. 346
pages. GIA Publications
#10368. Published by GIA
Publications
(GI.G-10368).
ISBN
9781622776276.
This
is a fascinating and
important book for
everybody even remotely
interested in the history
of American bands. Bryan
Proksch has done some
painstakingly thorough
research in putting
together an amazing
assemblage of
documents… This is
a must-have book!
—Jon Ceander
Mitchell   The
Wind Music Research
Quarterly:
Mitteilungsblatt der IGEB
  (March 2022),
14–15 For the
scholar, each entry
presents an opportunity
for expansion. For the
teacher, this work
provides source readings
for courses on wind band
history or for
complementing Strunk or
Weiss-Taruskin in
university music history
courses. That said, these
documents stand as an
enriching and
entertaining read in
their own right for
anyone interested in the
subject. —Michael
O’Connor  Â
Historic Brass Today 1/2
(Spring 2022), 32 The
Golden Age of American
Bands is ideally suited
for courses on the
history and literature of
bands in America. Indeed,
this volume could suffice
as a textbook for
adventuresome teachers in
that it touches on the
major musicians,
instruments, ensembles,
and functions expected of
such a course. . . . Both
private and classroom
band instructors will
find compelling glimpses
into the history of their
craft. [It is] bursting
with opportunities to
inspire curiosity in
their students while
effectively supporting
their own curricular
goals. —Benjamin
D. Lawson and James A.
Davis   The
Journal of Music History
Pedagogy Proksch’s
new collection of
documents is a most
welcome step in the
direction of getting [the
story of bands] under
control. The
juxtaposition of
documents from so many
levels and types of
ensembles proves to have
a cumulative effect: one
begins to see the subtle
and long-lasting
connections among them
despite the big
differences. It is easy
to envision it as a
supplemental text in a
course on band history
and literature, but the
book is also just an
absorbing read. There is
much to learn here, and
much to enjoy.
—Ken Kreitner Â
 Notes 79/2 (December
2022): 217-218 This is
the story of the American
wind band, told
chronologically by those
who experienced it in
real time from 1835 to
1935. How did bands
become bands? How did
they rise in popularity?
Which figures had
insights and specific
impacts on the
development of the genre?
Through source documents
and articles, Bryan
Proksch takes us on an
extraordinary journey
from the time of the
first brass bands in the
1830s, through the Civil
War and the golden ages
of Gilmore and Sousa, to
the cusp of the wind
ensemble just before
World War II. Hear from a
young Frederick Fennell
about his efforts to
create the first band at
Eastman. Read the outline
of Allessandro
Liberati’s
unpublished trumpet
method book. Eavesdrop on
Karl L. King as he muses
on the fate of bands
after the death of Sousa.
See Patrick
Conway’s first
undergraduate music
education curriculum.
Gawk as trombonist
Fredrick Neil Innes
embarrasses
“world’s
greatest cornetistâ€
Jules Levy at Coney
Island. Explore as Alan
Dodworth revolutionizes
bands. Retreat with a
military band in the
middle of a Civil War
battle. Find out what it
felt like to sit in a
Sousa Band rehearsal. Ask
Herbert L. Clarke why he
thinks you should be
playing a cornet instead
of a trumpet. Find out
how P. S. Gilmore managed
to pull off the biggest
concert events in
American history. The
book includes numerous
rare and unknown
illustrations to show you
the places where band
history happened. The
documents include rare
periodical excerpts,
handwritten letters, and
other writings taken from
archives throughout the
United States. These
first-person accounts are
certain to further refine
and deepen our
understanding and
appreciation of American
band history on a grand
scale. Contents:
Beginnings
(1835–1859) The
Civil War
(1860–1865) The
Jubilees
(1866–1879) The
Gilded Age
(1880–1896) The
Band Age
(1897–1914) World
War I (1915–1919)
Transition and Decline
(1920–1935) Â
Click here to download a
FREE addenda. Bryan
Proksch is a
distinguished faculty
lecturer and associate
professor of music
history and literature at
Lamar University in
Beaumont, Texas. This is
his third book. His A
Sousa Reader: Essays,
Interviews, and Clippings
(GIA Publications, 2016)
explores the documents
relating to the life and
career of John Philip
Sousa.
By Peter Ilyich Tchaikovsky. (Piano). Ashley Mark "His Greatest" Series (Piano s...(+)
By Peter Ilyich
Tchaikovsky. (Piano).
Ashley Mark "His
Greatest" Series (Piano
solo arrangements). Book
only. 192 pages.
Published by Ashley
Publications Inc.