SKU: HL.48180567

UPC: 888680908218. 9x12 inches.

Moyse provides the perfect study book for beginner to advanced flautists. With directions in French, English, German, Spanish and Japanese, 100 Easy and Progressive Studies for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone, clear, flexible and penetrating, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial number of study books for the instrument. 100 Easy and Progressive Studies, based on studies by Crammer, focuses on elements including phrasing, tempo, breath control, articulation, fingering and evenness, among other aspects. Being a prominent flute player himself, Moyse's 100 Easy and Progressive Studies is well-informed and essential to aspiring flautists.

SKU: HL.14043596

12.0x16.75x0.445 inches.

This is the full score of Aheym For Orchestra , composed by Bryce Dessner , best known as the guitarist of The National, but also an acclaimed composer in his own right. If so desired, this work can be performed with Strings alone: the Wind and Percussion instruments are optional. Composed in 2009 for the Kronos Quartet for their performance in Brooklyn's Prospect Park for the Celebrate Brooklyn! festival, Aheym (meaning 'homeward' in Yiddish) was directly inspired by his parents' migration to Brooklyn. The score in this edition was first performed by the London Sinfonietta at the Southbank Centre in London on the 9th of October 2012. The work lasts around 8 minutes and isfilled with dynamic tempo changes, a mix of staccato and smooth playing and all-round excitement. It's a fantastic piece to play and the genius composition will keep audiences on their toes.

SKU: P2.90004

Episodes and Echoes is a concerto in three movements for tuba. The title of the work relates directly to the way the composer approached writing the piece: Although the work is scored with piano and wind band accompaniments, Episodes and Echoes was originally written for tuba and brass band. I had several problems to overcome - the brass band contains 4 tubas, and 2 euphoniums, all of which could obscure the solo line, so I decided to write for the soloist in a manner that meant they were either playing alone, in episodes, or repeating/echoing phrases.

SKU: CF.FE59

ISBN 9780825878527. UPC: 798408078522.

David Noon was a member of the faculty of Manhattan School of Music for 30 years, using a combination of entertainment and his vast knowledge of music history to encourage generations of students in pursuit of music careers. He was concurrently a wonderfully prolific composer, with well over 200 works to his credit. Cadenzas is an earlier work, reflecting the influences of serial music composers, such as Webern and Boulez, shortly before Noon's compositional style would take on new directions. This is the 1974 Carl Fischer Facsimile Edition performance score. For advanced performers.

SKU: MN.60-1132C

UPC: 688670007217.

The introduction and interludes are almost cinematic in scope and provide a beautiful setting for large group singing at any festival, worship service, or Christmas concert. This orchestration is directly pulled from the concertato and is performable with congregation alone. For the optional choral parts and descant, order the choir score (MSM-60-1132).

SKU: MN.60-1132A

UPC: 688670007194.

The introduction and interludes are almost cinematic in scope and provide a beautiful setting for large group singing at any festival, worship service, or Christmas concert. This orchestration is directly pulled from the concertato and is performable with congregation alone. For the optional choral parts and descant, order the choir score (MSM-60-1132).

SKU: HL.1117972

UPC: 847986001498. 9.75x11.0x8.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. The swiss army knife of microphoness The award-winning LCT 640 TS is an incredibly flexible multipattern microphone. It works as a traditional multi-pattern microphone, a stereo microphone, and a mic that can change the polar pattern after the fact. Its full, crisp, yet well-balanced sound works perfectly well on any source - vocals and instruments. Adjust the polar pattern after the fact By recording with the Dual Output Mode on a stereo track, you can create any polar pattern in the mix with the POLARIZER plugin - even after recording. Perfectly-in-phase stereo recording, with a single mic You can produce perfectly in-phase stereo recordings by using a single LCT 640 TS in Dual Output Mode. Just point the mic sideways to the source and adapt the stereo width in the mix. The same sensitivity in every microphone Every single LCT 640 TS undergoes a series of measurements followed by adjustment of polarization voltage to achieve the same sensitivity in every microphone. With this Perfect Match technology, you can use any two LCT 640 TS as a stereo pair. Fully fledged for the daily studio routine The LCT 640 TS offers three low-cut and attenuation settings, plus a clipping indicator that lets you easily see if the microphone clips. What's in the box? The LCT 640 TS comes in a nearly indestructible mil-spec transport case with a shock mount, windscreen, cushioned mic bag, magnetic pop filter, and an adapter cable for the Dual Output mode.

SKU: HL.14007563

ISBN 9788759867587. UPC: 888680753047. 10.5x14.0x0.033 inches.

Consolation - Like A Roselike Flower (Consolazione - Flos Ut Rosa) for Harp solo by Per Norgard (2002). Written for and dedicated to Tine Rehling. Programme note by the composer: The concept of Mary has a depth that transcends all religious persuasions. All over the earth symbols of the gentle and maternal are known. But the word 'Maria' is also associated - in sound - with the Latin word for the sea, mare, and she thus become the Star of the Sea, Maris Stella.  In my 3rd Symphony the Maria motif is used in a hymn section in the second, and last, part of the work. The choral song “Flos ut rosa floruit” was composed directly in the context of the symphony, and themelody had a 'stamina' that carried it over into many later vocal and choral compositions, for instance the “Concerto for Harp No. 2 - through thorns” (2003) and the present Consolazione for harp solo , both works dedicated to Tine Rehling. .

SKU: HL.1433360

UPC: 860132002569. 6.25x7.0x3.25 inches.

The MV-BT is a Bluetooth receiver with balanced outputs for use with any professional audio system. It provides an elegant solution for sound professionals looking to integrate Bluetooth-capable devices into their systems. Users can pair any Bluetooh-capable playback device, including microphones and laptops, with the MV-BT, and connect directly to their speakers, to a mixer, or to an interface. Using the aptX codecm, the MV-BT is capable of receiving CD quality audio over Bluetooth. The MV-BT has independent volume control, elminiating the need to control volume from a playback device. This puts a big, easy-to-use volume controller at users' fingertips, and ensures that any Bluetooth-capable playback device can send audio at the highest possible resolution. An LED array alongside the volume wheel indicates the volume level. The MV-BT has balanced XLR and TRS outputs to suit users' preferences. In addition to Bluetooth input, there is a 3.5mm input on the side of the unit to provide physical connection to older devices.

SKU: HL.390875

UPC: 196288028444. 6.75x10.5x0.036 inches.

Ryan Tedder, the lead vocalist for the pop rock band OneRepublic, has made a living out of being a musician, TV personality, songwriter, and record producer for some of the hottest names in popular music. This energetic, propulsive song directly mirrors Ryan's thirst for the hustle and the never-ending search for optimism and drive in unprecedented times.

SKU: GI.G-6390B

SKU: FG.55011-420-3

ISBN 9790550114203.

Anda nte festivo is originally composed for string quartet by Jean Sibelius (1865-1957). The direct radio broadcast of its string orchestra version in 1939, honoring the World Fair in New York City, was Sibelius's last public appearance as a conductor. This solemn, hymn-like composition fits perfectly for the organ. Pianist, cantor-organist Esa Ylonen's transcription is based on Karl Ekman's piano transcription.