Play Music Espana. Latin. Book with CD. Composed 2015. Play Music Spain #MUSMS0153. Published by Play Music Spain

Concert Band/Harmonie and Trumpet Trio - Grade 4

SKU: BT.DHP-1064165-140

Paso Doble for 3 Trumpeters and Band - New Sounds for Concert Band no. 114. Composed by Pascual Marquina Narro. Arranged by Toshio Mashima. New Sounds for Concert Band. Solo & Concerto. Score Only. Composed 2006. 28 pages. De Haske Publications #DHP 1064165-140. Published by De Haske Publications (BT.DHP-1064165-140).

9x12 inches. English-German-French-Dut ch.

Der Paso doble ist ein spanischer Tanz, bei dem der Mann einen Torero und die Frau das rote Tuch, einen zweiten Stierkämpfer oder eine Flamencotänzerin darstellt. Eines der beliebtesten Paso-doble-Stücke, das auch oft auf professionellen Tanzturnieren gespielt wird, ist das feurige Stück España Cani, das Toshio Mashima nun für Blasorchester bearbeitete. Spanisches Temperament auf Ihrer Konzertbühne!

Le paso doble, littéralement pas double est né au début du XIX ème siècle dans l'esprit de la corrida où la femme symbolise la cape rouge (la mantilla) et l'homme le torero. España Cani compte parmi les plus célèbres paso doble. La musique cache un tempérament de feu.

Il paso doble è nato agli inizi del XIX secolo nello spirito della corrida dove la donna simbolizza il mantello rosso (la mantella) e l’uomo il torero. Espana Cani è considerato uno dei più celebri paso doble. La musica nasconde un temperamento di fuoco.

Solo soprano voice, trombone (Soprano solo, Trombone) - Level 5

SKU: BA.BA11074

Composed by Beat Furrer. Stapled. World Premiere 28/11/2015, Salzburg. Performance scores (2). Composed 2015. 16 / 16 pages. Baerenreiter Verlag #BA11074_00. Published by Baerenreiter Verlag (BA.BA11074).

ISBN 9790006562251. 32.5 x 26 cm inches. Text: Lukrez.

Innovative work by the Siemens prize winner 2018 (the “Nobel prize” of music)

Beat Furrer’s Duo “Spazio Immergente I” (everlasting space) leads an over 2000-year-old text of visionary breadth into fascinating worlds of sound – with voice, language, and breath. The ancient poet Lucretius describes a concept of dislimitation and apocalypse, whose timelessness lends this challenging, musically innovative dialogue an incomparable urgency: “... that the walls of the universe do not suddenly flee like flames into an unfathomable void, ... and nothing, not a vestige remains – abandoned space.”