(The Collaborative Artist Flute, Violin, Piano). By Nancy Faber. Faber Piano Adv...(+)
(The Collaborative Artist
Flute, Violin, Piano). By
Nancy Faber. Faber Piano
Adventureså¨. Faber
Piano Adventures #FF7003.
Published by Faber Piano
Adventures
(BR) SKU: HL.49041730 Die beliebtesten Opern von der Barockzeit bis zu...(+)
(BR)
SKU:
HL.49041730
Die
beliebtesten Opern von
der Barockzeit bis zur
Gegenwart. Composed
by Werner. This edition:
Paperback/Soft Cover.
Paperback. Serie Musik. A
very special opera guide
- not just for young
people! 383 pages. Schott
Music #SEM 8384.
Published by Schott Music
(HL.49041730).
ISBN
9783254083845. German.
Reinhard
Heinrich.
This
opera guide is addressed
to children and young
people, but also to their
parents and relatives. It
contains concise
comprehensible
information on all
important aspects of the
opera. This edition
describes: - the contents
and characters of
individual operas,- the
400-year-old history of
the opera,- the creation
of an opera performance.-
the opera house and the
people working there. The
operas were selected
according to their
suitability for young
opera-goers, but also to
their performance
frequency. The list of
the dramatis personae is
followed by a vivid
summary of the contents,
as well as by additional
notes on the music, the
genesis and significance
of the opera, and
complemented by music
examples written in
simple keys so that they
are easy to read and to
play. Graphic show
selected one or two
selected scenes and
introduce the reader to
important characters of
the story in typical
costumes.
Organ - intermediate to advanced SKU: HL.49016185 Die Marianische....(+)
Organ - intermediate to
advanced
SKU:
HL.49016185
Die
Marianische. Composed
by Enjott Schneider. This
edition: Paperback/Soft
Cover. Sheet music. Organ
Collection. Als
Gegenstuck zur
Orgelsinfonie Nr.1 Pater
Noster bietet die 2.
Orgelsymphonie weichere
und geheimnisvollere
(eben marianische)
Klangwelten an und
skizziert Stationen aus
Marias Lebensweg. Als
Instrument empfiehlt sich
eine Orgel mit mindestens
drei Manu. Composed 2006.
55 pages. Duration 24'.
Schott Music #ED 20074.
Published by Schott Music
(HL.49016185).
ISBN
9790001145411. UPC:
884088202507.
9.0x12.0x0.141
inches.
As a
counterpart to theOrgan
Symphony No. 1 Pater
Noster (ED 9937), the
Organ Symphony No. 2
offers softer and more
mysterious (Marian) sound
worlds, sketching stages
of Mary's life: an
adoring Salve Regina
grows from the mystic
source, followed by
Berceuse pour Marie as a
lullaby of the Christmas
events. The third
movement Mater Dolorosa
falls back on the
well-known Gregorian
sequence Stabat Mater,
taking Mary's pain at the
cross as its central
theme. The finale treats
the Ave Maris Stella in a
crescendo from pp to ff
in a positive and solemn
manner, in memory of
Mary's assumption. It is
advisable to use an organ
with at least three
manuals.
Composed
by Carl Strommen. Full
score. 32 pages. Carl
Fischer Music #CPS270F.
Published by Carl Fischer
Music (CF.CPS270F).
ISBN 9781491164099.
UPC:
680160922888.
Scrim
shaw is the technique of
whalebone and ivory
carving that was started
by sailors centuries ago.
Inspired by the
composer's stay in
Utqiagvik, Alaska, this
composition musically
illustrates scenes from
these carvings
that depict a day of
Alaskan fishing. Starting
broadly and majestically,
the music quickly moves
to a lively and energetic
section that features
syncopation and
introduces the concept of
canonic entrances. A
return to the initial
thematic material brings
the piece to an
exciting conclusion.
Although challenging in
many ways, this
composition fully rewards
all performers and
listeners with a
thrilling musical
journey. Scrimshaw is
the technique of ivory
carving, an art form I
saw firsthand during my
stay in Barrow
(Utqiagvik), the
northernmost town in
North America. Scrimshaw
Tales depicts some of the
scenes that sailors and
artists once carved into
whale bone and ivory,
often related to the
day-to-day activities of
Alaskan fishing crews.The
opening 28 measures (Port
at Dawn) should be played
broadly and majestically.
Measures 29 through 66 (A
Gathering of Ships)
should be playing in a
lively and energetic
manner. The various
canonic entrances
represent the ships as
they leave port
one-by-one. Measures 67
through 132 (Out to Sea)
should be played
forcefully and
energetically. Each
successive entrance
should push the pulse of
this section to its
conclusion at
132.Measures 133 through
150 (Return to Port)
recalls the opening
section, played with
sweeping grandeur.
(Piano) SKU: HP.8395 Arranged by Ellen Elwell. This edition: Complete. Co...(+)
(Piano)
SKU:
HP.8395
Arranged by
Ellen Elwell. This
edition: Complete.
Collection. Beginner
Praise Piano Series Ellen
Elwell. Contemporary,
General Worship, Sacred.
Book & Demo CD. Hope
Publishing Company #8395.
Published by Hope
Publishing Company
(HP.8395).
UPC:
763628183950.
Ten
contemporary praise songs
Designed with the
elementary level student
in mind, Simply Praise is
the first book in a new
piano series by Ellen
Banks Elwell.With a
contents comprised of
some of the most popular
titles in the
contemporary worship
scene, this collection
offers opportunities for
pianists in their early
stages of learning to
find meaningful
expressions of praise!
Available with a
Demonstration CD - a
great teaching tool -
which gives the students
the opportunity to hear
what each song should
sound like.
Clarinet, Violin & Piano SKU: SU.46200010 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200010
For Clarinet, Violin &
Piano. Composed by
James Niblock. Chamber
Music, Piano Trio,
Woodwinds, Clarinet.
Score & Parts. Subito
Music Corporation
#46200010. Published by
Subito Music Corporation
(SU.46200010).
Clarinet,
Violin & Piano Duration:
25 ' Composed: 1984
Published by: Verdehr
Trio This publication
contains two separate
worksMedieval Suite
composed by James
NiblockTrio in B-flat
transcribed by James
Niblock Medieval Suite
uses material from a
variety of thirteenth
through fifteenth-century
sources. The second
movement is a fantasy for
clarinet solo based on a
Gregorian Chant melody
from the Liber Usualis.
Trio in Bb Major, K358 is
a transcription on one of
four piano sonatas that
Mozart composed for four
hands. The objective of
this transcription was to
capture, as accurately as
possible, Mozart’s
intent had he scored this
sonata of the trio.
Michigan State University
Press.
Jazz Ensemble Score - Grade 5 SKU: KN.52010S Composed by Toshiko Akiyoshi...(+)
Jazz Ensemble Score -
Grade 5
SKU:
KN.52010S
Composed by
Toshiko Akiyoshi. Kendor
Archive Editions. Kendor
Music Inc #52010S.
Published by Kendor Music
Inc (KN.52010S).
As recorded by
the Toshiko Akiyoshi-Lew
Tabackin Big Band in 1980
for their Farewell To
Mingus album, this fast
bebop outing for
proficient players
features a big full-band
opening, sax and brass
section solis, and solo
space for piano, tenor
(or alto), and bass.
Directors also have the
option of repeating one
solo chorus to feature
trumpet as well. Duration
ca. 6:00.
Elegy I Ensemble de cuivres - Avancé De Haske Publications
Brass Band - Grade 5 SKU: BT.DHP-1053919-130 Composed by Jacob De Haan. S...(+)
Brass Band - Grade 5
SKU:
BT.DHP-1053919-130
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2005. 76
pages. De Haske
Publications #DHP
1053919-130. Published by
De Haske Publications
(BT.DHP-1053919-130).
9x12 inches.
English-German-French-Dut
ch.
Elegy I
‘Jealousy’
has been named after John
Donne’s poem of
the same name. This
English poet (1572-1631)
wrote an entire series of
elegies, each with its
own theme. Jealousy can
trigger various emotions,
ranging from
disappointment, grief, or
regret, to madness and
anger. All these emotions
have been incorporated
into this composition.
Jacob de Haan was
inspired by three
different works of art: a
poem (the aforementioned
poem by John Donne), a
painting by the Norwegian
painter Edvard Munch
(Jealousy in the Garden)
and an old French chanson
about jealousy (Je ne
l’ose dire) by the
sixteenth-century French
composer Pierre Certon.
The music refers
repeatedly to thischanson
- sometimes through key
notes from the melody
that serve as the
starting point for new,
isolated themes and
sometimes through
quotations of the
original version
Elegy I
‘Jealousy’
I> werd genoemd naar het
gelijknamige gedicht van
John Donne. Jaloezie
(Jealousy) roept een hele
rij emoties op. Van
teleurstelling, treurnis
en verdriet tot boosheid
en woede. Het gedicht
Jealousy van Donneen ook
het gelijknamige
schilderij van Edvard
Munch inspireerden Jacob
de Haan om dit werk te
componeren. En het is hem
goed gelukt om alle
emoties die bij jaloerse
gevoelens horen muzikaal
te verklanken! Een
treffend concertwerkdat u
niet mag
missen…
E
legy I
‘Jealousy’
I> wurde nach dem
gleichnamigen Gedicht von
John Donne benannt.
Eifersucht (Jealousy)
vermag eine ganze Reihe
von Emotionen
auszulösen - von
Enttäuschung, Trauer,
Bedauern bis hin zu
Ärger und Wut. Jacob
de Haan ist es gelungen,
all diese Gefühle in
Musik umzusetzen. Ein
bewegendes Konzertwerk,
das Sie sich nicht
entgehen lassen sollten.
Fanfare Band - Grade 5 SKU: BT.DHP-1094675-120 Jealousy. Composed ...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094675-120
Jealousy. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2008. 56 pages. De Haske
Publications #DHP
1094675-120. Published by
De Haske Publications
(BT.DHP-1094675-120).
9x12 inches.
English-German-French-Dut
ch.
Elegy I
‘Jealousy’
has been named after John
Donne’s poem of
the same name. This
English poet (1572-1631)
wrote an entire series of
elegies, each with its
own theme. Jealousy can
trigger various emotions,
ranging from
disappointment, grief, or
regret, to madness and
anger. All these emotions
have been incorporated
into this composition.
Jacob de Haan was
inspired by three
different works of art: a
poem (the aforementioned
poem by John Donne), a
painting by the Norwegian
painter Edvard Munch
(Jealousy in the Garden)
and an old French chanson
about jealousy (Je ne
l’ose dire) by the
sixteenth-century French
composer Pierre Certon.
The music refers
repeatedly to thischanson
- sometimes through key
notes from the melody
that serve as the
starting point for new,
isolated themes and
sometimes through
quotations of the
original version.
Elegy I
‘Jealousy’
I> werd genoemd naar het
gelijknamige gedicht van
John Donne. Jaloezie
(Jealousy) roept een hele
rij emoties op. Van
teleurstelling, treurnis
en verdriet tot boosheid
en woede. Het gedicht
Jealousy van Donneen ook
het gelijknamige
schilderij van Edvard
Munch inspireerden Jacob
de Haan om dit werk te
componeren. En het is hem
goed gelukt om alle
emoties die bij jaloerse
gevoelens horen muzikaal
te verklanken! Een
treffend concertwerkdat u
niet mag
missen…
E
legy I
‘Jealousy’
I> wurde nach dem
gleichnamigen Gedicht von
John Donne benannt.
Eifersucht (Jealousy)
vermag eine ganze Reihe
von Emotionen
auszulösen - von
Enttäuschung, Trauer,
Bedauern bis hin zu
Ärger und Wut. Jacob
de Haan ist es gelungen,
all diese Gefühle in
Musik umzusetzen. Ein
bewegendes Konzertwerk,
das Sie sich nicht
entgehen lassen sollten.
Fanfare Band - Grade 5 SKU: BT.DHP-1094675-020 Jealousy. Composed ...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094675-020
Jealousy. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094675-020. Published by
De Haske Publications
(BT.DHP-1094675-020).
9x12 inches.
English-German-French-Dut
ch.
Elegy I
‘Jealousy’
has been named after John
Donne’s poem of
the same name. This
English poet (1572-1631)
wrote an entire series of
elegies, each with its
own theme. Jealousy can
trigger various emotions,
ranging from
disappointment, grief, or
regret, to madness and
anger. All these emotions
have been incorporated
into this composition.
Jacob de Haan was
inspired by three
different works of art: a
poem (the aforementioned
poem by John Donne), a
painting by the Norwegian
painter Edvard Munch
(Jealousy in the Garden)
and an old French chanson
about jealousy (Je ne
l’ose dire) by the
sixteenth-century French
composer Pierre Certon.
The music refers
repeatedly to thischanson
- sometimes through key
notes from the melody
that serve as the
starting point for new,
isolated themes and
sometimes through
quotations of the
original version.
Elegy I
‘Jealousy’
I> werd genoemd naar het
gelijknamige gedicht van
John Donne. Jaloezie
(Jealousy) roept een hele
rij emoties op. Van
teleurstelling, treurnis
en verdriet tot boosheid
en woede. Het gedicht
Jealousy van Donneen ook
het gelijknamige
schilderij van Edvard
Munch inspireerden Jacob
de Haan om dit werk te
componeren. En het is hem
goed gelukt om alle
emoties die bij jaloerse
gevoelens horen muzikaal
te verklanken! Een
treffend concertwerkdat u
niet mag
missen…
E
legy I
‘Jealousy’
I> wurde nach dem
gleichnamigen Gedicht von
John Donne benannt.
Eifersucht (Jealousy)
vermag eine ganze Reihe
von Emotionen
auszulösen - von
Enttäuschung, Trauer,
Bedauern bis hin zu
Ärger und Wut. Jacob
de Haan ist es gelungen,
all diese Gefühle in
Musik umzusetzen. Ein
bewegendes Konzertwerk,
das Sie sich nicht
entgehen lassen sollten.
Elegy I Ensemble de cuivres - Avancé De Haske Publications
Brass Band - Grade 5 SKU: BT.DHP-1053919-030 Composed by Jacob De Haan. S...(+)
Brass Band - Grade 5
SKU:
BT.DHP-1053919-030
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053919-030.
Published by De Haske
Publications
(BT.DHP-1053919-030).
9x12 inches.
English-German-French-Dut
ch.
Elegy I
‘Jealousy’
has been named after John
Donne’s poem of
the same name. This
English poet (1572-1631)
wrote an entire series of
elegies, each with its
own theme. Jealousy can
trigger various emotions,
ranging from
disappointment, grief, or
regret, to madness and
anger. All these emotions
have been incorporated
into this composition.
Jacob de Haan was
inspired by three
different works of art: a
poem (the aforementioned
poem by John Donne), a
painting by the Norwegian
painter Edvard Munch
(Jealousy in the Garden)
and an old French chanson
about jealousy (Je ne
l’ose dire) by the
sixteenth-century French
composer Pierre Certon.
The music refers
repeatedly to thischanson
- sometimes through key
notes from the melody
that serve as the
starting point for new,
isolated themes and
sometimes through
quotations of the
original version
Elegy I
‘Jealousy’
I> werd genoemd naar het
gelijknamige gedicht van
John Donne. Jaloezie
(Jealousy) roept een hele
rij emoties op. Van
teleurstelling, treurnis
en verdriet tot boosheid
en woede. Het gedicht
Jealousy van Donneen ook
het gelijknamige
schilderij van Edvard
Munch inspireerden Jacob
de Haan om dit werk te
componeren. En het is hem
goed gelukt om alle
emoties die bij jaloerse
gevoelens horen muzikaal
te verklanken! Een
treffend concertwerkdat u
niet mag
missen…
E
legy I
‘Jealousy’
I> wurde nach dem
gleichnamigen Gedicht von
John Donne benannt.
Eifersucht (Jealousy)
vermag eine ganze Reihe
von Emotionen
auszulösen - von
Enttäuschung, Trauer,
Bedauern bis hin zu
Ärger und Wut. Jacob
de Haan ist es gelungen,
all diese Gefühle in
Musik umzusetzen. Ein
bewegendes Konzertwerk,
das Sie sich nicht
entgehen lassen sollten.
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Full score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS207F.
Published by Carl Fischer
Music (CF.YPS207F).
ISBN 9781491152959.
UPC:
680160910458.
Facto
ry Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer .
A Quiet Moment Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-210-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-210-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Festive
and Solemn Music. Score
Only. Composed 2007. 16
pages. Anglo Music Press
#AMP 210-140. Published
by Anglo Music Press
(BT.AMP-210-140).
9x12
inches.
English-German-French-Dut
ch.
A Quiet Moment
was written in memory of
James Philip Krofta, a
highly respected American
conductor who died in the
year 2006. This calm,
willful composition of
Philip Sparke is equally
at home on the concert
platform as in thecontest
arena or at significant
remembrance events when a
quiet moment is required.
Dur: 4:30
A
Quiet Moment is
geschreven ter
herinnering aan de
Amerikaanse dirigent
James Phillip Krofta
(1953-2006), in opdracht
van zijn familie, die
hiermee zijn grote liefde
voor de muziek en het
lesgeven recht wil doen.
Deze mooiecompositie
leent zich uitstekend
voor plechtige
gelegenheden (eventueel
ter nagedachtenis aan een
geliefde persoon), maar
kan ook heel goed dienen
als aangenaam rustpunt in
een concert.
A
Quiet Moment wurde im
Gedenken an James Philip
Krofta, eines engagierten
amerikanischen
Dirigenten, der im Jahre
2006 verstorben ist,
geschrieben. Kroftas
Familie gab die
Komposition als
Anerkennung seiner Liebe
zur Musik und seiner
Hingabe zum Lehrerberuf
in Auftrag. Die ruhige,
würdevolle
Komposition von Philip
Sparke eignet sich
wunderbar für
Anlässe zu Ehren oder
zum Gedenken an wichtige
Personen oder Ereignisse
- oder als besinnlicher
Ruhepunkt in Ihrem
Konzertprogramm.
A Quiet Moment Orchestre d'harmonie - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-210-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-210-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Festive
and Solemn Music. Set
(Score & Parts). Composed
2007. 94 pages. Anglo
Music Press #AMP 210-010.
Published by Anglo Music
Press (BT.AMP-210-010).
9x12 inches.
English-German-French-Dut
ch.
A Quiet Moment
was written in memory of
James Philip Krofta, a
highly respected American
conductor who died in the
year 2006. This calm,
willful composition of
Philip Sparke is equally
at home on the concert
platform as in thecontest
arena or at significant
remembrance events when a
quiet moment is required.
Dur: 4:30
A
Quiet Moment is
geschreven ter
herinnering aan de
Amerikaanse dirigent
James Phillip Krofta
(1953-2006), in opdracht
van zijn familie, die
hiermee zijn grote liefde
voor de muziek en het
lesgeven recht wil doen.
Deze mooiecompositie
leent zich uitstekend
voor plechtige
gelegenheden (eventueel
ter nagedachtenis aan een
geliefde persoon), maar
kan ook heel goed dienen
als aangenaam rustpunt in
een concert.
A
Quiet Moment wurde im
Gedenken an James Philip
Krofta, eines engagierten
amerikanischen
Dirigenten, der im Jahre
2006 verstorben ist,
geschrieben. Kroftas
Familie gab die
Komposition als
Anerkennung seiner Liebe
zur Musik und seiner
Hingabe zum Lehrerberuf
in Auftrag. Die ruhige,
würdevolle
Komposition von Philip
Sparke eignet sich
wunderbar für
Anlässe zu Ehren oder
zum Gedenken an wichtige
Personen oder Ereignisse
- oder als besinnlicher
Ruhepunkt in Ihrem
Konzertprogramm.
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day.
Symphony; Early
modern. Part. 16 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-79.
Published by Breitkopf
and Haertel
(BR.OB-5555-79).
ISBN
9790004342510. 10 x 12.5
inches.
In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day.
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day.
Symphony; Early
modern. Part. 16 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-19.
Published by Breitkopf
and Haertel
(BR.OB-5555-19).
ISBN
9790004342435. 10 x 12.5
inches.
In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day.
Piano (str. (1. group:
vl/II.vaI.vcI.dbI - 2.
group:
vIIl/IV.vaII.vcII.dbII) -
small
drum.cym.tam-tam.big
drum.xyl.timp -
cel.hp.pno)
SKU:
BR.OB-5555-12
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day.
Symphony; Early
modern. Part. 20 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-12.
Published by Breitkopf
and Haertel
(BR.OB-5555-12).
ISBN
9790004342381. 10 x 12.5
inches.
In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day.
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day.
Symphony; Early
modern. Part. 16 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-24.
Published by Breitkopf
and Haertel
(BR.OB-5555-24).
ISBN
9790004342466. 10 x 12.5
inches.
In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day.
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day.
Symphony; Early
modern. Set of parts. 32
pages. Duration 26'.
Breitkopf and Haertel #OB
5555-30. Published by
Breitkopf and Haertel
(BR.OB-5555-30).
ISBN
9790004342497. 10 x 12.5
inches.
In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day.
Harp (str. (1. group:
vl/II.vaI.vcI.dbI - 2.
group:
vIIl/IV.vaII.vcII.dbII) -
small
drum.cym.tam-tam.big
drum.xyl.timp -
cel.hp.pno)
SKU:
BR.OB-5555-75
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day.
Symphony; Early
modern. Part. 12 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-75.
Published by Breitkopf
and Haertel
(BR.OB-5555-75).
ISBN
9790004342503. 10 x 12.5
inches.
In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day.
Urtext. Composed
by Bela Bartok. Edited by
Hartmut Fladt. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
One of the greatest
masterworks of the 20th
century! It has lost
nothing of its
fascination to this
day.
Symphony; Early
modern. Part. 16 pages.
Duration 26'. Breitkopf
and Haertel #OB 5555-20.
Published by Breitkopf
and Haertel
(BR.OB-5555-20).
ISBN
9790004342442. 10 x 12.5
inches.
In 1936
Bela Bartok was
commissioned by his Swiss
patron Paul Sacher to
write the Music for
Stringed Instruments,
Percussion and Celesta.
What Bartok created was
nothing less than one of
the greatest masterworks
of the 20th century that
beguiles the listener
through its
extraordinarily refined
construction and lushly
expressive rhythms and
melodies.Also remarkable
is that Bartok jotted
down the four-movement
orchestral work very
rapidly and without a
short score. Breitkopf's
new edition is based on
the autograph, on the
first editions of the
conducting and pocket
score, and in particular
on the composer's
personal copy of the
pocket score, in which
Bartok later entered the
corrections that he had
discovered - alterations
that were taken into
consideration for the
first time in this new
edition.
One of
the greatest masterworks
of the 20th century! It
has lost nothing of its
fascination to this
day.