SKU: HH.HH521-FSP

ISBN 9790708185321.

This remarkable collection of 10 Passagagli, the only known composition by the Neapolitan string teacher Gaetano Francone (fl. 1688–1717), is a unique example of a virtuoso school for the cello, as well as an extraordinary source of knowledge on improvisation for scholars and for performers, on both baroque and modern instruments. Although the term ‘violoncelloâ€℠¢ appears in the work’s title, the music indicates that the composer was writing for a non-standard instrument, one tuned a tone lower than the modern cello. To perform these works with the original left-hand position, today’s players should either adopt the Bb1–F–câ₠¬â€œg tuning or transpose each work one tone higher. Francone’s method stands as precious testimony to the advanced technical level of cello playing in 17th-century Naples.

SKU: M7.PPV-20046386

ISBN 9783937841687. German.

Mehr Freude an der Geige. Was macht eine gute Geige aus? Wie kann ich den Klang meiner Geige verbessern? Wie pflege ich mein Instrument? Die erfahrende Geigenbauerin Barbara Gschaider bietet auf alle Fragen von Geigenspielern kompetente und leicht verständliche Antworten. Die Autorin erklärt, wie Material und Bau den Klang der Geige formen. Der Leser erfährt, wie der Wert einer Geige richtig eingeschätzt wird. Eine Übersicht über Preise und Anbieter sowie Ratschläge für das Probespiel helfen beim Geigenkauf. Besonderen Wert legt die Autorin auf die Methoden zur Klangverbesserung, mit deren Hilfe der Klang jeder Geige optimiert werden kann. Der Leser erhält Hinweise, was er selbst machen kann und was dem Fachmann überlassen werden muss. Nicht zuletzt helfen die Hinweise zur Pflege der Geige, das eigene Instrument zu warten und seinen Wert zu erhalten. Edle Schwarzweiß-Aufnahmen und zahlreiche Illustrationen machen das Buch zum kompetenten und ästhetisch ansprechenden Ratgeber, durch den jeder Geiger noch mehr Freude an seiner Geige hat.

SKU: GH.CG-5500

ISBN 9790070011686. 185 x 262 mm inches. Text: Zacharias Topelius.

SKU: HL.14042983

ISBN 9788759881231.

Quar tet was composed by Jorgen Jersild in 1934 for Violin, Viola, Clarinet and Bassoon. Jorgen Jersild was a Danish music educator and composer. Jersild worked as a professor of ear training at The Royal Danish Academy Of Music in Copenhagen.

SKU: HL.49018082

ISBN 9790001168809. UPC: 884088535094. 9.0x12.0x0.2 inches.

Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in ancient beginnings ('In principio' - 1st movement) and periodic to the intellectually incomprehensible revolving ('Zeit der Sterne' - 2nd movement). After the third movement ('Zeit des Menschen'), a valse triste, infused by an almost humorous hectic atmosphere, the symphony ends with a kind of 'Amen!' in the fourth movement. Schneider sums it up: 'It is good as it is, we do not understand the course of time anyway.' With regard to style, his composition is based on elements of minimal music which he combines with the tradition of the European organ composition; it is at the same time a testimony to the composer's flexibility and versatility.

SKU: HL.14042982

ISBN 9788759826454.

Quar tet was composed by Jorgen Jersild in 1934 for Violin, Viola, Clarinet and Bassoon. Jorgen Jersild was a Danish music educator and composer. Jersild worked as a professor of ear training at The Royal Danish Academy Of Music in Copenhagen.

SKU: HL.49008321

ISBN 9790001126717. 6.0x9.0x0.166 inches.

There is no greater virtue befitting to Mankind than faith, which manifested, doth friendship firmly bind. This verse was written by Simon Dach, the leader of the Konisberg circle of poets, during the Thirty Years' War, and a little later was set to music by Heinrich Albert. The anxieties and tribulations of the period are reflected in the songs and make it particularly applicable to us as survivors of the strife and disorder of our own day. Thus, Harald Genzmer has adopted it as the cantus firmus of his Prologue for Orchestra, in which we are reminded of it throughout, in its original form, in inversion, fanfare introduction, funeral march, intermezzo and final allegro.

SKU: CA.2432000

ISBN 9790007101688. Language: German.

A publication of the Max Reger Institute.

SKU: CA.3601813

ISBN 9790007213848. Language: German.

This six-verse hymn is based on the melody Herzlich tut mich verlangen, which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sunder BuxWV 178. Apart from the Amen, with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the prelude and interludes. This piece exists in a tabulatur copied by Duben before June 1687. Score and part available separately - see item CA.3601800.

SKU: CA.3601812

ISBN 9790007213831. Language: German.

This six-verse hymn is based on the melody Herzlich tut mich verlangen, which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sunder BuxWV 178. Apart from the Amen, with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the prelude and interludes. This piece exists in a tabulatur copied by Duben before June 1687. Score and part available separately - see item CA.3601800.

SKU: HL.44010681

ISBN 9789043111423. UPC: 884088516895. 9.0x12.0x0.249 inches. French.

Pour tous ceux qui recherchent un nouvel outil pedagogique pour apprendre a jouer d'un instrument a vent, les Editions De Haske proposent la methode Ecouter, lire and jouer. Ecouter, lire and jouer se compose d'une methode richement illustree en trois volumes avec compact disc et d'ouvrages educatifs et ludiques fondes sur les principes actuels de la theorie musicale.Tout en se conformant aux exigences de l'apprentissage classique, cette collection utilise une approche resolument ouverte, motivante et moderne de l'enseignement musical permettant aux eleves de decouvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d'ecoute, morceaux et compositionsoriginales permettent d'acquerir un savoir-faire tout en s'amusant. Ecouter - lire - jouer : trois elements incontournables de la pratique musicale, trois concepts reunis dans une collection enrichissante et simple a utiliser.

SKU: M7.DOHR-17504

ISBN 9790202035047.

Lobe den Herren, den mächtigen König der Ehren. So lautet der Anfang des Chorals, der dieser Orgelfantasie zugrunde liegt. Das von Joachim Neander (1650-1680) geschaffene Lied wird heute in mehr als einunddreißig Sprachen weltweit gesungen. Selten fand ein geistliches Lied so starken Widerhall. Es erklingt nicht nur bei Gottesdiensten, sondern auch bei Jubiläen und Familienfeiern. In vorliegender Fantasie kommen drei Strophen des Chorals zur Bearbeitung. Zunächst wird - gleichsam als Präludium - thematisches Material des Liedes vorgestellt. In Form eines Zwischenspiels zeigt sich dann die Liedmelodie in ihrer Gesamtheit. Eine Triolenbewegung im Wechsel mit Achtelnoten bildet den Rahmen für den dritten Teil der Fantasie. Der cantus firmus liegt nun, im Gegensatz zu den vorhergehenden Teilen, in der Oberstimme. (Walter Gleißner).

SKU: AP.48110

ISBN 9781470661366. UPC: 038081557168. English.

The tropical island volcano, Thunder Mountain, has lain dormant for years. As a party of adventurous researchers work atop the legendary mountain, it begins to shake with pre-eruption tremors! (4:30) Correlated to Sound Innovations, Book 1, Level 6. This title is available in MakeMusic Cloud.

SKU: M7.DOHR-655346

SKU: PR.510071560

UPC: 680160168873.

SKU: CA.3601811

ISBN 9790007213824. Language: German.

This six-verse hymn is based on the melody Herzlich tut mich verlangen, which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sunder BuxWV 178. Apart from the Amen, with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the prelude and interludes. This piece exists in a tabulatur copied by Duben before June 1687. Score and part available separately - see item CA.3601800.