Weapon Dance Orchestre d'harmonie - Intermédiaire/avancé EMB (Editio Musica Budapest)
Concert Band - Grade 4 SKU: BT.EMBZ14723 EMB Concert Band Series. Concert...(+)
Concert Band - Grade 4
SKU: BT.EMBZ14723
EMB Concert Band Series.
Concert Piece. Score
Only. Composed 2011. 32
pages. Editio Musica
Budapest #EMBZ14723.
Published by Editio
Musica Budapest
(BT.EMBZ14723).
Orchestra Solo clarinet-2, piccolo, English horn, 2-3, 0-timpani-strings SKU:...(+)
Orchestra Solo
clarinet-2, piccolo,
English horn, 2-3,
0-timpani-strings
SKU:
PE.EP73409
Composed
by Peteris Plakidis. Full
Scores. Edition Peters.
Book. Duration 00:16:00.
Edition Peters
#98-EP73409. Published by
Edition Peters
(PE.EP73409).
This full
score (EP 73409) is now
available as part of the
Peters Baltic
Library.
Peter
s Baltic Library is a new
series of full scores of
orchestral music by
contemporary composers
from the Baltic
States.
Published
in partnership with the
leading music publisher
from the region: Musica
Baltica.
Peters
Baltic Library presents a
rich selection of
compositions that
demonstrates both the
distinctiveness and the
variety of stylistic
approaches adopted by the
region's most prominent
composers.
<
br>This product is
Printed on Demand and may
take several weeks to
fulfill. Please order
from your favorite
retailer.
(GEB) SKU: HL.49020861 Die Lebenserinnerungen des Komponisten Norbert ...(+)
(GEB)
SKU:
HL.49020861
Die
Lebenserinnerungen des
Komponisten Norbert
Schultze. Composed by
Johann Christoph
Schultze. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Schwerpunkt dieses Buches
sind nicht allein die
Erinnerungen eines von
Grund auf echten
Musikers, sondern auch
seine politischen
Erkenntnisse und
Einsichten. Seit meinem
70. Lebensjahr ist
eigentlich jetzt mein
Lebensinhalt: mir uber
mein Leben und Wirken.
190 pages. Schott Music
#ATL 6206. Published by
Schott Music
(HL.49020861).
ISBN
9783254002068.
8.0x9.0x0.649 inches.
German.
Norbert
Schultze: E- oder
U-Komponist? Opern- oder
Schlagerkomponist?Genau
dazwischen, meint er
selbst und beschreibt
sein Leben, vom
Geburtsort Braunschweig
1911 uber Studium in Koln
und Munchen bis zum
Studentenbrettel Die vier
Nachrichter 1931, dem er
unter dem Pseudonym Frank
Norbert mit
Unterbrechungen 4 Jahre
lang angehort - zusammen
mit Kurd E. Heyne, Bobby
Todd und Helmut Kautner.
Dazwischen ist er
Opernkapellmeister in
Heidelberg und Darmstadt,
wird dort 1933 von den
neuen Machthabern
vertrieben, nach dem
Erfolg seiner Oper
Schwarzer Peter (Hamburg
1936) jedoch verwohnt und
privilegiert, darf
wahrend des Krieges
Filmmusiken komponieren
(u.a. Symphonie eines
Lebens) und seine zweite
Oper Das kalte Herz. 1945
drei Jahre Berufsverbot.
Schreibt danach wieder
Musik zu insgesamt 70
Filmen (u.a. 1958 Das
Madchen Rosemarie), zu
einem Musical Kapt'n
Bay-Bay (Hamburg 1950),
einer Operette Regen in
Paris (Nurnberg 1956),
der Fernseh-Oper Peter
der dritte (ZDF 1966) und
an die 100 Lieder und
Chansons, von denen Lili
Marleen (1938) ganz ohne
sein Zutun weltweite
Verbreitung findet.
Schultze erzahlt uber
seine Librettisten
(Walter Lieck, Hans Leip,
Fritz Grasshof u.a.) und
seine wichtigsten
Interpreten: Lale
Andersen und Marlene
Dietrich (Lili Marleen),
Rudolf Schock (Ach, ich
hab in meinem Herzen) und
Hans Albers (Nimm mich
mit, Kapitan, auf die
Reise). Er berichtet aus
sturmisch bewegter Zeit,
fuhrt uns offen und
ehrlich durch Hohen und
Tiefen seines Lebens,
ohne sich zu schonen und
ohne eigene Fehler zu
verschweigen.Ein
hochinteressantes
Dokument zur
Zeitgeschichte,
informativ, unterhaltsam
und spannend.
Ballad For A Rough Year Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Jazz Ensemble standard jazz ensemble with opt. 5th Trumpet - Grade 3 SKU: KN....(+)
Jazz Ensemble standard
jazz ensemble with opt.
5th Trumpet - Grade 3
SKU: KN.52060
Composed by Frank
Mantooth. Kendor Jazz
Archive Series. Rock
Ballad. Score and set of
parts. Duration 4
minutes, 45 seconds.
Kendor Music Inc #52060.
Published by Kendor Music
Inc (KN.52060).
Recorded by the
Ashley Alexander Big Band
in 1985 on the album
Powerslide (Pausa), this
alto sax feature opens in
a beautiful rock ballad
style before launching
into an irresistible
double-time samba. The
solo part includes
written lines for the
opening and ending
sections with an
improvised section (64
bars) between. Rhythm
section parts are
partially notated with
chords cued. Duration
4:45.
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 12 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-16.
Published by Breitkopf
and Haertel
(BR.OB-5142-16).
ISBN
9790004329528. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 12 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-27.
Published by Breitkopf
and Haertel
(BR.OB-5142-27).
ISBN
9790004329559. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 10 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-19.
Published by Breitkopf
and Haertel
(BR.OB-5142-19).
ISBN
9790004329535. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical. Set
of parts. 100 pages.
Duration 13'. Breitkopf
and Haertel #OB 5142-30.
Published by Breitkopf
and Haertel
(BR.OB-5142-30).
ISBN
9790004329566. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 10 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-15.
Published by Breitkopf
and Haertel
(BR.OB-5142-15).
ISBN
9790004329511. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 16 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-23.
Published by Breitkopf
and Haertel
(BR.OB-5142-23).
ISBN
9790004329542. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
By Dianne Goolkasian Rahbee. Edited by Rebecca Raffaelli And Helen Marlais. For ...(+)
By Dianne Goolkasian
Rahbee. Edited by Rebecca
Raffaelli And Helen
Marlais. For Piano. The
FJH Contemporary Keyboard
Editions. Contemporary.
Level: Late Intermediate
through Advanced. Book.
Published by The FJH
Music Company Inc.
Solo piano SKU: A7.ALEA1074 Composed by Wolfgang Gabriel. Classical. Scor...(+)
Solo piano
SKU:
A7.ALEA1074
Composed
by Wolfgang Gabriel.
Classical. Score.
Composed 2003. Duration
13 minutes. Alea
Publishing #ALEA1074.
Published by Alea
Publishing (A7.ALEA1074).
Austrian
composer Wolfgang Gabriel
(1930-) wrote his Piano
Sonata Op.83 for Kimberly
Davenport in 2003. The
two movement work
utilizes the same two
twelve-tone rows in both
movements. Although
structured with the
twelve-tone rows, the
work's language is quite
accessible for performer
and audience alike,
featuring an opening slow
movement which builds in
dramatic intensity, and a
quick second movement
which builds in
excitement. There are
moderate technical
challenges, but the would
be an easy addition to
the professional
pianist's repertoire, and
would make an excellent
challenge for a
high-school or college
pianist. The composer's
detailed explanation of
the twelve-tone rows is
included with the score,
to aid in the performer's
analysis and
understanding of the
work.
Marching Band - Grade 2 SKU: AP.40204S By Adam Young, Brian Lee, Carly Ra...(+)
Marching Band - Grade 2
SKU: AP.40204S
By
Adam Young, Brian Lee,
Carly Rae Jepsen, Matthew
Thiessen, and Owl City.
By Adam Young [Owl City,
Brian Lee, Carly Rae
Jepsen], and Matthew
Thiessen. Arranged by
Doug Adams. Marching
Band; Performance Music
Ensemble; Single Titles.
Easy Pops for Marching
Band. Pop. Score. 8
pages. Duration 1:35.
Alfred Music #00-40204S.
Published by Alfred Music
(AP.40204S).
UPC:
038081458021.
English.
Here is
the infectious dance-pop
hit from 2012 by Owl City
& Carly Rae Jepsen in a
solidly scored chart.
This arrangement by Doug
Adams has lots of
rhythmic drive, and every
section gets a shot at
the melody. A must-have
chart for this fall!
(1:35).
Egmont Overture Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by Richard Meyer. For Full Orchestra. Full Orchestra. First Philharmoni...(+)
Arranged by Richard
Meyer. For Full
Orchestra. Full
Orchestra. First
Philharmonic. Level: 2
(grade 2). Conductor
Score and Parts. 202
pages. Published by
Alfred Publishing.
Jackson 5 Medley Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Composed by Michael Jackson. Arranged by Takashi Hoshide. Pop and Rock. Set (S...(+)
Composed by Michael
Jackson.
Arranged by Takashi
Hoshide.
Pop and Rock. Set (Score
and
Parts). Composed 2012. De
Haske Publications #DHP
1125265-010. Published by
De
Haske Publications
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
BWV 149. Duration 22
minutes. Carus Verlag #CV
31.149/19. Published by
Carus Verlag
(CA.3114919).
ISBN
9790007141233. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Choral Score. BWV 149. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.149/05. Published by
Carus Verlag
(CA.3114905).
ISBN
9790007161958. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score available
separately - see item
CA.3114900.
Violin, clarinet-ia, piano (Violin, Clarinet (in A), Piano) SKU: BA.BA11024(+)
Violin, clarinet-ia,
piano (Violin, Clarinet
(in A), Piano)
SKU:
BA.BA11024
Un
Adagio per tre Violino,
Clarinetto in La,
Pianoforte. Composed
by Giselher Klebe. In a
folder. Performance
scores (3). Opus 147.
30/30/30 pages. Duration
3 minutes. Baerenreiter
Verlag #BA11024_00.
Published by Baerenreiter
Verlag (BA.BA11024).
ISBN 9790006542369. 34
x 27 cm
inches.
This
one-movement piece with a
duration of 11 minutes
stems from the estate of
Giselher Klebe who died
in 2009. The work is
delightful to play, rich
in gesture, easy on the
ear and ideal for private
music making.
Moreover it
constitutes a valuable
addition to the
repertoire for violin,
clarinet and piano, an
appealing combination of
instruments, for which
composers such as Ives,
Bartók, A. Berg und
Krenek composed works of
standing during the 20th
century.
SKU: HL.49007008 Composed by Michael Stegemann. This edition: Paperback/S...(+)
SKU: HL.49007008
Composed by Michael
Stegemann. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 288 pages.
Schott Music #ED 7158.
Published by Schott Music
(HL.49007008).
ISBN
9783795717872.
German.
Die
franzosische Musik der
zweiten Halfte des 19.
Jahrhunderts stand ganz
im Zeichen zweier Pole:
Oper und Salon. Die
weitgehende Missachtung
der Instrumentalmusik
tragt die Verantwortung
fur das falsche Licht, in
dem viele franzosische
Meister dieser Zeit immer
noch erscheinen. Unter
ihnen kommt vor allem
Charles-Camille
Saint-Saens (1835-1921)
grosste Bedeutung zu,
dessen Auseinandersetzung
mit der Gattung des
Solokonzerts von weit
uber die Grenzen
Frankreichs
hinausreichendem Einfluss
war.Diese Arbeit
korrigiert das heutige
Bild Saint-Saens' in
wesentlichen Punkten und
macht deutlich, dass sein
konzertantes Oeuvre zum
Besten gehort, was die
franzosische Romantik
hervorgebracht hat.Uber
den analytischen Teil
hinaus, der durch
zahlreiche Notenbeispiele
erganzt wird, enthalt der
Band die erste
vollstandige Biographie
des Komponisten in
deutscher Sprache;
ausfuhrliche Biographie,
thematisches Verzeichnis
der untersuchten Werke
und vor allem eine
chronologische Tabelle
von nahezu 200
franzosischen
Solokonzerten der Zeit
machen den Band zu einer
wertvollen Quelle fur die
Musikgeschichtsschreibung
des 19. Jahrhunderts.
Mixed choir (SSATTBar) SKU: HL.49015916 For six voices. Composed b...(+)
Mixed choir (SSATTBar)
SKU: HL.49015916
For six voices.
Composed by Gavin Bryars.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Composed
2001-2002. 94 pages.
Duration 35'. Schott
Music #ED12786. Published
by Schott Music
(HL.49015916).
ISBN
9790220124518. UPC:
884088567606.
8.25x11.75x0.375 inches.
Italian.
Like many
Englishmen I had sung
madrigals for pleasure -
usually late at night
with friends, after
several glasses of wine.
While these madrigals
have their charm, and
many are extremely
beautiful, I found, as I
began an extended
exploration of the
madrigal as a creative
venture, that the richest
source lies in the
Italian Renaissance.In
1998 I embarked on a
project to write a series
of madrigals, eventually
deciding to collect them
in 'books' in the manner
of Italian madrigalists,
such as Monteverdi or
Gesualdo. The Second Book
is for an unusual
six-part group - the
Scandinavian Trio
Mediaeval (3 sopranos)
and three tenors (John
Potter plus two from the
Hilliard Ensemble) - and
sets Petrarch in the
original 14th century
Italian. I focused on
those sonnets known as
the Rima Sparsi
(scattered verses) and
added one extra Petrarch
setting - originally a
radiophonic piece
(Marconi's Madrigal) for
CBC's Marconi Day. Gavin
Bryars.
Choral; Piano Accompaniment; Soprano (Vocal Score) SKU: HL.256038 For ...(+)
Choral; Piano
Accompaniment; Soprano
(Vocal Score)
SKU:
HL.256038
For
Soprano, SATB and Piano
Accompaniment.
Composed by Niels
Marthinsen. Music Sales
America. Classical.
Softcover. Composed 2017.
198 pages. Duration 5100
seconds. Edition Wilhelm
Hansen #WH32992C.
Published by Edition
Wilhelm Hansen
(HL.256038).
ISBN
9788759839041. 8.25x11.75
inches.
Danish.
Evolution!
is commissioned by Aarhus
Symphony Orchestra, as
part of the project
ORIGINS2017 for
Rethink2017 (Aarhus
European Cultural
Capital). This is the
spiral bound vocal
score.