Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-27. Published by
Breitkopf and Haertel
(BR.OB-15121-27).
ISBN
9790004340165. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Double concerto (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hp...(+)
Double concerto (solo: db
- 0.2.2.2.(bsn ad lib.) -
2.2.0.0 - timp(ad lib.) -
hps - str(vl obl))
SKU: BR.PB-15114
With violino obbligato
- Urtext. Composed by
Franz Anton Hoffmeister.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Full score. 40
pages. Duration 18'.
Breitkopf and Haertel #PB
15114. Published by
Breitkopf and Haertel
(BR.PB-15114).
ISBN
9790004212066. 10 x 12.5
inches.
Thanks to
its imaginative richness
and sterling writing,
Hoffmeister's Double Bass
Concerto No. 1 has
advanced to the rank of a
popular audition
concerto. But when
compared with the
transmitted sources, the
previously available
first edition of 1966
proved to be filled with
errors. Tobias Glockler,
double-bass player of the
Dresdner Philharmonie,
now presents a reliable
Urtext in this edition.
Through his competence as
an instrumentalist, he
even goes considerably
further and offers
various performance
possibilities: the solo
part can be played not
only in solo and
orchestral tuning, but
also in the historical
Viennese tuning. The
C-major version, which is
offered on hire, allows
performances in
orchestral tuning. The
orchestral material in D
major (sales material) is
suited to the other two
tunings. A beautiful and
easy to read score,
elegantly laid-out and
with illuminating and
informative preface
notes. This concerto is
among our most beautiful
classical concerti,
lyrical and inventive. It
is a great pleasure to
see our classical
repertoire appear in such
critical editions. (Rob
Nairn in Bass World).
By Conrad Kocher. Arranged by Mark Hayes. For SATB choir (Accompaniment: Keyboar...(+)
By Conrad Kocher.
Arranged by Mark Hayes.
For SATB choir
(Accompaniment: Keyboard,
Opt. Handbells, And
Violin). Mark Hayes
Series. Main Key: G
Major. Sacred. Medium
Adult. Instrumental
part(s). Duration 2
minutes 40 seconds.
Published by Hinshaw
Music Inc.
Composed by Carole
Neuen-Rabinowitz.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
Latham Music Enterprises
#36-52703203. Published
by Latham Music
Enterprises
(AP.36-52703203).
ISBN
9781628761566. UPC:
746241213853.
English.
Collected
Quartets Vol. 2 is
perfect for weddings,
receptions, or any
chamber setting. Titles
include selections from
Bach Orchestral Suite No.
1; Corelli Sonata de
Chiesa (Op. 3 No. 2);
Couperin Les Rozeaux and
Allemande; Genimiani
Concerto Grosso in G
minor; Handel Sonata in G
minor; Scarlatti
Quartetto in F Major;
Tartini Sonata in D
Major; and Telemann
Sonata in C minor.
Intermediate Level.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle
VerlagEB
10825 is printed in score
form; two copies are
needed for performance.
Our ed
ition EB 8579
contains a Ferrucci
Busoni cadenza for the
Piano. Solo concerto;
Classical. Part. 8 pages.
Duration 33'. Breitkopf
and Haertel #OB 15123-15.
Published by Breitkopf
and Haertel
(BR.OB-15123-15).
ISBN
9790004340462. 10 x 12.5
inches.
The C major
Concerto K. 503 was held
in particularly high
esteem by Mozart, who,
for example, put it on
the program of his
subscription concert at
Leipzigs Gewandhaus in
1789, three years after
it was written. This new
edition is based on the
autograph and also takes
into account the first
edition published by
Constanze Mozart at her
own cost in 1797.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst Herttrich
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
violin 2 part. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
15106-16. Published by
Breitkopf and Haertel
(BR.OB-15106-16).
ISBN
9790004339190. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
violin 1 part. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
15106-15. Published by
Breitkopf and Haertel
(BR.OB-15106-15).
ISBN
9790004339183. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Violin and Piano Piano; Violin - intermediate SKU: HL.49009205 From Co...(+)
Violin and Piano Piano;
Violin - intermediate
SKU: HL.49009205
From Concerto Grosso
(Christmas Concerto).
Composed by Arcangelo
Corelli. Edited by Curt
Boehme. Arranged by Curt
Bö and hme. This
edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical. Op.
6/8. 8 pages. Schott
Music #ED09693. Published
by Schott Music
(HL.49009205).
ISBN
9790001092074. UPC:
073999208184.
9.0x12.0x0.046
inches.
Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14679-15.
Published by Breitkopf
and Haertel
(BR.OB-14679-15).
ISBN
9790004340882. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).
Original Finale of the
Piano Concerto No. 2 -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo
concerto; Classical.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14679-16.
Published by Breitkopf
and Haertel
(BR.OB-14679-16).
ISBN
9790004340899. 10 x 12.5
inches.
Mozart no
doubt proved a powerful
source of inspiration in
the genre of the piano
concerto when Ludwig van
Beethoven was composing
his first work in this
genre (B-flat major op.
19) in Bonn. In 1793 the
young composer first
wrote a final rondo with
an inserted Andante, as
Mozart had done in his
Concerto K. 482.
Beethoven then selected a
different closing
solution and kept the
score of the B-flat major
Rondo in his desk. There
the work was rediscovered
only after the composers
death, and printed
shortly afterward. The
autograph thus represents
Beethovens earliest
surviving and complete
orchestral score. The new
Urtext edition of the
score and orchestral
parts is based on the new
Beethoven Complete
Edition (Henle).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Set of parts.
132 pages. Duration 28'.
Breitkopf and Haertel #OB
14614-30. Published by
Breitkopf and Haertel
(BR.OB-14614-30).
ISBN
9790004343609. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 22
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-15. Published by
Breitkopf and Haertel
(BR.OB-14614-15).
ISBN
9790004343555. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 22
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-16. Published by
Breitkopf and Haertel
(BR.OB-14614-16).
ISBN
9790004343562. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Classical. Part. 12
pages. Duration 34'.
Breitkopf and Haertel #OB
14620-15. Published by
Breitkopf and Haertel
(BR.OB-14620-15).
ISBN
9790004335840. 10 x 12.5
inches.
Ludwig van
Beethoven wrote his Piano
Concerto no. 4 in 1805,
thus contemporaneously
with the opera Fidelio
and the Symphonies nos. 5
and 6. The first
performance took place on
22 December 1808 at the
now legendary academy
(subscription concert) in
which Beethoven presented
the two new symphonies
and the Choral Fantasy
op. 80 to the Viennese
public for the first
time. The work was first
published that year by
Breitkopf & Hartel. The
autograph of the score is
no longer extant. The
principal source of the
musical text on which the
present edition is based
is a scribal copy
examined and corrected by
Beethoven.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Hans-werner Kuthen.
Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Classical. Part. 12
pages. Duration 34'.
Breitkopf and Haertel #OB
14620-16. Published by
Breitkopf and Haertel
(BR.OB-14620-16).
ISBN
9790004335857. 10 x 12.5
inches.
Ludwig van
Beethoven wrote his Piano
Concerto no. 4 in 1805,
thus contemporaneously
with the opera Fidelio
and the Symphonies nos. 5
and 6. The first
performance took place on
22 December 1808 at the
now legendary academy
(subscription concert) in
which Beethoven presented
the two new symphonies
and the Choral Fantasy
op. 80 to the Viennese
public for the first
time. The work was first
published that year by
Breitkopf & Hartel. The
autograph of the score is
no longer extant. The
principal source of the
musical text on which the
present edition is based
is a scribal copy
examined and corrected by
Beethoven.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 16
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-23. Published by
Breitkopf and Haertel
(BR.OB-14614-23).
ISBN
9790004343586. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 22
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-19. Published by
Breitkopf and Haertel
(BR.OB-14614-19).
ISBN
9790004343579. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Full score. 96
pages. Duration 28'.
Breitkopf and Haertel #PB
14614. Published by
Breitkopf and Haertel
(BR.PB-14614).
ISBN
9790004214893. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Violin, Orchestra (Violin principale, Violin I [2], Violin II [2], Viola [2], Ba...(+)
Violin, Orchestra (Violin
principale, Violin I [2],
Violin II [2], Viola [2],
Basso [2])
SKU:
UT.ACC-41B
Vol. 3:
Concerto in G major, Co
4. Critical Edition.
Composed by Tomaso
Giovanni Albinoni. Edited
by Fabrizio Ammetto.
Saddle stitching.
Classical. Set of Parts.
40 pages. Ut Orpheus #ACC
41B. Published by Ut
Orpheus (UT.ACC-41B).
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 28 pages.
Breitkopf and Haertel #OB
15136-30. Published by
Breitkopf and Haertel
(BR.OB-15136-30).
ISBN
9790004341346. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Orchestra; Early Music SKU: UT.ACC-68A Vol. IV: Concerto IV in G major...(+)
Orchestra; Early Music
SKU: UT.ACC-68A
Vol. IV: Concerto IV
in G major, Op. 2 No. 8.
Critical Edition.
Composed by Tomaso
Giovanni Albinoni. Edited
by Fabrizio Ammetto and
Gioia Filocamo. Saddle
stitching. Classical.
Score. Ut Orpheus #ACC
68A. Published by Ut
Orpheus (UT.ACC-68A).
Violin, Orchestra SKU: UT.ACC-41R Vol. 3: Concerto in G major, Co 4. C...(+)
Violin, Orchestra
SKU:
UT.ACC-41R
Vol. 3:
Concerto in G major, Co
4. Critical Edition.
Composed by Tomaso
Giovanni Albinoni. Edited
by Fabrizio Ammetto.
Saddle stitching.
Classical. Piano
Reduction. Ut Orpheus
#ACC 41R. Published by Ut
Orpheus (UT.ACC-41R).
By Antonio Vivaldi (1678-1741). Edited by Kurt Sassmannshaus. For solo violin/pi...(+)
By Antonio Vivaldi
(1678-1741). Edited by
Kurt Sassmannshaus. For
solo violin/piano (Solo
Violin/String Orchestra).
This edition: 1st
printing 2012 edition.
Stapled. Barenreiter's
Concert Pieces. Level 3.
Piano reduction, Part(s).
Language: German/English.
Opus 3/3. 11/11 pages.
Published by Baerenreiter
Verlag
SKU: CA.2800200 Composed by Various. Edited by Franz Kessler. This editio...(+)
SKU: CA.2800200
Composed by Various.
Edited by Franz Kessler.
This edition: Paperbound.
Danziger
Instrumentalmusik.
Collection. 259 pages.
Carus Verlag #CV
28.002/00. Published by
Carus Verlag
(CA.2800200).
Orchestra; Treble Recorder - intermediate to advanced SKU: HL.49001981 (+)
Orchestra; Treble
Recorder - intermediate
to advanced
SKU:
HL.49001981
Set of
Parts. Composed by
Joseph Bodin de
Boismortier. Edited by
Erich Doflein. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of choral parts.
Composed 1728. Op. 21/3.
46 pages. Duration 11'.
Schott Music #CON 30-70.
Published by Schott Music
(HL.49001981).
ISBN
9790001021517.
9.0x12.0x0.151
inches.
Treble
recorder, violin (flute)
and basso continuo.
![Piano Concerto [No. 25] in C major K. 503](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw05549480/images/8537/19758537_cover-large_file.png)
![Piano Concerto [No. 21] in C major K. 467](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw943e68a4/images/5342/18455342_cover-large_file.png)
![Piano Concerto [No. 21] in C major K. 467](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw0f1f5f46/images/5337/18455337_cover-large_file.png)
