Composed by Charles Marie Widor (1844-1937). Edited by John R. Near. This edition: critical edition. Score. Published by A-R Editions (A2.N018).

Soprano voice solo, recorder c2 (oboe), harpsichord, [2 violins, viola, cello/contrabass]

SKU: CA.3945013

Aus: Aesopus bei Hofe. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. Stuttgart Urtext Edition - Telemann Archiv. Violoncello/double bass. Single Part, Cello/Double Bass. Composed 1729. TVWV 21:26/1. 2 pages. Duration 4 minutes. Carus Verlag #CV 39.450/13. Published by Carus Verlag (CA.3945013).

ISBN 9790007056100. Key: C major. Language: Italian/German.

Ari a from the opera Aesopus bei Hofe. Score and part available separately - see item CA.3945000.

SKU: HL.50513572

Composed by Lynes. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL1014A. Published by Alfred Lengnick & Co (HL.50513572).

(Fl-picc,2Fl,2Ob,2Clar,2b assoon,4Hn,3Trp,3tromb.,t imp.,Tri,Be,Tr-Gr,2V,Va,V c,doub.Bass) - Level 3

SKU: BA.TP00541

Composed by Antonin Dvorak. Edited by Robert Simon. This edition: urtext edition. Paperback. Barenreiter Urtext. Study score. Opus 45/1. Baerenreiter Verlag #TP00541_00. Published by Baerenreiter Verlag (BA.TP00541).

ISBN 9790260104518. 22.5 x 16.5 cm inches. Key: D major. Preface: Simon, Robert.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA09467-01

Composed by Gabriel Faure. Edited by Robin Tait. This edition: complete edition, urtext edition. Linen. Gabriel Faure. The Complete Works IV/1. Complete edition, Score, anthology. Opus 50, 20, 52. Baerenreiter Verlag #BA09467_01. Published by Baerenreiter Verlag (BA.BA09467-01).

ISBN 9790006544561. 33 x 26.5 cm inches. Key: F major. Text Language: French/English/German. Preface: Jean-Michel Nectoux / Robin Tait.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Recorder

SKU: FZ.5910

Edited by Suzi Mohlmeier, Frederique Thouvenot. This edition: Facsimile. Fac-Similes Enseignement. Score. Published by Anne Fuzeau Productions - France (FZ.5910).

ISBN 9790230659109. 22.00 x 31.00 cm inches.

Anne Fuzeau Classique propose you period copies of classical music scores. These original publications of Loeillet, Telemann and Bellinzani are in facsimile on Fac-similes et Enseignement collection. Loeillet Jean-Baptiste : XII Sonates a une flute & basse continue. Amsterdam, Estienne Roger, s. d. Opus I. Sonata III : Largo, Allegro, Adagio, Gavotta Allegro. Telemann Georg Philipp : Die kleine Kammermusik - 1728. Partita 5 : Andante, Vivace, Presto, Vivace, Siciliana, Vivace, Presto. Bellinzani Paolo Benedetto : Sonate a flauto solo con cembalo, o violoncello. Opera terza. Venezia, Antonio Bortoli, 1720. Sonata quinta : Largo, C barre, Affetuoso, 2/4. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - National Library of Paris (France). - Hessische Landes und Hoch-Schulbibliothek of Darmstadt (Germany). - Civico Museo Bibliographico Musicale of Bologna (Italy).

SKU: HL.50514589

Composed by Johannes Brahms. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL2103A. Published by Alfred Lengnick & Co (HL.50514589).

Violoncello, Piano - Level 3

SKU: BA.BA11057

Composed by Thomas Daniel Schlee. Stapled. Performance score, Part (1). Composed 2006. Opus 66. 5/3 pages. Baerenreiter Verlag #BA11057_00. Published by Baerenreiter Verlag (BA.BA11057).

ISBN 9790006558292. 30 x 21 cm inches.

The intimate atmosphere of the first of the „Trois Poèmes“ op. 66 (11053) is evoked here in a purely instrumental form – technically easily accessible, with an expressive melodic and corresponding harmonic treatment.

By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Full score, set of parts, and 2 Play-Along CDs. Published by Recorder JP

Trio (clar,va,perc)

SKU: BR.EB-9414

Composed by Helmut Lachenmann. Chamber music; stapled. Edition Breitkopf. World premiere: Munich, March 5, 1968EB 9414 will be published in June 2021. Music post-1945; New music (post-2000). Performance score. Composed 1966. 24 pages. Duration 16'. Breitkopf and Haertel #EB 9414. Published by Breitkopf and Haertel (BR.EB-9414).

ISBN 9790004188880. 10.5 x 14 inches.

Das Stuck stellt fur mich einen von verschiedenen Versuchen dar, aus einem streng punktuellen Musikdenken herauszufinden, mit dem ich mich seit meinem Studium bei Luigi Nono identifiziert hatte und dem ich auf meine eigene Weise treu zu bleiben entschlossen war, besonders in jener Zeit, als sich die sogenannte Avantgarde mehr und mehr auf surrealistische Kompromisse mit der burgerlichen Bequemlichkeit einzulassen schien. Die Besetzung - Klarinette, Bratsche und Schlagzeug (Marimbaphon mit Almglocken, Becken, Pauke und Bongos) - gewahrleistete eine homogene Ausgangsbasis der instrumentalen Mittel, von wo aus einerseits eine Art Klang-Gestik - das heisst enger oder weiter verzweigte Tonfigurationen - sich entwickeln liess, wahrend andererseits die Klangdifferenzierung nach innen weiter getrieben werden konnte bis hinein in die bewusstgemachte Anatomie des entstehenden (geblasenen, geschlagenen, geriebenen, gestrichenen, gezupften, getupften usw.) Tones. Zwischen diesen beiden Gegensatzen - Verflussigung des punktuell Gedachten hier und seiner Versteinerung beziehungsweise inneren Aufbrechung, Offnung dort - bewegt sich diese Musik: Gegensatze, die ich in spateren Werken bis in radikale Extreme weitergetrieben habe, wahrend hier das Ganze noch einem eher abstrakt-spielerischen Gesamtcharakter verpflichtet bleibt. (Helmut Lachenmann, 1989) Trio fluido , noch vor dem Schlagzeugsolostuck Interieur I, meinem Opus 1, entstanden, gehort einer Schaffensphase an, die noch streng strukturalistisch gepragt war, in der also ausschliesslich am akustischen Material orientierte Beziehungen und Entwicklungen kompositorisch gesteuert wurden. Was immer in diesem Stuck an Spielerischem einerseits, an Verfremdung und Klangzersetzung andererseits zu finden ist, ergab sich aus der Anwendung von solchen immanent orientierten Gesetzmassigkeiten, war also nirgends Gegenstand von expressiver Spekulation. Formal hat man es mit einer vielfach gebrochenen, aber insgesamt zugleich steigenden und fallenden Kurve zu tun: Auf dem Hintergrund scheinbar lose aufgereihter Abschnitte kehren sich mehr und mehr extreme Materialeigenschaften hervor, schliessen sich zusammen, bewirken insgesamt eine Zuspitzung, die umschlagt in den Kontrast eines statischen, durch innere Fluktuationen belebten Feldes. Dieses zerfasert sich seinerseits bis zum Schluss, wobei hinter den Tonfiguren die Gerauschkomponenten, hinter diesen die Erfahrung von der korperlichen Beschaffenheit des klingenden Stoffes und dahinter die auf solche Weise entleerte Zeit freigelegt, bewusstgemacht und in den musikalischen Zusammenhang eingegliedert wird. Strukturelles Musizieren: Das ist eine paradoxe Vorstellung. In Trio fluido entdeckt und nutzt die Musik selbst diesen Widerspruch. Mit der zunehmenden Auflosung (und zugleich der instrumentaltechnischen Ausuferung im Schlagzeug) schalen sich jene andere Materialwahrnehmung und daran gebundene Expressivitat heraus, die in meinen spateren Werken, zuerst in temA, Air und Klangschatten Ausgangshaltung bedeuteten, um die Reflexion der Bedingungen des Horens und Musizierens ins Horen selbst mit einzubeziehen. (Helmut Lachenmann, 1993) CD: Uwe Mockel, Barbara Maurer, Christian Dierstein CD Montaigne Auvidis MO 782023 Bibliography: Brunner , Eduard: krawall im saal. Eduard Brunner uber seine Erfahrungen mit der Musik von Helmut Lachenmann und die Zusammenarbeit mit dem Komponisten, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, p. 32f.

World premiere: Munich, March 5, 1968.

by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.

By Craig Duncan. For Violin. method. First Lessons. All Styles. Level: Beginning. Book CD DVD. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Chamber Music, Trio, Duet 2 Bb Clarinets 1 Piano (optional) - Grade 5

SKU: FL.FX073511

Composed by Jean-Michel Maury. Original Composition. Classical, Educational. Score and Set of Parts. Duration 1 minute, 10 seconds. FLEX Editions #FX073511. Published by FLEX Editions (FL.FX073511).

The third opus of our Time Out, and this one is still quite virtuoso... Please note that this piece can be played without piano (2 clarinets only). ; Instruments: 2 Bb Clarinets 1 Piano (optional); Difficuly Level: Grade 5.

By Johannes Brahms (1833-1897). Arranged by Ralph Sauer. For Trombone Quartet. Romantic German. Intermediate. Score and parts. Published by Cherry Classics

Symphonic Band - Grade 5 - Score and Parts. Arranged by Franco Cesarini. De Haske Concert Band Full Set. Size 9x12 inches. Published by DeHaske Publications.

Grade 3

SKU: CL.012-2607-75

Composed by Bob Hilliard. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR105). Oversized, spiral-bound score. Composed 1994. Duration 6 minutes, 1 second. Opus III Wind Orchestra Publications #012-2607-75. Published by Opus III Wind Orchestra Publications (CL.012-2607-75).

Exciting music based on a Nigerian folk hymn, Quincy Hilliard's setting is perfect for contest or concert use. Interesting harmonies, beautiful tone colors and driving polyrhythms all combine to make this a very appealing selection, especially for groups with large percussion sections. Give your students a glimpse of music from another culture rarely heard or performed by wind bands. Truly Exceptional!

Grade 3

SKU: CL.012-3105-75

Composed by Seitz. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR325 & CL.WFR316). Oversized, spiral-bound score. Composed 2001. Duration 2 minutes, 48 seconds. Opus III Wind Orchestra Publications #012-3105-75. Published by Opus III Wind Orchestra Publications (CL.012-3105-75).

One of the most distinctive marches ever written, this stately standard is a perfect concert or festival selection. Glover's outstanding arrangement is not simplified or abridged in any way, but does offer insightful articulations, clear dynamics and large readable parts for the modern concert band instrumentation. The nature of the opening strains makes this a wonderful vehicle for teaching everyone in the band chromatic scales. Tremendous! Grade 3 1/2.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Orchestra Piano & Orchestra - Grade 3

SKU: MA.EMR-23106

Composed by Edvard Grieg. Arranged by Jan Valta. Orchestra (Piano Solo). Score and parts. Duration 1'19. Editions Marc Reift #EMR 23106. Published by Editions Marc Reift (MA.EMR-23106).

From Lyric Pieces Opus 12.

Orchestra Piano & Orchestra - Grade 3

SKU: MA.EMR-23107

Composed by Edvard Grieg. Arranged by Jan Valta. Orchestra (Piano Solo). Score and parts. Duration 1'48. Editions Marc Reift #EMR 23107. Published by Editions Marc Reift (MA.EMR-23107).

From Lyric Pieces Opus 12.