Blezzard Judith (Editor). Par BLEZZARD JUDITH. This is a collection of seven beautiful motets by French composers of the 19th century. The beauty of text and music in this repertory transcends liturgical constraint, widening the context in which the music can be used to enhance worship and meditation. This collection, showing a diversity of style and texture, is ideal for church or concert use, it includes evocative settings by the lesser-known Massenet and Caplet as well as motets by Franck, Faure, Saint-Saens and a new two-part version of Gounod's Ave Maria. Scored for SA chorus with Organ or Piano accompaniment. / Niveau : Assez Facile / Date parution : 1998-05-21/ Recueil / SA

Par FAURE GABRIEL / SAINT-SAENS CAMILLE. A delightful collection of French romantic gems, including settings of 'Ave Maria', 'Ave Verum' and 'Tantum Ergo' by both composers. This book also includes a detailed and informative introduction. Arranged for SA Choir with Organ or Piano accompaniment. / Niveau : Assez Facile / Répertoire / SA

Avec ce volume, Bärenreiter poursuit l'édition Urtext Frescobaldi qui établit de nouvelles normes qui offrent des musiciens professionnels, des musicologues et amateurs d'un texte musical incomparable.Volume III comprend la préface de Frescobaldi sur la performance de sa musique pour clavier ('avvertimenti'), onze Toccatas pour orgue, le 'madrigale passagiatio' 'Ancidetemi pur d'Archadelt' (dans le madrigal de plus Arcadelt du même nom dans l'Annexe), six canzonas, hymnes strictement contrapuntiques et les paramètres Magnificat principalement destinés aux organistes, gaillardes cinq et six Correntes, le 'Aria detta la Frescobalda' et trois partitas.Chaque volume contient une introduction qui décrit la genèse des oeuvres, la situation concernant les sources, la pratique de la performance ainsi que la technique de rédaction utilisée. Un obus de commentaire critique off chaque volume.La série est prévue pour comporter six volumes. Reflétant les dernières recherches musicologiques Préface détaillée, commentaire critique, index des sources (Ger / Eng) / Orgue Et Clavier

Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue