By Anthony; Stonyhurst Mss (Webbe Werner. Arranged by Richard Proulx. For Voices: SATB. Choral Sacred. Level: easy. 6 pages. Published by GIA Publications.

SKU: HL.50565557

Composed by Donostia. MGB. Hal Leonard #ME2859. Published by Hal Leonard (HL.50565557).

BALLON..).

By Wolfgang Amadeus Mozart. Teaching Singer: Deborah Rentz-Moore. For Alto voice. Choral learning aid. SingleParts with StudySpots. Classical; Choral. Level: Novice to semi professional. Choral Practice CD. Duration 0:54:44. Published by Rehearsal Arts, LLC.

SATB Choir and Piano

SKU: BT.HU-2990-250

Composed by Camille Saint-Saens. Harmonia-Mixed Choir. Choral Score. 4 pages. Harmonia #HU 2990-250. Published by Harmonia (BT.HU-2990-250).

Latin.

SAB choir, organ/piano

SKU: GH.GE-11428

O Salutaris Hostia. Composed by June Nixon. Octavo. With Language: Latin, Swedish. Gehrmans Musikforlag #GE 11428. Published by Gehrmans Musikforlag (GH.GE-11428).

185 x 262 mm inches. Text: Thomas av Aquino / Gunborg Brannstrom (Swedish) / Kjell Svensson.

2nd violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165212

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165212. Published by Carus Verlag (CA.5165212).

ISBN 9790007313852. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.

Armanâ� ��™s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Arman� ��s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

SKU: HL.14074585

Choral. General Merchandise. Duration 240 seconds. Edition Wilhelm Hansen #WH26882A. Published by Edition Wilhelm Hansen (HL.14074585).

Piano (piano)

SKU: S6.S1747

Composed by Pekka Kostiainen. Score. Sulasol #S1747. Published by Sulasol (S6.S1747).

ISBN 9790550107472.

By Vytautas Miskinis. For SAATTBB Choir. Contemporary choral music. Score. Language: Latin. Composed 1991. 4 pages. Duration 3 min. Published by Carus Verlag (German import).

By Pekka Kostiainen (1944-). For guitar, 2 violins, viola, cello. Score. Published by Sulasol

By Henrique Oswald (1852-1931). For SSAA choir, organ ad libitum. Octavo. Published by Alliance Music Publications

Coro SATB, Bc [SATB sol]

SKU: CA.335410

Composed by Henry Du Mont. Edited by Denis Rouger. Arranged by Claus-Dieter Ludwig. Separate edition with choral collection. Secular choral music. Full score. 4 pages. Carus Verlag #CV 03.354/10. Published by Carus Verlag (CA.335410).

ISBN 9790007240455. Language: Latin.

Score available separately - see item CA.335400.

By Josef Gabriel Rheinberger. Edited by Klaus Hofmann. This edition: paperbound. Christmas. Score with 1 part. 20 pages

(For Upper Voices). Composed by Various. Edited by David Hill. For Choral (SA). Choral. Softcover. 96 pages. Novello and Co Ltd. #NOV295031. Published by Novello and Co Ltd.

By John Rutter. For Choral Collection: Mixed Choir. Published by Oxford University Press.

Mixed choir

SKU: FG.042-06275-3

Composed by Pekka Kostiainen. Published by Fennica Gehrman (FG.042-06275-3).

ISBN 979-0-042-06275-3.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732012

Composed by Anton Bruckner. Edited by Anselm Eber. Violin 2. Sacred vocal music, Masses, Latin, Requiem. Single Part, Violin 2. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/12. Published by Carus Verlag (CA.2732012).

ISBN 9790007245566. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

Female Choir

SKU: FG.55011-010-6

Composed by Pekka Kostiainen. Published by Fennica Gehrman (FG.55011-010-6).

ISBN 979-0-55011-010-6.

Fur vierstimmigen Chor und Orgel aus der "Messe solennelle". By Hector Berlioz. Edited by Hugh Macdonald. For Mixed Choir-SATB, Organ. Chormusik des 19. Jahrhunderts. Singing Score; Playing Score. Published by Baerenreiter-Ausgaben (German import).

By Pekka Kostiainen (1944-). For mixed choir (SSAATB choir). Published by Sulasol

Coro SATB, Piano/Organ

SKU: CA.335420

Composed by Camille Saint-Saens. Edited by Denis Rouger. Separate edition with choral collection. Secular choral music. Full score. Op. op.12. 2 pages. Carus Verlag #CV 03.354/20. Published by Carus Verlag (CA.335420).

ISBN 9790007240462. Key: G major. Language: Latin.

Score available separately - see item CA.335400.

Composed by Pekka Kostiainen (1944-). Published by Fennica Gehrman (FG.042-06073-5).

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732019

Composed by Anton Bruckner. Edited by Anselm Eber. Complete orchestral parts. Sacred vocal music, Masses, Latin, Requiem. Set of Orchestra Parts. WAB 39. Duration 38 minutes. Carus Verlag #CV 27.320/19. Published by Carus Verlag (CA.2732019).

ISBN 9790007245603. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and parts available separately - see item CA.2732000.

Composed by Edward Elgar (1857-1934). Sacred vocal music; Praise and thanks. Separate edition. 9 pages. Published by Carus Verlag (CA.331260).