REP16 BASSANO, BOVICELLI and others, Divisions on Io son ferito ahi lasso, for soprano instrument/voice and continuo. â?¬8.00

Guitaristes ne peut pas obtenir assez de recueils de chansons Pages Blanches! Volume 4 comporte 150 autres grands note pour noter transcriptions. Parmi les chansons retrouvez: Addicted to Love - Bad Moon Rising - Been Caught Stealing - Bridge of Sighs - Can't Buy Me Love - Come Monday - Drive - Eight Miles High - Everlong - Everybody Wants You - Fame - Hallelujah - Hey, Soul Sister - How Soon Is Now - I Wanna Be Your Dog - Jamie's Cryin' - Kiss - Mr. Brightside - Otherside - Peter Gunn - Redemption Song - Surfing with the Alien - Would? / Guitare

Par LED ZEPPELIN. Page Plant and Jones hand-selected the songs for the unprecedented career-spanning Mothership. Now Alfred Music is proud to present this 200-page sheet music collection of highly accurate piano arrangements. Prior to this songbook many piano/vocal arrangements of Led Zeppelin songs were published in the old-style which means the sheet music didn't necessarily match the epic recordings that made the songs famous. For this collection each recording was revisited for transcription resulting in the finest Led Zeppelin piano/vocal songbook ever published! This is a must-own book for pianists keyboardists and fans in general. Basic guitar chord frames are included. / Date parution : 2023-06-02/ Recueil / Piano/Vocal/Guitare (PVG)

This collection features streamlined guitar arrangements, with a combo of tab, chords, and lyrics for 50 popular songs, including: Ain't No Sunshine · Beat It · Every Rose Has Its Thorn · Folsom Prison Blues · Hallelujah · Highway to Hell · I Love Rock 'N Roll · I'm Yours · In My Life · La Grange · Otherside · Pork and Beans · Rolling in the Deep · Smells like Teen Spirit · Sweet Home Chicago · Three Little Birds · Wild Night · Wish You Were Here · and many more. / Guitare

A Guide to Fingerpicking, Including Folk, Blues, Ragtime and Travis Picking Styles. Par ROTH ARLEN. A master guitarist and pioneer of guitar education, Arlen Roth has been a part of the guitar scene for decades, touring and recording with artists such as Simon and Garfunkel, Bob Dylan, John Prine, Ry Cooder, Levon Helm, John Sebastian and countless others. In this new video series, Arlen passes along his knowledge of authentic folk and blues fingerpicking styles, providing tips, licks, songs and detailed breakdowns. The accompanying book reinforces your learning experience with transcriptions of key examples from the videos, presented in standard notation and tablature. Topics covered include: basic fingerpicking technique - alternating bass - Travis picking - harmonyshuffles - turnarounds - accent strokes - blues, folk, ragtime and rockabilly styles - styles of Merle Travis, Blind Blake, Chet Atkins, Scotty Moore and others. Includes over an hour of video lessons! A master guitarist and pioneer of Guitar education, Arlen Roth has been a part of the Guitar scene for decades, touring and recording with artists such as Simon and Garfunkel, Bob Dylan, John Prine, Ry Cooder, Levon Helm, John Sebastian and countless others. In this new video series, Roth passes along his knowledge of authentic folk and blues fingerpicking styles, providing tips, licks, songs and detailed breakdowns. The accompanying book reinforces your learning experience with transcriptions of key examples from the videos, presented in standard notation and tablature. Topics covered include: basic fingerpicking technique - alternating bass -Travis picking - and ldquo - harmony and rdquo - shuffles - turnarounds - accent strokes - blues, folk, ragtime and rockabilly styles - styles of Merle Travis, Blind Blake, Chet Atkins, Scotty Moore and others. Includes over an hour of video lessons! / Pédagogie / Méthode / Guitare

20 Easy to Intermediate Arrangements for Alto Flute and Piano. Originally published in a different format, Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels, and includes popular recital pieces such as Bizet's Habanera from Carmen, the traditional Irish tune Danny Boy, and 18 others. The same contents are also available in Bass Flute Solos (FH0512). Originally published in a different format, Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels, and includes popular recital pieces such as Bizet's Habanera from Carmen, the traditional Irish tune Danny Boy, and 18 others. The same contents are also available in Bass Flute Solos (FH0512)./ Recueil / Flûte Traversière Alto et Piano

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Learn how to solo like the masters! The ultimate practice book for serious jazz guitarists! The Cellular Approach is a practical method for developing the ability to create convincing jazz solos in a wide variety of playing situations. It takes actual jazz lines recorded by master players and then slices them up into small 'cells? that can be re-combined into longer lines to fit almost any harmonic situation. This enables the player to improvise his or her own lines that sound just as interesting and melodic as the masters without resorting to simply copying others. Fingerings and string choices are often given too, making it particularly valuable to guitarists who want to actually master their instrument.There is a complete discussion of how to break out of diatonic-derived lines by using the cellular approach to create 'side-slipping? and other intervallic lines - creating ultra-hip solo phrases in the style of modern masters such as Pat Metheny, Michael Brecker and Herbie Hancock. Finally, the cell concept gets transcended as twelve tone rows in the style of Mike Stern and others are explored, as well as lines derived from '23rd chords? - for the adventurous that are interested in paving a way into the future. / Guitare

If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.”In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility¦ Some pieces, like Flight of the Bumblebee will challenge yourability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways. The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.” In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Tablatures / 5-String Banjo

23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano

American folk music is just right for flute. From the lyrical beauty of Amazing Grace and Shenandoah to the rollicking good fun of Lane County Bachelor and Old Joe Clark, these 34 tunes will keep you playing – and keep your listeners dancing and singing. All of the tunes can be played on flute alone, or with piano, guitar, or any chord instrument. Chord symbols are included with the music. The lyrics are included in the book. Lyrics can help with learning rhythm, or with memorization of the melody. They allow the player to sing as well as play, or to invite others to sing along. Besides, they are fun. The Play-Along CD includes two sections. The first section of the CDincludes all of the tunes, with Jessica Walsh on flute and Andrew D. Gordon on piano. The second section is a Play-Along, featuring wonderful piano accompaniments arranged by Anita Briggs. The music notation for the piano accompaniments is in PDF format and is available for download. American folk music is just right for flute. From the lyrical beauty of Amazing Grace and Shenandoah to the rollicking good fun of Lane County Bachelor and Old Joe Clark, these 34 tunes will keep you playing – and keep your listeners dancing and singing. All of the tunes can be played on flute alone, or with piano, guitar, or any chord instrument. Chord symbols are included with the music. The lyrics are included in the book. Lyrics can help with learning rhythm, or with memorization of the melody. They allow the player to sing aswell as play, or to invite others to sing along. Besides, they are fun. The Play-Along CD includes two sections. The first section of the CD includes all of the tunes, with Jessica Walsh on flute and Andrew D. Gordon on piano. The second section is a Play-Along, featuring wonderful piano accompaniments arranged by Anita Briggs. The music notation for the piano accompaniments is in PDF format and is available for download. / Musique traditionnelle d'Amérique du Nord / Recueil / Flûte Traversière

12 Short Piano Solos. Par MIER MARTHA. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the intermediate to late intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: Beneath the Stars - A Brief Interlude - Elegant Dance - A Faded Memory - Hummingbirds at Play - Majestic Iceberg - My Heart's Secret - The Old Diary - The Promise - Reverie - Summer Love - Tranquility. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the late elementary to late intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: Beneath the Stars * A Brief Interlude * Elegant Dance * A Faded Memory * Hummingbirds at Play * Majestic Iceberg * My Heart's Secret * The Old Diary * The Promise * Reverie * Summer Love * Tranquility/ Recueil / Piano