Fanfare Band - Grade 2.5

SKU: BT.AMP-465-120

Composed by Philip Sparke. Debut Series. Hymns & Chorals. Score Only. Composed 2018. 52 pages. Anglo Music Press #AMP 465-120. Published by Anglo Music Press (BT.AMP-465-120).

English-German-French- Dutch.

These 30 Original Chorales and Warm-Ups have been designed to develop the most important aspects of band playing, by providing material that can be used at the start of a rehearsal to test balance, dynamics, tuning, flexibility and articulation. Band directors are encouraged to adapt them to address the specific needs and challenges of their ensembles. Dynamics and tempo indications are not given and should be chosen by the director as required. All the chorales are strictly four-part. This multi-purpose collection is an essential purchase for every ambitious band!

30 Original Chorales and Warm-Ups is ontwikkeld om belangrijke vaardigheden van het spelen in een blaasorkest te ontwikkelen door middel van materiaal dat kan worden gebruikt om bij de start van een repetitie aan de balans, dynamiek, zuiverheid, flexibiliteit en articulatie te werken. Dirigenten kunnen de koralen en warming-ups naar wens aanpassen door zich te richten op specifieke muzikale aspecten. Er worden geen aanwijzingen voor dynamiek en tempo gegeven, die bepaalt de dirigent naar eigen inzicht. Alle koralen zijn vierstemmig. Een veelzijdig toepasbare bundel die onmisbaar is voor elk ambitieus blaasorkest!

Die 30 Original Chorales and Warm-Ups wurden konzipiert, um die wichtigsten Aspekte des Blasorchesterspiels zu erarbeiten. Mithilfe des umfangreichen Materials kann man zu Beginn einer Probe Balance, Dynamik, Stimmung, Flexibilität und Artikulation üben. Orchesterleiter können das Material an die Bedürfnisse ihres jeweiligen Orchesters anpassen, indem sie sich auf bestimmte musikalische Herausforderung konzentrieren. Es gibt keine Angaben zu Dynamik und Tempo, da dies vom Orchesterleiter entsprechend gewählt werden soll. Die Choräle sind alle vierstimmig. Eine vielseitige Sammlung, die unverzichtbar für jedes anspruchsvolle Orchester ist!

30 Original Chorales and Warm-Ups a été conçu pour développer les aspects importants du jeu d’ensemble en offrant des morceaux qui permettent d’évaluer la balance, les nuances, l’intonation, la flexibilité et l’articulation. Idéal pour l’usage lors du début d’une répétition, tous les chorals sont quatre voix. Ce recueil usages multiples est indispensable chaque orchestre ambitieux !

Fanfare Band - Grade 2.5

SKU: BT.AMP-465-020

Composed by Philip Sparke. Debut Series. Hymns & Chorals. Set (Score & Parts). Composed 2018. Anglo Music Press #AMP 465-020. Published by Anglo Music Press (BT.AMP-465-020).

English-German-French- Dutch.

These 30 Original Chorales and Warm-Ups have been designed to develop the most important aspects of band playing, by providing material that can be used at the start of a rehearsal to test balance, dynamics, tuning, flexibility and articulation. Band directors are encouraged to adapt them to address the specific needs and challenges of their ensembles. Dynamics and tempo indications are not given and should be chosen by the director as required. All the chorales are strictly four-part. This multi-purpose collection is an essential purchase for every ambitious band!

30 Original Chorales and Warm-Ups is ontwikkeld om belangrijke vaardigheden van het spelen in een blaasorkest te ontwikkelen door middel van materiaal dat kan worden gebruikt om bij de start van een repetitie aan de balans, dynamiek, zuiverheid, flexibiliteit en articulatie te werken. Dirigenten kunnen de koralen en warming-ups naar wens aanpassen door zich te richten op specifieke muzikale aspecten. Er worden geen aanwijzingen voor dynamiek en tempo gegeven, die bepaalt de dirigent naar eigen inzicht. Alle koralen zijn vierstemmig. Een veelzijdig toepasbare bundel die onmisbaar is voor elk ambitieus blaasorkest!

Die 30 Original Chorales and Warm-Ups wurden konzipiert, um die wichtigsten Aspekte des Blasorchesterspiels zu erarbeiten. Mithilfe des umfangreichen Materials kann man zu Beginn einer Probe Balance, Dynamik, Stimmung, Flexibilität und Artikulation üben. Orchesterleiter können das Material an die Bedürfnisse ihres jeweiligen Orchesters anpassen, indem sie sich auf bestimmte musikalische Herausforderung konzentrieren. Es gibt keine Angaben zu Dynamik und Tempo, da dies vom Orchesterleiter entsprechend gewählt werden soll. Die Choräle sind alle vierstimmig. Eine vielseitige Sammlung, die unverzichtbar für jedes anspruchsvolle Orchester ist!

30 Original Chorales and Warm-Ups a été conçu pour développer les aspects importants du jeu d’ensemble en offrant des morceaux qui permettent d’évaluer la balance, les nuances, l’intonation, la flexibilité et l’articulation. Idéal pour l’usage lors du début d’une répétition, tous les chorals sont quatre voix. Ce recueil usages multiples est indispensable chaque orchestre ambitieux !

Solo voices, orchestra (3 Soprano Voice Solo, 2 Tenor Voice Solo, 2 Fl, 2 Ob, 2 bassoon, 2 Hn, trombone, Str, Continuo)

SKU: BA.BA04513-01

Part I of the sacred singspiel. Composed by Wolfgang Amadeus Mozart. Edited by Franz Giegling. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series I, Werkgruppe 4, No. 1. Complete edition, Score. K. 35. Duration 1 hour, 24 minutes. Baerenreiter Verlag #BA04513_01. Published by Baerenreiter Verlag (BA.BA04513-01).

ISBN 9790006449453. 33 x 25.8 cm inches. Text: Ignaz A Weiser.

This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models.

The first performance took place in the Knights' Hall of the prince's palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701-1785), town councillor and mayor of Salzburg .

Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria no. 2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart.


The piano reduction, by K.-H. Muller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Score and Parts. By Morton Gould. (Flute). Woodwind Solo. Size 9x12 inches. 84 pages. Published by G. Schirmer, Inc.

Arranged for Voice and Orchestra. By Benjamin Britten. (Study Score). Boosey and Hawkes Scores and Books. Size 7.25x10.25 inches. 82 pages. Published by Boosey and Hawkes.

Chamber Music viola, piano accompaniment

SKU: PR.114422510

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2 pages. Duration 5 minutes. Theodore Presser Company #114-42251. Published by Theodore Presser Company (PR.114422510).

UPC: 680160683840. 9 x 12 inches.

THE SOLITUDE OF STARS is a 5-minute work for viola and piano. It depicts the composer’s awe at experiencing a nighttime view of the starry heavens, shining brightly over the vast expanse of the Wyoming prairie. The slow passage of time is evoked by slowly rocking eighth-notes, creating a gentle texture. THE SOLITUDE OF STARS is a powerful depiction of celestial beauty, technically within the reach of intermediate-level performers.

Books and Journals

SKU: UT.QC-2

Composed by Rohan H. Stewart-MacDonald. Hardback (Cloth Hard Cover with Jacket). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 2. Published by Ut Orpheus (UT.QC-2).

ISBN 9788881094585. 6.5 x 9.5 inches.

The career of Muzio Clementi (1752-1832) spanned the lives of both Mozart and Beethoven and was exceptionally diverse. It encompassed performing on the keyboard, conducting, teaching, business activities and composition in the realms of keyboard, chamber and orchestral music. This book focuses on Clementi’s keyboard sonatas and aims to shed new light on their relationship with the complex cross-currents of late eighteenth-century musical style, both in England, where Clementi was active for much of his career, and the continent, which he visited periodically.
The first chapter summarises Clementi’s historical reputation as it developed in the nineteenth and twentieth centuries, and evaluates the impact on it of the significant developments in Clementi scholarship since 2000. The aim is to stress the deficiencies of the established view of Clementi as a keyboard pedagogue and to stress the importance of liberating him as much as possible from this ingrained perception. This is attempted, in the remaining chapters, through close, analytical readings of a variety of keyboard sonatas from all stages of his career, comparing them with a range of works by Haydn, Mozart, Beethoven and other contemporaries such as Jan Ladislav Dussek (1760-1812). The comparisons are made from the perspectives of distinguishing features of Clementi’s style such as his unusually intense deployment of strict counterpoint in the later keyboard sonatas; his cultivation of irregularity in recapitulations; his use of the ‘three-key’ exposition in the middle-to-later stages of his career that seems to anticipate nineteenth-century developments, and also his assimilation of heightened virtuosity into the earlier sonatas, often in the form of cadenzas more suggestive of the keyboard concerto – a genre Clementi seems, rather strangely, to have neglected. The book has been envisaged as a direct response, not only to the most recent scholarship on Clementi, but also to current approaches to eighteenth-century music in general, including the interdisciplinary work of Annette Richards.

Kontrabass und 2 CDs

SKU: HG.GH-11745

Vorstufe / Erweiterung. Composed by Thomas Grossmann. Score and CD. Hug Musikverlage #GH 11745. Published by Hug Musikverlage (HG.GH-11745).

ISBN 9790202824283.

Note nformat, 44 Seiten, illustriert, mit CD (Audio) Das Kontrabass-Spielbuch enthalt viele sehr einfache Spielstucke fur den Einstiegsunterricht ab 6 Jahren und versteht sich als Erganzung zum Kontrabass-ABC Band 1 oder zu jeder anderen Kontrabass-Schule. Es kann als Vorstufe oder Erweiterung genutzt werden. Dadurch ermoglicht es Lehrern und Schulern ein Hochstmass an Flexibilitat. Viele Stucke eignen sich ebenfalls fur den Gruppenunterricht. Der Einstieg soll leicht fallen, fundiert und motivierend auf die Spieltechniken vorbereiten und, besonders auch den jungsten Kontrabassisten, viel Spass machen. Kontrabass ABC Das Kontrabass-ABC ist eine neue Kontrabassmethode in 3 Banden und einem Spielbuch. Es wurde sowohl fur Anfanger als auch fur Instrumentenwechsler konzipiert und ist keine ausschliessliche Kinder-Bass-Schule. Das Kontrabass-ABC richtet sich an Kontrabass-Schuler aller Altersstufen. Es wurde in uber 20-jahriger Unterrichtstatigkeit fur Schuler im Alter von 6 bis 60 Jahren entwickelt und von ebendiesen ausprobiert. An dieser wichtigen, fantasievoll gestalteten und padagogisch vorbildlichen Kontrabass-Schule werden alle ihre Freude haben. Prof. Jorg Linowitzki (Prof. fur Kontrabass an der Musikhochschule Lubeck), im Begleitwort.

An A-Z Guide to Getting Better. Guitar Educational. Guitar Reference, Instruction. Softcover Audio Online. With guitar tablature. 128 pages. Published by Hal Leonard

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075209

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Set of Orchestra Parts. Composed 1990. 232 pages. Duration 20 minutes. Carus Verlag #CV 40.752/09. Published by Carus Verlag (CA.4075209).

ISBN 9790007220693. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and parts available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075214

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Cello. Composed 1990. 20 pages. Duration 20 minutes. Carus Verlag #CV 40.752/14. Published by Carus Verlag (CA.4075214).

ISBN 9790007220730. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075213

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Viola. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/13. Published by Carus Verlag (CA.4075213).

ISBN 9790007220723. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075211

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Violin 1. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/11. Published by Carus Verlag (CA.4075211).

ISBN 9790007220709. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075215

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Double Bass. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/15. Published by Carus Verlag (CA.4075215).

ISBN 9790007220747. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075212

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Violin 2. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/12. Published by Carus Verlag (CA.4075212).

ISBN 9790007220716. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075206

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Choir part. Composed 1990. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.752/06. Published by Carus Verlag (CA.4075206).

ISBN 9790007220686. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075205

Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Choir part. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/05. Published by Carus Verlag (CA.4075205).

ISBN 9790007220679. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200.

Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba

SKU: CA.4075200

Aus tiefer Not. Composed by Friedhelm Rentzsch. German title: Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Full score. Composed 1990. Duration 20 minutes. Carus Verlag #CV 40.752/00. Published by Carus Verlag (CA.4075200).

ISBN 9790007106447. Language: German.

Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters.

By Antonin Dvorak (1841-1904). For cantata (solo voices - soprano, alto, tenor, bass, mixed choir, piano). Vocal music. Czech title: Stabat Mater op. 58. Classical. Piano reduction. Publication language: Czech/German/English/Fren ch -- Text Lyrics: Latin. Published by Editio Baerenreiter Praha

For guitar. Format: guitar solo book. With standard notation (no tablature) and fingerings. Renaissance, baroque, classical period and 20th century. 126 pages. 9x12 inches. Published by Music Sales.

SKU: TL.TCL018670

Electronic Keyboard. Book. Trinity College London #TCL018670. Published by Trinity College London (TL.TCL018670).

ISBN 978-0-85736-782-2.

This book contains everything needed to prepare for the performance and technical work components of a Trinity Electronic Keyboard Grade 5 exam in 2019-2022. All pieces have been composed or arranged specifically for the keyboard, and encompass a wide range of styles - from classical favourites to TV, film or show themes. The 'own interpretation' piece allows the candidate to create a personal arrangement, choosing their own voices, style, keyboard functions and interpretation. Also included are the scales, chord knowledge and exercises that form the technical work component of the exam. Demonstration recordings can be downloaded free. This series provides progressive steps in performance and keyboard functions for all electronic keyboard students, whether preparing for a Trinity exam or studying on another path.

SKU: TL.TCL018625

Electronic Keyboard. Book. Trinity College London #TCL018625. Published by Trinity College London (TL.TCL018625).

ISBN 978-0-85736-777-8.

This book contains everything needed to prepare for the performance and technical work components of a Trinity Electronic Keyboard Initial exam in 2019-2022. All pieces have been composed or arranged specifically for the keyboard, and encompass a wide range of styles - from classical favourites to TV, film or show themes. The 'own interpretation' piece allows the candidate to create a personal arrangement, choosing their own voices, style, keyboard functions and interpretation. Also included are the scales, chord knowledge and exercises that form the technical work component of the exam. Demonstration recordings can be downloaded free. This series provides progressive steps in performance and keyboard functions for all electronic keyboard students, whether preparing for a Trinity exam or studying on another path.