| Accent on Performance Classical Collection Orchestre d'harmonie Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 1)). ...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Percussion 1)). Arranged
by John O'Reilly and Mark
Williams. Concert Band.
For Percussion 1. Band
Supplement; Book;
Masterworks. Accent on
Performance. Masterwork
Arrangement. 28 pages.
Publi
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Swiss renaissance dances [Conducteur] Amadeus Verlag
10 wind instruments and percussion (2 piccolos, 2 oboes (2nd also English horn),...(+)
10 wind instruments and
percussion (2 piccolos, 2
oboes (2nd also English
horn), 2 bassoons,
trumpet in C, 2 horns,
trombone, 2 percussion
players (3 kettle-drums,
side drum, Basle drum,
tambourine)) SKU:
M7.BP-2069 Composed
by Raymond Meylan. Sheet
music. Score. Amadeus
Verlag #BP 2069.
Published by Amadeus
Verlag (M7.BP-2069).
ISBN
9790015206900. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Early Chamber Music For Percussion EMB (Editio Musica Budapest)
Percussion SKU: HL.50485879 Fur Schlaginstrumente. By Gabor Kosa. ...(+)
Percussion SKU:
HL.50485879 Fur
Schlaginstrumente. By
Gabor Kosa. Renaissance.
EMB. Book [Softcover].
Editio Musica Budapest
#Z8951. Published by
Editio Musica Budapest
(HL.50485879). ISBN
9780634097843. UPC:
073999974447. K/4
(23,5x31) inches.
Hungarian, English,
German. Gabor
Kosa. $18.95 - Voir plus => Acheter | | |
| Accent on Performance Classical Collection Orchestre d'harmonie Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 2)). ...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Percussion 2)). Arranged
by John O'Reilly and Mark
Williams. Concert Band.
For Percussion 2. Band
Supplement; Book;
Masterworks. Accent on
Performance. Masterwork
Arrangement. 28 pages.
Publi
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| O Eyes of My Beloved Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
By Orlande De Lassus (1532-1594). Arranged by Jack Bullock. Orchestra. String Or...(+)
By Orlande De Lassus
(1532-1594). Arranged by
Jack Bullock. Orchestra.
String Orchestra. Belwin
Beginning String
Orchestra. Love;
Masterwork Arrangement;
Renaissance; Wedding.
Grade 2. Conductor Score
and Parts. 74 pages.
Published by Belwin
Publishing
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Susato Dances from The Danserye Ensemble de Trompettes Eighth Note Publications
From The Danserye. Composed by Tylman Susato [Tielman Susato]. Arranged by D...(+)
From The Danserye.
Composed
by Tylman Susato [Tielman
Susato]. Arranged by
David
Marlatt. Brass - Cornet
(Trumpet) Quintet;
Masterworks; Part(s);
Score.
Eighth Note Publications.
Form: Dance. Masterwork
Arrangement; Renaissance.
Published by Eighth Note
Publications
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Two-Part Three-Pack 2 Marimbas [Conducteur et Parties séparées] Tapspace Publications
(three Bach inventions for mallet duo). By Johann Sebastian Bach (1685-1750). Ar...(+)
(three Bach inventions
for mallet duo). By
Johann Sebastian Bach
(1685-1750). Arranged by
Brian Slawson. Mallet
Duet. For 1 small marimba
(4 octave), one 4.3
octave marimba (low A)
NOTE: If necessary, the
treble clef part (small
marimba) may be played on
vibraphone (2 players).
Percussion Duets. Medium.
Score and parts on
CD-ROM. 8 pages. Duration
3'10 . Published by
Tapspace Publications
$30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Yuletide Fanfare Chorale SATB SATB divisi [Octavo] Alfred Publishing
By Jean Perry, Dave Perry. For Opt. Flute and Percussion. (SATB divisi). Choral...(+)
By Jean Perry, Dave
Perry. For Opt. Flute and
Percussion. (SATB
divisi). Choral Octavo.
Choral Designs.
Christmas. Choral Octavo.
24 pages. Published by
Alfred Publishing.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festal Dance - Full Score and Parts Cloches [Partition] Choristers Guild
By Timothy Waugh. For handbells 3-5 octaves, flute, small percussion, handchimes...(+)
By Timothy Waugh. For
handbells 3-5 octaves,
flute, small percussion,
handchimes 3-5 octaves
(conductor's score).
Level: Level 3. Handbell
sheet. Published by
Chorister's Guild.
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gassenhauer (3 Tanze aus der Renaissance) Musikverlag Vogt & Fritz
By Klaus Schindler (1956-). For mandolin orchestra (recorder and percussion inst...(+)
By Klaus Schindler
(1956-). For mandolin
orchestra (recorder and
percussion instrument ad
libitum) (Guitar).
Published by Musikverlag
Vogt & Fritz .
$2.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Hodie, Christus natus est Chorale SATB - Facile GIA Publications
By 12th C. French Melody. Arranged by Marty Haugen. For Voices: Unison, assembly...(+)
By 12th C. French Melody.
Arranged by Marty Haugen.
For Voices: Unison,
assembly; SATB opt.
Instruments: 6 handbells
or glockenspiel, woodwind
in C, opt. Percussion
(finger cymbals, hand
drum, tambourine,
triangle). Keyboard
accompaniment. Christmas
Sacred. Level: easy. 5
pages. Published by GIA
Publications.
$2.20 $2.09 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Susato Dance Suite (from Danserye) (1551) Ensemble de Trompettes Eighth Note Publications
Composed by Tielman Susato (1500-1561). Arranged by David Marlatt. 5 or More; Br...(+)
Composed by Tielman
Susato (1500-1561).
Arranged by David
Marlatt. 5 or More; Brass
- Cornet (Trumpet)
Sextet; Masterworks; Solo
Small Ensembles. Eighth
Note Publications. Form:
Dance; Suite. Masterwork
Arrangement; Renaissance.
Part(s); Score. Duration
8:30. Eighth Note
Publications #81-TE13229.
Published by Eighth Note
Publications
(AP.81-TE13229).
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Be Glad This Festive Day Chorale 2 parties 2 parties, Piano [Octavo] Heritage Music Press
Composed by Douglas E. Wagner. For 2-part voices and piano (with optional percus...(+)
Composed by Douglas E.
Wagner. For 2-part voices
and piano (with optional
percussion). Secular
Christmas. Octavo.
Heritage Music Press
#15/3267H. Published by
Heritage Music Press
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Old Dances Ensemble d'Accordéons [Conducteur et Parties séparées] - Facile De Haske Publications
Accordion Orchestra - Grade 2 SKU: BT.DHP-0991548-060 Composed by Jan Van...(+)
Accordion Orchestra -
Grade 2 SKU:
BT.DHP-0991548-060
Composed by Jan Van der
Roost. Arranged by Myriam
Mees. Accordion. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991548-060. Published by
De Haske Publications
(BT.DHP-0991548-060).
English-German-French-
Dutch. These four
dances are written in a
kind of neo renaissance
style. Because of the
fact that little
technical demands are
required from its
performing artists, these
dances are mainly meant
for beginning groups,
youth ensembles and also
for orchestras in all
kinds of small strengths.
Jan Van der Roost
originally had
pedagogical intentions
with this piece. Myriam
Mees arranged Four Old
Dances with the same
intention for accordion
orchestra with
electronium and
percussion ad
libitum.
Deze vier
dansen zijn geschreven in
een soort
neorenaissancestijl.
Gezien de geringe
technische eisen die aan
de uitvoerders gesteld
worden, richten deze
dansjes zich vooral op
beginnende groepen,
jeugdensembles en ook op
allerhandekleine
bezettingen. Jan Van der
Roost had in eerste
instantie pedagogische
bedoelingen. Myriam Mees
arrangeerde Four Old
Dances met dezelfde
intentie voor
accordeonorkest met
electronium en percussie
ad libitum.
Diese
vier Tänze sind in
einer Art
Neorenaissance-Stil
geschrieben. Da sie in
technischer Hinsicht
keine großen
Anforderungen an die
Ausführenden stellen,
sind sie für
Anfängerensembles,
Jugendorchester und alle
zahlenmäßig kleinen
Orchester besonders gut
geeignet.
Four
Old Dances est une
suite de quatre danses
originales composées
dans le style de la
musique de la
Renaissance. Simples de
structure et accessibles
aux Orchestres Juniors,
ces quatre danses ont
été arrangées
pour Orchestre
d’Accordéons
par Myriam Mees.
L’instrumentation
est quatre voix avec
partie de clavier
électronique /
synthétiseur ad lib.
et partie optionnelle de
percussion. $58.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Late in My Rash Accounting Chorale 3 parties SAB Hal Leonard
SAB/opt. Percussion Choral; Optional Percussion (SAB Choir) SKU: HL.244917(+)
SAB/opt. Percussion
Choral; Optional
Percussion (SAB Choir)
SKU: HL.244917
Composed by Thomas
Weelkes. Arranged by John
Leavitt. Treasury Choral.
Concert, Festival,
Renaissance. Octavo. 8
pages. Duration 180
seconds. Published by Hal
Leonard (HL.244917).
UPC: 888680709259.
6.75x10.5x0.019
inches. Excerpted
from “The SAB Choir
Goes Renaissanceâ€
(00221998), this single
offers simple, homophonic
singing through the verse
but a wonderful
opportunity for your
choir to sing Renaissance
polyphony through the
“Fa la laâ€
section. In keeping with
the style of the
Renaissance, an optional
hand percussion part has
been added as a possible
enhancement. $2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Threefold - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone 1, Trombone 2
and more. - Grade 3
SKU: CF.CPS239
Composed by Richard
Summers. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+6+8+2+1+4+4+
24+4 pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CPS239.
Published by Carl Fischer
Music (CF.CPS239).
ISBN 9781491157855.
UPC: 680160916450. 9 x 12
inches. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter. Syncopation
adds a modern, jazzy,
popular feel to this
exciting concert band
composition. Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and blend.
This adds a feeling of
baroque or renaissance
style to the texture. Yet
the melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The middle
3/4 section is slightly
slower featuring brass
and saxophones and played
legato. Then at the key
change, it becomes more
articulate and
contrapuntal. The a tempo
at m. 88 returns to the
original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter.Â
Syncopation adds a
modern, jazzy, popular
feel to this exciting
concert band
composition.Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and
blend. This adds a
feeling of baroque or
renaissance style to the
texture. Yet the
melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The
middle 3/4 section is
slightly slower featuring
brass and saxophones and
played legato. Then at
the key change, it
becomes more articulate
and contrapuntal. The
a tempo at m. 88 returns
to the original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Threefold [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone 1, Trombone 2
and more. - Grade 3
SKU: CF.CPS239F
Composed by Richard
Summers. Sws. Cps. Full
score. 24 pages. Duration
3 minutes, 40 seconds.
Carl Fischer Music
#CPS239F. Published by
Carl Fischer Music
(CF.CPS239F). ISBN
9781491157848. UPC:
680160916443. 9 x 12
inches. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter. Syncopation
adds a modern, jazzy,
popular feel to this
exciting concert band
composition. Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and blend.
This adds a feeling of
baroque or renaissance
style to the texture. Yet
the melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The middle
3/4 section is slightly
slower featuring brass
and saxophones and played
legato. Then at the key
change, it becomes more
articulate and
contrapuntal. The a tempo
at m. 88 returns to the
original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter.Â
Syncopation adds a
modern, jazzy, popular
feel to this exciting
concert band
composition.Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and
blend. This adds a
feeling of baroque or
renaissance style to the
texture. Yet the
melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The
middle 3/4 section is
slightly slower featuring
brass and saxophones and
played legato. Then at
the key change, it
becomes more articulate
and contrapuntal. The
a tempo at m. 88 returns
to the original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Madrigalum Fanfare [Conducteur] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-143-120 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-143-120
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2006. Anglo
Music Press #AMP 143-120.
Published by Anglo Music
Press (BT.AMP-143-120).
9x12 inches.
English-German. The
idea behind this work was
to create an opening
piece, something to start
a concert in an unusual
way. The title is a
portmanteau word derived
from madrigal. The work
indeed begins in
Renaissance mood however
gradually tries to shake
of its modal start and,
by contrasting different
instrumental families,the
work changes into modern
clothes.Why not add a
little Renaissance
splendor to any concert
with this unique new
work?
Dem Titel
entsprechend, beginnt
dieses Eröffnungswerk
im Renaissance-Stil in
den Schlaginstrumenten
mit einer fanfareartigen
Figur in einer
Solotrompete. Dann
entwickelt sich die Musik
jedoch hin zu moderneren
Klängen. Dann wechselt
sich ein Legato mit dem
schnelleren
Madrigalrhythmus ab,
bevor das Stück noch
einmal die Richtung
ändert und in einer
schnellen Coda endet. Ein
ungewöhnlicher, viel
versprechender Auftakt
für Ihr Konzert!
Questo brano di
apertura è insolito e
originale. Il titolo è
un acronimo derivato dal
termine madrigale, una
forma musicale apparsa
nel XVI secolo.
Madrigalum apre al
suono delle percussioni,
in uno stile
rinascimentale. La tromba
espone un motivo di
fanfara ispirato da una
figura ritmica
caratteristica di
numerosi madrigali
dell’epoca. La
struttura abbandona
progressivamente la sua
forma modale per
sviluppare un dialogo
strumentale contrastante
e contrastato che d al
brano una forma più
moderna. Un passaggio
legato evidenzia gli
strumenti dalle sonorit
più calde e si alterna
con motivi ritmici del
madrigale, prima di
imporre un cambiamento
assoluto del carattere
cheaccompagna il brano ad
un finale eclatante. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Madrigalum Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-143-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-143-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
143-020. Published by
Anglo Music Press
(BT.AMP-143-020). 9x12
inches.
English-German. The
idea behind this work was
to create an opening
piece, something to start
a concert in an unusual
way. The title is a
portmanteau word derived
from madrigal. The work
indeed begins in
Renaissance mood however
gradually tries to shake
of its modal start and,
by contrasting different
instrumental families,the
work changes into modern
clothes.Why not add a
little Renaissance
splendor to any concert
with this unique new
work?
De titel
Madrigalum is
afgeleid van de term
madrigaal - en dit
openingswerk begint
inderdaad in een
renaissancistische sfeer,
aanvankelijk met
slagwerk. Een
fanfareachtig motief,
ingezet door een
solotrompet, is gebaseerd
ophet ritmische motief
dat de aanvang van veel
zestiende-eeuwse
madrigalen kenmerkt (een
lange toon en twee korte
tonen). Maar het werk
schudt zijn modale start
van zich af: met
contrasten tussen
verschillende
instrumentgroepen
veranderthet van richting
en hult zich in een
modern jasje. Een legato
gedeelte vestigt de
aandacht op de zachter
klinkende instrumenten in
afwisseling met het
madrigaalritme - tot een
complete omschakeling
naar een sneller coda
leidt,waarmee het werk
besluit.
Dem Titel
entsprechend, beginnt
dieses Eröffnungswerk
im Renaissance-Stil in
den Schlaginstrumenten
mit einer fanfareartigen
Figur in einer
Solotrompete. Dann
entwickelt sich die Musik
jedoch hin zu moderneren
Klängen. Dann wechselt
sich ein Legato mit dem
schnelleren
Madrigalrhythmus ab,
bevor das Stück noch
einmal die Richtung
ändert und in einer
schnellen Coda endet. Ein
ungewöhnlicher, viel
versprechender Auftakt
für Ihr Konzert!
Questo brano di
apertura è insolito e
originale. Il titolo è
un acronimo derivato dal
termine madrigale, una
forma musicale apparsa
nel XVI secolo.
Madrigalum apre al
suono delle percussioni,
in uno stile
rinascimentale. La tromba
espone un motivo di
fanfara ispirato da una
figura ritmica
caratteristica di
numerosi madrigali
dell’epoca. La
struttura abbandona
progressivamente la sua
forma modale per
sviluppare un dialogo
strumentale contrastante
e contrastato che d al
brano una forma più
moderna. Un passaggio
legato evidenzia gli
strumenti dalle sonorit
più calde e si alterna
con motivi ritmici del
madrigale, prima di
imporre un cambiamento
assoluto del carattere
cheaccompagna il brano ad
un finale eclatante. $140.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Old Dances [Conducteur et Parties séparées] De Haske Publications
4-Part Flexible Ensemble and Percussion - easy SKU: BT.DHP-1125343-070 Co...(+)
4-Part Flexible Ensemble
and Percussion - easy
SKU:
BT.DHP-1125343-070
Composed by Etienne
Crausaz. Music Box. Set
(Score & Parts). Composed
2012. De Haske
Publications #DHP
1125343-070. Published by
De Haske Publications
(BT.DHP-1125343-070).
ISBN 9789043140997.
9x12 inches. This
collection proposes three
arrangements of dances
from the Renaissance :
Gaillarde, a
famous dance by Claude
Gervaise ; King's
Hunt, a lively piece
full of contrasts by John
Bull, and Pavane,
more melancholic, a piece
extracted from the choral
repertoire of Thoinot
Arbeau.
Die
Ausgabe enthält drei
Arrangements von
Tänzen aus der
Renaissance:
Gaillarde, ein
berühmter Tanz von
Claude Gervaise ;
King's Hunt, ein
lebhaftes Stück voller
Kontraste von John Bull
und Pavane, ein
eher melancholisches
Stück aus dem
Choralrepertoire von
Thoinot Arbeau.
Ce recueil
propose trois
arrangements de danses de
la Renaissance :
Gaillarde, danse
très connue de Claude
Gervaise ; King's
Hunt, pièce
très vive et pleine de
contrastes de John Bull,
et Pavane, plus
mélancolique, pièce
tirée du répertoire
choral de Thoinot
Arbeau. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Suite of Three Madrigals Orchestre - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.41238 Composed by John Farmer and Thomas Morl...(+)
Orchestra - Grade 3
SKU: AP.41238
Composed by John Farmer
and Thomas Morley.
Arranged by Bud Caputo.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form: Suite;
Transcription. Masterwork
Arrangement; Renaissance.
Score and Part(s). 148
pages. Highland/Etling
#00-41238. Published by
Highland/Etling
(AP.41238). UPC:
038081483689.
English. In keeping
with the efforts of
developing a curriculum
that fosters
Comprehensive
Musicianship, this string
orchestra arrangement of
three of the most popular
Renaissance madrigals,
will provide your
students with a peak into
this period of music
history that is
frequently overlooked.
Now Is the Month of
Maying, Sing We and Chant
It, both by Thomas
Morley, and Fair Phyllis,
by John Farmer, are basic
choral repertoire found
in most high school and
college full SATB and
madrigal ensembles. The
string ensemble may
perform the arrangement
alone with the added
Renaissance style
percussion. Or, better
yet, why not enhance the
performance by adding an
SATB chorus thereby
sharing the stage with
your school's most
advanced choral ensemble?
(5:00) This title is
available in MakeMusic
Cloud. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dance of the Crows - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Shaker, Snare Drum,
Tom-tom, Trombone,
Trumpet, Tuba, alto
Saxophone and more. -
Grade 1 SKU:
CF.BPS148 Composed by
Kevin Hilbun. Set of
Score and Parts. Carl
Fischer Music #BPS148.
Published by Carl Fischer
Music (CF.BPS148).
ISBN 9781491163443.
UPC:
680160922239. Dance
of the Crows was composed
with the image of
Renaissance-style dances
in mind. In addition,
some Danse Macabre
concept started to form
in my mind. I could see
this melody as a part of
some larger narrative in
which a character attends
a dance, and everything
is beautiful and in sync.
But when the character
starts to look closer,
things aren't what they
seem. The dancers are
actually animalistic
hybrids, and the
decorations are mockeries
of life rather than
celebrations of life. The
food is inedible, and the
shadows seem to have
eyes. And that's why,
though the melody is
simple and largely on the
beat, it elicits an
uncomfortable and offbeat
feeling.Performance
Notes:The melody should
have a calm almost
restrained feeling until
m. 17 when things should
take a slightly more
aggressive turn. Be sure
to bring out the dynamics
during the percussion
break at m. 29 and the
outro at m. 41. Feel free
to use as many
shaker-like instruments
as desired in the
Percussion 2 part. Use
the largest possible
tom-tom for the
Percussion 3 part. Be
sure to have the bass
drum player mute all
staccato notes with the
hand. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Dance of the Crows [Conducteur] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Shaker, Snare Drum,
Tom-tom, Trombone,
Trumpet, Tuba, alto
Saxophone and more.
SKU: CF.BPS148F
Composed by Kevin Hilbun.
Full score. 12 pages.
Carl Fischer Music
#BPS148F. Published by
Carl Fischer Music
(CF.BPS148F). ISBN
9781491163849. UPC:
680160922635. Dance
of the Crows was composed
with the image of
Renaissance-style dances
in mind. In addition,
some Danse Macabre
concept started to form
in my mind. I could see
this melody as a part of
some larger narrative in
which a character attends
a dance, and everything
is beautiful and in sync.
But when the character
starts to look closer,
things aren't what they
seem. The dancers are
actually animalistic
hybrids, and the
decorations are mockeries
of life rather than
celebrations of life. The
food is inedible, and the
shadows seem to have
eyes. And that's why,
though the melody is
simple and largely on the
beat, it elicits an
uncomfortable and offbeat
feeling.Performance
Notes:The melody should
have a calm almost
restrained feeling until
m. 17 when things should
take a slightly more
aggressive turn. Be sure
to bring out the dynamics
during the percussion
break at m. 29 and the
outro at m. 41. Feel free
to use as many
shaker-like instruments
as desired in the
Percussion 2 part. Use
the largest possible
tom-tom for the
Percussion 3 part. Be
sure to have the bass
drum player mute all
staccato notes with the
hand. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Barcarolles for a Sinking City [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139S Composed
by Lowell Liebermann.
Full score. Duration 15
minutes. Theodore Presser
Company #116-41139S.
Published by Theodore
Presser Company
(PR.11641139S). UPC:
680160682119. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Barcarolles for a Sinking City Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Piccolo
and more. SKU:
PR.11641139L Composed
by Lowell Liebermann.
Large Score. Duration 15
minutes. Theodore Presser
Company #116-41139L.
Published by Theodore
Presser Company
(PR.11641139L). UPC:
680160682126. Barca
rolles for a Sinking City
was inspired by the city
of Venice, a place that
has long held the
fascination of artists,
writers and composers,
and which I have been
lucky enough to visit on
several occasions. Sadly
it seems that future
generations may not be so
lucky: in addition to the
city's slow sinking and
recently discovered
tilting, studies predict
that if global warming
and the resultant rise of
ocean levels is unabated,
the entire city (as well
as many other coastal
cities around the globe)
will be under water by
2100. I. Funeral
Gondola The late, cryptic
piano works of Franz
Liszt made a profound
impression on me as a
young composer, among
them two works he
entitled La Lugubre
Gondola (usually
translated as The Funeral
Gondola ) which were said
to be a premonition of
Wagner's death in Venice,
his coffin transported
through the canals in a
black gondola. These late
pieces of Liszt acquired
even greater significance
to me after I spent two
summers in Bayreuth under
the patronage of
Friedelind Wagner, the
granddaughter of Wagner
and great-granddaughter
of Liszt. This movement
is a meditation on
Wagner, Liszt, Venice and
its own evanescence. II.
Barcarolle/Quodlibet The
Quodlibet (Latin for what
pleases) is a musical
form dating back to the
15th century where many
disparate melodies are
juxtaposed. Popular in
the Renaissance, sacred
and secular melodies were
combined, often to
comical effect due to the
resultant incongruity of
the words. The form was
considered the ultimate
test of a composer's
mastery of counterpoint.
The most famous Quodlibet
is without doubt the
final Variation of Bach's
Goldberg Variations. As a
form the Quodlibet is
less common in more
recent music, although
examples can be found in
the works of Kurt Weill
and David Del Tredici.
My own
Barcarolle/Quodlibet was
inspired by the (perhaps
apocryphal) story of the
funeral where musicians
were asked to play a Bach
Choral, but due to
miscommunication played
instead the Bacarolle
from The Tales of
Hoffmann. Here, the Bach
Choral Allen Menschen
mussen sterben (All Men
Must Die) is heard in the
strings pizzicato, with a
tempo indication In slow
motion. The alto line of
the Bach suggests a
phrase from Beethoven's
Ninth Symphony (Alle
Menchen werden Bruder)
heard in the muted
trombone. Before long,
the famous tune from
Offenbach's opera is
heard, followed by
quotations from iconic
Barcarolles by Chopin,
Mendelssohn and Faure, as
well as two Venetian
popular songs and more
Beethoven. III.
Barcarola/Ostinato/Carill
on An ostinato is a
repeated musical figure,
and carillon is Italian
for music box. This
movement references the
obsolete genre of salon
pieces that imitated
music boxes: such works
by composers like Liadov
and Gretchaninov used to
be a mainstay of
pianists' encore
repertoire. This movement
is however much darker in
conception than those
pleasant trifles.
Utilizing the full
battery of percussion,
the carefully notated
temporal slowing of the
ostinato becomes
overwhelmed by a poignant
chorale melody before
this box is snapped shut.
IV. Barcarolle
Oubliee (Forgotten
Barcarolle) Marked
limpido (still) the final
movement begins with the
sound of rain produced by
a percussion instrument
called (appropriately) a
rain stick. Halting
phrases in the harp
coalesce into the
accompaniment for a
plangent melody heard in
the clarinet. The central
Adagio of this movement
leads to a shattering
climax, before the
opening phrases return
and dissipate into
nothingness. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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