Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) <...(+)
Violin and 1 other inst.
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.EB-11238
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Solo instruments;
stapled. Edition
Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Piano reduction. 44
pages. Duration 9'.
Breitkopf and Haertel #EB
11238. Published by
Breitkopf and Haertel
(BR.EB-11238).
ISBN
9790201812380. 9.5 x 12
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-27. Published by
Breitkopf and Haertel
(BR.OB-15155-27).
ISBN
9790004344972. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-23. Published by
Breitkopf and Haertel
(BR.OB-15155-23).
ISBN
9790004344965. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-15. Published by
Breitkopf and Haertel
(BR.OB-15155-15).
ISBN
9790004344934. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-19. Published by
Breitkopf and Haertel
(BR.OB-15155-19).
ISBN
9790004344958. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Edouard Lalo. Edited
by Christian Rudolf
Riedel. This edition:
wind parts. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The first true final
version
Symphony;
Solo concerto; Romantic.
Set of parts. 176 pages.
Duration 35'. Breitkopf
and Haertel #OB 5520-30.
Published by Breitkopf
and Haertel
(BR.OB-5520-30).
ISBN
9790004338995. 10 x 12.5
inches.
Edouard
Lalo's Symphonie
espagnole was heretofore
inadequately edited: the
two first editions (piano
reduction and score)
differ considerably from
one another, since the
composer continued to
hone his work after the
completion of the
engraver's master for the
piano reduction, and he
even made certain
compositional additions.
Christian Rudolf Riedel's
new urtext edition
eliminates all these
inadequacies and
inconsistencies.
Moreover, the editor was
able to base himself for
the first time ever on
the previously unknown
autograph of the solo
part. The discovery of
this source was nothing
less than sensational.
Lalo, who was an
outstanding violinist in
his own right, had
meticulously marked up
his manuscript with the
help of the arrangement
by Pablo de Sarasate, to
whom Lalo had dedicated
the work and entrusted
the world premiere. This
new source situation
allowed for the
preparation of an urtext
edition that corresponds
throughout to the
author's final version.
The composer's piano
part, which sometimes
resembles a short score,
was revised by the
editor, who rendered it
easier to perform and
supplemented the ten
measures that had been
missing until now in the
introduction to the fifth
movement.As benfits this
publishing house, the
handy 6x9 inch score is
meticulously edited and
is a welcome aid to study
of the whole works. (Mary
Nemet,
Strings)
Study score (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SKU: BR.PB-...(+)
Study score (solo: vl -
2.2.2.2 - 2.2(or
2corn).0.0 - timp - str)
SKU:
BR.PB-15159-07
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Study
Score. 40 pages. Duration
9'. Breitkopf and Haertel
#PB 15159-07. Published
by Breitkopf and Haertel
(BR.PB-15159-07).
ISBN
9790004215647. 6.5 x 9
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-16. Published by
Breitkopf and Haertel
(BR.OB-15155-16).
ISBN
9790004344941. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 50 pages. Duration
9'. Breitkopf and Haertel
#OB 15155-30. Published
by Breitkopf and Haertel
(BR.OB-15155-30).
ISBN
9790004344989. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Zigeunerweisen / Chansons Tziganes. Composed by Pablo de Sarasate (1844-1...(+)
Zigeunerweisen /
Chansons Tziganes.
Composed by Pablo de
Sarasate (1844-1908).
Arranged by Ted Barclay.
Duration 5'30. Published
by Editions Marc Reift
(MA.EMR-24050).
Gipsy Airs Orchestre, Violon [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
Chansons Tziganes = Zigeunerweisen. By Pablo de Sarasate. For violin and wind ba...(+)
Chansons Tziganes =
Zigeunerweisen. By Pablo
de Sarasate. For violin
and wind band. Swiss
import. Level: 5. Score
and parts. Published by
Editions Marc Reift. (EMR
10206)
Violoncello, guitar - Level 3 Composed by Pablo de Sarasate (1844-1908). Edited ...(+)
Violoncello, guitar -
Level 3
Composed by Pablo de
Sarasate (1844-1908).
Edited by Burstein
/Legnani. Arranged by
Burstein and Legnani.
Sheet music. Friedrich
Hofmeister Musikverlag
#FH 2713. Published by
Friedrich Hofmeister
Musikverlag
(for Violin and Piano Critical Urtext Edition Heifetz Collection). Composed by C...(+)
(for Violin and Piano
Critical Urtext Edition
Heifetz Collection).
Composed by Camille
Saint-Saens (1835-1921).
For Violin, Piano
Accompaniment. LKM Music.
Softcover. 20 pages.
Lauren Keiser Music
Publishing #S511021.
Published by Lauren
Keiser Music Publishing
(2.2.2.2/2.2.0.0,timp,per c,str,vn solo) SKU: TM.00529SET Composed by Pab...(+)
(2.2.2.2/2.2.0.0,timp,per
c,str,vn solo)
SKU:
TM.00529SET
Composed
by Pablo de Sarasate.
Edited by Francescatti.
Set Type: D. Set of
parts. Lucks Music
Library #A1988. Published
by Lucks Music Library
(TM.00529SET).
Trans: Cl 1+2,
Tpt 1+2. Hn 1+2
Originally in F.
Solo/pf.
(For Violin (Mandolin) and Mandolin Orchestra). By Pablo de Sarasate (1844-1908)...(+)
(For Violin (Mandolin)
and Mandolin Orchestra).
By Pablo de Sarasate
(1844-1908). Edited by
Detlef Tewes. For Violin
(Mandolin) and Mandolin
Orchestra (Mandolin 1).
Parts. Duration 8'30
Violin, piano SKU: PR.ZM40430 Zortzico. Composed by Pablo de Saras...(+)
Violin, piano
SKU:
PR.ZM40430
Zortzico. Composed
by Pablo de Sarasate.
Classics relaunched. With
Standard notation. 16
pages. Zimmermann
#ZM40430. Published by
Zimmermann (PR.ZM40430).
Composed by Pablo de Sarasate (1844-1908). Masterworks; Solo; Solo Small Ensembl...(+)
Composed by Pablo de
Sarasate (1844-1908).
Masterworks; Solo; Solo
Small Ensembles; String -
Violin and Piano. Kalmus
Edition. Masterwork;
Romantic. Book. 16 pages.
Kalmus Classic Edition
#00-K02118. Published by
Kalmus Classic Edition
Gipsy Airs Euphonium, Piano (duo) [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
Chansons Tziganes = Zigeunerweisen. By Pablo de Sarasate. For euphonium & piano....(+)
Chansons Tziganes =
Zigeunerweisen. By Pablo
de Sarasate. For
euphonium & piano. Swiss
import. Score and parts.
Published by Editions
Marc Reift. (EMR
2344) Level: 5.
