| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sahara [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bongos,
Clarinet 1, Clarinet 2,
Clarinet 3, Dumbek,
Euphonium, Euphonium
T.C., Finger Cymbals,
Flute 1, Flute 2,
Glockenspiel, Gong, Horn
1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Mallet
Percussion 3 and more. -
Grade 3 SKU:
CF.CPS261F Composed
by Patrick Glenn Harper.
Cps. Full score. 32
pages. Duration 5:22.
Carl Fischer Music
#CPS261F. Published by
Carl Fischer Music
(CF.CPS261F). ISBN
9781491161715. UPC:
680160920402. Sahar
a is an exciting
programmatic work for
concert band that
musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final destination.
Performance Notes You may
use a set of congas in
addition to or in lieu of
the dumbek part to bring
out that pitched drum
sound. At m. 4, emphasize
the accented quarter
notes in the horns and
euphonium. Measures
17-26, make sure that the
sixteenth note marimba
part is heard clearly. In
measures 48-92, this
entire middle section may
be played in a rubato
style at the director's
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm. 76-81.
Measures 109-112, make
sure to bring out the
trills in the Flute and
oboe parts and sustain
them all the way through
the measure with a
release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts. Sahara is an
exciting programmatic
work for concert band
that musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final
destination.Performance
NotesYou may use a set of
congas in addition to or
in lieu of the dumbek
part to bring out that
pitched drum sound. At m.
4, emphasize the accented
quarter notes in the
horns and euphonium.
Measures 17-26, make sure
that the sixteenth note
marimba part is heard
clearly. In measures
48-92, this entire middle
section may be played in
a rubato style at the
director’s
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm.
76-81.Measures 109-112,
make sure to bring out
the trills in the Flute
and oboe parts and
sustain them all the way
through the measure with
a release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stephen Sondheim : Into the Woods (Vocal Selections from the Disney Movie)
Piano, Voix Hal Leonard
(Vocal Selections from the Disney Movie). Composed by Stephen Sondheim (1930-)...(+)
(Vocal Selections from
the
Disney Movie). Composed
by
Stephen Sondheim (1930-).
For Vocal. Vocal Piano.
Softcover. 106 pages.
Published by Hal Leonard
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nessun dorma Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from the Opera Turandot). By Giacomo Puccini (1858-1924). Arranged by Jacques D...(+)
(from the Opera
Turandot). By Giacomo
Puccini (1858-1924).
Arranged by Jacques
Dubois. For Tenor and
Concert Band. Grade 3.
Full score and set of
parts. Duration 3:30
$118.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Autumn moon on the Han Palace [Conducteur] Noten Roehr
Violin, cello and 2 percussion SKU: NR.43802 For violino, violoncello ...(+)
Violin, cello and 2
percussion SKU:
NR.43802 For
violino, violoncello and
two percussions,
1992. Composed by
Chzhen' Guan' Tszo.
Percussion instruments.
Score. Noten Roehr
#43802. Published by
Noten Roehr (NR.43802).
$67.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Carol: A Winter Lamb Satb Choir With Opt. Piano Or Organ Chorale SATB Schott
Mixed choir with piano or organ ad libitum (SATB) SKU: HL.49019902 For...(+)
Mixed choir with piano or
organ ad libitum (SATB)
SKU: HL.49019902
For SATB choir with
optional piano or
organ. Composed by
Sir Peter Maxwell Davies.
This edition: Saddle
stitching. Sheet music.
Choral. Octavo. Composed
2012. 4 pages. Duration
3'. Schott Music
#ED13549. Published by
Schott Music
(HL.49019902). ISBN
9790220134098.
8.25x12.0x0.059 inches.
English. As Master
of the Queen's Music, Sir
Peter Maxwell Davies has
written a new carol for
Her Majesty the Queen
each Christmas since his
appointment to the role
in 2004. A Winter Lamb, a
setting of George Mackay
Brown's poem Kings and
Shepherds, was written
for Christmas 2012 and is
the ninth in his series
of Royal Carols. A Winter
Lamb was first performed
in St. James's Palace by
the choir of the Chapel
Royal. $6.99 - Voir plus => Acheter | | |
| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| First Repertoire for Little Pianists - Book 1 Piano seul - Débutant Willis Music
Composed by Melanie Spanswick. Willis. Instruction, Recital. Softcover. 56 pag...(+)
Composed by Melanie
Spanswick.
Willis. Instruction,
Recital.
Softcover. 56 pages.
Published
by Willis Music
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Der Schauspieldirektor Carus Verlag
Orchestra SSTB voice soli, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, ...(+)
Orchestra SSTB voice
soli, 2 flutes, 2 oboes,
2 clarinets, 2 bassoons,
2 horns, 2
clarinos/trumpets,
timpani, 2 violins,
viola, cello, double bass
SKU: CA.5148613
Komodie mit Musik.
Composed by Wolfgang
Amadeus Mozart. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Viola. Incidental
music. Single Part,
Viola. Composed 1786. KV
486. 16 pages. Duration
28 minutes. Carus Verlag
#CV 51.486/13. Published
by Carus Verlag
(CA.5148613). ISBN
9790007225179. Language:
German. Text: Stephanie
der Jungere, Johann
Gottfried. Text: Johann
Gottfried, Stephanie der
Jungere. Der
Schauspieldirektor (The
Impresario) was composed
in the spring of 1786 to
fulfill a commission from
Joseph II for performance
during a visit to Vienna
by the Governor-General
of the Netherlands. The
visitors were meant to be
entertained with a short
German and an Italian
musical comedy during a
festival arranged on
short notice in
Schonbrunn Palace. The
choice of composers fell
to Mozart and Salieri.
Both pieces spoofed the
theatrical practices of
the day. Der
Schauspieldirektor, by
Gottlieb Stephanie the
Younger, has a
loosely-constructed plot
that hinges on the vanity
of opera singers and the
empty-headedness of many
traveling companies.
Frank Lustig wants to
create a new theatrical
troupe, for which Herr
Eiler is willing to
supply money, but only on
condition that his lady
friend is allowed to
join. In the course of
the piece, appearances
are made by other ladies
with resonant names who
want to be retained as
singers and who attempt
to outdo each other until
reason is allowed to
prevail. Score and part
available separately -
see item CA.5148600. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blenheim Flourishes Ensemble de cuivres - Intermédiaire Winwood Music
By James Curnow. Brass Band. For Brass Band. Stunning concert opener. Light Conc...(+)
By James Curnow. Brass
Band. For Brass Band.
Stunning concert opener.
Light Concert. Medium.
Condensed Score and
Parts. Standard Notation.
Duration 3:15
$78.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Budapest Palace Piano seul [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
1 Solo Piano - Grade 4 SKU: FL.FX073532 Composed by Patrice Bernard. Orig...(+)
1 Solo Piano - Grade 4
SKU: FL.FX073532
Composed by Patrice
Bernard. Original
Composition, Republished
Master Piece. Classical,
Educational. Score and
Set of Parts. 4 pages.
Duration 2 minutes, 5
seconds. FLEX Editions
#FX073532. Published by
FLEX Editions
(FL.FX073532).
Instruments: 1
Solo Piano; Difficuly
Level: Grade 4. $7.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Fairy Palace United Music Publishers
SSA Choir & Piano SKU: UM.100732 Composed by Havergal Brian. United Music...(+)
SSA Choir & Piano SKU:
UM.100732 Composed by
Havergal Brian. United
Music Publishing #100732.
Published by United Music
Publishing (UM.100732).
$5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| David Carr Glover Method for Piano: Lessons, Level 2 Piano seul [Partition] - Débutant Alfred Publishing
By David Carr Glover and Jay Stewart. For Piano. Piano method/supplement. Level:...(+)
By David Carr Glover and
Jay Stewart. For Piano.
Piano method/supplement.
Level: Early Elementary,
Level 2. Book. 60 pages.
Published by Alfred
Publishing.
(1)$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Land of Pharaohs Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS103F Composed by Gene Milford. SWS...(+)
Band concert band - Grade
1 SKU: CF.BPS103F
Composed by Gene Milford.
SWS. Carl Fischer
Beginning Performance
Series. Full score. With
Standard notation. 16
pages. Carl Fischer Music
#BPS103F. Published by
Carl Fischer Music
(CF.BPS103F). ISBN
9781491147825. UPC:
680160905324. 9 x 12
inches. The mystery
and romance surrounding
Egypt's Nile river,
expansive deserts, mighty
pyramids, Valley of the
Kings, and legacy of art
and culture has inspired
generations of men and
women around the globe.
In ancient Egypt, the
word Pharaoh meant Great
House, referring first to
the royal palace itself
and later to the ruler in
power as an official
title of leadership. Land
of the Pharaohs is a
short, musical depiction
of the power that the
ancient Pharaohs once
held and the drama that
has captivated mankind
since the end of their
long reign. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs from A Star Is Born, The Greatest Showman, La La Land and More Movie Musicals
Piano, Voix et Guitare - Intermédiaire Hal Leonard
By Bradley Cooper; Lady Gaga. By Lukas Nelson; Various. Piano/Vocal/Guitar Son...(+)
By Bradley Cooper; Lady
Gaga.
By Lukas Nelson; Various.
Piano/Vocal/Guitar
Songbook.
Movies, Musicals.
Softcover.
128 pages. Published by
Hal
Leonard
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Puttin' on the Ritz Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1094661-020 Composed by Irving Berlin....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1094661-020
Composed by Irving
Berlin. Arranged by
Lorenzo Bocci. DHP Pop,
Film and Show.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094661-020. Published by
De Haske Publications
(BT.DHP-1094661-020).
9x12 inches.
English-German-French-Dut
ch. Puttin’
on the Ritz, dessen Titel
sich vom mondänen
Ritz- Hotel ableitet und
so viel bedeutet, wie
sich schick und modern
kleiden“, ist ein
Lied von Irving Berlin,
das erstmals im
gleichnamigen Musikfi lm
von 1930 erschien.
Seither wurde es oft
interpretiert, zum
Beispiel von Fred Astaire
oder in der
Top-Ten-Version aus den
80er-Jahren von Taco.
Lorenzo Bocci setzte das
rhythmisch sehr
interessante, swingende
Stück für
Fanfareorchester
um.
“Putting
on the Ritz : c'est ainsi
que les Anglo-Saxons se
« mettent sur leur 31
», consacrant, au
passage, le mondialement
célèbre palace
comme éternel symbole
de du luxe et de la
perfection. Irving Berlin
célèbrera cet art
de vivre avec la chanson
Puttin’ on the
Ritz, reprise par de
nombreux artistes.
Lorenzo Bocci en a
réalisé un
arrangement absolument
“ritzy. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Pleasure Dome of Kubla Khan, Op. 8 [original version, 1920] Orchestre d'harmonie [Conducteur et Parties séparées] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2)....(+)
Concert Band; Orchestra
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set)
SKU: AP.36-A296302
Arranged by Charles
Tomlinson Griffes and
ed./arr. by Gregory
Vaught. Full Orchestra,
Conductor Score & Parts.
Nieweg Performance
Editions. Score and
Part(s). LudwigMasters
Publications #36-A296302.
Published by
LudwigMasters
Publications
(AP.36-A296302). UPC:
659359760488.
English. A dream
inspired Charles
Tomlinson Griffes
(1884-1920) to compose
The Pleasure Dome of
Kubla Kahn, based on the
poem by Samuel Taylor
Coleridge. The composer
originally wrote it for
piano in 1912. Four years
later, at the
encouragement of
Ferruccio Busoni, he
expanded it into a
shimmering symphonic
poem. Following the first
performance in the autumn
of 1919 under the
direction of Pierre
Monteux, it achieved
great success and remains
one of his most
frequently-performed
works today. The work
reveals the influence of
French impressionism,
meandering through the
lush gardens of the
legendary palace. This
edition by Gregory Vaught
is part of the Nieweg
Performance Editions
series. Instrumentation:
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $85.00 - Voir plus => Acheter | | |
| Peter Maxwell Davies: Naxos Quartet No. 4 - Children's Games (Score) Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Chester
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Mus...(+)
String Quartet SKU:
HL.14008374 Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Score. Composed 2006. 24
pages. Chester Music
#CH68629. Published by
Chester Music
(HL.14008374). ISBN
9781846096150. UPC:
884088435202.
8.25x11.75x0.105
inches. The Full
Score for Peter Maxwell
Davies' fourth in a
series of ten string
quartets commissioned by
the Naxos Recording
company, first performed
by the Maggini Quartet on
20th August 2004 at the
Chapel of the Royal
Palace, Oslo, Norway, as
part of the Olso Chamber
Music Festival. Composer
Note: The fourth Naxos
quartet was written in
January and February of
2004, with the intention
of producing something
lighter and much less
fierce than its
predecessor, an
unpremeditated and
spontaneous reaction to
the illegal invasion of
Iraq. I returned to the
well-known Brueghel
picture of children's
games (1560, now in
Vienna), which had been
the inspiration for my
sixth Strathclyde
Concerto, for flute and
orchestra. These
illustrations liberated
my musical imagination,
but I feel it would limit
the listener's perception
to be too specific about
which game relates to
exactly which section of
the work. Suffice it to
say that there is
vigorous play -
leap-frog, bind the devil
with a cord, truss,
wrestling - alongside
quieter pastimes - masks,
guess whom I shall
choose, courting, odds
and evens. The single
movement juxtaposes these
activities as abruptly
and intimately as they
occur in Brueghel. Rather
as the eye is taken into
different perspectives
and proportions of scale
within the picture,
taking liberties which
would never be present
in, for instance,
Brunelleschi
architectural drawings,
so here, with a constant
sequence of
transformation processes,
I have distorted the
neat, precise
implications of modal
progression, expressed in
the unison opening phrase
(from F to B through A
sharp/B flat), so that
the ear is led, en route,
into the sound
equivalents of strange
passageways and closed
rooms: sicut exposition
ludus. As work on the
quartet progressed I
became aware that I was
reading into, and behind
the games, adult motives
and implications,
concerning aggression and
war, with their
consequences. It was
impossible to escape into
innocent childhood
fantasy. The nature of
the F to B progression
underlying the whole
construction derives from
a passage in the
development of the first
movement of Mahler's
Third Symphony, and the
opening of Schoenberg's
Second String Quartet.
However, unlike in these
models, here a real - if
temporary - sense of
resolution occurs at the
close of the quartet: as
when the curtain falls on
the reconciled Count and
Countess in 'Figaro' one
wonders how long the F/B
truce will hold, and
games break out again.
The quartet is dedicated
to Giuseppe Rebecchini,
Roman architect, and
friend since the
nineteen-fifties. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My First Piano Adventure, Writing Book C
Piano seul [Partition] Faber Music Limited
By Randall Faber, Nancy Faber. For Piano. Piano Adventures. Book. Published by T...(+)
By Randall Faber, Nancy
Faber. For Piano. Piano
Adventures. Book.
Published by The FJH
Music Company Inc.
Level: Young Beginner
- Skips on the Staff.
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Aladdin - Broadway Musical (Vocal Selections)
Piano, Voix et Guitare Hal Leonard
(Vocal Selections). Composed by Alan Menken. For Piano/Vocal/Guitar. Vocal Se...(+)
(Vocal Selections).
Composed
by Alan Menken. For
Piano/Vocal/Guitar. Vocal
Selections. Softcover.
138
pages. Published by Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Succeeding with the Masters, Teacher's Handbook, Baroque Era, Volume One Piano seul [Edition pour professeur] - Intermédiaire FJH
Edited by Helen Marlais, Kristen Avila. For Piano. Succeeding with the Masters. ...(+)
Edited by Helen Marlais,
Kristen Avila. For Piano.
Succeeding with the
Masters. Instructional,
Method. Level: Late
Elementary through
Intermediate. 40 pages.
Published by The FJH
Music Company Inc.
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Singer's Musical Theatre Anthology - Volume 6 (Soprano) Voix Soprano, Piano Hal Leonard
Soprano Book Only. Composed by Various. Edited by Richard Walters. Vocal Coll...(+)
Soprano Book Only.
Composed
by Various. Edited by
Richard Walters. Vocal
Collection. 256 pages.
Published by Hal Leonard
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tanglewood Tales Piano seul - Débutant Forsyth Publications
Piano - Easy SKU: FP.FCJ01 Composed by James Ching. Published by Forsyths...(+)
Piano - Easy SKU:
FP.FCJ01 Composed by
James Ching. Published by
Forsyths Publications
(FP.FCJ01). ISBN
979-0-57050-026-0.
A wonderful set of 10
pieces inspired by the
adventures of the Greek
and Roman Gods, with
stories and
illustrations. Suggested
grade 1-2. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Singer's Musical Theatre Anthology Volume 4 (Soprano)
Voix Soprano, Piano [Partition] - Avancé Hal Leonard
The Singer's Musical Theatre Anthology - Volume 4 - Soprano (Book only) by Vario...(+)
The Singer's Musical
Theatre Anthology -
Volume 4 - Soprano (Book
only) by Various. Edited
by Richard Walters. For
Vocal. Hal Leonard Vocal
Collection. Broadway.
Difficulty: difficult.
Songbook. Vocal melody,
lyrics, piano
accompaniment, chord
names, introductory text
and a show synopsis. 216
pages. Published by Hal
Leonard
(4)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Malice in the Palace [CD d'écoute] Hope Publishing Company
| | |
| Histories Leduc, Alphonse
Alto Saxophone (saxophone & piano) SKU: HL.48180953 For Saxophone and ...(+)
Alto Saxophone (saxophone
& piano) SKU:
HL.48180953 For
Saxophone and Piano.
Composed by
Jacques-Francois Ibert.
Arranged by Marcel Mule.
Leduc. Classical. CD
only. 44 pages. Alphonse
Leduc #AL19854. Published
by Alphonse Leduc
(HL.48180953). UPC:
888680868734.
9.0x12.0x0.103
inches. Composed
between 1920 and 1921,
Stories is a suite of ten
short movements by
Jacques Ibert
(1890-1962), a
neoclassical composer who
won the Prix de Rome in
1919. Initially written
for piano only and later
arranged for saxophone
and piano, this
publication was
commissioned by Alphonse
Leduc editor and
increased Jacques Ibert's
popularity. The ten
pieces are as follows: 1.
La meneuse de tortures
d'or (The golden Turtles
leader) 2. Le petit
âne blanc (The little
white donkey) 3. Le vieux
mendicant (The old
beggar) 4.?A Giddy girl
5. Dans la maison triste
(In the sad house) 6. Le
palais abandonné (The
abandoned palace) 7. Bajo
la mesa (Under the table)
8. La cage de cristal
(The crystal cage) 9. La
marchande d?eau fraiche
(The fresh water
merchant) 10. Le
cortège de Balkis
(Balkis? march) Jacques
Ibert (1890-1962) also
composed many symphonic
suites, operas and seven
orchestras, including
Angelique (1926) and
Divertissement (1930). He
also was in charge of the
French Academy in the
Villa Médicis (Roma)
and was later
administrator for the
Paris Opera. $41.30 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Holy Moses! - Director's Aide and Video Word Music
SKU: WD.080689326974 Composed by Kathie Hill. Choral. Modern Christian. D...(+)
SKU:
WD.080689326974
Composed by Kathie Hill.
Choral. Modern Christian.
Director's aide and
video. Word Music
#080689326974. Published
by Word Music
(WD.080689326974).
UPC:
080689326974. Join
the cast of Trading
Places at a Hebrew home
and an Egyptian palace
where Page Turner, Hildi
Vine, Frank Incense and
Ty Kwando assist kids in
discovering the story of
Moses. But there's no
redesigning history in
this musical as kids
learn about the plagues,
the Passover, the Exodus
and the Ten Commandments
through clever lyrics and
memorable music. As in
his own life, the
emphasis of this musical
is not on Moses, but the
God of Moses -- the Great
I AM! Ages: 1st - 8th
Grades. $74.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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