| Johann Sebastian Bach: 3 Sonatas And 3 Partitas For Solo Violin, BWV 1001-1006
Violon [Partition] Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Gunter Hausswald. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Gunter Hausswald. BWV
1001-1006. For violin.
Urtext of the New Bach
Edition. Format: violin
solo book. With
introductory text.
Baroque. 60 pages. 9x12
inches. Published by
Baerenreiter-Ausgaben
(German Import).
(7)$23.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bach: Three Sonatas and Three Partitas for Solo Violin Violon [Partition] - Intermédiaire/avancé Mel Bay
BWV 1001-1006. By Lawrence Golan. For Violin. Solos. Classic. Level: Intermediat...(+)
BWV 1001-1006. By
Lawrence Golan. For
Violin. Solos. Classic.
Level:
Intermediate-Advanced.
Book. Size 8.75x11.75. 96
pages. Published by Mel
Bay Publications, Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bach's Sonatas and Partitas for Solo Violin Arranged for Mandolin Mandoline - Avancé Mel Bay
Composed by Andrew Driscoll. For mandolin. Methods/studyies. Advanced. Boo...(+)
Composed by Andrew
Driscoll.
For mandolin.
Methods/studyies.
Advanced.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Sonatas and Three Partitas for Solo Violin, BWV 1001-1006 (Urtext from the New Bach Edition - Revised (NBArev)) Violon - Intermédiaire Barenreiter
Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Peter Wollny. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Urtext
from the New Bach Edition
-
Revised (NBArev).
Performance
score, anthology. BWV
1001-
1006. Baerenreiter Verlag
#BA05256. Published by
Baerenreiter Verlag
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonatas and Partitas for solo violin Violon Muzyka
| | |
| Artificiosus concentus pro camera (Salzburg, 1715) Violon Musedita
By Johann Joseph Vilsmayr. Edited by Alessandro Bares. For solo violin. This edi...(+)
By Johann Joseph
Vilsmayr. Edited by
Alessandro Bares. For
solo violin. This
edition: Paperback. I
piaceri del violino.
Baroque. Published by
Musedita Edizioni
Musicali
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Six Sonatas and Partitas for Violin Alone Violon Carl Fischer
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin
SKU: CF.BF115
Composed by Johann
Sebastian Bach. Edited by
Rachel Barton Pine. SWS.
Collection. With Standard
notation. 80 pages. Carl
Fischer Music #BF115.
Published by Carl Fischer
Music (CF.BF115). ISBN
9781491150993. UPC:
680160908493. 9x12
inches. Johann
Sebastian Bach’s
(1685—1750)
SixSonatas and Partitas
have captivated
violinistsfor centuries.
Rachel Barton
Pine—havingspent
decades studying the
music of Bach,his
contemporaries, and his
predecessors—now
offers this unparalleled
edition completewith
detailed historical
notes,
performancesuggestions,
and downloadable study
materialsincluding a new
Urtext edition and a
speciallyprepared
manuscript. Pine’s
interpretationis informed
by thorough historical
study, which has been
polished byyears of
performance insight, but
also encourages those
studying
Bach’srepertoire
to craft their own unique
interpretation of these
timelessmasterpieces.
This edition closely
follows Pine’s
critically acclaimed
2016recording
“Testament:
Complete Sonatas and
Partitas for Solo Violin
byJ.S. Bach†(Avie
2360) making it an
invaluable resource for
any student,teacher, or
performer enthralled with
J.S. Bach’s long
standing legacy.Ms. Pine
holds the distinction of
being the only American
and youngestperson to win
the gold medal at the
J.S. Bach International
ViolinCompetition in
Leipzig, Germany,
1992. here is no one
right way to play Bach.
More thanalmost any
repertoire, each
individual’s
interpretation isas
unique as their
personality. Though I
have spent
decadesstudying
Bach’s music as
well as that of his
contemporariesand
predecessors, my final
rationale for
artisticdecisions is
often taste and instinct.
Every violinist
whoundertakes a
lifetime’s journey
with this incredible
repertoireis continually
discovering new ideas.
Thus, theopinions on the
following pages may
evolve over time.However,
everything in the sheet
music closely follows
my2016 recording
“Testament:
Complete Sonatas and
Partitasfor Solo Violin
by J.S. Bach†(Avie
2360), which I trulyfeel
represents the
culmination of my
exploration intothese
extraordinary works.In
choosing to present this
edition, my hope is
thatyou will find useful
solutions to challenges
of fingering,bowing, and
polyphony, and helpful
information
aboutphrasing. I have
also included additional
dynamic suggestionswith
the hope that trying
these ideas will help
inspireyou to discover
your own. All of these
markings aredesigned to
work with a baroque
violin and baroque bow,a
modern violin and baroque
bow, or a modern
violinand modern bow.
While the information in
this editionis unusually
dense, there is much that
I did not include,such as
lifts, breaths,
articulations, whether to
play on oroff the string,
metronome markings,
details of timing,and
emphases other than
hemiolas.I offer this
book to you in the spirit
of Bach: “SoliDeo
Gloria.â€. $21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cellowise Quintasia. 3 Quintets for Cello Ensemble de Violoncelles - Intermédiaire/avancé Clifton Edition
Cello quintet - Grade 6-8 SKU: ST.C360 Composed by J Remy. String music. ...(+)
Cello quintet - Grade 6-8
SKU: ST.C360
Composed by J Remy.
String music. Study
score. Clifton Edition
#C360. Published by
Clifton Edition
(ST.C360). ISBN
9790570813605. Gavo
tte en Rondeau from
Violin Partita No.3 (BWV
1006).
Paper,
daylight and candles were
often in short supply
during Bachâ??s very
busy lifetime but simply
to view the autograph
score in his hand of the
Sonatas and Partitas for
solo violin is to be
bound into a spell by the
beauty, skill and
extempore furiosity of
the script. The cycle has
been described as a
miracle of implied
harmony and rich harmonic
textures, â??its
freshness and maturity,
its depth, its beauty,
its response to all
moodsâ? informing a
work of humanity and
genius unparalleled in
all the literature for
solo violin.
The
present arrangement of
the Gavotte en Rondeau
from Partita No. 3
(BWV1006) is based on
Rachmaninoffâ??s
intricate harmonisation
for piano. â??Ruht
Wohlâ?? from the St.
John Passion (BWV 245).
In the final Chorus from
the St. John Passion,
Bach imbues the popular
dance-forms of the
Sarabande and Minuet with
a spiritual theme of
atonement and
reconciliation. The three
ritornelli stand like
pillars in a palindromic
structure whose unbroken
melodic line and flowing
counterpoint represent a
â??timeless
continuanceâ??. The
original scoring is light
and transparent, and
transfers appropriately
to a choir of cellos
without the loss of any
counterpoint. Prelude Op.
25 No 3 by Rachmaninoff.
Throughout his career as
a composer and virtuoso
pianist, this Prelude was
one of Rachmaninoffâ??s
favourite pieces and he
dedicated it to his
teacher Alexander Siloti.
A powerful structure is
built up from a small
rhythmic motif,
reminiscent of
Tchaikovskyâ??s
representations of fate
or Shostakovichâ??s of
looming state power. This
is contrasted with a
lyrical middle section
and a final phrase marked
leggiero in which the
music flies off into the
air like a bird. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Suite for Solo Violin Violon Theodore Presser Co.
Chamber Music Violin SKU: PR.114418570 Composed by Adolphus Hailstork. Wi...(+)
Chamber Music Violin
SKU: PR.114418570
Composed by Adolphus
Hailstork. With Standard
notation. 12 pages.
Duration 11 minutes.
Theodore Presser Company
#114-41857. Published by
Theodore Presser Company
(PR.114418570). ISBN
9781491112281. UPC:
680160642427. Cast
in a formal mold inspired
by the Bach partitas,
Hailstork’s
four-movement SUITE FOR
SOLO VIOLIN begins with a
perky Prelude, followed
by a March with a few
subtle winks at music
from the Prelude. The
third movement is a
beautiful Melody with
slow-fast-slow form, and
the Finale incorporates a
few remembrances of the
previous movements in
building a dramatic drive
to the finish. $15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Georg Philipp Telemann: Little Chamber Music - Six Partitas For Violin And Basso Continuo Violon et Piano [Set de Parties séparées] - Intermédiaire Hortus Musicus
Composed by Georg Philipp Telemann (1681-1767), edited by Waldemar Woehl. For vi...(+)
Composed by Georg Philipp
Telemann (1681-1767),
edited by Waldemar Woehl.
For violin (oboe, flute,
or recorder can be
substituted), keyboard
and basso continuo.
Format: set of
performance parts
(includes separate pull
out violin and continuo
parts). With solo part,
basso continuo part,
keyboard realization and
introductory text.
Baroque. 88 pages. 9x12
inches. Published by
Hortus Musicus.
(1)$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solos for the Intermediate Violinist, Volume 2 Violon et Piano [Reduction] - Intermédiaire Last Resort Music Publishing
Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. R...(+)
Edited by Gail Acosta.
Arranged by Daniel
Kelley. For Violin and
Piano. Solos. Recital.
Level: Intermediate.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
$24.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An Anthology of Piano Music for the Left Hand Alone Piano seul Carl Fischer
Chamber Music Piano SKU: CF.PL1072 Edited by Ruby Morgan. Collection. 168...(+)
Chamber Music Piano
SKU: CF.PL1072
Edited by Ruby Morgan.
Collection. 168 pages.
Carl Fischer Music
#PL1072. Published by
Carl Fischer Music
(CF.PL1072). ISBN
9781491160244. UPC:
680160918836. An
Anthology of Piano Music
for the Left Hand Alone
marks a rare and
significant entry to the
piano literature as one
of the only collections
of the oft-neglected
left-hand piano
repertoire. Serious
literature for the left
hand alone has a long and
storied past. Contained
within this volume, the
serious advanced pianist
will find a wealth of
artistically satisfying
repertoire for the left
hand that will not only
strengthen the technical
development of the left
hand, but also make for
impressive showpieces on
the recital stage.This
volume includes hitherto
unpublished gems like
Earl Wild's Etude No. 3
for the Left Hand Alone
(Based on
Gershwin’s The Man
I Love) and Ruth Wylie's
Soliloquy for Piano, Left
Hand, Op. 23, as well as
established classics of
the repertoire like
Godowky's Chopin
arrangements, and even
modern and contemporary
additions like
Bartok’s Etude for
the Left Hand and
Corigliano's Etude No. 1
for the Left Hand
Alone. $39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Johann Sebastian Bach: Sonatas and Partitas for Violin Solo
Violon et Piano [Partition] Schott
Composed by Johann Sebastian Bach (1685-1750). Collection for violin solo. With ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Collection
for violin solo. With
introductory text,
performance notes,
bowings and fingerings.
Text language English,
German, and French. 88
pages. Published by
Schott.
(2)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Johann Sebastian Bach: Sonatas And Partitas For Violin Solo
Violon Peters
Composed by Johann Sebastian Bach (1685-1750), edited by Carl Flesch. BWV 1001-1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Carl Flesch. BWV
1001-1006. Violin solo
book for violin. With
performance notes. 105
pages. Published by C.F.
Peters.
(1)$25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Etudes for Harp Harpe [Partition] Carl Fischer
Selected from Bach Sonatas and Partitas for Unaccompanied Violin. By Johann Seba...(+)
Selected from Bach
Sonatas and Partitas for
Unaccompanied Violin. By
Johann Sebastian Bach.
For Harp Solo.
Bach-Grandjany.
Classical. Soft Cover. 63
pages. Published by Carl
Fischer.
(1)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Johann Sebastian Bach: Sonatas and Partitas
Violon [Partition] - Avancé Schirmer
Composed by Johann Sebastian Bach (1685-1750), arranged by Eduard Herrmann. For ...(+)
Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Eduard Herrmann. For solo
violin. Schirmer's
Library, volume 221.
Format: violin solo
songbook. With standard
notation. Baroque. 61
pages. 9x12 inches.
(14)$10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chaconne from Partita no. 2 (Johann Sebastian Bach) Piano seul - Avancé G. Henle
Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750...(+)
Arrangement for Piano,
left
Hand. Composed by Johann
Sebastian Bach
(1685-1750).
Edited by Valerie
Woodring
Goertzen. Arranged by
Johannes Brahms. Sheet
music.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1187. Published
by
G. Henle
$11.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata for Solo Violin Violon Merion Music
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530). ISBN
9781491136614. UPC:
680160687992. A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonatas and Partitas Violon Ricordi
For Solo Violin. Composed by Johann Sebastian Bach. Edited by Fulvio Luciani...(+)
For Solo Violin. Composed
by
Johann Sebastian Bach.
Edited
by Fulvio Luciani. String
Solo. Classical.
Softcover.
112 pages. Ricordi
#ER00309500. Published by
Ricordi
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Great Instrumental Works of J. S. Bach-Transcribed for Solo Electric Bass Basse electrique [Partition] - Intermédiaire Mel Bay
Electric bass guitar - Intermediate SKU: MB.97745 Transcribed for Solo...(+)
Electric bass guitar -
Intermediate SKU:
MB.97745
Transcribed for Solo
Electric Bass.
Composed by Johann
Sebastian Bach. Edited by
Bennet Cohen.
Saddle-stitched, Solos,
Perfect binding,
Classical. Baroque. Book.
56 pages. Mel Bay
Publications, Inc #97745.
Published by Mel Bay
Publications, Inc
(MB.97745). ISBN
9780786607730. UPC:
796279036719. 8.75 x
11.75 inches. Transcribed
by Bennet
Cohen. While many
electric bassists study
the Bach cello suites at
some point, few attempt
the sonatas and partitas
for unaccompanied violin
BWV 1001-1006 . Composed
around 1720, the sonatas
and partitas display rich
polyphonic writing,
unlike the simpler
monophonic cello suites.
This collection features
a challenging but
rewarding transcription
of the complete A minor
Violin Sonata BWV 1002 ,
which fits particularly
well on the bass. Also
included are the
well-known gavotte en
rondeau from the E major
violin partita BWV1006
and the complete A minor
partita for solo flute
BWV 1013 , transposed
here to D minor. Finally,
an arrangement of the
familiar chorale Jesu,
Joy of Mans Desiring from
BWV 147 takes advantage
of the basss natural and
artificial harmonics.
Performance notes are
included. Written in
notation and tablature
for the 4-string electric
bass. $14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Partita No. 2 Piccolo [Conducteur] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo
SKU: PR.114422450
Composed by Johann
Sebastian Bach. Arranged
by Nicola Mazzanti. Sws.
Full score. 20 pages.
Duration 17 minutes.
Theodore Presser Company
#114-42245. Published by
Theodore Presser Company
(PR.114422450). ISBN
9781491134986. UPC:
680160685974. 9 x 12
inches. Bachâs
colossal Partita No. 2
for Solo Violin has been
crowned by many masters
as one of musicâs
greatest achievements,
and even its famous
Chaconne movement alone
is a mountain many
performers dare not
scale. While the
literature of several
other instruments has
been enriched by
transcriptions of the
Chaconne, Mazzantiâs
heroic adaptation of the
complete Partita is the
culmination of many
yearsâ work, and the
only transcription
specifically for the
piccoloâs unique
range. THE
INSPIRATIONEver since my
childhood, Johann
Sebastian Bachâs
solo violin music (like
his works for solo cello)
has always held a charm
and mystery for me.
Thereâs something
about this repertoire
that sparks an
inextinguishable
questioning in my musical
and human soul.It is
music without spatial
limits or temporal cages,
a music as essential as
it is masterfully
complex, in which the
solitary voice of man
meets the
all-encompassing voice of
God. It is a music whose
vertical and horizontal
dimensions, already
admirably fused, are
faceted into new and
mysterious realities. For
every violinist, the
study of these
compositions is at the
apex of tenacious
technical study and
interpretative
effort.Violinist Joshua
Bell has said the
Ciaccona (Bach did write
the Partitaâs
movement titles in
Italian) is ânot
just one of the greatest
pieces of music ever
written, but one of the
greatest achievements of
any man in history.
Itâs a spiritually
powerful piece,
emotionally powerful,
structurally
perfect.âTranscribin
g and performing
Bachâs PARTITA NO.
2, BWV 1004 on piccolo
was a feat that took
years of work. The famous
Ciaccona movement is, of
course, the piece that
alone occupied most of
this time. How does one
honor and elevate such
high music with such a
âsmallâ
instrument, devoid of the
enormous expressive
potential of the violin,
devoid of its chords and
its polyphony? How might
I transform the piccolo
into an instrument with,
like the violin,
full-bodied low notes and
subtle high notes? Above
all, why undertake such a
demanding and
extraordinary journey?The
first reason is obvious:
by transcribing,
studying, and performing
such an admirable piece,
we assimilate it, it
becomes part of us, it
enormously enriches our
musical interior.In
addition, it forces us
technically to expand the
colors, agility, and
flexibility of the
instrument; it makes us
think in a polyphonic
way.Finally, the daily
study, especially of the
Ciaccona, is an
extraordinary gymnasium
in which to consolidate
and strengthen our
general technique.THE
TRANSCRIPTIONThe whole
Partita was transcribed
in the key of A minor, a
fifth above the original
in D minor. This was
necessary for the lowest
note of the violin (G) to
correspond to the lowest
note of the piccolo (D).
This version exploits the
full range of the
piccolo, from the D of
the first octave to the B
of the third octave.
However some octave
adjustments were
needed.The chords,
particularly in the
Sarabanda and the
Ciaccona, have been left
with the same notational
system used by Bach in
his version for violin. I
chose to respect
Bachâs presentation
and did not transcribe
these into grace notes
breaking the chords. I
advocate that we must at
least try to think of
this music in its
vertical dimension,
trying to make the notes
resonate as if they were
being played together,
deciding the speed of the
arpeggio based on musical
needs.While some woodwind
editions of Bachâs
string solos do indicate
broken chords as grace
notes, this implies that
the most important note
is necessarily the
highest one, while
sometimes it is precisely
in the lower pitches that
the theme is voiced.In
this piccolo adaptation,
many of Bachâs
original articulations
have been respected. Some
have been changed, when
needing to adapt them to
the specific needs of
flute playing.The two
passages in the Ciaccona
where Bach indicates
âarpeggioâ were
rendered trying to
respect the most
consolidated and virtuous
violin traditions, and at
the same time the
possibilities that the
piccolo offers us. For
this purpose, in some
cases, different
revoicings of the chords
have been used.I thank
all those who patiently
listened to me and were
close to me during this
period, for their
observations and advice.
In particular, I thank my
daughter Sara for her
assistance and skill in
entering this edition
into music writing
software. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arabesque / Preludiando Piano seul Editorial de Musica Boileau
Piano SKU: BO.B.3288 Composed by Jordi Cervello. Duration 7:00. Published...(+)
Piano SKU:
BO.B.3288 Composed by
Jordi Cervello. Duration
7:00. Published by
Editorial de Musica
Boileau (BO.B.3288).
ISBN
9790350303760. Engl
ish comments:
ARABESQUE: Is a subtle
and smooth movement of a
virtuous disposition
based on fast uses of
triplets. These oscillate
weaving a parabolic
picture within a romantic
atmosphere. The music
disappears gently and
mysteriously.
PRELUDIANDO: Is the
adaptation for piano of
the famous prelude of the
III Partita for solo
violin by J. S. Bach.
Staccato and legato,
vigour and softness
freely run through the
Prelude which is
integrated through a
dramatic pedal before its
end. Recording: Columna
Musica.
Comentarios del
Espanol: ARABESQUE Es
un sutil y escurridizo
movimiento de caracter
virtuosistico basado en
rapidas figuraciones de
seisillos. Estos oscilan
tejiendo un dibujo
parabolico dentro de una
atmosfera romantica. La
musica desaparece suave y
misteriosamente.
PRELUDIANDO Es la
transformacion pianistica
del celebre preludio de
la III Partita para
violin solo de J. S.
Bach. Staccato y legato,
vigor y suavidad recorren
libremente el Preludio
que se instalara en un
dramatico pedal antes de
su conclusion. Grabacion:
Columna Musica. $12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bach, Johann Sebastian: Sonatas and partitas BWV 1001-1006 for Violin solo
Violon et Piano [Partition] - Intermédiaire/avancé G. Henle
with 2 Violin Parts (1 Part with editorial annotations) - for Violin solo. By Jo...(+)
with 2 Violin Parts (1
Part with editorial
annotations) - for Violin
solo. By Johann Sebastian
Bach. Edited by Klaus
Ronnau. Violin. Pages:
VII and 62 * Vl Part with
editorial annotations =
VII and 62. Urtext
edition-paper bound.
Published by G. Henle.
$34.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata I/Partita II Clarinette Basse [Conducteur] Alea Publishing
Composed by Johann Sebastian Bach (1685-1750). Arranged by Michael and Kimberly ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Michael and Kimberly
Davenport. For solo bass
clarinet. Classical;
baroque period. Score.
Published by Alea
Publishing
$20.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bach Piano seul Forsyth Publications
By Johann Sebastian Bach (1685-1750). For Piano. Published by Forsyth Publicatio...(+)
By Johann Sebastian Bach
(1685-1750). For Piano.
Published by Forsyth
Publications
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Partita In A Violon Carl Fischer
Chamber Music Violin SKU: CF.B3476 Composed by Ulysses Kay. Performance S...(+)
Chamber Music Violin
SKU: CF.B3476
Composed by Ulysses Kay.
Performance Score. 24+12
pages. Carl Fischer Music
#B3476. Published by Carl
Fischer Music (CF.B3476).
ISBN 9781491162309.
UPC:
680160921058. Among
his many other honors and
scholarships,
groundbreaking composer
Ulysses Kay was the first
African-American to
receive the Prix de Rome
award that offered
promising composers the
opportunity to travel and
study in Italy. Kay
received this prize twice
between 1946 and 1952 and
it was during his
residency at the American
Academy in Rome that Kay
wrote Partita in A for
solo violin. Premiered on
April 15, 1952, the
colorful suite contains
four contrasting
melodies: Prelude,
Burlesca, Interlude, and
Echo. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gavotte Basson, Piano (duo) Schott
Bassoon and Piano. Composed by Naji Hakim (1955-). Woodwind Solo. Classical....(+)
Bassoon and Piano.
Composed
by Naji Hakim (1955-).
Woodwind Solo. Classical.
Softcover. Schott Music
#FAG38. Published by
Schott
Music
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Intermediate Music for Four, Volume 2, Part 3 - Violin [Partie séparée] - Intermédiaire Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Violin in C. Quartets. Intermediate M...(+)
By Various. Arranged by
Daniel Kelley. For Violin
in C. Quartets.
Intermediate Music for
Four. Classical.
Intermediate. Part 3.
Published by Last Resort
Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intermediate Music for Four, Volume 2, Part 1 - Flute/Oboe/Violin [Partie séparée] - Intermédiaire Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin in C. Quartet...(+)
By Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin in C.
Quartets. Intermediate
Music for Four.
Classical. Intermediate.
Part 1. Published by Last
Resort Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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